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The real Jewish history behind Netflix’s ‘Transatlantic’ and the WWII rescue mission that inspired it
(JTA) — While the United States swung its door shut to most refugees during World War II, a young American in France saved thousands, including some of the 20th century’s defining artists and thinkers — such as Marc Chagall and Hannah Arendt — from the Nazis.
The rescue mission of Varian Fry, which went largely unrecognized during his life, is the subject of Netflix’s new drama “Transatlantic,” launching Friday from “Unorthodox” creator Anna Winger.
Starring Cory Michael Smith as Fry, the seven-episode “Transatlantic” aims to recreate his operation in Marseille after the Nazis defeated France and before the United States entered the war. Winger has injected several imagined romances, war efforts and characters into the fictionalized series, including one posed as Fry’s lover, named Thomas Lovegrove (played by Israeli Amit Rahav). Although Fry’s son has said that he was a “closeted homosexual,” no such person is known to have existed.
Winger believes these inventions will invite Netflix viewers to learn more about the true story.
“The people who lived through these stories are dying out,” she told the Jewish Telegraphic Agency. “My job is to bring this to a wide audience, to people who don’t know anything about it.”
The story behind the series
The real Varian Fry, a 32-year-old journalist and suit-clad Harvard graduate, showed up in Marseille with $3,000 taped to his leg and a list of 200 names in August 1940.
After France surrendered to Germany, Fry was among 200 Americans — including journalists, artists, museum curators, university presidents and Jewish refugees — to create the Emergency Rescue Committee at the Hotel Commodore in New York. This group was concerned with Article 19 in France’s armistice with Germany, which required French authorities to surrender any individuals demanded by the Germans.
The private relief organization drew up frenzied lists of anti-Nazi intellectuals who were trapped in France. With the help of first lady Eleanor Roosevelt, the ERC obtained some emergency visas and sent Fry to lead the rescue efforts in Marseille, a port city in the southern, unoccupied part of France.
What he found there was impossible to manage alone. His mission began in his room at the Hotel Splendide, where long lines of refugees waited in the morning before he woke up and at night after he went to bed. They sometimes walked straight into his bedroom without knocking, Fry wrote in a letter to his wife shortly after he arrived.
Gathering a small devoted staff, including Frenchmen, refugees and American expatriates, Fry moved his office to Rue Grignan and later Boulevard Garibaldi. Outside of Marseille he rented the Villa Air-Bel — colorfully recreated in “Transatlantic” — to house eminent writers and eccentric Surrealist artists waiting for visas.
The group developed legal and illegal branches, with the cover organization offering humanitarian relief while a behind-the-scenes operation flouted the law to help refugees escape. Using Marseille’s lively black market, the staff found hiding places, forged documents and bribed officials. Bil Spira, a Jewish Austrian-born cartoonist, forged passports for the ERC. (He was caught and deported to Auschwitz, but survived.) Resistance fighters Hans and Lisa Fittko devised an escape route to Spain, guiding refugees across the Pyrenees mountains on foot.
By the time he was forced out in October 1941, Fry’s shoestring operation had enabled 2,000 Jewish and other anti-Nazi refugees to flee Europe, including such towering artists as Chagall, Max Ernst and Marcel Duchamp, and intellects such as Arendt, Heinrich Mann and André Breton. It has been estimated that 20,000 refugees made contact with the rescue center in Marseille.
Fry’s illegal efforts made him plenty of enemies from his own country, who accused him of interfering with American neutrality in the war. He angered the state department, officials at the American consulate in Marseille and ERC members in New York. In August 1941, he was arrested by Vichy police and sent back to New York.
Fry died in 1967 at the age of 59. Only a few months earlier, he had received the Croix de Chevalier de la Legion d’Honneur, France’s highest decoration of merit — and the only official recognition in his lifetime. In 1994, he became the first American honored by Yad Vashem, Israel’s Holocaust memorial and history authority, as Righteous Among the Nations.
The Emergency Rescue Committee merged with another relief organization and became the International Rescue Committee in 1942. It is still in operation today and currently led by a Jewish CEO, former British politician David Miliband.
What’s in the show, and why some are against it
Some of Fry’s colleagues are fictionalized in “Transatlantic,” including the Jewish Berliner Albert Hirschman (Lucas Englander), who would become an economist in the United States; the Chicago heiress Mary Jayne Gold (Gillian Jacobs); and the Jewish Austro-Hungarian activist Lisa Fittko (Deleila Piasko). American diplomat Hiram Bigham, who gave Fry crucial help and even hid writer Lion Feuchtwanger in his home, is also a character in the show.
Throughout the seven episodes, rescue missions swirl around a series of fictional love affairs. In addition to Fry’s relationship, a triangle unfolds between Hirschman, Gold and the fictional American Consul Graham Patterson. (There is no evidence that Gold romanced either with her comrade or with any American consul in Marseille.) Lisa Fittko has an affair with the fictional character Paul Kandjo, who organizes armed resistance to Vichy.
Gillian Jacobs as heiress Mary Jayne Gold. (Anika Molnar/Netflix)
Several wartime plot points are also invented, including a prison break at Camp de Mille and Gold’s collaboration with British intelligence.
The degree of fictionalization has angered some people close to the real history. Pierre Sauvage, president of the Varian Fry Institute, called the show’s trailer “shocking.” Born in 1944, Sauvage survived the end of the Holocaust in the French village of Le Chambon-sur-Lignon, although his Jewish parents were turned down by Fry’s overwhelmed committee. He became close friends with some of Fry’s fellow rescuers in their later years, including the late Gold, Hirschman and Fittko.
“Are there any red lines?” he said. “Can one fictionalize at will, with no concern for the reality of the story, for the false impression that people will get — and for the way it affects the private lives of the families of people portrayed?”
Sheila Isenberg, who documented Fry’s operation in her book “A Hero of Our Own,” has described the series as a “travesty.” Thomas Fischer Weiss, a child survivor who attempted Fry’s escape route through the Pyrenees at 5 years old, also said the historical events needed no embellishment.
“I think you should tell it straight,” he told the JTA.
The legacy of the ‘troublemakers’
Sauvage believes that if Fry and his associates were alive today, they would like to be remembered for their convictions.
“These were people who were sort of in your face,” he said. “People who knew clearly what they felt and expressed it. They would often describe themselves as troublemakers. Mary Jayne [Gold] said about Varian that he was an ‘ornery cuss’ — it took orneriness to stick to your guns.”
That orneriness was critical at a time when many Americans were apathetic to the plight of European Jews — a 1938 poll in Fortune magazine found that fewer than 5% believed the United States should raise its immigration quotas for refugees. By the summer of 1941, it was too late to open the doors. The German policy of expelling Jews had changed into extermination.
According to Sauvage, America’s refusal to accept more refugees had something to do with that shift.
“The Nazis could legitimately come to the conclusion that the world wouldn’t do anything about the murders and wouldn’t really care all that much,” he said. “What the Varian Fry mission symbolizes is people who cared.”
Varian Fry with Miriam Davenport in the first offices of the Centre Américain de Secours in Marseille in 1940. Davenport, a friend of Mary Jayne Gold, also worked in the rescue effort but is omitted from “Transatlantic.” (Varian Fry Institute)
After their year in Marseille, the rescuers settled into more ordinary lives. Hirschman became an economist with appointments at Yale, Columbia and Harvard. Lisa Fittko ended up in Chicago, where she worked hard in import-export, translation and clerical jobs to earn money, eventually joining protests against the Vietnam War. Gold divided her time between New York City and a villa on the French Riviera.
They all remembered the rescue mission as their finest hour. Speaking with Sauvage, Gold called that year “the only one in her life that really mattered.”
A refugee story for troubled times
Fry’s rescue mission inspired Julie Orringer to write “The Flight Portfolio,” a 2019 novel that became the basis for “Transatlantic.” Orringer was captivated by the image of a young man arriving in Marseille, idealistic and unprepared for the depth of anguish he would find.
“The task was way too big,” she told the JTA. “He realized quite early on that he was going to ask for help, that he was going to have to turn to others who had deeper experience. And in collecting this group of incredible individuals around him, he assembled a kind of collective mind that really could make a difference under the very difficult circumstances that he faced.”
She believed that Fry left an example for the inexperienced. “If you‘re the kind of person who wants to take action on behalf of refugees, but doesn’t know how to do it, ask for help,” she said.
Winger, a Jewish Massachusetts native who has lived in Berlin for two decades, conceived of making a series about Fry in 2015. Germany saw an influx of more than a million migrants that year, most of them fleeing Syria’s horrific civil war. She optioned Orringer’s book in 2020.
“I thought a lot about the fact that people like us — artists, Jews, both — had to leave Berlin as refugees, but now there were so many people coming to Berlin as refugees,” said Winger.
Then, just as she started filming “Transatlantic” on location in Marseille, a new war broke out in Europe.
“The war in Ukraine started three days into the production and there was a whole other wave of refugees coming to Berlin,” she said. “Suddenly we were making it in another refugee crisis.”
Russia’s invasion of Ukraine hit close to the show, whose cast and crew hail from across the continent. Winger’s cinematographer is married to a Ukrainian woman. In Berlin, she saw thousands of refugees crowding into the central train station, some without shoes, food or plans for shelter.
“I think it gave us all a strong sense of purpose,” said Winger.
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Israel and the Impossible Standard of Moral Perfection
Jewish visitors gesture as Israeli security forces secure the area at the compound that houses Al-Aqsa Mosque, known to Muslims as Noble Sanctuary and to Jews as Temple Mount, in Jerusalem’s Old City, Photo: May 5, 2022. REUTERS/Ammar Awad
There is a standard applied to Israel that no other nation is expected to meet. It is not a standard of law, nor of morality as commonly understood. It is something far more rigid and far less honest. It demands perfection in the face of existential threats, and even then, it delivers condemnation.
As the conflict with Iran intensifies, Israel finds itself navigating a reality few countries have ever faced.
Iran has made its intentions unmistakably clear for decades. The destruction of Israel is not rhetoric for domestic consumption. It is official Iranian policy. It is repeated openly, consistently, and without apology.
When Iran strikes, it does not distinguish between civilian and military targets. In fact, it purposefully targets civilians. And it doesn’t only target Jews. Rockets do not ask who is religious or secular, Jewish or Muslim, Israeli or Arab. They fall where they are aimed, and often where they are not, with one purpose in mind: to kill, to terrorize, and to destabilize.
Israel, in contrast, is forced to think not only about survival, but about responsibility. This includes responsibility toward all of its citizens: Jewish, Muslim, Christian, Druze. The diversity of Israeli society is often overlooked, but in moments of crisis, it becomes impossible to ignore. Protection must extend to everyone, without exception.
That is why restrictions on public gatherings were imposed. Not as a political statement, but as a practical necessity. In wartime, large crowds are not just gatherings. They are potential mass casualty events waiting for a single missile.
Yet when Israel extended these restrictions during Ramadan, including closing access to major religious sites, the response was immediate outrage. The accusation was predictable: Religious discrimination. Oppression. A supposed targeting of Muslim worshippers.
The reality was different. The restrictions applied across the board. Muslims were not permitted at the Al-Aqsa Mosque. Christians were not permitted at the Church of the Holy Sepulchre. Jews were not permitted at the Western Wall or the Mount of Olives. This was not selective enforcement. It was a universal policy driven by security concerns.
But nuance rarely survives in the modern information environment.
Within hours, a simplified narrative took hold. Israel was once again cast as the aggressor, the oppressor, the state that denies religious freedom. The broader context disappeared. The ongoing threat, the indiscriminate nature of incoming attacks, the responsibility to prevent mass casualties, all of it was pushed aside.
Then, almost as if to underline the point, a rocket landed near Jerusalem’s Old City that very same day. It was a stark reminder of what was at stake. Had thousands gathered as they normally would, the consequences could have been devastating.
And yet, even that reality does not shift the narrative.
This is the dilemma Israel faces repeatedly. If it acts to prevent harm, it is accused of repression. If it refrains and harm occurs, it is blamed for negligence. There is no decision that escapes criticism, because the criticism is not rooted in the decision itself. It is rooted in a predetermined judgment against a state run by Jews.
Another example illustrates this pattern with uncomfortable clarity. A toddler was found approaching the Israeli border alone. In any other context, this would be seen for what it is. A child placed in danger, likely as part of a calculated attempt to provoke a reaction.
Israeli soldiers responded not with force, but with care. They ensured the child’s safety, provided food and water, and transferred him to the Red Cross. Evidence showed the child was unharmed at the time of transfer.
Yet the story that followed claimed abuse. Allegations of injuries surfaced, contradicting the available evidence. The facts did not matter. The narrative had already taken shape.
This is not simply misinformation. It is a pattern of interpretation that assumes guilt regardless of evidence.
As Easter approaches, restrictions on religious gatherings once again draw criticism. Clergy voice frustration. Observers condemn the limitations. But the fundamental question remains unanswered: What is the acceptable level of risk? How many lives can be gambled in the name of normalcy?
Israel does not have the luxury of abstract debates. Its decisions carry immediate consequences measured in human lives. That reality forces choices that are imperfect, often unpopular, and always scrutinized.
The tragedy is not only in the conflict itself, but in the inability of much of the world to acknowledge its complexity. Until that changes, Israel will continue to face an impossible standard, one where even its efforts to prevent tragedy are reframed as acts of injustice.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Europe’s Left-Wing Is at a Crossroads — And Its Voters Are Walking Away
Anti-Israel demonstrators release smoke in the colors of the Palestinian flag as they protest to condemn the Israeli forces’ interception of some of the vessels of the Global Sumud Flotilla aiming to reach Gaza and break Israel’s naval blockade, in Barcelona, Spain, Oct. 2, 2025. Photo: REUTERS/Nacho Doce
For decades, Europe’s left‑wing parties were the natural home of working‑class families, social reformers, and supporters of egalitarian economics.
Today, however, these parties face a deep identity crisis; many voters no longer know what they represent. Their decline is neither sudden nor mysterious. It stems from their failure to outline a coherent economic alternative, their reluctance to address public concerns over cultural change, and a foreign‑policy shift that alienates moderates and minority communities alike.
Economically, the left has slipped into disarray. Some parties now embrace neoliberal ideas they once opposed, while others offer vague promises disconnected from real policy. With inflation rising, industries shifting, and inequality widening, many working‑class voters feel abandoned. Rather than addressing these issues, left‑wing leaders often focus on internal ideological debates that resonate mainly in urban strongholds.
A similar pattern appears on immigration and cultural identity — central issues in European politics. The left often responds to public concerns not with solutions but with dismissal, treating working‑class worries as reactionary instead of substantive. In countries where leftist parties have merged with centrists, their message has blurred even more, creating space for right‑wing populists eager to fuse economic frustration with cultural fears.
Foreign policy has intensified these divides. After the latest Middle East conflict, parts of the European left adopted an uncompromising pro‑Palestinian stance, often aimed at courting Muslim voters. Legitimate criticism of Israeli policy is one thing, but rhetoric that blames Israelis collectively or echoes historic antisemitic themes is another.
France’s La France Insoumise (LFI), for example, has repeatedly refused to classify Hamas as a terrorist group, fueling what observers describe as a toxic climate. Similar tensions appear in Sweden, where Jewish students report rising hostility, and in Spain, where pro‑Palestinian rallies receive political backing without clear rejection of antisemitic elements.
Even smaller nations face similar issues. In Croatia, descendants of Jewish families whose property was seized under fascist and later communist regimes still encounter heavy bureaucratic barriers when seeking restitution. As Deutsche Welle reporting shows, heirs in Zagreb — governed by the green‑left coalition Možemo! — spend years navigating courts and administrative obstacles, with many properties still unrecovered despite clear historical proof of ownership. These unresolved legal complexities fuel mistrust and reveal how institutional inertia persists.
The left’s challenge is not simply to recover lost voters, but to regain a sense of political purpose. It must craft a credible economic message, engage cultural concerns without contempt, and articulate a foreign policy grounded in principle rather than posturing.
Europe needs parties capable of balancing social justice with social cohesion — and clarity with empathy. Whether the left can meet that challenge will shape the continent’s politics for years to come.
Dr. Vladimir Krulj is a political economist with Franco‑Serbian roots, educated at HEC Paris, King’s College London, and France’s elite École nationale d’administration (ENA). A Fellow at the Institute of Economic Affairs in London, he is known for his unapologetically pro‑market views and his critiques of Europe’s failing economic orthodoxies. He also teaches at ESCP Business School and the University of Tours in France.
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When Democracies Lose the Narrative, They Lose More Than Words
A view of a residential building damaged by a strike, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 23, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Israel is fighting a war, and being judged in real time by people who are not carrying its risks, don’t face its decisions, and aren’t responsible for its outcomes. The judgment against Israel is not forming slowly. It is forming immediately, and it is shaping what Israel is allowed to do next.
This is where the real shift happens. Public opinion is not a side effect of war. It is becoming one of its constraints.
In the months and years following October 7, 2023, Israel’s internal reality became visible to anyone willing to look. Families of hostages have spoken publicly. Military strategy has been debated in real time.The political leadership has been questioned openly. These are not cracks in the system. They are the system functioning under pressure.
Outside of Israel, those same signals are being interpreted through a different lens. They are not seen as accountability. They are seen as division, not as strength.
At the same time, Israel’s enemies project a consistent message. Their narrative is simple, repeated, and controlled. It travels easily. It feels clear. It leaves little room for visible disagreement.
When public opinion turns, it begins to influence political pressure. Allies become more cautious. Support becomes conditional. The space to act narrows.
This is how a democracy can begin to lose ground outside the battlefield while still fighting effectively within it.
In today’s information environment, visibility does not guarantee understanding. Information is selected, framed, and repeated in ways that shape perception, often reflecting how perception gets manipulated.
At the same time, controlled messaging from the other side removes internal friction from public view. What reaches the outside world is a simplified version of events: Israel as the aggressor, and anyone that tries to attack or threaten it as the heroic underdog.
People are drawn to clarity. A message that is repeated without variation feels reliable. Over time, repetition shapes belief and narrows the range of what people are willing to consider. This pattern reflects how groupthink leads to collective blindness. Once a simplified narrative settles, it becomes resistant to correction, even when it leaves out essential context.
Israel faces an additional layer of scrutiny. As a democracy, it operates within a framework of law and declared ethical standards. Its actions are measured against those standards in real time. Civilian harm is debated openly. Operational decisions are questioned publicly. This is necessary for accountability. It also places the full weight of war in public view, including the reality of acceptable damage in conflict
These discussions are often detached from the conditions in which those decisions are made. They are evaluated without the same exposure to risk, uncertainty, and consequence. The result is a gap between how decisions are made and how they are judged.
That gap is where public opinion shifts.
From a distance, consistency feels stronger than complexity. A controlled narrative feels more stable than an open one. Over time, this creates a reversal in perception. The side that exposes its internal responsibility begins to look uncertain. The side that conceals its internal dynamics begins to look resolved.
When clarity is valued more than accuracy, and repetition carries more weight than context, the advantage moves toward those who control the message, not those who expose the truth.
Israel is not only fighting to defend itself. It is operating within a system that rewards simplicity and penalizes transparency. Ignoring that reality allows others to define the terms of judgment before the outcome is even known.
Public opinion follows what is repeated and understood. Recognizing how that understanding is formed is no longer optional. It is part of the fight itself.
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Tsahi Shemesh is an Israeli-American IDF veteran and the founder of Krav Maga Experts in NYC. A father and educator, he writes about Jewish identity, resilience, moral courage, and the ethics of strength in a time of rising antisemitism.