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The real Jewish history behind Netflix’s ‘Transatlantic’ and the WWII rescue mission that inspired it

(JTA) — While the United States swung its door shut to most refugees during World War II, a young American in France saved thousands, including some of the 20th century’s defining artists and thinkers — such as Marc Chagall and Hannah Arendt — from the Nazis. 

The rescue mission of Varian Fry, which went largely unrecognized during his life, is the subject of Netflix’s new drama “Transatlantic,” launching Friday from “Unorthodox” creator Anna Winger.

Starring Cory Michael Smith as Fry, the seven-episode “Transatlantic” aims to recreate his operation in Marseille after the Nazis defeated France and before the United States entered the war. Winger has injected several imagined romances, war efforts and characters into the fictionalized series, including one posed as Fry’s lover, named Thomas Lovegrove (played by Israeli Amit Rahav). Although Fry’s son has said that he was a “closeted homosexual,” no such person is known to have existed. 

Winger believes these inventions will invite Netflix viewers to learn more about the true story.

“The people who lived through these stories are dying out,” she told the Jewish Telegraphic Agency. “My job is to bring this to a wide audience, to people who don’t know anything about it.”

The story behind the series

The real Varian Fry, a 32-year-old journalist and suit-clad Harvard graduate, showed up in Marseille with $3,000 taped to his leg and a list of 200 names in August 1940. 

After France surrendered to Germany, Fry was among 200 Americans — including journalists, artists, museum curators, university presidents and Jewish refugees — to create the Emergency Rescue Committee at the Hotel Commodore in New York. This group was concerned with Article 19 in France’s armistice with Germany, which required French authorities to surrender any individuals demanded by the Germans. 

The private relief organization drew up frenzied lists of anti-Nazi intellectuals who were trapped in France. With the help of first lady Eleanor Roosevelt, the ERC obtained some emergency visas and sent Fry to lead the rescue efforts in Marseille, a port city in the southern, unoccupied part of France.

What he found there was impossible to manage alone. His mission began in his room at the Hotel Splendide, where long lines of refugees waited in the morning before he woke up and at night after he went to bed. They sometimes walked straight into his bedroom without knocking, Fry wrote in a letter to his wife shortly after he arrived.

Gathering a small devoted staff, including Frenchmen, refugees and American expatriates, Fry moved his office to Rue Grignan and later Boulevard Garibaldi. Outside of Marseille he rented the Villa Air-Bel — colorfully recreated in “Transatlantic” — to house eminent writers and eccentric Surrealist artists waiting for visas.

The group developed legal and illegal branches, with the cover organization offering humanitarian relief while a behind-the-scenes operation flouted the law to help refugees escape. Using Marseille’s lively black market, the staff found hiding places, forged documents and bribed officials. Bil Spira, a Jewish Austrian-born cartoonist, forged passports for the ERC. (He was caught and deported to Auschwitz, but survived.) Resistance fighters Hans and Lisa Fittko devised an escape route to Spain, guiding refugees across the Pyrenees mountains on foot.  

By the time he was forced out in October 1941, Fry’s shoestring operation had enabled 2,000 Jewish and other anti-Nazi refugees to flee Europe, including such towering artists as Chagall, Max Ernst and Marcel Duchamp, and intellects such as Arendt, Heinrich Mann and André Breton. It has been estimated that 20,000 refugees made contact with the rescue center in Marseille.

Fry’s illegal efforts made him plenty of enemies from his own country, who accused him of interfering with American neutrality in the war. He angered the state department, officials at the American consulate in Marseille and ERC members in New York. In August 1941, he was arrested by Vichy police and sent back to New York. 

Fry died in 1967 at the age of 59. Only a few months earlier, he had received the Croix de Chevalier de la Legion d’Honneur, France’s highest decoration of merit — and the only official recognition in his lifetime. In 1994, he became the first American honored by Yad Vashem, Israel’s Holocaust memorial and history authority, as Righteous Among the Nations.

The Emergency Rescue Committee merged with another relief organization and became the International Rescue Committee in 1942. It is still in operation today and currently led by a Jewish CEO, former British politician David Miliband.

What’s in the show, and why some are against it

Some of Fry’s colleagues are fictionalized in “Transatlantic,” including the Jewish Berliner Albert Hirschman (Lucas Englander), who would become an economist in the United States; the Chicago heiress Mary Jayne Gold (Gillian Jacobs); and the Jewish Austro-Hungarian activist Lisa Fittko (Deleila Piasko). American diplomat Hiram Bigham, who gave Fry crucial help and even hid writer Lion Feuchtwanger in his home, is also a character in the show. 

Throughout the seven episodes, rescue missions swirl around a series of fictional love affairs. In addition to Fry’s relationship, a triangle unfolds between Hirschman, Gold and the fictional American Consul Graham Patterson. (There is no evidence that Gold romanced either with her comrade or with any American consul in Marseille.) Lisa Fittko has an affair with the fictional character Paul Kandjo, who organizes armed resistance to Vichy. 

Gillian Jacobs as heiress Mary Jayne Gold. (Anika Molnar/Netflix)

Several wartime plot points are also invented, including a prison break at Camp de Mille and Gold’s collaboration with British intelligence.

The degree of fictionalization has angered some people close to the real history. Pierre Sauvage, president of the Varian Fry Institute, called the show’s trailer “shocking.” Born in 1944, Sauvage survived the end of the Holocaust in the French village of Le Chambon-sur-Lignon, although his Jewish parents were turned down by Fry’s overwhelmed committee. He became close friends with some of Fry’s fellow rescuers in their later years, including the late Gold, Hirschman and Fittko. 

“Are there any red lines?” he said. “Can one fictionalize at will, with no concern for the reality of the story, for the false impression that people will get — and for the way it affects the private lives of the families of people portrayed?”

Sheila Isenberg, who documented Fry’s operation in her book “A Hero of Our Own,” has described the series as a “travesty.” Thomas Fischer Weiss, a child survivor who attempted Fry’s escape route through the Pyrenees at 5 years old, also said the historical events needed no embellishment. 

“I think you should tell it straight,” he told the JTA. 

The legacy of the ‘troublemakers’

Sauvage believes that if Fry and his associates were alive today, they would like to be remembered for their convictions. 

“These were people who were sort of in your face,” he said. “People who knew clearly what they felt and expressed it. They would often describe themselves as troublemakers. Mary Jayne [Gold] said about Varian that he was an ‘ornery cuss’ — it took orneriness to stick to your guns.”

That orneriness was critical at a time when many Americans were apathetic to the plight of European Jews — a 1938 poll in Fortune magazine found that fewer than 5% believed the United States should raise its immigration quotas for refugees. By the summer of 1941, it was too late to open the doors. The German policy of expelling Jews had changed into extermination.

According to Sauvage, America’s refusal to accept more refugees had something to do with that shift.

“The Nazis could legitimately come to the conclusion that the world wouldn’t do anything about the murders and wouldn’t really care all that much,” he said. “What the Varian Fry mission symbolizes is people who cared.”

Varian Fry with Miriam Davenport in the first offices of the Centre Américain de Secours in Marseille in 1940. Davenport, a friend of Mary Jayne Gold, also worked in the rescue effort but is omitted from “Transatlantic.” (Varian Fry Institute)

After their year in Marseille, the rescuers settled into more ordinary lives. Hirschman became an economist with appointments at Yale, Columbia and Harvard. Lisa Fittko ended up in Chicago, where she worked hard in import-export, translation and clerical jobs to earn money, eventually joining protests against the Vietnam War. Gold divided her time between New York City and a villa on the French Riviera. 

They all remembered the rescue mission as their finest hour. Speaking with Sauvage, Gold called that year “the only one in her life that really mattered.”

A refugee story for troubled times

Fry’s rescue mission inspired Julie Orringer to write “The Flight Portfolio,” a 2019 novel that became the basis for “Transatlantic. Orringer was captivated by the image of a young man arriving in Marseille, idealistic and unprepared for the depth of anguish he would find. 

“The task was way too big,” she told the JTA. “He realized quite early on that he was going to ask for help, that he was going to have to turn to others who had deeper experience. And in collecting this group of incredible individuals around him, he assembled a kind of collective mind that really could make a difference under the very difficult circumstances that he faced.”

She believed that Fry left an example for the inexperienced. “If you‘re the kind of person who wants to take action on behalf of refugees, but doesn’t know how to do it, ask for help,” she said. 

Winger, a Jewish Massachusetts native who has lived in Berlin for two decades, conceived of making a series about Fry in 2015. Germany saw an influx of more than a million migrants that year, most of them fleeing Syria’s horrific civil war. She optioned Orringer’s book in 2020.

“​​I thought a lot about the fact that people like us — artists, Jews, both — had to leave Berlin as refugees, but now there were so many people coming to Berlin as refugees,” said Winger. 

Then, just as she started filming “Transatlantic” on location in Marseille, a new war broke out in Europe.

“The war in Ukraine started three days into the production and there was a whole other wave of refugees coming to Berlin,” she said. “Suddenly we were making it in another refugee crisis.”

Russia’s invasion of Ukraine hit close to the show, whose cast and crew hail from across the continent. Winger’s cinematographer is married to a Ukrainian woman. In Berlin, she saw thousands of refugees crowding into the central train station, some without shoes, food or plans for shelter. 

“I think it gave us all a strong sense of purpose,” said Winger.


The post The real Jewish history behind Netflix’s ‘Transatlantic’ and the WWII rescue mission that inspired it appeared first on Jewish Telegraphic Agency.

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Romanians Stabbed Journalist in London at Behest of Iran, UK Court Told

People walk past a mural depicting the late leader of the Islamic Revolution, Ayatollah Ruhollah Khomeini, and the late Iran’s Supreme Leader Ayatollah Ali Khamenei, in Tehran, Iran. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

A team of Romanian men, acting as proxies for the Iranian government, carried out a knife attack on a journalist working for a Persian-language media organization in London, prosecutors told a British court on Monday.

Pouria Zaratifoukolaei, known as Pouria Zeraati, a British journalist of Iranian origin who works for Iran International, was stabbed in the leg three times as he was attacked near his home in Wimbledon, southwest London, in March 2024.

At the start of the trial of two of the three men accused of carrying out the stabbing, prosecutor Duncan Atkinson said they had targeted Zeraati, whose Saudi-funded TV employer is critical of Iran‘s government and has been designated a terrorist organization by Tehran.

‘DELIBERATE, PLANNED VIOLENCE’

“This was no robbery, no fight that got out of control, it was deliberate, planned violence to achieve what it did, that is serious injury to its target,” Atkinson told London‘s Woolwich Crown Court.

They had “committed a planned attack preceded by reconnaissance, and which was ordered by a third party acting on behalf of the Iranian state,” the prosecutor said.

Iran has denied any involvement in the incident.

Nandito Badea, 21, and George Stana, 25, both deny charges of wounding with intent and unlawful wounding. The third man accused of involvement, David Andrei, was arrested in Romania but is not involved in the trial.

Atkinson said Zeraati was an “obvious and readily identifiable target for violence to be inflicted by proxies” acting for Iran. He said posters had been put up in Tehran in November 2022 featuring pictures of journalists including Zeraati, under the heading “Wanted: dead or alive.”

“In recent years, since 2005, the Islamic Republic has turned less to its own operatives and increasingly to use proxies such as criminal gangs to meet their threatened violence on their behalf,” Atkinson said.

“That has included attacks on persons in this country who have become targets of Iranian intimidation and, effectively, terror.”

Atkinson said Zeraati had been subject to “extensive reconnaissance,” and a year before Stana had been arrested in the garden of his apartment with another man, in possession of latex gloves, scissors, and a mask.

On the day of the attack, Badea and Andrei confronted Zeraati as he crossed the street from his home to his car, the prosecutor said. Andrei held him, while Badea stabbed him at the top of his thigh before they fled to a getaway car driven by Stana, the prosecutor added.

The men, who were motivated by money, dumped the car and some clothing, and then took a taxi to Heathrow Airport from where they flew to Geneva, Atkinson said.

The trial, which is expected to last more than two weeks, continues.

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‘Beyond Ironic’: Mamdani’s ‘Nakba’ Video Features Non-Arab Woman Critics Say Has European Roots

New York City Mayor Zohran Mamdani (D) speaking with the press in the Bronx, New York City, May 18, 2026. Photo: Michael Brochstein/ZUMA Press Wire via Reuters Connect

New York City Mayor Zohran Mamdani marked the Palestinian “Nakba” with an official City Hall video featuring a woman presented as a survivor of Israel’s founding war, but critics quickly identified her family as “European settlers” from Bosnia who left Arab-controlled territory.

The backlash came as leaders of mainstream Jewish groups said they would reject invitations to Mamdani’s “Jewish Heritage” celebration at Gracie Mansion on Monday evening.

The video, posted on Friday, features New York resident Inea Bushnaq, identified as a “Nakba survivor,” recounting her family’s departure from their home because, as she termed it, “the Zionists were coming into Jerusalem.”

Nakba is Arabic for “catastrophe,” a term Palestinians use for Israel’s founding and the displacement of hundreds of thousands of Arabs during Israel’s 1948 War of Independence. The Palestinian demand for a “right of return” for the refugees’ millions of descendants is viewed by many Israelis and Jews as a call that would end Israel’s existence by demographic means. Critics said the video’s assertion that the Nakba “continues to this day” echoed that position.

Text in the video says the Nakba refers to the “expulsion and displacement of more than 700,000 Palestinians between 1947 and 1949 during the creation of the State of Israel” and says Israel’s pre-state militaries, “the Haganah, Irgun, and Lehi militias, among others, destroyed more than 400 Palestinian villages and cities, killing thousands of Palestinians and carrying out dozens of massacres.”

“May 15 is the annual commemoration of the Nakba. For Palestinians, their displacement and the Nakba continue to this day,” the video text reads.

The video makes no mention of Arab attacks on Jews before and during the 1948 war, the invasion by Arab armies after Israel’s declaration of independence meant to eradicate the nascent state, the rejection of the UN partition plan that would have created a Jewish and an Arab state, or the expulsion of Jews from parts of Jerusalem that came under Jordanian control.

Speaking in a British accent in the video, Bushnaq, who is described as Palestinian-American, explains how keys have become a Palestinian symbol of the right to return. “You have the key but not the house,” she says.

Tom Gross, a Middle East expert, noted that the video omitted the expulsion of Jews from Arab countries while relying on what he called a flawed account of Palestinian history.

“Not only does Mamdani’s video fail to mention the numerically greater 850,000 Jews driven out of their homes in the Arab world; he can’t even get his narrative right regarding the so-called Palestinian Nakba,” he told The Algemeiner.

In a post shared widely on social media, Gross cited research by the historian and influencer who posts as J0sh_a to challenge Bushnaq’s portrayal as a Palestinian refugee.

“It turns out that the ‘Nakba Survivor’ who stars in Mayor Mamdani’s official NY City Hall Palestinian propaganda video yesterday, is literally a ‘European settler,’” the post said. 

Bushnaq’s grandparents were Muslim Bosnians who left Bosnia for Ottoman Syria in the late 19th century after Austria-Hungary took control of Bosnia. The family later moved to Tulkarem, which came under Jordanian control after 1948, not Israeli control. Bushnaq was born in Jerusalem because of the city’s medical facilities, but her family remained based in Tulkarem, the post said. 

Bushnaq’s father worked in England in the 1930s, returned to what was then known as Mandatory Palestine under British administration, and then in 1948 the family chose to go back to England.

“They were not expelled, and no one forced them to move to England. In any case, Tulkarem, and the old city of Jerusalem remained under Jordanian Arab control. No Arabs were forced to leave from Tulkarem in 1948,” Gross wrote.

“So, in summary, this is a European with no strong roots in the land of Israel, whose family made the decision to immigrate back to the continent of their grandparents instead of remaining under Arab control in what was part of Jordan after 1948.”

Critics also pointed to a poster seen on Bushnaq’s wall in the video. The “Visit Palestine” image was not Palestinian nationalist artwork, they said, but a Zionist-era tourism poster designed by Jewish artist Franz Kraus to encourage travel to the Holy Land.

“It is beyond ironic that the only person featured to represent Palestinian Arabs in his video appears to be someone from a recently arrived European settler family – from Bosnia – and not Arab at all,” he told The Algemeiner

Gross also argued that Bushnaq’s family story pointed to a wider part of the history often left out of Palestinian nationalist accounts, saying many Arab families in the land in 1948 had arrived within a generation or two, drawn by British rule or by economic opportunities created by Jewish development. He cited surnames such as Al-Masri and Masarwa, both linked to Egypt, Fayumi, from Fayum in Egypt, Ismaili, from Ismailia, Al-Horani, from Hauran in Syria, Sidawi, from Sidon in Lebanon, and Al-Hijazi, from the Hijaz in Saudi Arabia. 

Jewish groups, leaders and members of Congress slammed the post.

The UJA-Federation of New York accused Mamdani of leaving out critical context, writing on X that “the refugees you post about exist because 22 Arab states launched a war to destroy Israel,” after rejecting the UN plan that also called for a Palestinian state.

Referencing the translation of Nakba, US Sen. Rick Scott (R-FL) wrote on X, “The only catastrophe here is a mayor of New York who lets antisemitic mobs run wild to terrorize law-abiding Jewish New Yorkers while he spreads anti-Israel propaganda.”

“Rewriting history to portray the existence of Israel itself as the original sin is not education or remembrance. It is propaganda,” said New York Assemblymember Sam Berger. “This mayor constantly tries to market himself as an ally to the Jewish community while amplifying narratives that fuel hatred against the Jewish people.”

New York State Assembly member Simcha Eisenstein wrote, “Still wondering why hatred against Jews is so high in NYC? We have a mayor who is using government resources to disseminate a narrative and incite hostile propaganda.”

The post came the same day as anti-Zionist demonstrators gathered in Manhattan for Nakba Day rallies, with footage showing protesters carrying a Hezbollah flag, stepping on Israeli flags, shouting for Israel’s destruction, and confronting police.

The timing also contrasted with Mamdani’s own statement days earlier praising law enforcement for arresting a man accused of planning an Iran-backed attack on a New York synagogue. Mamdani had said the arrest “comes amid an alarming rise in antisemitism across the country.”

“Let me be clear: Antisemitism, violent extremism, and terrorism have no place in our city. This kind of hate is despicable,” he said.

The UJA-Federation later said it would not attend Monday night’s Jewish American Heritage Month celebration at Gracie Mansion because it was being hosted by a mayor who “denies a core pillar of our heritage — the State of Israel as the homeland of the Jewish people,” according to a statement carried by the New York Post.

Mark Treyger, CEO of the Jewish Community Relations Council, said he would also skip the event. His group organizes the Israel Day Parade at the end of the month, which Mamdani has said he will not attend, breaking with past mayoral practice.

New Yorkers “expect leadership that lowers the temperature, brings people together, and makes every community feel seen, respected, and safe, including Jewish New Yorkers,” Treyger wrote in an X post criticizing Mamdani’s Nakba Day video.

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Pakistan Sends New Iranian Peace Proposal to US

A woman walks past an anti-US billboard depicting US President Donald Trump and the Strait of Hormuz, in Tehran, Iran, May 17, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

Iran sent a new peace proposal to the United States with terms that appeared similar to offers Washington has previously rejected, although a senior Iranian official told Reuters on Monday that the US had softened positions on some issues.

A Pakistani source confirmed that Islamabad, which has conveyed messages between the sides in the war in the Middle East since hosting the only round of peace talks last month, had shared the latest proposal with Washington. But the source suggested progress had been difficult.

The sides “keep changing their goalposts,” the Pakistani source said, adding: “We don’t have much time.”

Iranian Foreign Ministry spokesperson Esmaeil Baghaei confirmed that Tehran’s views had been “conveyed to the American side through Pakistan” but gave no details. Washington did not immediately comment.

The Iranian proposal, as described by the senior Iranian source, appeared similar in many respects to Iran’s previous offer, which US President Donald Trump rejected last week as “garbage.”

It would focus first on securing an end to the war, reopening the Strait of Hormuz – a major oil supply route that Iran has effectively blockaded – and lifting maritime sanctions.

Contentious issues around Iran’s nuclear program and uranium enrichment would be deferred to later rounds of talks, the source said.

However, in an apparent softening of Washington’s stance, the senior Iranian source said the United States had agreed to release a quarter of Iran’s frozen funds – totaling tens of billions of dollars – held in foreign banks. Iran wants all the assets released.

The Iranian source also said Washington had shown more flexibility in agreeing to let Iran continue some peaceful nuclear activity under supervision of the International Atomic Energy Agency.

Iran’s Tasnim news agency separately quoted an unidentified source as saying the US had agreed to waive oil sanctions on Iran while negotiations were under way.

Iranian officials did not immediately comment on Tasnim’s report, which a US official, who declined to be named, said was false.

FRAGILE CEASEFIRE

A fragile ceasefire is in place after six weeks of war that followed US-Israeli airstrikes on Iran. But talks mediated by Pakistan have stalled and Trump has said the ceasefire is “on life support.”

Washington has previously demanded Tehran dismantle its nuclear program and reopen the Strait of Hormuz, which normally carries one-fifth of the world’s seaborne oil and liquefied natural gas supply.

Iran has been demanding compensation for war damage, an end to a US blockade of Iranian ports and a halt to fighting on all fronts, including in Lebanon, where Israel is battling the Iran-backed Hezbollah terrorist group.

Trump said in a post on Truth Social at the weekend that “the Clock is Ticking” for Iran, adding that “they better get moving, FAST, or there won’t be anything left of them. TIME IS OF THE ESSENCE!”

Trump is expected to meet top national security advisers on Tuesday to discuss options for resuming military action, Axios reported.

Baghaei said Tehran was prepared for all scenarios.

“As for their threats, rest assured that we are fully aware of how to respond appropriately to even the smallest mistake from the opposing side,” he told a televised weekly press conference.

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