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The Jewish Telegraphic Agency’s 10 most-read stories of 2022

(JTA) — From the very beginning of the year, 2022 was anything but easy for American Jews. 

The year began with a harrowing crisis at a synagogue in Colleyville, Texas, during which an armed assailant took a rabbi and three of his congregants hostage during Shabbat services.

From there, Jewish communities across the United States weathered book bans that targeted revered Holocaust stories, and more recently, a high-profile spate of antisemitism by one of the world’s biggest pop stars that has inspired antisemitic extremists.

But it wasn’t all bad news. Jews grabbed starring roles in TV and film, on game shows and on TikTok. Through it all, the Jewish Telegraphic Agency tracked each development, from the highest of highs to the lowest of lows — and JTA readers came along for the ride. 

Here are our 10 most-read stories of the year.

10. Meet Danielle Finn, the Modern Orthodox high schooler bringing her voice to ‘American Idol’ by Sarah Rosen (Feb. 25)

Danielle Finn, a 17-year-old young Orthodox Jewish woman from Los Angeles, will be featured in the upcoming season of American Idol. (ABC/Eric McCandless)

Los Angeles teen Danielle Finn competed in this year’s season of the popular TV singing competition show “American Idol.” The 17-year-old wore a chai necklace to her audition, telling JTA, “I feel like I’m making a great representation of the Jewish community.”

9. The great ‘Maus’ giveaway is on as bookstores, professors and churches counter Tennessee school board’s ban by Andrew Lapin (Jan. 28)

Art Spiegelman, author of Maus, poses in Paris, March 20, 2012. (Bertrand Langlois/AFP via Getty Images)

When a rural Tennessee school board pulled the celebrated Holocaust graphic novel “Maus” from the district’s curriculum, backlash was swift.

A local comic-book store gave away the book for free to every student in the county, a nearby church held a discussion on its themes and a college professor offered free classes on the book to students in the county. Author Art Spiegelman even Zoomed with locals.

8. Comedian who went viral after having beer thrown at her makes a very Jewish TV debut on ‘Jimmy Kimmel Live’ by Caleb Guedes-Reed (Oct. 25)

Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)

Jewish comedian Ariel Elias went viral for her response to a heckler who threw a beer can at her during a stand-up set at a New Jersey comedy club. 

Elias’ fame earned her an appearance on “Jimmy Kimmel Live!” — her television debut — where she performed a very Jewish set. “I’m Jewish and from Kentucky,” she said to applause. “That’s an insane origin story.”

7. Kanye West’s vow to ‘go death con 3’ on Jews and his antisemitism controversy, explained by Philissa Cramer and Ron Kampeas (Oct. 12)

Kanye West attends the Givenchy Spring-Summer 2023 fashion show during the Paris Womenswear Fashion Week, Oct. 2, 2022. (Julien de Rosa/AFP via Getty Images)

Perhaps the biggest Jewish narrative of 2022 kicked off in October, when rapper Kanye West, who also goes by Ye, unleashed a series of antisemitic comments on social media, initiating a cascading series of consequences for one of the world’s largest pop stars.

We explained the scandal, and the many responses and subsequent stories that continue to develop. More on West below.

6. Jon Stewart vs. Hannah Einbinder: Jewish comedians weigh in on Dave Chappelle’s ‘SNL’ monologue by Jackie Hajdenberg (Nov. 17)

Jewish comedians Jon Stewart and Hannah Einbinder had opposite reactions to comedian Dave Chappelle’s monologue on ‘Saturday Night Live.’ (Screentshots via YouTube. Image via Getty. Design by Grace Yagel.)

Scandal begets scandal. In the wake of the Kanye West episode, comedian Dave Chappelle hosted “Saturday Night Live,” joking in his monologue about Jews running Hollywood.

Jewish comedian and “Hacks” star Hannah Einbinder said Chappelle’s monologue was “littered with antisemitism,” while fellow Jewish comedian Jon Stewart defended Chappelle.

5. Our breaking news coverage of the Colleyville, Texas, synagogue hostage crisis by Ron Kampeas and Andrew Lapin (Jan. 15) 

The chair and the teacup from the Colleyville, Texas, synagogue hostage crisis will be entering the American Jewish history museum in Philadelphia. (Images courtesy of Weitzman National Museum of American Jewish History and Emil Lippe/Getty Images. Photo illustration by Mollie Suss)

On Saturday, Jan. 15, all eyes were on Congregation Beth Israel in Colleyville, Texas, where a gunman took Rabbi Charlie Cytron-Walker and three of his congregants hostage during Shabbat services. 

The standoff lasted 12 hours, and all four hostages left unharmed. The assailant was killed. The incident renewed attention to synagogue security, and to questions of how to balance safety and inclusion.

4. Texas school district orders librarians to remove a version of Anne Frank’s diary from shelves by Andrew Lapin (Aug. 16)

“Anne Frank’s Diary: The Graphic Adaptation” (Courtesy Anne Frank Fonds)

Less than 10 miles from Colleyville, the school district in Keller, Texas, made headlines last summer when librarians were ordered to remove an illustrated adaptation of “The Diary of Anne Frank” from their shelves and digital libraries.

“It’s disgusting. It’s devastating. It’s legitimate book banning, there’s no way around it,” Laney Hawes, a parent of four children in the Keller district, told JTA. “I feel bad for the teachers and the librarians.”

3. Emma Saltzberg didn’t expect to win on ‘Jeopardy!’ — but criticism of her Israel activism came as no surprise by Philissa Cramer (Feb. 9)

Emma Saltzberg, a Jewish activist from Brooklyn (by way of Philadelphia), won nearly $60,000 on “Jeopardy!” in February 2022. (Screenshot)

From her years of experience in progressive Jewish groups, including IfNotNow, Emma Saltzberg knew that her appearance on one of the most popular TV shows in the United States would likely generate negative comments from those who believe criticizing the occupation is antisemitic.

“That was priced in to my decision to do something public,” she told JTA shortly after winning $60,000. “I was totally expecting it.” What she hadn’t counted on, she said, was her fellow contestants standing up for her. 

2. Michelle Williams, who plays Steven Spielberg’s mother in ‘The Fabelmans,’ says she plans to raise her children Jewish by Philissa Cramer (Nov. 25)

Paul Dano, Steven Spielberg and Michelle Williams attend “The Fabelmans” premiere during the 2022 Toronto International Film Festival, Sept. 10, 2022. (Michael Loccisano/Getty Images)

Actress Michelle Williams isn’t Jewish, but her children will be.

In press coverage of her latest movie, Steven Spielberg’s autobiographical “The Fabelmans,” she said that she and her Jewish husband, director Thomas Kail, are raising their two young children with Judaism and that she is studying the religion herself.

“I can’t teach it to them unless I learn it first,” said Williams, who was raised Christian.

1. The Nazi history of Adidas, the sportswear giant that took weeks to drop Kanye West over antisemitism by Andrew Lapin (Oct. 24)

(Getty Images)

In the fallout over West’s antisemitism, one of the biggest storylines was the rapper’s lucrative relationship with sportswear company Adidas, which itself has a complex history with antisemitism. 

Adidas ultimately severed ties with Ye, after weeks of criticism and pressure. With the company in the spotlight, we took a look at its Nazi history — something Adidas has rarely addressed publicly. 

From all of us at The Jewish Telegraphic Agency, thank you for reading! We look forward to covering the next chapter of the unfolding Jewish story in 2023. As always, feel free to reach out with tips, questions or feedback, and if you value the journalism we produce, please consider supporting us with a tax-deductible donation.


The post The Jewish Telegraphic Agency’s 10 most-read stories of 2022 appeared first on Jewish Telegraphic Agency.

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New Cooking Show Competition ‘The Great Bubby Cook-Off’ Celebrates Jewish Food, Family Recipes

The four contestants on “The Great Bubby Cook-Off.” Photo: Manischewitz

An original cooking show competition that celebrates Jewish home cooking and family recipes premiered Friday on Kosher.com.

The four finalists on “The Great Bubby Cook-Off,” presented by the famous Jewish food brand Manischewitz, include a “bubby” from Delray Beach, Florida, and another from Manhattan, New York, and two contestants from Flushing, New York, and West Hartford, Connecticut, who were competing with “bubby-inspired recipes.”

The contestants were selected to compete on the show following a nationwide casting call. Home cooks submitted videos of themselves preparing their favorite Jewish dishes, including family recipes passed down through generations and personal twists on classic dishes. After online voting that was open to the public, four finalists were chosen to advance to a live cook-off in New York City in November.

The winner, to be revealed exclusively on the show, will be crowned “Bubby 2025” and receive a $5,000 cash prize, a featured appearance on the Manischewitz Food Truck as it tours the New York City area, and other prizes. The show is hosted by chef and cookbook author Naomi Nachman.

“‘The Great Bubby Cook-Off’ celebrates exactly what Kosher.com is all about — honoring tradition while inspiring a new generation of home cooks,” said Goldy Guttman, director of Kosher.com, in a released statement. “These bubby recipes carry stories, memories, and culture, and bringing them to life on screen allows us to share the heart of Jewish home cooking with audiences everywhere.”

“‘The Great Bubby Cook-Off’ is about so much more than cooking,” added Shani Seidman, chief marketing officer of Manischewitz. “It’s about honoring the women who shaped our traditions, our tables, and our memories — and celebrating the dishes that bring families together.”

More episodes of “The Great Bubby Cook-Off” will be announced throughout 2026. The show is free to watch, and an additional episode is under consideration that will include a behind-the-scenes look into the competition and judging, according to Manischewitz.

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On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy

Rabbi Rafi Ellenson was getting ready for a full day of rabbinic duties in September when he jokingly asked a colleague, “What do I wear that’s appropriate both for religious school and a shiva?”

After some light-hearted deliberation, Ellenson, who works as an assistant rabbi for Congregation Shir Hadash, a Reform synagogue in Los Gatos, California, said they realized his wardrobe dilemma might deserve a spotlight on social media.

“We were like, oh, this would be a really fun idea for an Instagram account,” said Ellenson. It would show what rabbis are wearing and “the absurd things they have to do every day, dressing for 20,000 occasions and for 50,000 people.”

For help turning his idea into reality, Ellenson called Rabbi Arielle Stein, an assistant rabbi at Congregation Rodeph Sholom, a Reform synagogue on the Upper West Side of Manhattan, whom he had met in Jerusalem in 2019.

After some deliberation, the pair created Rabbinic Fit Check, an Instagram account billed as “a style diary for the rabbinate and beyond.”

“We’re trying to show diversity of rabbis, diversity of genders, diversity of expression,” said Ellenson. “There’s no one model, and there’s no one model in the real world, so we don’t want to feature only one model on the account.”

So far, Rabbinic Fit Check has featured 57 rabbis, clergy members and students from a range of denominations and garnered over 1,300 followers. The outfits range from cozy sweaters and “sensible” office wear to zebra-print skirts and a fashion-forward Delfina Balda pant suit.

“It’s nice to see that rabbis look like more than just that old oil painting of someone in a black coat,” said Rabbi Allison Poirier of the Conservative synagogue Temple Aliyah in Needham, Massachusetts. “It’s nice to see that we’re out here as new people, as colorful people of all ages and shapes and sizes, which I think in the world I work in, most people know, but it’s just nice to uplift that.”

Indeed, a new national study of the American rabbinate released last month by the Atra Center for Rabbinic Innovation found that 51% of the rabbinical students surveyed identified as LGBTQ+. According to the Atra report, 58% of rabbis surveyed identify as women, 30% as men, and 12% as nonbinary.

But the diversification of the rabbinate has also underscored a broader trend, with rabbis more often taking on an engaged, hands-on role rather than the old model of the “sage on the stage.”

Stein, who had already gone viral for her rabbinic style videos on social media and was featured in Vogue last month for her videos on clergy-friendly shoe choices, said the pair’s Instagram account has also come to serve another purpose: showing the rabbinate in a more intimate light.

“I think especially for our generation of rabbis, we’re real people, these are important ways that people can connect with us and build trust and understanding,” said Stein. “We’re not pretending that we’re somebody at work and somebody at home.”

Rabbinic Fit Check posted its inaugural outfits from Stein and Ellenson in mid-October. The pair then reached out to their colleagues for submissions, and users soon asked to be featured.

Poirier said that she had been drawn to post her style (J. Crew blazer, Birdy Grey dress, her sister’s thrifted sweater) because of the account’s “diversity and also the light-heartedness,” which she said offered a contrast to reality.

“Everything is so, so heavy right now, and a lot of our day is rightly dealing with some of the heaviness, and it’s nice to just have something that also uplifts rabbis as fun, joyful people, kind of expressing ourselves in this cute, silly way,” said Poirier.

 

View this post on Instagram

 

“Rabbis are kind of in the zeitgeist in a lot of different ways, and there’s a lot to say about that both positive and negative, and certainly we’re tapping into some of that,” said Ellenson. “But I think we’re approaching an angle of we’re humans who have these cool jobs, and we want to show parts of ourselves through our clothing and express ourselves more fully and completely, and not bifurcate these two segments of our lives.”

Einav Rabinovitch-Fox, a professor at Case Western Reserve University who wrote a history of women’s fashion, said that she viewed the Rabbinic Fit Check account as part of a “new phenomenon” in which the public image of the rabbinate was shifting. She pointed to Nobody Wants This, the Netflix show starring heartthrob Adam Brody as a young Los Angeles rabbi that first aired in September 2024. The Amazon series Transparent, Extrapolations on Apple TV+ and the 2023 film You Are So Not Invited to My Bat Mitzvah all featured what Hey Alma, JTA’s sister site, called “hot rabbis.”

“It’s kind of like a sign of our times,” said Rabinovitch-Fox. “Not all of them are like Adam Brody, but I think it’s a depiction of a trend, and I think that Instagram account is part of it, like, ‘oh, look, Judaism is cool.’”

Rabbi Jamie Field, the director of education at Beth El Temple Center, a Reform synagogue in Belmont, Massachusetts, was featured on Rabbinic Fit Check shortly before her appearance on the Netflix show Squid Game: The Challenge. She said it was a “really beautiful that there is an increase in rabbinic visibility.”

 

View this post on Instagram

 

“We have a really sacred responsibility to show that rabbis are real people, and that we are engaged and part of the world and being responsible for being part of that conversation, not just witnessing it through Netflix shows about rabbis,” said Field.

While Rabinovitch-Fox said religion does not always “celebrate the individual,” she added that “fashion is a really a great and simple way to make your own statement.”

“People want to find somehow to relate, and I think with this Instagram generation, fashion is something that is important to people, so it’s just another way to relate to that,” said Rabinovitch-Fox. “If you can talk with your rabbi about style, you have a cool rabbi.”

Rabbi Andrea London, the leader of Beth Emet The Free Synagogue, a Reform congregation in Evanston, Illinois, said she submitted a photo of herself and Cantor Natalie Young on Parashat Noah after Ellenson, who is a family friend, mentioned it to her in conversation. For her cameo, she wore a white button-down shirt with a gold necklace and slacks.

 

View this post on Instagram

 

London, who was ordained in 1996, said that she had submitted the photo to offer the account “a little diversity of age.” She recalled that early in her career, “as a woman, you wouldn’t dare to be on the bimah without a skirt.”

“One of the things that was annoying in the rabbinate was that people would comment on my clothing a lot, and it was just tiresome and men didn’t get that,” said London. “And now, I think Rabbinic Fit Check is trying to turn it on its head, like let’s have fun with it as opposed to seeing this as somehow discriminatory or sexist in any way.”

So far, Ellenson and Stein said the response to the account from their congregants and colleagues had been positive. Looking ahead, Ellenson said they hoped to feature leaders from other faiths.

“I think it’s about joy, showcasing diversity, showcasing the personal, and showcasing that all of these pieces can be a part of cultivating rabbinic and cantorial and clerical work,” said Ellenson. “We can bring ourselves into the work, and that makes the work better when we’re being ourselves with our communities.”

This article originally appeared on JTA.org.

The post On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy appeared first on The Forward.

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UNRWA vs. UNHCR: How the UN Created a Permanent Refugee Class

Palestinians pass by the gate of an UNRWA-run school in Nablus in the West Bank. Photo: Reuters/Abed Omar Qusini.

For more than 70 years, the United Nations has administered two refugee systems operating under the same flag but guided by fundamentally different moral compasses. One system exists to end refugeehood. The other exists to preserve it.

The contrast between the United Nations High Commissioner for Refugees (UNHCR) and United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) is not a technical footnote in international policy. It is one of the central reasons the Israeli-Palestinian conflict remains frozen in place.

The events of October 7 brutally exposed what many have warned about for decades: UNRWA is no longer a humanitarian agency in any meaningful sense. It is a political instrument that has helped entrench radicalization, prolong suffering, and ultimately enable war.

UNHCR, established in 1950, was designed with a clear mission: provide temporary protection and pursue durable solutions. Its success is measured by how many refugees stop being refugees.

Over the decades, UNHCR has helped tens of millions of people rebuild their lives; Europeans after World War II, Vietnamese people, Balkan refugees, Rwandans, Syrians, Afghans, and most recently Ukrainians. Resettlement, integration, and naturalization are not failures under UNHCR’s framework; they are the goal.

UNRWA, created a year earlier for a single refugee population, operates on the opposite logic. Its mandate does not aim to resolve refugeehood but to maintain it indefinitely.

Palestinians are the only group in the world whose refugee status is automatically inherited, generation after generation, regardless of citizenship, residence, or living conditions.

The numbers tell the story. Roughly 700,000 Arabs were displaced during the 1948 war launched by Arab states against the newly declared State of Israel. Today, UNRWA claims nearly six million Palestinian refugees. Refugee populations are supposed to shrink as lives stabilize. This one grows exponentially. That is not humanitarian failure, it is institutional design.

This design has consequences. When refugeehood becomes an inherited political identity rather than a temporary legal status, grievance replaces hope. Dependency replaces empowerment. Conflict becomes a resource to be managed rather than a tragedy to be ended.

UNRWA’s budget, influence, and relevance depend on the persistence of the conflict. Peace would render it obsolete. Integration would reduce its scope. Resolution would end its mandate.

Nowhere is this more evident than in education. UNRWA operates hundreds of schools, shaping the worldview of generations of Palestinian children. Education should be a bridge to coexistence.

Instead, repeated investigations and reports have documented curricula that erase Israel from maps, glorify “martyrdom,” deny Jewish historical ties to the land, and frame violence as both justified and inevitable. Antisemitic tropes and conspiracy theories have surfaced again and again. This is not accidental oversight. It is tolerated, minimized, and excused as “context.”

The moral collapse of this system was laid bare after October 7. In the aftermath of Hamas’ massacre of Israeli civilians, evidence emerged that UNRWA employees were directly involved in the attack. Others were found to have celebrated the killings. Weapons were discovered in or near UNRWA facilities. Terror tunnels were uncovered beneath UNRWA schools. Hostages were reportedly hidden or moved through civilian areas linked to UNRWA infrastructure. This was not infiltration from the outside. It was contamination from within.

If UNHCR staff had participated in mass murder or aided a terrorist organization, the agency would have been dismantled immediately. Yet UNRWA survived on explanations, damage control, and the insistence that the problem lay with a few individuals rather than a compromised system. That argument no longer holds.

The tragedy is that Palestinians themselves have paid the highest price for this failure. UNRWA did not prepare Gazans for self-governance or peace. Hamas prepared Palestinians for war, and UNRWA looked away.

October 7 was not an aberration. It was the inevitable result of a system that monetized suffering and normalized extremism for decades.

The solution is not complicated, but it requires moral clarity. Palestinians deserve the same humanitarian standards applied to every other refugee population on earth. That means ending UNRWA’s exceptional status and transferring responsibility to UNHCR. It means redefining refugeehood as a temporary condition, not a hereditary identity. It means de-radicalizing education, dismantling terror infrastructure, and replacing grievance with opportunity.

One world cannot operate two refugee systems and still claim moral credibility. One system resolves crises. The other perpetuates them.

If the international community truly cares about peace, dignity, and human rights, both Israeli and Palestinian, it must finally acknowledge that UNRWA is part of the problem, not the solution.

Sabine Sterk is CEO of the foundation, “Time To Stand Up For Israel.”

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