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‘The Gett,’ a play about Jewish divorce, stems from an unlikely marriage between a Brooklyn synagogue and a theater company
(New York Jewish Week) — Despite being named for a Jewish bill of divorce, ‘The Gett” is a new off-Broadway play that began as a marriage between a Reform synagogue in Brooklyn and a West Village theater company that specializes in “diverse, challenging and provocative” works.
At Park Slope’s Congregation Beth Elohim, Associate Rabbi Matt Green had been trying to expand programming for “cultural Jews” — those who don’t necessarily feel religious or connected to a denomination, yet know they are Jewish and want to be Jewish.
Meanwhile, at the Rattlestick Theater, artistic director Daniella Topol had just put on a play about the Catholic nuns who started downtown’s St. Vincent’s Hospital in the 19th century, and wanted to direct a play about Judaism for her next project.
When Topol and Green were introduced in 2018 by Rosalee Lovett, who sat on the boards of both institutions, co-commissioning a play seemed like a natural fit — however unconventional.
The result is “The Gett: Or How a Woman Created Herself,” an original play produced by Congregation Beth Elohim and showing at the Rattlestick through Dec. 11. The 95-minute production — written by and starring Liba Vaynberg — centers on Ida, a recent divorceé navigating her relationship with herself, her mother, her ex-husband Baal, Judaism and God. With the plot points structured around the seven days of creation, Ida’s relationship with her Baal (in Hebrew the word can mean “master” or “husband”) is laced with a double meanings. The viewer can see the couple’s sometimes dangerous and sometimes loving relationship as a metaphor for the Jewish people’s relationship with God.
“These are organizations that have gone deeply into what they do and do it well,” Vaynberg told the New York Jewish Week. “CBE is bringing the best it has and Rattlestick is bringing the best it has — as opposed to a situation where everybody’s bringing half. It’s a very full marriage.”
“What’s powerful about this play is that it has been a really community-based development and a really thoughtful development in partnership between a synagogue and a theater,” said Topol, noting that this is the Rattlestick’s first-ever Jewish play, and first partnership with a synagogue.
Despite the biblical trappings in “The Gett” — which also stars Jennifer Westfeldt, Ben Edelman and Luis Vega — the play is funny and modern. “We’ve tried a number of different things, but so far, this is one of our greatest successes to offer content that’s serious for people who call themselves culturally Jewish,” Green told the New York Jewish Week. “It’s really important to me that this play fosters a broader conversation, even in some small way, about what our institutions can be doing differently.”
Performances have been full so far at the 99-seat theater, with CBE encouraging congregants to see the show by offering group trips and programming surrounding the play, including talkbacks with Rabbi Green that explore the Jewish themes in the show. On Friday night performances, CBE holds Kabbalat Shabbat gatherings with the audience before the show.
Ben Edelman and Liba Vaynberg in “The Gett.” (The Chamber Group)
“We tend to deride cultural Judaism as if it’s somehow flimsy, or unserious, but if you look at the Pew study, it’s the fastest growing self-identified demographic in our community,” added Green, who also leads Congregation Beth Elohim’s “Brooklyn Jews” cohort, which is a community of younger congregants who are looking to engage Judaism through culture, food and ritual. “Yet we spend very little time as a Jewish establishment trying to really understand what cultural Judaism is.”
Other recent efforts to include these “cultural Jews” include reading and discussion seminars on queer Jewish writers, a meditation group and, perhaps most notably, an “intergenerational mixer” held in partnership with the lifestyle brand “Old Jewish Men of New York,” which got a write-up in the New York Times Styles section.
As for theater, the play really stemmed from CBE and Rattlestick’s desire to work together after realizing their mutual ambitions and interests.
At the Rattlestick, “We really focus as a theater on finding ways to look at stories that deal with the complexity of our culture,” Topol said. “I had been thinking for a while that we wanted to do something that related to the complexity of the American Jewish experience.”
It was something the theater community clearly was interested in as well: When Topol and Green opened a call for submissions, they received over 100. Vaynberg’s play was selected in early 2020.
For Topol, who is Jewish but always saw her Judaism as separate from her directing career, it was a theme close to her heart. “In terms of what Jewish stories are represented on the stage, it feels like there’s some room to really explore some of those key questions that American Jews are wrestling with: identity, intermarriage, having children, ritual, how much do you carry on ritual or not, what your affiliation is or isn’t with Israel, with the Holocaust, with politics,” she said.
“It’s a swirl of all of those sorts of questions that felt kind of worth some creative expression in terms of the theater,” Topol added. (As it happens, “The Gett” will be the last play Topol directs in her six-year career with the Rattlestick — next, she will switch careers and study to become a nurse.)
Once Vaynberg’s play was selected in early 2020, the playwright unexpectedly had extra time to finesse the show. Due to the COVID-19 pandemic, the Rattlestick closed temporarily and put the production on pause.
Vaynberg used the extra time to increase community involvement. She spoke with several women who are synagogue members who had gone through a divorce. She and Green conducted several roundtable discussions and focus groups to further explore congregants’ Jewish identities and how it has manifested in their relationships.
Vaynberg and Green created a “chavrusa,” a study partnership, to explore biblical and religious implications of the questions she had about creation, Jewish marriage and divorce and how much power a person has in their relationship with God.
Some themes in the play probe the same questions about cultural Judaism that Green had been asking at CBE. Protagonist Ida, for example, deeply cares about her Judaism and Jewish identity, and yet has trouble explaining just why and how it’s so important to her on a date with a non-Jewish man.
“By going to this play, you are engaging with Judaism,” Green said. “It’s not just about inspiring people to be involved with Judaism, but actually, it is a Jewish act to see this play.”
“This isn’t something synagogues do — it’s sort of strange,” Green remarked. “We want to do things differently and we as a congregation, want to inspire other congregations, other Jews, to do things differently.”
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Jeffries Ends the Suspense, Endorses Mamdani in NY Mayor’s Race
Zohran Mamdani, a New York City mayoral candidate, speaks on Primary Day at a campaign news conference at Astoria Park in Queens, New York, United States, on June 24, 2025. Photo: Kyle Mazza vis Reuters Connect.
US Representative Hakeem Jeffries of New York, a top elected Democrat in the US Congress, on Friday endorsed Zohran Mamdani in the race for mayor of New York City, four months after the New York State assemblyman won the Democratic Party nomination.
The long delay in the House Democratic leader’s embrace of the 33-year-old self-described democratic socialist came after a steady stream of questions from journalists on whether he ever would go to bat for Mamdani, and as Republicans keep asserting that Democrats are too far-left for the nation.
“I deeply respect the will of the primary voters and the young people who have been inspired to participate in the electoral process,” Jeffries said in a statement. “Zohran Mamdani has relentlessly focused on addressing the affordability crisis and explicitly committed to being a mayor for all New Yorkers,” he said.
Jeffries’ Brooklyn congressional district is part of New York City.
His endorsement of Mamdani, who shocked political observers on June 24 with a convincing victory in the mayoral primary, comes just 11 days before the city’s November 4 general election.
Senate Democratic Leader Chuck Schumer, also of New York, has so far withheld any endorsement in the mayoral race.
Mamdani is running against a field of candidates that includes former Democratic Governor Andrew Cuomo, who opposed him in the Democratic primary and is now running as an independent.
Republican President Donald Trump has called Mamdani a “communist” and has hinted that he might deploy the National Guard to New York if he becomes mayor.
Republicans in the deeply divided US Congress have taken cues from Trump and used terms such as “communists,” “socialists” and “Marxists” in an attempt to paint even less liberal Democrats as being out of step with the national electorate.
Next month’s New York City election, along with governors’ elections in Virginia and New Jersey, are being closely watched as possible indicators of each party’s prospects in 2026.
Midterm elections next year will determine whether Republicans hold onto their narrow majorities in the House and Senate, with many races already shaping up.
Jeffries said Mamdani has pledged to make public safety of New York’s large Jewish community a priority amid “a startling rise in antisemitic incidents.” Progressives and moderates within the Democratic Party have often been at odds over US policy toward Israel and its massive bombing campaign of Gaza over a two-year period, triggered by an attack within Israel by Hamas.
On Thursday, New York Mayor Eric Adams, who is not running for re-election, endorsed Cuomo in a move seen as attempting to undercut Mamdani.
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Netanyahu, Rubio Discuss Implementation of Gaza Ceasefire as Top US Diplomat Rounds Off One-Day Trip
Israeli Prime Minister Benjamin Netanyahu attends a joint press conference with US Secretary of State Marco Rubio at the Prime Minister’s office in Jerusalem, Feb. 16, 2025. Photo: Ohad Zwigenberg/Pool via REUTERS
Israeli Prime Minister Benjamin Netanyahu held a phone call with US Secretary of State Marco Rubio on Saturday as the top US diplomat concluded his brief visit to Israel.
They discussed the outcomes of the visit and reaffirmed “the deep and enduring partnership between Israel and the United States,” according to a statement from Netanyahu’s office.
Netanyahu thanked Secretary Rubio for his steadfast support and for his “commitment to strengthening the US-Israel alliance during these challenging times.”
The Prime Minister and The Secretary of State emphasized their shared commitment to continue close cooperation to advancing the common interests and values that unite the United States and Israel, first and foremost, the return of the remaining deceased hostages and the disarming Hamas and demilitarization of Gaza.
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New book by Carol Matas to be the centrepiece of upcoming Jewish Heritage Centre Kristallnacht program
By MYRON LOVE Belle Jarniewski, the executive director of the Jewish Heritage Centre of Western Canada, has high praise for Carol Matas’s newest book, ”A Storm Unleashed,” which is scheduled to be launched on Monday, November 10, at 7:00 P.M. at the Campus (in the multipurpose room) as part of our community’s annual commemoration of Kristallnacht – that infamous day in November, 1938, when the Nazis launched their first co-ordinated physical assault on Germany’s Jewish population.
Jarneiewski described the new novel as “striking” and a welcome new addition to Holocaust education in the school system.
Matas will be discussing her new novel on Novemebr 10 in conversation with Jarniewski and Holocaust educator Kelly Hiebert.
According to the author, “A Storm Unleashed” is the story of the Nazis’ little-studied dog breeding and training program. “I came across this program while doing research for an earlier book,” she says. “The program produced over 200,000 dogs who were instrumental in helping the Nazis with the round-ups, getting Jews onto the trains and in cowing prisoners in the concentration and death camps.”
As with most of Matas’s books, the central character is a teenager – 13-year-old Mia – who is living with her widowed Jewish father and her dog, Max, in Berlin. (Her mother wasn’t Jewish.) Her father happens to be a veterinarian who is pulled into this training program,” Matas notes.
Considered a “Mishlinge” (a child of one “Aryan” parent and a second Jewish parent), the novel traces Mia’s story from a happy childhood to the day-to-day nightmare that characterized Nazi Germany.
Carol Matas is another of many hidden gems in our community. In a writing career that is approaching 50 years, “A Storm Unleashed” is her 50th book. She is quietly introducing her 51st book, “Kai and the Golem,” with a reading to Grade 1 to 3 students at Gray Academy.
I first Interviewed Carol more than 45 years ago – for an article in the Jewish Post. As I recall, she had been an in-demand actor who started writing to fill her time between acting assignments. After her children were born, she retired from acting and devoted herself entirely to writing because it was a way to remain creative while at home raising children.
Her first books were in the science fiction genre. She soon began exploring issues of antisemitism and Jewish history with a focus on teenage Jewish main characters, written for a younger readership. In that earlier interview, she noted that her books were centered around Jewish themes.
In recent years. she reports, “she has been working with a new genre – picture books. “I worked with a mentor and learned a lot,” she says. “ I also have finished a dystopian novel about a world where all the Jews have been removed. One young girl slowly starts to uncover her Jewish heritage.
“I don’t have a publisher for that one yet.”
Matas says that she is happy to be able to continue writing. “I still enjoy it,” she concludes. “And I very much want to contribute to Holocaust education for young people. I think that that is very important.”
Interested readers can register for the Kristallnacht program by going online at jewishheritage@jhcwc.org or by phoning 204 477-7460. Proceeds from the sale of the book will go toward Holocaust education.