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The Jewish Telegraphic Agency’s 10 most-read stories of 2022
(JTA) — From the very beginning of the year, 2022 was anything but easy for American Jews.
The year began with a harrowing crisis at a synagogue in Colleyville, Texas, during which an armed assailant took a rabbi and three of his congregants hostage during Shabbat services.
From there, Jewish communities across the United States weathered book bans that targeted revered Holocaust stories, and more recently, a high-profile spate of antisemitism by one of the world’s biggest pop stars that has inspired antisemitic extremists.
But it wasn’t all bad news. Jews grabbed starring roles in TV and film, on game shows and on TikTok. Through it all, the Jewish Telegraphic Agency tracked each development, from the highest of highs to the lowest of lows — and JTA readers came along for the ride.
Here are our 10 most-read stories of the year.
10. Meet Danielle Finn, the Modern Orthodox high schooler bringing her voice to ‘American Idol’ by Sarah Rosen (Feb. 25)
Danielle Finn, a 17-year-old young Orthodox Jewish woman from Los Angeles, will be featured in the upcoming season of American Idol. (ABC/Eric McCandless)
Los Angeles teen Danielle Finn competed in this year’s season of the popular TV singing competition show “American Idol.” The 17-year-old wore a chai necklace to her audition, telling JTA, “I feel like I’m making a great representation of the Jewish community.”
9. The great ‘Maus’ giveaway is on as bookstores, professors and churches counter Tennessee school board’s ban by Andrew Lapin (Jan. 28)
Art Spiegelman, author of Maus, poses in Paris, March 20, 2012. (Bertrand Langlois/AFP via Getty Images)
When a rural Tennessee school board pulled the celebrated Holocaust graphic novel “Maus” from the district’s curriculum, backlash was swift.
A local comic-book store gave away the book for free to every student in the county, a nearby church held a discussion on its themes and a college professor offered free classes on the book to students in the county. Author Art Spiegelman even Zoomed with locals.
8. Comedian who went viral after having beer thrown at her makes a very Jewish TV debut on ‘Jimmy Kimmel Live’ by Caleb Guedes-Reed (Oct. 25)
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Jewish comedian Ariel Elias went viral for her response to a heckler who threw a beer can at her during a stand-up set at a New Jersey comedy club.
Elias’ fame earned her an appearance on “Jimmy Kimmel Live!” — her television debut — where she performed a very Jewish set. “I’m Jewish and from Kentucky,” she said to applause. “That’s an insane origin story.”
7. Kanye West’s vow to ‘go death con 3’ on Jews and his antisemitism controversy, explained by Philissa Cramer and Ron Kampeas (Oct. 12)
Kanye West attends the Givenchy Spring-Summer 2023 fashion show during the Paris Womenswear Fashion Week, Oct. 2, 2022. (Julien de Rosa/AFP via Getty Images)
Perhaps the biggest Jewish narrative of 2022 kicked off in October, when rapper Kanye West, who also goes by Ye, unleashed a series of antisemitic comments on social media, initiating a cascading series of consequences for one of the world’s largest pop stars.
We explained the scandal, and the many responses and subsequent stories that continue to develop. More on West below.
6. Jon Stewart vs. Hannah Einbinder: Jewish comedians weigh in on Dave Chappelle’s ‘SNL’ monologue by Jackie Hajdenberg (Nov. 17)
Jewish comedians Jon Stewart and Hannah Einbinder had opposite reactions to comedian Dave Chappelle’s monologue on ‘Saturday Night Live.’ (Screentshots via YouTube. Image via Getty. Design by Grace Yagel.)
Scandal begets scandal. In the wake of the Kanye West episode, comedian Dave Chappelle hosted “Saturday Night Live,” joking in his monologue about Jews running Hollywood.
Jewish comedian and “Hacks” star Hannah Einbinder said Chappelle’s monologue was “littered with antisemitism,” while fellow Jewish comedian Jon Stewart defended Chappelle.
5. Our breaking news coverage of the Colleyville, Texas, synagogue hostage crisis by Ron Kampeas and Andrew Lapin (Jan. 15)
The chair and the teacup from the Colleyville, Texas, synagogue hostage crisis will be entering the American Jewish history museum in Philadelphia. (Images courtesy of Weitzman National Museum of American Jewish History and Emil Lippe/Getty Images. Photo illustration by Mollie Suss)
On Saturday, Jan. 15, all eyes were on Congregation Beth Israel in Colleyville, Texas, where a gunman took Rabbi Charlie Cytron-Walker and three of his congregants hostage during Shabbat services.
The standoff lasted 12 hours, and all four hostages left unharmed. The assailant was killed. The incident renewed attention to synagogue security, and to questions of how to balance safety and inclusion.
4. Texas school district orders librarians to remove a version of Anne Frank’s diary from shelves by Andrew Lapin (Aug. 16)
“Anne Frank’s Diary: The Graphic Adaptation” (Courtesy Anne Frank Fonds)
Less than 10 miles from Colleyville, the school district in Keller, Texas, made headlines last summer when librarians were ordered to remove an illustrated adaptation of “The Diary of Anne Frank” from their shelves and digital libraries.
“It’s disgusting. It’s devastating. It’s legitimate book banning, there’s no way around it,” Laney Hawes, a parent of four children in the Keller district, told JTA. “I feel bad for the teachers and the librarians.”
3. Emma Saltzberg didn’t expect to win on ‘Jeopardy!’ — but criticism of her Israel activism came as no surprise by Philissa Cramer (Feb. 9)
Emma Saltzberg, a Jewish activist from Brooklyn (by way of Philadelphia), won nearly $60,000 on “Jeopardy!” in February 2022. (Screenshot)
From her years of experience in progressive Jewish groups, including IfNotNow, Emma Saltzberg knew that her appearance on one of the most popular TV shows in the United States would likely generate negative comments from those who believe criticizing the occupation is antisemitic.
“That was priced in to my decision to do something public,” she told JTA shortly after winning $60,000. “I was totally expecting it.” What she hadn’t counted on, she said, was her fellow contestants standing up for her.
2. Michelle Williams, who plays Steven Spielberg’s mother in ‘The Fabelmans,’ says she plans to raise her children Jewish by Philissa Cramer (Nov. 25)
Paul Dano, Steven Spielberg and Michelle Williams attend “The Fabelmans” premiere during the 2022 Toronto International Film Festival, Sept. 10, 2022. (Michael Loccisano/Getty Images)
Actress Michelle Williams isn’t Jewish, but her children will be.
In press coverage of her latest movie, Steven Spielberg’s autobiographical “The Fabelmans,” she said that she and her Jewish husband, director Thomas Kail, are raising their two young children with Judaism and that she is studying the religion herself.
“I can’t teach it to them unless I learn it first,” said Williams, who was raised Christian.
1. The Nazi history of Adidas, the sportswear giant that took weeks to drop Kanye West over antisemitism by Andrew Lapin (Oct. 24)
(Getty Images)
In the fallout over West’s antisemitism, one of the biggest storylines was the rapper’s lucrative relationship with sportswear company Adidas, which itself has a complex history with antisemitism.
Adidas ultimately severed ties with Ye, after weeks of criticism and pressure. With the company in the spotlight, we took a look at its Nazi history — something Adidas has rarely addressed publicly.
From all of us at The Jewish Telegraphic Agency, thank you for reading! We look forward to covering the next chapter of the unfolding Jewish story in 2023. As always, feel free to reach out with tips, questions or feedback, and if you value the journalism we produce, please consider supporting us with a tax-deductible donation.
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Tidbits: New German textbooks about the Jewish religion
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
צום ערשטן מאָל זינט דעם חורבן האָבן די דײַטשישע עפֿנטלעכע שולן באַקומען לערנביכער געווידמעט דער ייִדישער רעליגיע, כּדי די לערערס זאָלן קענען זיי ניצן ווי אַ טייל פֿונעם קוריקולום.
די סעריע פֿון אַכט בענד, „דעת הדורות“ (דאָס וויסן פֿון די דורות), וועט לערנען תּלמידים צווישן 10 און 16 יאָר אַלט אויף דײַטש וועגן דער תּורה, דעם תּנך, די תּפֿילות, ייִדישער עטיק, הלכה, יום־טובֿים, דעם ייִדישן לעבנס־ציקל און דער ייִדישער געשיכטע.
דער ערשטער באַנד, וואָס קאָנצענטרירט זיך אויף דער תּורה, וועט מען אָנהייבן ניצן אינעם נײַעם שוליאָר.
די ביכער, וואָס זענען צונויפֿגעשטעלט געוואָרן דורכן „צענטראַל-ראַט פֿון די ייִדן אין דײַטשלאַנד“ בשותּפֿות מיטן „ערנסט קלעט פֿאַרלאַג“, ווערן געצילעוועט סײַ אויף פּריוואַטע ייִדישע שולן סײַ אויף מלוכישע שולן איבער גאַנץ דײַטשלאַנד.
דער ציל איז צו באַקענען די תּלמידים מיט דער ייִדישער רעליגיע און טראַדיציעס אין אַ צײַט וואָס עס וואַקסט דער אַנטיסעמיטיזם איבערן לאַנד.
ביז איצט האָבן די לערער פֿון רעליגיעזע ייִדישע לימודים נישט געהאַט קיין מאָדערנע לערנביכער וועגן יהדות אין הסכּם מיטן קוריקולום, אַזוי ווי ס׳האָבן געהאַט די לערער פֿון קריסטלעכע רעליגיעזע לימודים. צוליב דעם בלויז האָבן די לערער פֿון דער ייִדישער רעליגיע געמוזט אַליין צונויפֿשטעלן אַרבעט־בויגנס און אַנדערע מאַטעריאַלן, וואָס זיי האָבן איבערגעזעצט פֿון אַנדערע שפּראַכן.
אין אַ מעלדונג האָט שילה ערלבוים, די אָנפֿירערין פֿונעם אָפּטייל פֿון פּאָליטיק און רעליגיע בײַם ייִדישן צענטראַל־ראַט, געזאָגט: „מיר האָבן טאַקע געדאַרפֿט אַ סיסטעמאַטישן לערן־רעסורס, וואָס באַזאָרגט די קינדער נישט בלויז מיט לערן־מאַטעריאַל, אָבער מוטיקט זיי זיך אַקטיוו צו באַטייליקן,“ האָט זי געזאָגט.
„דורך ׳דעת הדורות׳ קענען זיי לייזן בילדער־רעטענישן; זיך דערוויסן וועגן די געשעענישן פֿון משה רבינוס לעבן דורך אַ ווערפֿל־שפּיל, אָדער אויספּרוּוון זייער וויסן פֿון ייִדישע טערמינען דורך דער מאָבילקע אָדער אַ „גיכענטפֿער קאָד“ (QR code),“ האָט ערלבוים געזאָגט.
יאָזעף שוסטער, דער פּרעזידענט פֿונעם ייִדישן צענטראַל־ראַט, האַלט אַז די לערנביכער זענען אַ וויכטיקער אויפֿטו. „אַ דאַנק דעם פּראָיעקט וועט די ייִדישע רעליגיעזע בילדונג איצט זײַן גלײַך מיט די קריסטלעכע רעליגיעזע לימודים,“ האָט ער געזאָגט.
צו לייענען וועגן דעם אויף ענגליש גיט אַ קוועטש דאָ.
To read about this in English click here.
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Far-right win in German regional race sends shockwaves through Europe
(JTA) —
A victory for Germany’s far-right party in an eastern federal state has reverberated across the globe, exposing the widening rifts between alarmed centrist leaders and insurgent nationalist movements in Europe.
The Alternative for Germany (AfD) party won 43.8% of the vote in an election in Saxony-Anhalt on Sunday, crushing the center-right Christian Democratic Union (CDU), German Chancellor Friedrich Merz’s party, which held 17.2% support, according to preliminary figures.
The AfD is now heading toward 39 seats in Saxony-Anhalt’s 83-seat state parliament. It’s expected to fall 3 seats short of an outright majority, leaving open the question of whether it can form Germany’s first far-right state government since World War II. The party has proposed a sweeping nationalist agenda that includes deporting immigrants, defunding “anti-German art” and teaching children less about the country’s Nazi past.
Merz told reporters in Berlin on Monday he was “deeply shocked” and “unsettled” by the results, which he said rippled through the rest of the country and the world. He added that it was impossible for Germany to “go back to business as usual” after so many voters in Saxony-Anhalt chose a party that “questions the democratic institutions in our country.”
The results dealt the CDU its “most severe defeat” in decades, conceded Merz, who leads the party once headed by former German Chancellor Angela Merkel.
Merz said that he was searching for answers to “why far-right populism and far-right extremism was able to rise in such a rapid manner,” suggesting that his party may have underestimated the “fears of our population” amid economic crises and rapid technological change. He said that minorities in Saxony-Anhalt would be particularly vulnerable under an AfD government, but noted that the state would still have obligations to follow federal law, including regarding immigration policy.
Merz also directed his message to the rest of Europe, saying that Germany had a “special responsibility because of its history” to keep its political order “deeply anchored in Europe.”
Despite the scale of the CDU’s defeat in Saxony-Anhalt, Merz ruled out stepping down, saying, “Giving up is not an option.”
Though Saxony-Anhalt is one of Germany’s smallest regions, home to some 1.7 million voters, its election results quickly sent shockwaves through other European countries whose leaders, like Merz, are fighting to fend off far-right, anti-immigrant parties in national elections next year.
French Europe Minister Benjamin Haddad called the AfD’s regional win a “grave moment in Europe” and said that “nationalism and xenophobia will never be a solution.”
“We cannot forget our history,” said Haddad, an ally of centrist President Emmanuel Macron. “That is the meaning of the choices made by France and Germany.”
France’s government faces its own fears of a right-wing populist wave. Marine Le Pen, the head of the far-right National Rally, has dwarfed all other candidates in polls heading into France’s presidential election in 2027, when term limits force Macron to step down.
Across the Channel, British Chief Secretary to the Treasury Emma Reynolds said in an interview on Times Radio that the U.K.’s Labour government “will not be reaching out to a right-wing populist party.” She added that she put the AfD in “the same political bracket” as Reform UK, the far-right party that surged in local elections earlier this year.
Polish Prime Minister Donald Tusk also condemned the AfD’s victory. The far-right party has alarmed Poland, Ukraine’s neighbor, with its pro-Russia stance, as it seeks to halt Germany’s military aid to Ukraine and sanctions against Russia.
“In Poland, only idiots or traitors can rejoice at the triumph of the AfD in Germany,” said Tusk.
Meanwhile, the AfD was cheered by nationalist, anti-immigration party leaders in Spain, Portugal and the Netherlands, all of whom have sought to capitalize on economic and social grievances similar to those that contributed to the AfD’s victory Sunday.
Santiago Abascal, the head of Spain’s far-right Vox party, called the result “a great hope for Germany and for Europe.”
André Ventura, the founder of Portugal’s far-right Chega party, said that “the Germans too are opening their eyes against illegal and uncontrolled immigration, corruption, and the capture of our freedom and identity.”
And in the Netherlands, the AfD received a “Congratulations” from the far-right Party for Freedom’s leader, Geert Wilders.
While President Donald Trump has yet to officially respond to the Saxony-Anhalt election, he posted a screenshot of the results without comment on his Truth Social account Sunday night.
Trump’s post was shared by Kirill Dmitriev, a Russian presidential envoy and businessman, who said the AfD scored a “historic win” that would “put migration under control.”
Elon Musk, the billionaire and former Trump adviser who campaigned for the AfD last year, gave his support to the national party leader Alice Weidel on X, which he owns, writing “Well done” in German.
Ulrich Siegmund, the AfD’s candidate in Saxony-Anhalt who hopes to become the state premier, responded by praising Musk.
“Thank you, @elonmusk, for your support and for your clear and highly important perspective on the political developments of our time — including here in Germany,” he wrote.
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In new ‘Fauda’ season, the aftershocks of Oct. 7, without a thought for Gaza
When Fauda Season 4 ended an eternity and a devastating war ago, our hero was at death’s door, reciting both the central prayer of Judaism, the Shema, and the Muslim Fatiha.
It was a cliffhanger with monumental implications for Doron Kavillio (Lior Raz), an Israeli Jew who spent his days undercover as a Muslim Arab — an identity crisis long in coming. Zoom out and you can see the doomed duality of Israel and Palestine, Jew and Muslim, connected in a cycle of death and more alike than they may seem.
Season 5 begins bilingually, with Hebrew and Arab definitions of the Arabic word Tha’r, blood revenge, “restoring violated honor or avenging injustice.” This concept is now the point of commonality — not how men pray, but how they seek revenge.
Welcome to a post-Oct. 7 Israel. Doron is in therapy, struggling to recall eight missing hours of his life on the day of Hamas’ attack on the Gaza envelope.
Comrades have left the country — Steve (Doron Ben-David) is protecting oligarchs in London, Sagi and Nurit are in Australia. Eli (Yaakov Zada-Daniel) is now Orthodox, living in a settlement and reeling from the murder of his wife and stepchildren at his now-torched kibbutz. When a Bedouin friend, Salem (Bian Anteer) who lost his son in the raid on Eli’s home, approaches him with a tip on the Nukhba fighter responsible, they depart for Marseille to answer the call of Tha’r.
It would hardly be Fauda if this act of vengeance didn’t give way to a much larger plot. Marseille is the staging ground for Saeed el Hatib (French-Algerian actor Hakim Djaziri), “the Sinwar of Europe,” who is recruiting sympathetic, white continentals for a fresh massacre in Israel.
Fauda has always made some viewers uncomfortable. Massively entertaining, bingeable to those of us who stream it in the Netflix aftermarket, its existence was premised on ongoing injustices in the West Bank and Gaza and the violence that bursts through their borders. (The BDS movement labelled it a “war-crimes glorifying” series;” Haaretz called it “morally dubious.”)
And yet as late as the last season it contained very real criticism of Israel’s conduct, including its costly campaigns to recover captured soldiers and the torture used to extract information on their whereabouts. The show always alluded to real operations — Cast Lead, Brother’s Keeper — in dialogue. But because it can’t merely mention an attack as raw and monumental as Oct. 7, and because it has no desire to question the response to it, it chooses to recreate its savagery.
Episodes 7 and 8, flashbacks to that day, are front-loaded with a trigger warning and a disclaimer that you can skip them and still be able to follow the main plot.
It’s hard for me to recommend those episodes. If not exactly atrocity porn, their central, race-against-time set piece is too anchored in recent events and constructed too much like an action movie. It feels in a sense exploitative, even if intended as a tribute. (To give them credit, both Lior Raz and his co-creator Avi Issacharoff, who said they “wrote from their trauma,” were on the ground helping the south of the country evacuate in the aftermath.)
The new season starts with the promise of complexity. It opens on a grieving Muslim father and shifts to a milksop accountant who worked for Hamas, seemingly tortured by Eli in a blind rage for a crime he didn’t commit. Could an excessive devotion to Tha’r, a tribal code of retribution, be the diagnosis of the show’s creators of Israeli society at this moment?
If it is, it’s not a critical one. The villains are the villains, and, most revealingly, they now number people with no connection to the conflict.

Hatib’s enlistment of white Europeans for a mass-casualty terror attack services a trite narrative of postcolonial guilt finding an outlet in the pro-Palestinian cause. It works on another level too: This fighting force is squaring off against Doron’s corps of Mizrahi Jews, whose mere presence dismantles the lie that Israelis are themselves all white colonizers, and that Israel and the European empire of yore are in any way analogous.
When, back at mission control, the counterterrorists speak of “suspicious-looking Europeans” who are “in their 30s,” the derision for this type of fellow traveller is palpable. Their standard bearer, Mélanie Laurent, formerly Tarantino’s “face of Jewish vengeance,” plays Anne, a blonde, “high middle-class Catholic French woman” who straps up with C-4, a keffiyeh ever-draped around her neck. Through her, and in a quite literal way, the show suggests the Western love affair with Palestinians — which in this season’s logic means Hamas — is misguided.
All the while, we never see Gaza, where much of Season 3 was set, with some among its population humanized. We never reckon with the destruction there. We hear about it, and a kind of lip service is paid to the crime of collective punishment — the sort that we hear at the end of almost every season — but it’s secondary to storytelling as elegy and justification. One could just have easily placed the Hebrew word Zachor before that first cold open: Remember what they did to us.
At one point, after a shootout with more blood spatter than I ever recall seeing on the show, Doron empties his clip into an enemy with the words “this is for October 7.” Seconds later, in a Shin Bet command room his handler Gabi (Itzik Cohen, whose between-seasons weight gain is a running joke) quips, a la Danny Glover in Lethal Weapon, “I’m too old for this.”
He’s not the only one.
In the past week I’ve chatted with some folks older than me — they don’t know each other and are largely to my right on Israel — who don’t relish the thought of another season. Not just because they don’t want to watch Oct. 7 reenacted, but because following the exploits of Israeli security agents has vastly different optics after the Hamas-Israel war, unprecedented settler violence and National Security Minister Itamar Ben-Gvir’s recently-stated ideal scenario of killing “30 or 40” Palestinians in Gaza each night.
This may well be the privilege of the diaspora, but the fatigue points to a shift in attitude that’s worth paying attention to. If these horrors are out of sight, out of mind this season, they’re top of mind to many who are watching — and many others who might have once tuned in.
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