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‘There was no time to sleep’: 4 Jews reflect on a year of helping Ukrainians at war
(JTA) — In the months after Russian tanks rolled into her country last February, the music largely stopped for Elizaveta Sherstuk.
The founder of a Jewish choral ensemble called Aviv in her hometown of Sumy, in the northeastern flank of Ukraine, Sherstuk had to put singing aside in favor of her day job and personal mission: delivering aid to Jews in Sumy.
“There was no time to sleep,” Sherstuk recalled to the Jewish Telegraphic Agency recently. “All my team members worked the same, 24/7.”
A year later, Sherstuk is still hustling as the Sumy director of Hesed, a network of welfare centers serving needy Jews in the former Soviet bloc. But she has also begun teaching music classes again, too — with performances sometimes held in bomb shelters.
Catch up on all of JTA’s Ukraine war coverage from the last year here.
Sherstuk’s story reflects the ways that Russia’s war on Ukraine has affected Jews in Ukraine and beyond. The conflict has killed hundreds of thousands, left even more in peril and fundamentally altered the landscape and population of Ukraine, forcing millions to flee as refugees.
But the war has also mobilized the networks of Jewish aid and welfare groups across Europe, leading to a Jewish organizational response on a massive scale not seen in decades. And Ukrainian Jews who have remained in the country have recalibrated their lives and communities for wartime.
Here are four stories about Jews who stepped in and stepped up to help, and a taste of the on-the-ground situations they found themselves in.
‘I was needed there’
Enrique Ginzburg, second from right, is shown with Ukrainian doctors in Lviv. (Courtesy of Ginzburg)
Since nearly drowning at 23, Dr. Enrique Ginzburg has felt he “had to pay back” for the extra years of life he was granted.
Now 65, the professor of surgery at the University of Miami’s Miller School of Medicine and its trauma division has lent his critical care expertise in Haiti, Argentina, Kurdistan and Iraq, in various emergency situations. But until last year, he had never been to a war zone.
The Cuba native felt drawn to Ukraine because his grandfather is from Kyiv, while his grandmother is from nearby eastern Poland. So early on in the conflict, he called Dr. Aaron Epstein, an old friend and the founder of the nonprofit Global Surgical and Medical Supply Group.
“Get yourself a flak jacket, a helmet, a gas mask and come on over,” Ginzburg said Epstein told him.
He has been to Ukraine twice under the nonprofit’s auspices, last April and July. Ginzburg’s explanation for why he flew across the world to put himself in danger: “I was needed,” he said.
His base was an emergency hospital in Lviv, a city located west enough that it became a major refugee hub. He consulted with front-line Ukrainian physicians, many of them young and inexperienced, and hospital administrators, watching the doctors in action. He also visited patients in hospital wards and helped to treat gunshot wounds and assorted combat injuries.
Ginzburg’s bags were packed with meaningful supplies. Some had been requested by his Ukrainian colleagues for medical use, mostly specialized catheters. But he also brought tefillin, the phylacteries used by Jews in their morning prayers. Ginzburg, who studied in a yeshiva while young but no longer considers himself Orthodox, wrapped them every day while in Ukraine.
Even though Lviv was far from the fighting, he could hear air raid sirens and the explosion of the Russian missiles, sometimes feeling the earth shake. When intelligence reports warned Ginzburg’s medical team of impending missile attacks, they sought refuge in safe houses.
“Today,” he told the Miami Herald last June, “I was calling my life insurance [company] because I have young sons and my wife, so I’m trying to make sure I have good coverage.”
By the end of his trips, Ginzburg lost count of the number of doctors he helped train and the number of patients he saw. “I’m sure it’s hundreds.” He plans to make a third trip sometime this year.
‘This is our new reality’
Karina Sokolowska is the director of the American Jewish Joint Distribution Committee’s activities in Poland. (Courtesy of the JDC)
As the director of the JDC, or the American Jewish Joint Distribution Committee, in Poland, Karina Sokolowska has heard countless harrowing stories over the past year. But one sticks out in her memory.
It involved an elderly Ukrainian couple she met at the Poland-Ukraine border in late spring. The husband was in a wheelchair, and Sokolowska helped push him — back towards Ukraine. They had spent three months in a shelter in Poland but eventually “realized we cannot go looking for jobs, we cannot restart our lives. We are too old,” the woman said.
“If they are to die, they’d rather die back home,” Sokolowska said. “It’s a story of hopelessness. They are so vulnerable.”
Last year, about 8 million Ukrainian refugees made their way to Poland, the bordering country that accepted the most refugees. Early on in the conflict, Sokolowska contacted and visited Jewish communities throughout Poland, investigating the availability of places where the soon-to-be-homeless refugees could be housed. She also traveled to some of the border crossings where the Ukrainians entered, to arrange transportation to venues in Poland and to oversee the conditions in which the refugees would begin their new lives.
Later she would help with, among other things: arranging legal advice for the people who arrived with few identification documents; lining up medical care and drugs; finding them short- and long-term housing; connecting them to psychological counseling; providing kosher meals; and even caring for the refugees’ pets (“dogs and cats with no documents”).
According to JDC statistics, the organization “provided essential supplies and care” to 43,000 Jews in Ukraine and “aided 22,000+ people” there with “winter survival needs … more than double the amount served in previous years.” The welfare organization also claimed to provide “life-saving services” to more than 40,000 refugees in Poland, Moldova, Romania, Hungary, Bulgaria and other European locations. It also helped evacuate about 13,000 Jews from Ukraine. (Israeli Foreign Minister Eli Cohen recently said 15,000 Ukrainian Jews in total have immigrated to Israel since the start of the war.)
Karina Sokolowska, JDC director for Poland and Scandinavia sits in her office down the hall from a hotline room, in early March 2022. (Toby Axelrod)
At the height of the refugee flood, Sokolowska said her monthly JDC budget ballooned to more than what she previously spent in an entire year. Her office went from having a few employees to over 20. The amount of sleep she got decreased in tandem; she started taking sleeping pills to get rest when she could.
“This is our new reality” in Poland, she says of the JDC work with Ukrainian refugees. “This is our life now.”
Sokolowska, the granddaughter of Yiddish-speaking Holocaust survivors, became active in Jewish life during college, when a classmate heard her pronouncing some German words with a Yiddish accent and persuaded her to lead the Polish Union of Jewish Students. As JDC director for Scandinavian countries in addition to Poland, she typically organizes educational conferences and helps Jewish families learn about traditions they had not learned while growing up in the communist era.
Today, her sense of optimism has been ground down.
“Everything changed when war came to Ukraine — there is less hope,” Sokolowska said. “It’s a totally new everything. Every aspect of our life changed. Our hope for this to be over soon is going down, down, down. Nothing will change.”
‘It could [have been] me’
Tom and Darlynn Fellman volunteered in Krakow in October 2022. (Courtesy of Tom Fellman)
Sometime in the late 1890s, Harry Fellman, about 20 years old, left his home in Ukraine. According to family legend, he was a sharpshooter in the Ukrainian army and was about to be sent into active combat. Instead, he emigrated to the United States and settled in Omaha, Nebraska, where he became a peddler.
His grandson Tom Fellman — whose middle name is Harry — doesn’t know all the 120-year-old details, but he knows that he is grateful that Harry Fellman decided to leave Ukraine when he did.
“It could [have been] me, if my grandparents had not left when they did,” said Fellman, a successful real estate developer and philanthropist in Omaha.
In October, at 78 years old, Fellman made the reverse trip across the Atlantic to pitch in to the relief effort. He also wanted to pay what he sees as a debt to the memory of his late grandfather and to help the current generation of Ukrainian Jews.
He and his wife Darlynn served as volunteers for a week at the Krakow Jewish community center, joining hundreds (possibly thousands) of volunteers from overseas who have gone to Poland and the other nations in the region over the last year to participate in humanitarian programs on behalf of the millions of Ukrainian refugees. Fellman worked nine hours a day with a half-dozen fellow foreign volunteers in the basement of the community center, transferring the contents of “big, big” sacks of items like potatoes and sugar into small containers to be distributed to refugees in the building’s first-floor food pantry. His wife spent her time in an art therapy program that was set up for the refugee mothers and children to raise their spirits.
Fellman is “not particularly religious” but supports “anything Jewish.” In 1986, he accompanied a rescue mission plane of Soviet Jews headed to Israel. “It was the most rewarding experience of my life,” he recalled.
Fellman says he plans to return to Poland, in June, for the JCC’s annual fundraising bike ride from Auschwitz to Krakow.
What did his friends think of his septuagenarian volunteer stint? “They thought it was cool,” he said. “But none of them are going too.”
‘Everything was a risk’
Elizaveta Sherstuk runs a branch of Hesed, a network of welfare centers, in Sumy, Ukraine. (Courtesy of Sherstuk)
Sherstuk’s parents would have sent their daughter to a Jewish school in her early years if they had had the option. But Jewish education was not permitted In Sumy during the final years of communist rule in the Soviet republic. Sherstuk was exposed to Jewish life only at home.
Her parents infused her with a Jewish identity, she said, and her grandparents used to talk and sing songs in Yiddish. That inspired Sherstuk’s first career as a singer and a music teacher, during which she founded Aviv and took it on tour throughout the region singing traditional Jewish songs. Later, she became the director of Sumy’s branch of the JDC-funded Hesed network.
Sumy, an industrial city with a population of 300,000 before the war situated only 30 miles from the Russian border, was one of Russia’s first targets. In the days before the pending invasion, Sherstuk stockpiled food, which was certain to become scarce in case of war, and arranged bus transportation to safer parts of the country for hundreds of vulnerable civilians, mostly the elderly and disabled. The bus plan fell through for safety issues.
As the bombing started, it became dangerous for members of the local 1,000-member Jewish community, many of them elderly, to venture outside of their apartments. Sherstuk, working out of a bomb shelter, assisted by a Hesed network of volunteers, coordinated food and medicine deliveries.
The situation grew more dire, and she coordinated the Jewish community’s participation in a brief humanitarian corridor evacuation of vulnerable civilians that the Russians permitted. She communicated with Sumy residents mostly by smartphones provided by the JDC — the Russian attacks had cut the landlines — and accompanied the busloads of Sumy Jews to western Ukraine. Some of them eventually moved on to Israel, Germany, or other nearby countries, she said.
Sherstuk stayed in western Ukraine for a while (“The humanitarian corridors are only for one-way trips,” she noted), moving from place to place, keeping in touch with the Jews of Sumy and waiting for Ukraine’s army to make the trip back safe. But Sumy, like many Ukrainian cities, has come under frequent Russian rocket attack.
“Everything was a risk,” she said. “We were following whatever our hearts told us to do. We had to save people. I was the one who had to do it.”
Last May, Sherstuk was among 12 men and women (and the sole one from the Diaspora) who lit a torch at the start of Israel’s Independence Day in a government ceremony on Mount Herzl. During two weeks in Israel, she spent some time with members of her family, and held a series of meetings with JDC officials, government ministers and donors. “It was not a vacation,” she said.
After going back to Sumy, at the suggestions of her choral group members and fellow Sumy residents, she organized concerts in Hebrew, Yiddish, Ukrainian and Russian — some in person, some in a bomb shelter in the city’s central square, some online. She has now resumed her music classes, too, and it has all boosted morale. “I [teach] all the time,” she said.
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The post ‘There was no time to sleep’: 4 Jews reflect on a year of helping Ukrainians at war appeared first on Jewish Telegraphic Agency.
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For Bob Dylan’s 85th birthday, an 85-minute playlist
Nobel Prize-winning song-poet Bob Dylan turns 85 on Sunday, May 24. In order to celebrate the august occasion, we have put together an 85-minute playlist featuring one minute of music for every year Dylan has been alive. This playlist isn’t meant to summarize or stand in for Dylan’s overall body of work, which numbers well over 600 songs, nor is it intended to suggest that these are his best songs. Rather, this is a journey through Dylan’s vast songbook, purposely avoiding the tried-and-true in favor of highlighting almost two dozen lesser-known but wholly worthy gems.
Happy 85th birthday, Bob Dylan!
Talkin’ Hava Negeilah Blues (1962)
One of the first original songs Bob Dylan wrote and performed in his early coffeehouse days, “Talkin’ Hava Negeilah Blues” gives the lie to the notion that Dylan consciously tried to hide his Jewish background by changing his name (from Zimmerman to Dylan) and making up stories about his past (e.g., that he traveled with the circus). If there was any truth to that, then why did he kick off his career with a riff on that most recognizably Jewish of songs?
Mixed-Up Confusion (1962)
Recorded in the fall of 1962, this rockabilly single recontextualizes (or gives the lie to) the common but false narrative (perpetuated in the film A Complete Unknown) that Bob Dylan “went electric” on his 1965 album, Bringing It All Back Home, and in subsequent concerts the following summer and fall. In fact, Dylan was a rock ‘n’ roller dating back to high school, where the quote appearing beneath his photo in his class yearbook read, “To join Little Richard.” On “Mixed-Up Confusion,” he was already stretching his rock ‘n’ roll muscles several years before the notorious 1965 Newport Folk Festival where he performed with an electric band, much to the horror of the moldy figs of folk music.
4th Time Around (1966)
As early as 1964, the Beatles’ John Lennon began to show signs of having been influenced by Bob Dylan’s songwriting on numbers such as “I’m a Loser” (1964) and “You’ve Got to Hide Your Love Away” (1965), in which Lennon goes so far as to imitate Dylan’s nasal rasp. Bob Dylan was hip to this trend, and after the Beatles released the Dylanesque “Norwegian Wood,” Dylan responded in song with “4th Time Around,” whose melody strongly echoes that of “Norwegian Wood.” Dylan scholar Sean Wilentz wrote in Bob Dylan in America that “4th Time Around” sounds “like Bob Dylan impersonating John Lennon impersonating Bob Dylan.”
Blind Willie McTell (1983)
Unaccountably left off the 1983 album Infidels for which it was originally intended, “Blind Willie McTell” is one of Bob Dylan’s American epics, as it invokes New Orleans, East Texas, bootleg whiskey, plantations, “the ghost of slavery ships,” an unnamed war, and “power and greed and corruptible seed.” Be sure to play it on the 4th of July.
I Want You (1966)
Only Bob Dylan could write such a surrealistic narrative — replete with a guilty undertaker who sighs, a lonesome organ grinder who cries, a drunken politician who weeps, and a child in a Chinese suit — in the form of a bouncy, three-minute pop song that indeed made it into the Top 20 in 1966, when it was released on his greatest (double) album, Blonde on Blonde.
We Better Talk This Over (1978)
“We Better Talk This Over” is one of several numbers on Bob Dylan’s 1978 album Street-Legal that seem to want to bring closure to what Dylan began revealing about his crumbling marriage on 1975’s Blood on the Tracks. Whereas Dylan portrayed himself in pain and bereft on Blood, on this oft-overlooked propulsive number he is ready to put the past behind him and move forward. “The vows that we kept are now broken and swept / ’Neath the bed where we slept,” he sings, somewhat resignedly. Dylan also seemingly reveals an internal spiritual struggle when he sings, “I’m exiled, you can’t convert me,” just a little over a year before he announces to the world his so-called born-again experience on 1979’s Slow Train Coming.
Most of the Time (1989)
An acute, heart-piercing, devastating post-breakup song, featuring an unreliable narrator denying he still hurts but betrayed by his over-the-top insistence that he has gotten over her, in a song featuring a slow emotional and sonic build.
Day of the Locusts (1970)
Poor Bob Dylan. It turns out that the day in 1970 on which he received an honorary degree from Princeton University turned out to be one of the worst days of his life, judging from this song. Nature, a Biblical plague, and David Crosby (in an unnamed cameo, playing the man standing next to Dylan whose “head was exploding”) all conspired against the college dropout to make him fear he might not have gotten “out of there alive.” He could have just transferred to Wesleyan and everything would have been fine.
Everything Is Broken (1989)
In the aggressive, blues-rocking “Everything Is Broken” Bob Dylan recounts the Kabbalistic creation story about the klippot, the broken vessels of divine energy that were left behind everywhere and which point to our ultimate task as humans — to repair the brokenness permeating creation through acts of inherent goodness, otherwise known as mitzvot, in an oft-misunderstood process called tikkun olam. All this in a three-minute song blending New Orleans swamp-rock and classic Chicago blues.
You’re a Big Girl Now (1975)
Another of Bob Dylan’s post-breakup songs of desperation, this from Blood on the Tracks, a recording often referred to as Dylan’s “divorce album.” In “You’re a Big Girl Now,” Dylan drops all anger and defenses in favor of raw emotion: “I’m going out of my mind / With a pain that stops and starts / Like a corkscrew to my heart / Ever since we’ve been apart.”
Positively 4th Street (1965)
Featuring one of the greatest opening lines of all time: “You’ve got a lot of nerve to say you are my friend.” It’s all downhill from there, my friend.
The Groom’s Still Waiting at the Altar (1981)
“The Groom’s Still Waiting at the Altar” is a blistering, urgent missive, with reports of phones out of order and the killing of nuns and soldiers (evocative of American military involvement in Latin America at the time the song was written). Nevertheless, each verse ends with the title refrain, “The groom’s still waiting at the altar,” which I hear as a statement retracting his declaration of conversion.
Can You Please Crawl Out Your Window? (1965)
In September 1965, Dylan nearly hit the top of the pop charts when “Like a Rolling Stone” went to #2; it was kept from the top spot by the Beatles’ “Help!” But Dylan didn’t give up in his quest for the chart-topping hit that had so far evaded him. Songs he recorded and released in coming months that bore musical similarities to “Like a Rolling Stone” included “Positively Fourth Street,” “One of Must Know (Sooner or Later),” and “Can You Please Crawl Out Your Window,” the only studio track recorded with the Hawks — later to become the Band. The single presents the backup group at its fiercest. And Dylan quotes himself when he sings “You’ve got a lot of nerve to say you are my friend,” a line from “Positively 4th Street.”
Going, Going, Gone (1974)
From 1974’s Planet Waves, the only studio album Bob Dylan recorded with the Band, “Going, Going, Gone” stands out on the album for its moody, unsettled nature (surrounded as it is by songs of domestic bliss and naked nostalgia). Robbie Robertson’s evocative electric guitar leads pepper the ballad, saying as much with their clipped notes and anguished tone as Dylan does with lyrics like “I’m closin’ the book / On the pages and the text / And I don’t really care / What happens next.”
Series of Dreams (1989)
An outtake from 1989’s Oh Mercy, this is one of Dylan’s big statement songs that unaccountably got left on the cutting room floor, until demand grew so strong from those who had heard it via bootleg recordings that Dylan’s record company assented to the inclusion of the track on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. Dylan could be alluding to the Shoah when he describes his dreams:
In one, numbers were burning
In another, I witnessed a crime
In one, I was running, and in another
All I seemed to be doing was climb.
One More Cup of Coffee (1976)
This hypnotic if unassuming number off the early-1976 album Desire, featuring Dylan’s only authentic cantorial singing and aided and abetted by Scarlet Rivera’s klezmer-via-Gypsy violin, a relentless minor key, and Emmylou Harris’ harmonies is an overlooked gem. As the song says, its “heart is like an ocean, mysterious and dark.”
Dignity (1989)
Like “Series of Dreams,” the song “Dignity” was an outtake from the Oh Mercy sessions that was first released on Bob Dylan’s Greatest Hits Volume 3 in 1994. And like “Series of Dreams,” this song also seems to refer to the Shoah, when the narrator — bereft at the astounding loss of dignity — refers to “a crowded room full of covered-up mirrors,” as in a Jewish house of mourning, and “steps goin’ down into tattoo land.”
Dark Eyes (1985)
To many, the 1985 album Empire Burlesque introduced one of the low points in Bob Dylan’s recording career, including the two follow-up albums Knocked Out Loaded (1986) and Down in the Groove (1988). Empire Burlesque was a desperate attempt by producer Arthur Baker to update Dylan’s sound to blend in more with the mid-1980s dance music aesthetic. But Baker knew that the album needed a dynamite closer, and he suggested that Dylan write an old-style, solo acoustic ballad. In a fit of inspiration, Dylan stayed up all night and came up with this stunner: sharp, intimate, personal, where the singer looks around himself at a chaotic world from which he is totally alienated — “I feel nothing for their game where beauty goes unrecognized / All I feel is heat and flame and all I see are dark eyes.”
Heart of Mine (1981)
“Heart of Mine” stands out on the 1981 Shot of Love album as a raucous, joyful bit of R&B music (which flavors most of the album). But it’s a Bob Dylan song, so it has that subversive touch. The narrator addresses the song to his own heart — “Don’t let her see / Don’t let her see that you need her / Don’t put yourself over the line / Heart of mine” — and warns it that only trouble lies ahead if this is the path he (his heart) decides to pursue. The recording’s impressive instrumental lineup — all of whom are in the Rock and Roll Hall of Fame — includes Ringo Starr on drums, Ronnie Wood on guitar, and Donald “Duck” Dunn on bass, meaning Dylan was backed on this track by a Beatle, a Rolling Stone, and a member of the Stax house band, also known as the M.G.’s, as in Booker T. and the M.G.’s. Not too shabby.
Congratulations (1988)
This is a bit of a cheat stuck into this list to demonstrate that as much as he has always been a solo artist and an iconoclast, Bob Dylan has also always longed for the companionship — musical and otherwise — of a steady band. He came close to achieving this with the Hawks (later the Band) from the mid-1960s through the mid-1970s, and allegedly asked Jerry Garcia in the late-1980s if he could join the Grateful Dead (which was essentially a Dylan tribute band). But it wasn’t until George Harrison persuaded his friend and sometime songwriting partner to join him — along with Tom Petty, Roy Orbison, and Jeff Lynne — in an “anonymous supergroup” called the Traveling Wilburys in 1988, that Dylan took the plunge and subsumed himself into a collective. In most cases, as with “Congratulations,” you could easily tell one lead singer from the other, and in general that person wrote the song. We’re turning this one — an over-the-top expression of post-breakup bitterness (the first line is “Congratulations for breaking my heart”) — back on Dylan on the occasion of his birthday.
My Back Pages (1964)
Along with “It’s All Over Now (Baby Blue),” the song “My Back Pages” is often heard as a transitional statement: out with the old Dylan, in with the new, if you will. Included on the 1964 album, Another Side of Bob Dylan, which eschewed topical protest for more personal and poetic concerns, “My Back Pages” found the 23-year-old singer-songwriter looking back just a few years at his more serious self and judging him thusly: “Ah, but I was so much older then / I’m younger than that now.” A 1967 version of the song by the Byrds made it into the Top 30 and inspired the all-star version of the song rendered at the Bob Dylan 30th Anniversary Concert Celebration in 1992, which featured George Harrison, Eric Clapton, Tom Petty, Neil Young, and Roger McGuinn trading verses alongside Dylan.
The post For Bob Dylan’s 85th birthday, an 85-minute playlist appeared first on The Forward.
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Don’t dismiss Israel’s most rage-baiting minister as fringe
As Israel drifts toward another election campaign, National Security Minister Itamar Ben-Gvir this week offered voters — and the world — a grotesque glimpse of where a large branch of Israeli politics is heading.
Touring a detention facility holding activists from a Gaza-bound flotilla intercepted by Israel, Ben-Gvir waved a large Israeli flag before rows of bound detainees forced to kneel, mocked them as cameras rolled, and declared Israel was “in charge here.”
The images sparked domestic and international outrage. European governments summoned Israeli ambassadors. U.S. Ambassador Mike Huckabee, a staunch supporter of the Israeli right, charged on X that “Ben-Gvir betrayed” the “dignity of his nation.” Even Prime Minister Benjamin Netanyahu, in a rare move, publicly rebuked his own minister.
That rebuke should not be taken as a signal that Ben-Gvir may fade in power. Because while many Israelis still prefer to think of the controversy-courting minister as a fringe embarrassment attached awkwardly to an otherwise respectable nationalist movement, he is the true face of the Israeli right today.
A week ago, Ben-Gvir ascended the Temple Mount in Jerusalem — one of his many violations of longstanding norms governing the holy site — as tens of thousands of ultranationalist Israelis marched through the Old City in an annual celebration of its 1967 capture, many chanting “Death to Arabs.” The rabble rouser — whose multiple convictions include support for terrorist groups — recently celebrated his 50th birthday with two cakes adorned with nooses, a nod to the death penalty legislation for terrorists that he played a major role in getting passed. No surprise: The law is worded in a way that makes clear it is aimed at Palestinians only. Legislators allied with his camp wore noose-shaped lapel pins while promoting it.
This madness is not some accidental byproduct of the right-wing movement Netanyahu has led for decades, but its natural consequence.
For years, the mainstream nationalist camp, with Netanyahu as its most prominent figure, has sold Israelis an illusion: Israel can permanently control the West Bank — and perhaps Gaza, once more, as well — while forever suppressing Palestinian national aspirations, and still somehow remain both democratic and fully accepted by the democratic world.
The terminology changes: “managing the conflict,” “security control,” “economic peace.” But the underlying proposition remains the same. And it is a fantasy.
A country that indefinitely controls millions of disenfranchised people — where almost half the population does not have the right to vote — does not remain a true democracy. A state ruling another nation forever does not remain democratic either, even if elections formally continue among the population allowed to vote.
There are now roughly 15 million people living between the Jordan River and the Mediterranean Sea. About half are Jews, and half are Arabs. That demographic reality sits at the center of every serious discussion about Israel’s future. Yet much of the Israeli right pretends this reality barely exists, and ignores the increasingly brazen Jewish terrorism and the illegal seizing of outposts in the West Bank. Netanyahu himself speaks the language of caution, realism and statecraft, striving to reassure centrists and foreign governments alike that Israel remains fundamentally part of the democratic West.
Not Ben-Gvir.
Ben-Gvir speaks for those on the right who see only two possibilities when it comes to Palestinians: permanent Israeli domination without equality, enforced by as much violence as needed — or expulsion. Officially, much of the far-right prefers the former; once the cameras stop rolling, almost all of them predict the latter.
I was speaking to one prominent right-winger the other day, and asked what they had in mind for the Palestinians in the West Bank and Gaza. “Those who don’t want to destroy Israel can stay,” they said.
Obviously, that definition might include none of them, I noted. “Then get the trucks,” was the reply.
That wasn’t moral, I said. The reply: “Is it moral to force my children to fight forever?”
Ben-Gvir’s outrageous behavior is meant to appeal to people with this mindset. And it’s working. Polls show his Otzma Yehudit party expected to get perhaps 13 seats in the next Knesset — more than double their current six.
Moreover, Netanyahu’s Likud party itself has undergone a gradual shift to the right, with many of its Knesset members starting to sound little different from Ben-Gvir. That is why Ben-Gvir was able to ram through the disgraceful bill mandating the death penalty for terrorists.
This political calamity was not unexpected. The occupation of the West Bank, like unchecked power everywhere, was always bound to corrode political culture over time. The sleight of hand of non-annexation is growing old — in part because of Ben-Gvir’s influence, the number of settlements is expanding rapidly — and much of the Israeli right, consumed by hubris, wants to rip off the mask. Ben-Gvir is the most authentic expression of that transformation.
That is the dark reality hanging over the coming election, and the flotilla episode revealed the zeitgeist in its purest form. Israel already had complete control over the activists. They posed no meaningful threat. The performance was about domination, a theatrical display for a domestic political audience increasingly drawn to the aesthetics of vengeance and submission.
Challenged on Israel Radio about the wisdom of such a stunt at a time when Israel is facing a crisis in global public opinion, Yitzhak Kroizer, a Knesset member from Ben-Gvir’s party, offered this: “We’re done bowing our heads and apologizing.” He said the flotilla members were terrorists themselves for wishing to harm Israel, and that there is “great public support for an uncompromising stand.”
He’s right on that last point. Israel faces genuine enemies and genuine trauma. Hamas massacred civilians on Oct. 7, 2023. Hezbollah and Iran openly seek confrontation. Israelis have every reason to fear for their security.
But those realities still leave unanswered a central strategic question: What kind of country emerges from such prolonged conflict?
Ben-Gvir has given us one unsettling answer.
In 1995, a teenage Ben-Gvir famously brandished the hood ornament ripped from Prime Minister Yitzhak Rabin’s car and declared on Israeli television: “We got to his car, and we’ll get to him too.” Weeks later, assassin Yigal Amir did just that, and murdered Rabin.
Today, the target in Ben-Gvir’s sights isn’t Israel’s leader, but instead all of Israeli democracy.
The post Don’t dismiss Israel’s most rage-baiting minister as fringe appeared first on The Forward.
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Gaza and Israel go unmentioned in Democrats’ 2024 election autopsy report
(JTA) — Gaza and Israel go unmentioned in the Democrats’ 190-page autopsy of Kamala Harris’ 2024 presidential election loss that the Democratic National Committee released to CNN on Thursday.
Critics of the Biden administration’s support for Israel during the war in Gaza that began on Oct. 7, 2023, have alleged that the party was suppressing its internal findings about the election, which returned President Donald Trump to office, because it would show that Biden’s stance was deeply unpopular.
Axios reported in February that the top Democrats who worked on the report concluded that Harris “lost significant support because of the Biden administration’s approach to the war in Gaza.”
If that’s the case, it’s not reflected in the document that CNN published on Thursday morning. Portions of the document were not included, however, with notes saying that the executive summary and conclusion had not been shared by the authors.
The report points to 10 different “strategic implications” for Democrats, including that “anti-Trump sentiment has limits,” male voters “require direct engagement,” and that voter demographics are not enough to determine which candidate they’ll prefer.
CNN reported that the document was written by Democratic strategist Paul Rivera and annotated by the DNC. The DNC released the document following questions raised by CNN, the network reported.
DNC Chairman Ken Martin told CNN that the report was not yet ready to be publicly released, but concluded that withholding it would create a larger distraction than releasing an incomplete version. “I sincerely apologize,” he said.
“For full transparency, I am releasing the report as we received it, in its entirety, unedited and unabridged,” Martin said. “It does not meet my standards, and it won’t meet your standards, but I am doing this because people need to be able to trust the Democratic Party and trust our word.”
Halie Soifer, CEO of the Jewish Democratic Council of America, said she’d expected to see analysis related to Gaza and Israel in the report.
“As soon as it arrived in my inbox I immediately searched for the word ‘Gaza’ expecting there to be an entire section focused on this issue,” Soifer said in an interview. “So I was surprised that, in fact, there was nothing — on Gaza, Israel, Jewish voters, non-Jewish voters, it was just nothing.”
Though rumors had swirled about the role that Gaza played in the autopsy, Soifer said she heard from a DNC official that there was “never” a section focusing on the issue, “at least not in writing in this report.”
Meanwhile, the Institute for Middle East Understanding, a pro-Palestinian nonprofit, called on Martin to release “the information that the author of the autopsy told us clearly and unambiguously, which is that DNC officials’ review of their own data found Biden’s support to be a net-negative for Democrats in 2024.”
Rivera, the report’s author, met with the IMEU and told them that the war in Gaza hurt Democrats in the 2024 election, according to reporting by Axios.
Soifer said the JDCA was not contacted by Rivera, and did not meet with him.
The pro-Israel lobbying group Democratic Majority for Israel also said it had not met with Rivera. “Our current leadership has not met with the author and hasn’t been contacted,” communications chair Rachel Rosen told JTA.
While Soifer was surprised by the report’s omission of Gaza and Israel, DMFI took it as a sign that support for Israel does not have a detrimental effect on Democrats’ chances in elections.
“We need to learn the lessons of 2024 so we can be successful in 2026, 2028 and beyond,” said Brian Romick, DMFI’s president.
“What is clear — autopsy or not — is a majority of Americans, including Democrats, support the U.S.-Israel relationship, and that support was not the reason Vice President Harris lost the election,” he said.
A DMFI staffer pointed to polling from last fall showing that a majority of Democrats support the U.S.-Israel relationship.
And Soifer pointed to a poll published Friday by the Jewish Voters Resource Center, a nonpartisan firm, that found that more than two-thirds of Jewish voters plan to vote for Democrats this November — suggesting that Israel was not significantly moving votes in one of the demographics most likely to be invested in the issue.
“The poll also demonstrated that the top issue driving the Jewish vote in 2026 – just as it was in 2024 – is the future of democracy, followed by the cost of living. While 70% of Jewish voters have an emotional attachment to Israel, 55% opposed Israel’s conduct of the war in Gaza,” she said. “There is little evidence that the war in Gaza has impacted the Jewish American vote.”
A spokesperson for the Republican Jewish Coalition pointed to the episode as an example of infighting among Democrats.
“The Democrats are tearing themselves apart as they appease the ascendant far-left extremists in their party, from Maine to Pennsylvania,” wrote Sam Markstein, alluding to candidates Graham Platner and Chris Rabb.
“It’s bad policy and it’s bad politics. The GOP is the only party where it’s safe to be proudly Jewish and pro-Israel,” Markstein wrote. “Republicans are righteously taking on the tough fights and winning, while Democrats continue to whistle past the political graveyard.”
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