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These Jews are defending Drag Story Hour against far-right protestors. Here’s why.
(New York Jewish Week) — As right-wing protestors descend upon Drag Story Hour events across New York, they have frequently been met by a loosely connected movement of counter protestors that includes many progressive Jewish groups.
Since September, right-wing activists have routinely protested Drag Story Hour events, where a person dressed in drag reads to children. The aim of these story times, according to the founder of the Drag Story Hour New York chapter, is to promote literacy while giving children positive queer role models.
At the Queens Public Library in Jackson Heights on Dec. 29, at least five members of the Proud Boys, a far-right extremist group, showed up to harass people attending a story session. Those protestors were met by hundreds of activists from the other side, many of whom are Jewish. They included members of Jews For Racial and Economic Justice, Outlive Them, United Against Racism and Fascism and other other organizations.
“We’re out here,” said Sharona Farber, 32, who is a member of the Jewish anti-fascist group Outlive Them, which formed in response to the 2018 Pittsburgh Tree of Life shooting and has since become involved with other forms of activism across New York such as fighting for the homeless and against U.S. Immigration Customs and Enforcement (ICE) raids.
Those protesting Drag Story Hours claim the events are harmful to children, calling parents who are bringing their kids to the event “groomers” and “pedophiles” to their face. Demonstrators have breached library doors in the city on three separate occasions. They have also vandalized the homes and offices, using anti-LGBTQ slurs, of three New York City Council members who have shown support for Drag Story Hour.
Hundreds of people defended the Queens Public Library at Jackson Heights against right-wing protestors, including members of the Proud Boys and neo-Nazis, last Thursday. (Gili Getz/Courtesy)
Protestors have targeted 10 Drag Story Hour events in New York, according to independent reporter Talia Jane, who has been documenting the group on Twitter since September.
This group of protestors, which calls itself the Guardians of Divinity, started as an anti-vaccine movement in the pandemic. “We have lost our jobs and been arrested for protesting this madness,” a statement on the group’s Twitter said. “Now they are coming for your kids with programs like Drag Queen Story Hour, where they steal your tax money to pay grown men in dresses to read gender questioning books.”
Farber told the New York Jewish Week that last Thursday there were at least 300 people defending Drag Story Hour at the Queens library branch, from all ages and backgrounds. Farber added that “there are a lot of Jews” doing the behind-the-scenes work, the organizing and the outreach that goes into “pulling these defenses off.”
“Jews are so heavily represented in the left,” Farber said. “There’s been a reinfusion of energy on what people call the Jewish Left. There are people getting self organized into small groups that do take political action into what they believe is needed to create a better world.”
Sophie Ellman-Golan, communications director for Jews for Racial & Economic Justice, another prominent activist group that’s defending Drag Story Hour, told the New York Jewish Week that it’s important “to drown out fascists and neo-Nazis” by showing up in solidarity.
“When there’s a threat of neo-Nazi violence against synagogues, the idea is not that we should stop going to synagogue,” Ellman-Golan said. “We actually deserve to be able to gather and pray or engage in whatever culture and ritual we want to. We believe that a community of diverse New Yorkers coming together to ensure that can happen, that’s the best way to do that, with community defense.”
She described the scene as “two sides”: one that included colorful rainbow signs, glitter and Disney songs, while the other side included a neo-Nazi giving a “Heil Hitler” salute while talking about “a future for white children.”
A man seen throwing a ‘Nazi Salute’ outside of NYC Drag Queen Story Hour event was confronted by both sides “If you are doing a Roman Salute get the fuck out of here, you are worse than them”
4/10 pic.twitter.com/8TgAQbz1Ft
— Oliya Scootercaster (@ScooterCasterNY) December 30, 2022
“It’s a violent attempt to stamp out trans people,” Ellman-Golan said, adding that there is “a very clear link between antisemitism and transphobia that is increasing at a terrifying rate.”
Ariela Rothstein, a queer Jewish parent who took her 6-month-old child to the Jackson Heights Drag Story Hour last Thursday, told the New York Jewish Week that these shouldn’t be controversial events. “It’s people sharing stories with kids,” Rothstein said. “There were people shouting all kinds of names. Things that are really disgusting, that I don’t really want to repeat or put in print. All we wanted to do was go into the library and hear some stories for our child.”
Rothstein’s partner, Lauraberth Lima, told the New York Jewish Week that the right-wing protestors are “embarrassing themselves.”
“It’s actually sad,” she said. “What we’re actually doing is talking about love and spreading representation of different types of people.”
After last Thursday’s event, a video circulated online showing members of the Proud Boys being led by members of the New York Police Department into the 74th Street-Broadway subway station in Jackson Heights without paying.
“We don’t feel like the NYPD is there to actually protect or defend or anything like that,” Ellman-Golan said. “If their goal is to make sure that Drag Story Hours can continue in peace, they are failing.”
NYPD help Proud Boys commit fare evasion & then tell journalists to go back and pay for the fare. Everyone should see this video. pic.twitter.com/wrkPjFhQoq
— Brenna Lip (@LipBrenna) January 2, 2023
The NYPD said in a statement on Monday that it was trying to “to deescalate the situation and prevent further violence a decision was made to escort one group to the Jackson Heights subway station to remove the group from the area.”
According to Lima, however, the video of the police letting the Proud Boys into the subway showed them getting “a literal free pass for what they were doing.”
“The police never protected families like ours,” Lima said. “That’s not who we turn to for safety. We are protecting ourselves. The queer community understands very well what it means to be ostracized or hated, and knows how to show up for people.”
Miriam, a queer Jewish activist who regularly shows up to defend Drag Story Hour, told the New York Jewish Week that she was only comfortable giving out her first name out of fear of being doxxed — having her private information made public — by the right-wing protestors. “This can result in significant stress, but also loss of unemployment, housing and in some cases physical attacks,” Miriam said. “If your employers get 50 calls a day from people telling them that you are a pedophile, that may make your life hard. It’s a significant concern.”
Miriam said that these protests are a personal attack on her queer identity, but “it doesn’t mean I’m there as a queer person rather than a Jew.”
“I’m there as both things,” Miriam said. “Jews have to be opposed to fascism because fascism is opposed to Jews. Jewish history and Jewish culture gives us ample reasons to oppose fascism. We should never be letting fascists in the streets unopposed, no matter what they are doing.”
Rabbi Rachel Goldenberg of Malkhut, a progressive congregation in Jackson Heights, showed up at a Drag Story Hour defense on Oct. 28 at the library. She told the New York Jewish Week that “it was a pretty unnerving experience, to be facing such right-wing vitriol.”
“The hatred feels like it’s coming from the same place of white supremacist activism, which holds hands with antisemitism,” Goldenberg said. “It was really painful and shocking to hear the language that was being used.”
She recalled how a large man burst into her group while they were singing in front of the library. “He was very loud, hostile and violent,” Goldenberg said. “Not by throwing punches, but he had a violent vibe. You get the sense that they have been riled up by lies and conspiracy theories. They have no qualms about getting in our faces and accusing us of wanting to groom children.”
Goldenberg surmised that so many Jews are showing up to protect Drag Story Hour because they’re inspired by the emphasis Judaism places on education. “We value learning,” Goldenberg said. “We value being open to multiple opinions, we value open discussion — that’s what Torah is about. Drag Story Hours and public libraries are then all very much tied into Jewish values.”
“These are our family members,” she added. “These are our friends. These are our neighbors. This is us as Jews.”
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The post These Jews are defending Drag Story Hour against far-right protestors. Here’s why. appeared first on Jewish Telegraphic Agency.
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New Cooking Show Competition ‘The Great Bubby Cook-Off’ Celebrates Jewish Food, Family Recipes
The four contestants on “The Great Bubby Cook-Off.” Photo: Manischewitz
An original cooking show competition that celebrates Jewish home cooking and family recipes premiered Friday on Kosher.com.
The four finalists on “The Great Bubby Cook-Off,” presented by the famous Jewish food brand Manischewitz, include a “bubby” from Delray Beach, Florida, and another from Manhattan, New York, and two contestants from Flushing, New York, and West Hartford, Connecticut, who were competing with “bubby-inspired recipes.”
The contestants were selected to compete on the show following a nationwide casting call. Home cooks submitted videos of themselves preparing their favorite Jewish dishes, including family recipes passed down through generations and personal twists on classic dishes. After online voting that was open to the public, four finalists were chosen to advance to a live cook-off in New York City in November.
The winner, to be revealed exclusively on the show, will be crowned “Bubby 2025” and receive a $5,000 cash prize, a featured appearance on the Manischewitz Food Truck as it tours the New York City area, and other prizes. The show is hosted by chef and cookbook author Naomi Nachman.
“‘The Great Bubby Cook-Off’ celebrates exactly what Kosher.com is all about — honoring tradition while inspiring a new generation of home cooks,” said Goldy Guttman, director of Kosher.com, in a released statement. “These bubby recipes carry stories, memories, and culture, and bringing them to life on screen allows us to share the heart of Jewish home cooking with audiences everywhere.”
“‘The Great Bubby Cook-Off’ is about so much more than cooking,” added Shani Seidman, chief marketing officer of Manischewitz. “It’s about honoring the women who shaped our traditions, our tables, and our memories — and celebrating the dishes that bring families together.”
More episodes of “The Great Bubby Cook-Off” will be announced throughout 2026. The show is free to watch, and an additional episode is under consideration that will include a behind-the-scenes look into the competition and judging, according to Manischewitz.
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On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy
Rabbi Rafi Ellenson was getting ready for a full day of rabbinic duties in September when he jokingly asked a colleague, “What do I wear that’s appropriate both for religious school and a shiva?”
After some light-hearted deliberation, Ellenson, who works as an assistant rabbi for Congregation Shir Hadash, a Reform synagogue in Los Gatos, California, said they realized his wardrobe dilemma might deserve a spotlight on social media.
“We were like, oh, this would be a really fun idea for an Instagram account,” said Ellenson. It would show what rabbis are wearing and “the absurd things they have to do every day, dressing for 20,000 occasions and for 50,000 people.”
For help turning his idea into reality, Ellenson called Rabbi Arielle Stein, an assistant rabbi at Congregation Rodeph Sholom, a Reform synagogue on the Upper West Side of Manhattan, whom he had met in Jerusalem in 2019.
After some deliberation, the pair created Rabbinic Fit Check, an Instagram account billed as “a style diary for the rabbinate and beyond.”
“We’re trying to show diversity of rabbis, diversity of genders, diversity of expression,” said Ellenson. “There’s no one model, and there’s no one model in the real world, so we don’t want to feature only one model on the account.”
So far, Rabbinic Fit Check has featured 57 rabbis, clergy members and students from a range of denominations and garnered over 1,300 followers. The outfits range from cozy sweaters and “sensible” office wear to zebra-print skirts and a fashion-forward Delfina Balda pant suit.
“It’s nice to see that rabbis look like more than just that old oil painting of someone in a black coat,” said Rabbi Allison Poirier of the Conservative synagogue Temple Aliyah in Needham, Massachusetts. “It’s nice to see that we’re out here as new people, as colorful people of all ages and shapes and sizes, which I think in the world I work in, most people know, but it’s just nice to uplift that.”
Indeed, a new national study of the American rabbinate released last month by the Atra Center for Rabbinic Innovation found that 51% of the rabbinical students surveyed identified as LGBTQ+. According to the Atra report, 58% of rabbis surveyed identify as women, 30% as men, and 12% as nonbinary.
But the diversification of the rabbinate has also underscored a broader trend, with rabbis more often taking on an engaged, hands-on role rather than the old model of the “sage on the stage.”
Stein, who had already gone viral for her rabbinic style videos on social media and was featured in Vogue last month for her videos on clergy-friendly shoe choices, said the pair’s Instagram account has also come to serve another purpose: showing the rabbinate in a more intimate light.
“I think especially for our generation of rabbis, we’re real people, these are important ways that people can connect with us and build trust and understanding,” said Stein. “We’re not pretending that we’re somebody at work and somebody at home.”
Rabbinic Fit Check posted its inaugural outfits from Stein and Ellenson in mid-October. The pair then reached out to their colleagues for submissions, and users soon asked to be featured.
Poirier said that she had been drawn to post her style (J. Crew blazer, Birdy Grey dress, her sister’s thrifted sweater) because of the account’s “diversity and also the light-heartedness,” which she said offered a contrast to reality.
“Everything is so, so heavy right now, and a lot of our day is rightly dealing with some of the heaviness, and it’s nice to just have something that also uplifts rabbis as fun, joyful people, kind of expressing ourselves in this cute, silly way,” said Poirier.
“Rabbis are kind of in the zeitgeist in a lot of different ways, and there’s a lot to say about that both positive and negative, and certainly we’re tapping into some of that,” said Ellenson. “But I think we’re approaching an angle of we’re humans who have these cool jobs, and we want to show parts of ourselves through our clothing and express ourselves more fully and completely, and not bifurcate these two segments of our lives.”
Einav Rabinovitch-Fox, a professor at Case Western Reserve University who wrote a history of women’s fashion, said that she viewed the Rabbinic Fit Check account as part of a “new phenomenon” in which the public image of the rabbinate was shifting. She pointed to Nobody Wants This, the Netflix show starring heartthrob Adam Brody as a young Los Angeles rabbi that first aired in September 2024. The Amazon series Transparent, Extrapolations on Apple TV+ and the 2023 film You Are So Not Invited to My Bat Mitzvah all featured what Hey Alma, JTA’s sister site, called “hot rabbis.”
“It’s kind of like a sign of our times,” said Rabinovitch-Fox. “Not all of them are like Adam Brody, but I think it’s a depiction of a trend, and I think that Instagram account is part of it, like, ‘oh, look, Judaism is cool.’”
Rabbi Jamie Field, the director of education at Beth El Temple Center, a Reform synagogue in Belmont, Massachusetts, was featured on Rabbinic Fit Check shortly before her appearance on the Netflix show Squid Game: The Challenge. She said it was a “really beautiful that there is an increase in rabbinic visibility.”
“We have a really sacred responsibility to show that rabbis are real people, and that we are engaged and part of the world and being responsible for being part of that conversation, not just witnessing it through Netflix shows about rabbis,” said Field.
While Rabinovitch-Fox said religion does not always “celebrate the individual,” she added that “fashion is a really a great and simple way to make your own statement.”
“People want to find somehow to relate, and I think with this Instagram generation, fashion is something that is important to people, so it’s just another way to relate to that,” said Rabinovitch-Fox. “If you can talk with your rabbi about style, you have a cool rabbi.”
Rabbi Andrea London, the leader of Beth Emet The Free Synagogue, a Reform congregation in Evanston, Illinois, said she submitted a photo of herself and Cantor Natalie Young on Parashat Noah after Ellenson, who is a family friend, mentioned it to her in conversation. For her cameo, she wore a white button-down shirt with a gold necklace and slacks.
London, who was ordained in 1996, said that she had submitted the photo to offer the account “a little diversity of age.” She recalled that early in her career, “as a woman, you wouldn’t dare to be on the bimah without a skirt.”
“One of the things that was annoying in the rabbinate was that people would comment on my clothing a lot, and it was just tiresome and men didn’t get that,” said London. “And now, I think Rabbinic Fit Check is trying to turn it on its head, like let’s have fun with it as opposed to seeing this as somehow discriminatory or sexist in any way.”
So far, Ellenson and Stein said the response to the account from their congregants and colleagues had been positive. Looking ahead, Ellenson said they hoped to feature leaders from other faiths.
“I think it’s about joy, showcasing diversity, showcasing the personal, and showcasing that all of these pieces can be a part of cultivating rabbinic and cantorial and clerical work,” said Ellenson. “We can bring ourselves into the work, and that makes the work better when we’re being ourselves with our communities.”
This article originally appeared on JTA.org.
The post On Instagram, ‘Rabbinic Fit Check’ is a look book for Jewish clergy appeared first on The Forward.
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UNRWA vs. UNHCR: How the UN Created a Permanent Refugee Class
Palestinians pass by the gate of an UNRWA-run school in Nablus in the West Bank. Photo: Reuters/Abed Omar Qusini.
For more than 70 years, the United Nations has administered two refugee systems operating under the same flag but guided by fundamentally different moral compasses. One system exists to end refugeehood. The other exists to preserve it.
The contrast between the United Nations High Commissioner for Refugees (UNHCR) and United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) is not a technical footnote in international policy. It is one of the central reasons the Israeli-Palestinian conflict remains frozen in place.
The events of October 7 brutally exposed what many have warned about for decades: UNRWA is no longer a humanitarian agency in any meaningful sense. It is a political instrument that has helped entrench radicalization, prolong suffering, and ultimately enable war.
UNHCR, established in 1950, was designed with a clear mission: provide temporary protection and pursue durable solutions. Its success is measured by how many refugees stop being refugees.
Over the decades, UNHCR has helped tens of millions of people rebuild their lives; Europeans after World War II, Vietnamese people, Balkan refugees, Rwandans, Syrians, Afghans, and most recently Ukrainians. Resettlement, integration, and naturalization are not failures under UNHCR’s framework; they are the goal.
UNRWA, created a year earlier for a single refugee population, operates on the opposite logic. Its mandate does not aim to resolve refugeehood but to maintain it indefinitely.
Palestinians are the only group in the world whose refugee status is automatically inherited, generation after generation, regardless of citizenship, residence, or living conditions.
The numbers tell the story. Roughly 700,000 Arabs were displaced during the 1948 war launched by Arab states against the newly declared State of Israel. Today, UNRWA claims nearly six million Palestinian refugees. Refugee populations are supposed to shrink as lives stabilize. This one grows exponentially. That is not humanitarian failure, it is institutional design.
This design has consequences. When refugeehood becomes an inherited political identity rather than a temporary legal status, grievance replaces hope. Dependency replaces empowerment. Conflict becomes a resource to be managed rather than a tragedy to be ended.
UNRWA’s budget, influence, and relevance depend on the persistence of the conflict. Peace would render it obsolete. Integration would reduce its scope. Resolution would end its mandate.
Nowhere is this more evident than in education. UNRWA operates hundreds of schools, shaping the worldview of generations of Palestinian children. Education should be a bridge to coexistence.
Instead, repeated investigations and reports have documented curricula that erase Israel from maps, glorify “martyrdom,” deny Jewish historical ties to the land, and frame violence as both justified and inevitable. Antisemitic tropes and conspiracy theories have surfaced again and again. This is not accidental oversight. It is tolerated, minimized, and excused as “context.”
The moral collapse of this system was laid bare after October 7. In the aftermath of Hamas’ massacre of Israeli civilians, evidence emerged that UNRWA employees were directly involved in the attack. Others were found to have celebrated the killings. Weapons were discovered in or near UNRWA facilities. Terror tunnels were uncovered beneath UNRWA schools. Hostages were reportedly hidden or moved through civilian areas linked to UNRWA infrastructure. This was not infiltration from the outside. It was contamination from within.
If UNHCR staff had participated in mass murder or aided a terrorist organization, the agency would have been dismantled immediately. Yet UNRWA survived on explanations, damage control, and the insistence that the problem lay with a few individuals rather than a compromised system. That argument no longer holds.
The tragedy is that Palestinians themselves have paid the highest price for this failure. UNRWA did not prepare Gazans for self-governance or peace. Hamas prepared Palestinians for war, and UNRWA looked away.
October 7 was not an aberration. It was the inevitable result of a system that monetized suffering and normalized extremism for decades.
The solution is not complicated, but it requires moral clarity. Palestinians deserve the same humanitarian standards applied to every other refugee population on earth. That means ending UNRWA’s exceptional status and transferring responsibility to UNHCR. It means redefining refugeehood as a temporary condition, not a hereditary identity. It means de-radicalizing education, dismantling terror infrastructure, and replacing grievance with opportunity.
One world cannot operate two refugee systems and still claim moral credibility. One system resolves crises. The other perpetuates them.
If the international community truly cares about peace, dignity, and human rights, both Israeli and Palestinian, it must finally acknowledge that UNRWA is part of the problem, not the solution.
Sabine Sterk is CEO of the foundation, “Time To Stand Up For Israel.”