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There’s a Grammy for Christian music. These musicians want Jewish music to get one, too.

(J. The Jewish News of Northern California via JTA) — There is a Grammy Award for just about every kind of music — from pop to metal to New Age to Contemporary Christian — but there’s no Jewish category. Two Jewish musician friends hope to change that.

Joanie Leeds, a children’s musician and Grammy winner in New York City, and Mikey Pauker, a self-described “devotional rock” artist from California, are working on a formal proposal to add “best Jewish music album” to the list of Grammys awarded each year. They plan to submit their proposal to the Recording Academy, the body that governs the Grammys, by March 1.

In the past, albums of what is traditionally considered to be Jewish music have been nominated in a variety of categories, including best contemporary world music. The Klezmatics’ “Wonder Wheel” album won in that category in 2006, and some referred to the award as “the first Jewish Grammy.”

But musicians who produce albums of Jewish music often find themselves caught between categories, Leeds said. The global category is not a fit for American musicians, and categories for religious music, even if expanded, are also not an easy fit, she said.

“‘Jewish’ is complicated, because it’s not just a religion like Christianity,” Leeds said. “It’s also a culture.”

To strengthen their proposal, the pair consulted with rabbis and Jewish educators about what constitutes Jewish music.

“We’re doing our best to be as clear as possible and as inclusive as possible, because not everybody knows that Jewish music is diverse,” Pauker said. “It’s transdenominational, it’s based in spirituality, it’s based in culture and it’s not just Ashkenazi.”

Mikey Pauker, seen here performing in Berkeley, California, is one of the musicians behind a petition to add a Jewish music category to the Grammys. (Courtesy Pauker)

In their proposal, Pauker and Leeds make the case for a new category that will encompass Jewish religious music, such as cantorial music, nigguns and Mizrahi music, as well as secular music, such as klezmer, Yiddish, Ladino and Judeo-Arabic music. Albums with Christian themes, including those produced by Messianic Jews, would not be eligible.

“It needs to have some sort of Jewish content in it to make it Jewish music,” Leeds said. “If there’s a song in Israel about some guy meeting a girl at a bar, or whatever it’s about that has no grounds in text or liturgy or anything, then it wouldn’t be considered Jewish music.”

“Our goal is really to educate not just the Recording Academy about what Jewish music is, but also educating the public as to what Jewish music is,” she said.

The Recording Academy regularly adds and modifies Grammy categories. This year, it added five new ones, including best score soundtrack for video games and other interactive media and best spoken-word poetry album.

Pauker said this is not the first time musicians have petitioned the Recording Academy to add a Jewish category. But this time, he said, he and Leeds can point to the consistent output of high-quality Jewish music in recent years. He noted that in the past two years alone, more than 100 albums were released that could have been nominated in such a category.

“We’re at a point in music history where we’re having a Jewish renaissance, and the market has arrived,” he said. “We have enough artists where we can get this done.” He added that the Recording Academy has been supportive of him and Leeds in their endeavor.

In an effort to raise awareness about their proposal, they have launched a petition on the Change.org website. By Friday, it had more than 1,800 signatures, including from non-Jewish musicians.

A petition to add a Jewish Grammys category garnered more than 1,800 signatures in its first week. (Screenshot from Change.org)

Among the signers is Sephardic singer and activist Sarah Aroeste. She said she supports the push to add a Jewish category at the Grammys because her albums, including 2021’s “Monastir,” do not fit cleanly into the other categories.

“Jewish music crosses so many musical boundaries, yet we get lost, or are ineligible, in existing categories,” she wrote. “As a Ladino musician specifically, I’ve always been put in the global music category. I am literally up against musical acts from all around the globe!”

She added: “Having our own category — much like other ethnic or religious groups have them — would highlight the breadth and diversity of Jewish music as a genre and would allow those Academy members knowledgeable about the music to be able to vote.”

Pauker, 37, lives in southern California and recently launched his own folk-rock-reggae-chant record label called Beautiful Way Records. He will help lead Shabbat services during Wilderness Torah’s upcoming Passover in the Desert festival.

Leeds, who is based in New York City, won a 2021 Grammy in the Best Children’s Music Album category for her ninth album, a compilation of secular children’s music called “All the Ladies” that included a song about Jewish Supreme Court Justice Ruth Bader Ginsburg. She has also released multiple albums of Jewish kids’ music, including “Meshugana” and “Challah, Challah,” as well as a Christmas record called “Oy Vey” in collaboration with the rapper Fyütch.

Pauker said the two became close friends during the pandemic, when they spent many hours on the social media app Clubhouse discussing Judaism and music.

As the Recording Academy considers their proposal in the coming weeks, Pauker said he and Leeds will hold community conversations about trends in Jewish music.

“One of our hopes is this will launch hundreds of new artists, new records and collaborations that can really help push this genre forward,” he said.

This story originally appeared in J. The Jewish News of Northern California and is reprinted with permission. Jackie Hajdenberg added reporting for JTA.


The post There’s a Grammy for Christian music. These musicians want Jewish music to get one, too. appeared first on Jewish Telegraphic Agency.

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Greta Thunberg Released From Custody After Arrest at UK Anti-Israel Protest

Swedish activist Greta Thunberg speaks to a police officer during a pro-Palestinian protest as she holds a sign that says she supports prisoners linked to Palestine Action, an organization which the British government has proscribed as a terrorist group, in London, Britain, Dec. 23, 2025. Photo: Prisoners for Palestine/Handout via REUTERS

Swedish activist Greta Thunberg was released from custody after being arrested on Tuesday in London at an anti-Israel protest, police said.

UK-based campaign group Prisoners for Palestine said Thunberg was earlier arrested under the Terrorism Act for holding a sign that said “I support the Palestine Action prisoners. I oppose genocide.” The British government has proscribed Palestine Action as a terrorist group.

City of London Police said Thunberg had been bailed until March.

Police said earlier two other people had been arrested for throwing red paint at a building. A spokesperson said 22-year-old woman later attended the scene and was arrested for displaying a placard in support of a proscribed organization.

Prisoners for Palestine, which supports some detained activists who have gone on hunger strike, said the building had been targeted because it was used by an insurance firm which they said provided services to the British arm of Israeli defense firm Elbit Systems.

The insurance company did not immediately respond to a request for comment.

Thunberg, 22, became prominent after staging weekly climate protests in front of the Swedish parliament in 2018.

Last year, she was cleared of a public order offense in Britain as a judge ruled police had no power to arrest her and others at a protest in London the year before.

She was detained along with 478 people and expelled by Israel in October after joining an activist convoy of vessels, the Global Sumud Flotilla, that attempted to breach Israel’s blockade of Gaza. Israel has consistently denied genocide allegations, noting it has targeted Hamas terrorists with its military campaign and taken measures to try and avoid civilian casualties.

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When Famine Vanished: How the Media Repeated a Claim, and Never Reckoned With Its Collapse

Trucks carrying humanitarian aid and fuel line up at the crossing into the Gaza Strip at the Rafah border on the Egypt side, amid a ceasefire between Israel and Hamas in Gaza, in Rafah, Egypt, October 17, 2025. Photo: REUTERS/Stringer

CNN delivered the update quietly and inaccurately, with much less gravity than it once used to amplify the warning.

“Gaza no longer in famine,” read a CNN post, citing a UN-backed hunger monitor.

Reuters and the Associated Press followed with similar headlines.

What is striking is not that the unreliable IPC, which has been criticized in the past for faulty methodology, revised its assessment.

What’s really upsetting is that much of the press treated the reversal as a weather update, not as a reckoning.

Only months earlier, these same institutions helped cement a very different narrative.

In late July 2025, UN agencies issued a high-profile warning that key indicators in Gaza exceeded famine thresholds, citing IPC data and describing hundreds of thousands facing famine-like conditions. The IPC alert itself stated that famine thresholds had been reached for food consumption in most of Gaza and for acute malnutrition in Gaza City.

In August 2025, the Food and Agriculture Organization of the United Nations (FAO) announced that famine was confirmed for the first time in Gaza, again anchored to IPC assessments.

Those claims ricocheted through global media coverage with little visible skepticism about methodology, access constraints, or incentives baked into a wartime information environment.

The result was a widely accepted narrative that Israel was causing famine, a narrative that shaped diplomatic pressure and public outrage long before the data could be stress tested.

Now the IPC’s latest assessment says no area has ever been in famine, attributing improvements to increased humanitarian and commercial food deliveries after the ceasefire, while warning that the situation remains fragile and could deteriorate again if access is disrupted or fighting resumes.

The AP at least gestured to the whiplash, noting that months earlier, the IPC said famine was occurring in Gaza City and was likely to spread without a ceasefire and an end to restrictions.

Reuters likewise framed the change as a shift from earlier IPC findings, while stressing continued emergency-level needs. But what was largely missing was the one ingredient journalism owes the public when an apocalyptic claim collapses or is materially revised: responsibility.

No media outlet interrogated the underlying assumptions when famine warnings were treated as settled fact. None explained what changed in the inputs and thresholds. None revisited the earlier certainty with the same prominence as the original alarm.

This matters because narratives do not stay on paper.

In the United States, the ADL has reported that anger at Israel during the war has been a driving force behind antisemitism, underscoring how the information ecosystem around Gaza can translate into real-world hostility toward Jews. When famine claims are amplified uncritically, they do not just inform. They inflame.

The new UN-backed update does not erase Gaza’s suffering, and it does not vindicate anyone’s politics. It does, however, expose a core media failure: outsourcing verification to a single authoritative label, and then moving on when the label changes.

If famine was once a front-page certainty, the correction cannot be a footnote.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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US Heritage Foundation Think Tank Staff Quit Amid Antisemitism Controversy

The Heritage Foundation’s logo is displayed during the 2025 Joseph Story Distinguished Lecture in Washington, DC, US, Oct. 22, 2025. Photo: REUTERS/Kylie Cooper

Over a dozen employees have left jobs at the Heritage Foundation or were fired in recent days, according to the influential right-wing US think tank, as it grapples with allegations from former supporters that it has aligned itself with those accused of antisemitism.

In a statement about the resignations and firings on Monday, Heritage Foundation chief advancement officer Andy Olivastro said a handful of staff had chosen “disruption” and “disloyalty.”

He said the think tank “has always welcomed debate, but alignment on mission and loyalty to the institution are non-negotiable.”

The foundation has been caught in a firestorm of accusations and counter-accusations that began when former Fox News host Tucker Carlson interviewed Nick Fuentes, a self-described Christian nationalist, in October. The interview focused on their mutual opposition to US support of Israel, a view at odds with that of many conservatives.

Some supporters of the foundation have said it should distance itself from Carlson, characterizing the journalist’s views as antisemitic. But Kevin Roberts, the foundation president, has continued to personally back Carlson, who he says is a friend. Carlson strongly rejects accusations of antisemitism.

One of those who resigned this week was Josh Blackman, a law professor who contributed to Project 2025, a right-wing policy initiative overseen by the Heritage Foundation. In a letter posted online, he blamed Roberts for making Heritage‘s brand “toxic.”

“You aligned the Heritage Foundation with the rising tide of antisemitism on the right,” said Blackman, who edited the group’s Guide to the Constitution publication.

In an Oct. 30 video defending Carlson, Roberts said a “venomous coalition” was attacking the prominent podcaster over his interview with Fuentes. Roberts said conservatives should feel no obligation to support any foreign government no matter how great the pressure from “the globalist class.”

He later apologized for his use of the term “venomous coalition,” which he said Jewish colleagues understood to be an antisemitic trope.

Speaking at a November staff townhall meeting, Roberts said his intention was not to endorse Fuentes, who he called “an evil person,” but to “convert” some of his audience of several million people.

Advancing American Freedom said on Monday the three former leaders of Heritage‘s legal, economic, and data teams had joined the conservative advocacy group, along with 10 of their staff. The group led by former Vice President Mike Pence is critical of US President Donald Trump’s MAGA movement.

Three Heritage Foundation board trustees have also resigned since November.

Chief US Circuit Judge William Pryor, a conservative jurist who contributed to Heritage‘s 800-page Guide to the Constitution, said in an interview he did not attend a promotional event for the book due to Roberts’ “totally inappropriate” language in the Oct. 30 video.

For some remaining Heritage employees, recent staff departures were driven by Republican Party jockeying rather than antisemitism or Israel.

“These resignations have a lot more to do with 2028 than it does with anything else,” Heritage fellow Robby Starbuck posted online. “One group wants a return to the Pence/Ryan GOP and the rest want to MAGA with @KevinRobertsTX.”

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