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The real Jewish history behind Netflix’s ‘Transatlantic’ and the WWII rescue mission that inspired it
(JTA) — While the United States swung its door shut to most refugees during World War II, a young American in France saved thousands, including some of the 20th century’s defining artists and thinkers — such as Marc Chagall and Hannah Arendt — from the Nazis.
The rescue mission of Varian Fry, which went largely unrecognized during his life, is the subject of Netflix’s new drama “Transatlantic,” launching Friday from “Unorthodox” creator Anna Winger.
Starring Cory Michael Smith as Fry, the seven-episode “Transatlantic” aims to recreate his operation in Marseille after the Nazis defeated France and before the United States entered the war. Winger has injected several imagined romances, war efforts and characters into the fictionalized series, including one posed as Fry’s lover, named Thomas Lovegrove (played by Israeli Amit Rahav). Although Fry’s son has said that he was a “closeted homosexual,” no such person is known to have existed.
Winger believes these inventions will invite Netflix viewers to learn more about the true story.
“The people who lived through these stories are dying out,” she told the Jewish Telegraphic Agency. “My job is to bring this to a wide audience, to people who don’t know anything about it.”
The story behind the series
The real Varian Fry, a 32-year-old journalist and suit-clad Harvard graduate, showed up in Marseille with $3,000 taped to his leg and a list of 200 names in August 1940.
After France surrendered to Germany, Fry was among 200 Americans — including journalists, artists, museum curators, university presidents and Jewish refugees — to create the Emergency Rescue Committee at the Hotel Commodore in New York. This group was concerned with Article 19 in France’s armistice with Germany, which required French authorities to surrender any individuals demanded by the Germans.
The private relief organization drew up frenzied lists of anti-Nazi intellectuals who were trapped in France. With the help of first lady Eleanor Roosevelt, the ERC obtained some emergency visas and sent Fry to lead the rescue efforts in Marseille, a port city in the southern, unoccupied part of France.
What he found there was impossible to manage alone. His mission began in his room at the Hotel Splendide, where long lines of refugees waited in the morning before he woke up and at night after he went to bed. They sometimes walked straight into his bedroom without knocking, Fry wrote in a letter to his wife shortly after he arrived.
Gathering a small devoted staff, including Frenchmen, refugees and American expatriates, Fry moved his office to Rue Grignan and later Boulevard Garibaldi. Outside of Marseille he rented the Villa Air-Bel — colorfully recreated in “Transatlantic” — to house eminent writers and eccentric Surrealist artists waiting for visas.
The group developed legal and illegal branches, with the cover organization offering humanitarian relief while a behind-the-scenes operation flouted the law to help refugees escape. Using Marseille’s lively black market, the staff found hiding places, forged documents and bribed officials. Bil Spira, a Jewish Austrian-born cartoonist, forged passports for the ERC. (He was caught and deported to Auschwitz, but survived.) Resistance fighters Hans and Lisa Fittko devised an escape route to Spain, guiding refugees across the Pyrenees mountains on foot.
By the time he was forced out in October 1941, Fry’s shoestring operation had enabled 2,000 Jewish and other anti-Nazi refugees to flee Europe, including such towering artists as Chagall, Max Ernst and Marcel Duchamp, and intellects such as Arendt, Heinrich Mann and André Breton. It has been estimated that 20,000 refugees made contact with the rescue center in Marseille.
Fry’s illegal efforts made him plenty of enemies from his own country, who accused him of interfering with American neutrality in the war. He angered the state department, officials at the American consulate in Marseille and ERC members in New York. In August 1941, he was arrested by Vichy police and sent back to New York.
Fry died in 1967 at the age of 59. Only a few months earlier, he had received the Croix de Chevalier de la Legion d’Honneur, France’s highest decoration of merit — and the only official recognition in his lifetime. In 1994, he became the first American honored by Yad Vashem, Israel’s Holocaust memorial and history authority, as Righteous Among the Nations.
The Emergency Rescue Committee merged with another relief organization and became the International Rescue Committee in 1942. It is still in operation today and currently led by a Jewish CEO, former British politician David Miliband.
What’s in the show, and why some are against it
Some of Fry’s colleagues are fictionalized in “Transatlantic,” including the Jewish Berliner Albert Hirschman (Lucas Englander), who would become an economist in the United States; the Chicago heiress Mary Jayne Gold (Gillian Jacobs); and the Jewish Austro-Hungarian activist Lisa Fittko (Deleila Piasko). American diplomat Hiram Bigham, who gave Fry crucial help and even hid writer Lion Feuchtwanger in his home, is also a character in the show.
Throughout the seven episodes, rescue missions swirl around a series of fictional love affairs. In addition to Fry’s relationship, a triangle unfolds between Hirschman, Gold and the fictional American Consul Graham Patterson. (There is no evidence that Gold romanced either with her comrade or with any American consul in Marseille.) Lisa Fittko has an affair with the fictional character Paul Kandjo, who organizes armed resistance to Vichy.
Gillian Jacobs as heiress Mary Jayne Gold. (Anika Molnar/Netflix)
Several wartime plot points are also invented, including a prison break at Camp de Mille and Gold’s collaboration with British intelligence.
The degree of fictionalization has angered some people close to the real history. Pierre Sauvage, president of the Varian Fry Institute, called the show’s trailer “shocking.” Born in 1944, Sauvage survived the end of the Holocaust in the French village of Le Chambon-sur-Lignon, although his Jewish parents were turned down by Fry’s overwhelmed committee. He became close friends with some of Fry’s fellow rescuers in their later years, including the late Gold, Hirschman and Fittko.
“Are there any red lines?” he said. “Can one fictionalize at will, with no concern for the reality of the story, for the false impression that people will get — and for the way it affects the private lives of the families of people portrayed?”
Sheila Isenberg, who documented Fry’s operation in her book “A Hero of Our Own,” has described the series as a “travesty.” Thomas Fischer Weiss, a child survivor who attempted Fry’s escape route through the Pyrenees at 5 years old, also said the historical events needed no embellishment.
“I think you should tell it straight,” he told the JTA.
The legacy of the ‘troublemakers’
Sauvage believes that if Fry and his associates were alive today, they would like to be remembered for their convictions.
“These were people who were sort of in your face,” he said. “People who knew clearly what they felt and expressed it. They would often describe themselves as troublemakers. Mary Jayne [Gold] said about Varian that he was an ‘ornery cuss’ — it took orneriness to stick to your guns.”
That orneriness was critical at a time when many Americans were apathetic to the plight of European Jews — a 1938 poll in Fortune magazine found that fewer than 5% believed the United States should raise its immigration quotas for refugees. By the summer of 1941, it was too late to open the doors. The German policy of expelling Jews had changed into extermination.
According to Sauvage, America’s refusal to accept more refugees had something to do with that shift.
“The Nazis could legitimately come to the conclusion that the world wouldn’t do anything about the murders and wouldn’t really care all that much,” he said. “What the Varian Fry mission symbolizes is people who cared.”
Varian Fry with Miriam Davenport in the first offices of the Centre Américain de Secours in Marseille in 1940. Davenport, a friend of Mary Jayne Gold, also worked in the rescue effort but is omitted from “Transatlantic.” (Varian Fry Institute)
After their year in Marseille, the rescuers settled into more ordinary lives. Hirschman became an economist with appointments at Yale, Columbia and Harvard. Lisa Fittko ended up in Chicago, where she worked hard in import-export, translation and clerical jobs to earn money, eventually joining protests against the Vietnam War. Gold divided her time between New York City and a villa on the French Riviera.
They all remembered the rescue mission as their finest hour. Speaking with Sauvage, Gold called that year “the only one in her life that really mattered.”
A refugee story for troubled times
Fry’s rescue mission inspired Julie Orringer to write “The Flight Portfolio,” a 2019 novel that became the basis for “Transatlantic.” Orringer was captivated by the image of a young man arriving in Marseille, idealistic and unprepared for the depth of anguish he would find.
“The task was way too big,” she told the JTA. “He realized quite early on that he was going to ask for help, that he was going to have to turn to others who had deeper experience. And in collecting this group of incredible individuals around him, he assembled a kind of collective mind that really could make a difference under the very difficult circumstances that he faced.”
She believed that Fry left an example for the inexperienced. “If you‘re the kind of person who wants to take action on behalf of refugees, but doesn’t know how to do it, ask for help,” she said.
Winger, a Jewish Massachusetts native who has lived in Berlin for two decades, conceived of making a series about Fry in 2015. Germany saw an influx of more than a million migrants that year, most of them fleeing Syria’s horrific civil war. She optioned Orringer’s book in 2020.
“I thought a lot about the fact that people like us — artists, Jews, both — had to leave Berlin as refugees, but now there were so many people coming to Berlin as refugees,” said Winger.
Then, just as she started filming “Transatlantic” on location in Marseille, a new war broke out in Europe.
“The war in Ukraine started three days into the production and there was a whole other wave of refugees coming to Berlin,” she said. “Suddenly we were making it in another refugee crisis.”
Russia’s invasion of Ukraine hit close to the show, whose cast and crew hail from across the continent. Winger’s cinematographer is married to a Ukrainian woman. In Berlin, she saw thousands of refugees crowding into the central train station, some without shoes, food or plans for shelter.
“I think it gave us all a strong sense of purpose,” said Winger.
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The post The real Jewish history behind Netflix’s ‘Transatlantic’ and the WWII rescue mission that inspired it appeared first on Jewish Telegraphic Agency.
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Can the US really bring Iranians democracy?
The protesters at a January rally I attended in New York City’s Washington Square Park were loud and raw throated as they denounced the brutal Islamist regime in Tehran, then in the midst of slaughtering thousands of their comrades in Iran. A crowd of more than 1,500 called on the United States to make good on President Donald Trump’s all-caps promise that “HELP IS ON ITS WAY.”
I turned to an Iranian friend next to me who was lustily joining cheers calling for the tyrants’ overthrow. Like most of the rest of the protesters, she was also cheering the demonstration’s other prominent images: Israeli flags, the images of President Donald Trump and photos of Reza Pahlavi, the son and self-declared heir of the autocratic monarch Iranians ousted in 1979.
My friend’s parents had once been members of Iran’s leftist Tudeh Party, the country’s official communist faction, which was among the staunchest opponents of Pahlavi’s father. Recalling my own 20-month stay in Iran toward the end of his rule, I asked my friend if she understood the rampant corruption and repression under which Iranians lived during that time.
Was she aware of the role the U.S. played in installing the shah in power, and the torture of dissidents by SAVAK, the shah’s secret police, with support from Israel’s intelligence agency, the Mossad — a record Pahlavi has never acknowledged?
My dear friend fixed me in her gaze with clear eyes, devoid of illusion.
“Yes,” she said simply. “And it would be better.”
Lowered expectations
Whether the bombs and missiles the U.S. is now raining down on Iran will fulfill the promise Trump held out for protesters remains an open question. But In New York City, back in January, there was no mistaking their desperate faith in him — or the irony of that faith.
It was the U.S., after all, that joined with Great Britain in 1953 to overturn the democracy Iran enjoyed 73 years ago. Twenty-six years of U.S. support ensued for the autocracy that followed.
During the Iran-Iraq war from 1980 to 1988, it was the U.S. that also supplied Iraq’s president, Saddam Hussein, with critical intelligence and precursor chemicals that enabled him to manufacture and deploy outlawed chemical weapons against Iranian troops and civilians, asphyxiating thousands.
Given this history and the woeful fates that befell Iraq and Libya after U.S. intervention, many liberals voice grave doubt that any U.S.-forced regime change could restore democracy to the country. But they may be missing an important point: the extent to which crushing U.S. economic sanctions and the Iranian government’s own brutal repression, corruption and incompetence, have produced economic and political desperation among many Iranians, which radically lowers the bar.
The redemption of ‘Big Satan’
Opponents of Trump can recite a litany of his political and personal depravities, his affronts to democracy here at home, and his unreliability as an international partner in support of human rights and democracy abroad.
But I’ve noticed, anecdotally, that such recitations fall on deaf ears with many Iranians.
Two reasons rise to the top, in my mind, that explain this.
The first is the enormous credibility that Trump and the U.S. have derived from being among the primary hate targets of Iran’s despotic regime. This effect has also benefited Israel, the partner of the U.S. in waging this war. Decades of demonization of “the Big Satan” — and Israel, “the Little Satan” — from leaders so many Iranians despise have performed a miracle of reputational resurrection.
Today, this relentless drumbeat of vitriol has rendered the CIA’s subversion of Iran’s mid-20th century democracy — and Israel’s help in setting up SAVAK — a distant memory. This theocratic regime is the present danger.
Secondly, as a famous saying in Washington goes, “You can’t beat something with nothing.” That appears to be why many Iranians, for now, are turning to Trump. In Iran, the protesters’ own lack of leadership and resistance infrastructure plays into this. There is no Charles de Gaulle or Nelson Mandela waiting in the wings to take charge, with highly disciplined and battle-tested resistance groups to support them.
Another important factor may be the American left’s inability to offer Iranians a compelling alternative vision.
Several liberal members of Congress, including Rep. Alexandria Ocasio Cortez and Senator Bernie Sanders, have consistently praised the bravery of the protesters and their cause. But they have not proposed any way to hold their killers accountable, and have opposed Trump’s war as the way to do so. Their approach, diplomacy and international law, produced President Barack Obama’s Joint Comprehensive Plan of Action in 2016, which radically constrained Iran’s nuclear weapons development.
Based on my reporting from Iran for the Forward back then, I can attest that vast numbers of Iranians strongly supported this at the time. They saw the JCPOA as a way to open Iran up to greater Western influence over time — the greatest fear of the country’s hardline ayatollahs.
But Trump tossed that achievement into the rubbish heap of history in his first term. And the left’s toolbox has been useless since. In the meantime, outside of government, some on the left have played down or ignored the Iranian government’s killings and abuses — or even attributed January’s protests in whole or part to Mossad agents embedded in Iran.
‘Striving for democracy’
Another friend, still living in Iran, told me recently that his grandson had left him feeling shamed. How is it, his grandson asked, that his generation had allowed the shah to be overthrown and replaced by this cohort of theocratic thugs?
My friend in Tehran had no answer.
My friend’s parents had been ardent supporters of Prime Minister Mohammed Mossadegh, the fiercely nationalistic Iranian leader ousted by Britain and the U.S. in 1953. But now, the prospect of a return by the shah’s son as a U.S.-backed autocrat with strong ties to right-wing Israelis didn’t phase him at all.
For his part, Pahlavi has publicly espoused a commitment to secular liberal democracy. But just last month his main support group, the National Union for Democracy in Iran, proposed that Pahlavi should serve as the unambiguous “Leader of the National Uprising” who will be empowered to issue official decrees, install hand-picked executive officials during a “transition to freedom and stability” and act as commander-in-chief of Iran’s military forces.
His supporters, meanwhile, have been widely accused of harassing and viciously threatening opponents who do not accept him in this role.
Would a secular, hopefully more competent, authoritarian dictatorship, whether led by Pahlavi or someone else with U.S. backing, be an improvement, I asked my friend in Tehran?
Even as bombs were falling from the sky onto his city last week, he texted back: “Yes sure!”
“I think this can be a phase towards a better situation for striving for democracy,” he added.
To be honest, I fear he and other like-minded Iranians are betting on moonbeams. But even after Israel bombed Tehran’s oil storage facilities over the weekend, engulfing the city in a poisonous black cloud, he texted me poetry.
“Under the black smoke…I saw trees that were hosting a multitude of blossoms with their thin bodies,” he wrote. “It seemed like they were supposed to remind us of spring….To us, who have been stuck in a rut for years? The ideological Mafia rule of the Islamic Republic of Iran has stolen 47 springs from us.”
The post Can the US really bring Iranians democracy? appeared first on The Forward.
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Lawsuit says DOGE used ChatGPT to flag Jewish-themed humanities grants as ‘DEI’ before canceling them
(JTA) — The Department of Government Efficiency tagged Jewish themes as “DEI” in ChatGPT when searching for federal humanities grants to cancel last year, according to a class-action lawsuit.
The methodology contributed to the cancellation of National Endowment for the Humanities grants to study violence against women during the Holocaust, postwar Soviet Jewish literature and hundreds of other topics, even as the NEH would soon bestow $10.4 million, its largest-ever grant, to the Tikvah Fund, a politically conservative Jewish cultural project.
The suit brought by the Authors Guild; a member organization for several academic groups including the Association for Jewish Studies; and a number of individual scholars seeks to restore the canceled funding, which comprised around 80% of the NEH’s grants and was cut amid the Elon Musk-led task force’s broader slashing of federal spending last year.
The suit names the NEH, its acting chair, and several DOGE staffers as defendants, including Justin Fox, who the suit alleges was behind the ChatGPT methodology.
While DOGE’s use of keywords to cancel research grants was already known, as was the sweep’s effect on Jewish projects, the suit has revealed new details in its methodology, including staffers’ use of ChatGPT and their contention that works dealing with Judaism are a form of DEI.
In a filing on Friday, attorneys for the plaintiffs said Fox specified that he considered Jewish grants, including those focusing on the Holocaust, part of DEI.
“For a different grant about violence against women during the Holocaust, Fox testified that ChatGPT properly classified the grants as involving DEI, and thus slated it for termination, because it was ‘specifically focused on Jewish cultures’ (as in, it was about the Holocaust) and the ‘voices of the females in that culture,’” reads the filing.
“More generally, Fox stated that he identified as DEI any grant about a specific ‘minority group,’ meaning any particular ‘ethnicity, culture . . . race or gender or religion,’” the filing went on.
“It’s a Jewish — specifically focused on Jewish culture and amplifying the marginalized voices of the females in that culture,” Fox stated about one canceled grant for a project about “violence against women during the Holocaust,” as the latest court filing described it. Fox continued, “It’s inherently related to DEI for that reason.”
When asked in a deposition about the criteria for cancellation, the NEH’s acting chair Michael McDonald said he hadn’t known that DOGE used ChatGPT in its selection process, while also noting that he didn’t agree with the assessment that the Holocaust constituted DEI. The final authority for canceling the grants rested with DOGE, not McDonald, depositions indicated.
Fox, the suit alleges, had created his own “Detection List” of identity-based traits, with separate categories for “Craziest Grants” and “Other Bad Grants,” before running the databases through the generative AI software.
His prompt, according to the lawsuit: “Does the following relate at all to DEI? Respond factually in less than 120 characters. Begin with ‘Yes.’ or ‘No.’ followed by a brief explanation. Do not use ‘this initiative’ or ‘this description’ in your response.” The grants that turned up were all terminated, with only a few exceptions.
Many Jewish-themed projects were among the NEH cancellations, including a grant for “In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union,” a translation project that was published in book form last month. The book was singled out during the lawsuit’s discovery phase, which noted, “ChatGPT classified this grant as DEI because ‘[t]his anthology explores Jewish writers’ engagement with the Holocaust in the USSR.’”
“I find it annoyingly amusing that they weren’t bothering to read the grants themselves — that they needed a machine to give them some sense,” Sasha Senderovich, a University of Washington professor who co-translated the volume with University of Illinois-Urbana Champaign professor Harriet Murav, told the Jewish Telegraphic Agency. Three-quarters of their NEH grant had already been paid out, Senderovich said. He believes the NEH’s decision to cancel his grant was an example of “authoritarian logic.”
The book “In the Shadow of the Holocaust” showcases Jewish literature written in the Soviet Union; at right, Jewish women buy flour before Passover in Moscow in 1965. (Keystone-France/Gamma-Keystone via Getty Images)After Senderovich used similar language in a Forward story last year following the cuts, an NEH official called the accusation “tendentious” and accused “wokeness and intersectionality” of being the true authoritarians in a text to McDonald, according to the court filing.
While the DEI justification has generated headlines, Senderovich said, “I think it’s also somewhat misleading to get hung up on what they typed into ChatGPT.”
The NEH’s final grant cancellation list, he noted, included many projects that had not been flagged as DEI. One such cancellation noted by the plaintiffs’ attorneys — which DOGE canceled over McDonald’s objections — was “a grant to advance the National Catholic Center for Holocaust Education at Seton Hill [sic] University.”
Murav, for her part, told JTA, “I am reeling from these cascading waves of hatred.” She rejected the idea that Jews should be considered part of DEI: “DEI initiatives seek to redress historic failures in American society. DEI efforts in the world of the university are not aimed at American Jews, because American Jews are over-represented in the professions and in the academy.”
Also canceled by DOGE: a project on “the untold story of Jewish women’s slave labor during the Holocaust,” according to the suit. Documentary filmmaker Marisa Fox, whose own grant for a project matching that description was canceled, bemoaned the Trump administration’s new priorities in the Hollywood Reporter last year.
“I’ve seen firsthand how meeting a Holocaust survivor, whether in person or through a project, can dispel the most deep-seated antisemitic beliefs,” Fox — no apparent relation to the DOGE staffer — wrote then. “But if the NEH, NEA and local humanities councils are defunded, the platforms that can bridge divides will be severely limited. And so, too, will our chances of stemming hate’s rising tide.”
Even as staffers appeared to classify Jews as “DEI,” the NEH is moving forward with its support of Tikvah-aligned Jewish scholars. Ruth Wisse, a prominent Yiddish and Jewish cultural scholar, emeritus Harvard professor and senior fellow at Tikvah, is set to deliver the NEH’s annual Jefferson Lecture in the Humanities later this month at what has been rechristened the “Trump Kennedy Center.” Wisse’s lecture is titled “A Message from the ‘Blue and White’ in the ‘Red, White, and Blue,’” a reference to the colors of the Israeli and American flags.
A request for comment to Tikvah CEO Eric Cohen was not returned as of press time. Tikvah had a previously unreported connection to NEH senior leadership, the deposition shows: Dorothea Wolfson, who has worked with Tikvah and directs a program established by a former Tikvah board chair, is married to Adam Wolfson, the NEH’s assistant chair for programs. Adam Wolfson said in the deposition that he had made introductions but wasn’t involved in the grant selection.
As it shines a spotlight on DOGE’s practices, the suit also brings a different long-simmering debate to the forefront: whether Jews are considered part of “DEI,” the broad suite of diversity, equity and inclusion initiatives at universities and other institutions that conservatives have railed against.
Some prominent Jewish voices, including current CBS News editor-in-chief Bari Weiss, have argued that DEI practices are at least latently antisemitic because their practitioners do not consider Jews an underrepresented minority. The Trump administration’s crackdown on campus antisemitism has frequently been paired with anti-DEI initiatives.
Yet at the same time, a broader anti-DEI push on the right has also ensnared Jewish projects, or generated confusion among university administrators as to whether Jewish events should be canceled on campuses where DEI is outlawed.
Fox, according to investigations of DOGE staffers last year, is a former investment banker whose DOGE tenure also included stints overseeing cuts at USAID and the General Services Administration. His NEH tenure coincided with a directive for that organization to eliminate $175 million in federal grant funding. The DOGE project largely wound down following its architect Musk’s official exit from government a few months into its tenure, decimating numerous federal agencies and jeopardizing some initiatives to benefit Jews.
“It’s just ridiculous. You have these kids being told just go in and cut as much as you can,” Mary Rasenberger, CEO of the Author’s Guild, told JTA about the DOGE maneuvers. “They were given no real instruction.”
The guild is one of several organizations that have co-signed onto the lawsuit, which is requesting the refunding of the grants. It is now awaiting a judge’s ruling on a summary judgment that would avoid a trial.
Among several individual authors represented by the guild in the suit is Jewish author and independent scholar William Goldstein, founding editor of the New York Times’ Books website, whose NEH grant was meant to fund a biography of Jewish LGBTQ playwright and AIDS activist Larry Kramer.
The post Lawsuit says DOGE used ChatGPT to flag Jewish-themed humanities grants as ‘DEI’ before canceling them appeared first on The Forward.
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Lindsey Graham urges Israel not to strike Iranian oil depots even as he says he helped make war happen
(JTA) — Sen. Lindsey Graham of South Carolina has called on Israel to rein in its attacks on Iranian oil infrastructure, marking a rare note of caution from a Republican lawmaker who has said he helped push the United States to join Israel in waging war against Iran.
In a post on X on Sunday, Graham praised Israel for its role in the war before adding that “there will be a day soon that the Iranian people will be in charge of their own fate, not the murderous ayatollah’s regime.”
“In that regard, please be cautious about what targets you select,” continued Graham. “Our goal is to liberate the Iranian people in a fashion that does not cripple their chance to start a new and better life when this regime collapses. The oil economy of Iran will be essential to that endeavor.”
Graham’s post linked to an Axios article that reported that the United States was alarmed by Israeli strikes over the weekend that targeted 30 Iranian fuel depots. On Monday, U.S. gas prices rose to their highest levels since 2024.
The warning from Graham, an ally of President Donald Trump and staunch supporter of Israel, comes days after the Republican hawk told the Wall Street Journal that he had played a key role in urging Trump to strike Iran.
Prior to the joint U.S.-Israeli strikes on Iran, Graham made several trips to Israel where he met with members of the Mossad, Israel’s intelligence agency, as well as Israeli Prime Minister Benjamin Netanyahu whom he said he coached on how to lobby Trump to strike Iran.
“They’ll tell me things our own government won’t tell me,” Graham told the newspaper.
On Monday, Graham also directed his criticism at Saudi Arabia’s decision to stay on the sidelines of the campaign against Iran.
“It is my understanding the Kingdom refuses to use their capable military as a part of an effort to end the barbaric and terrorist Iranian regime who has terrorized the region and killed 7 Americans,” wrote Graham in a post on X Monday. “Question – why should America do a defense agreement with a country like the Kingdom of Saudi Arabia that is unwilling to join a fight of mutual interest?”
The post Lindsey Graham urges Israel not to strike Iranian oil depots even as he says he helped make war happen appeared first on The Forward.