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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Argentina rabbi: What can can learn from losing the World Cup?
דעם פֿאַרגאַנגענעם זונטיק, גלײַך נאָכן סוף פֿונעם וועלט־בעכער טורניי 2026 האָב איך אָנגערופֿן אַ גוטן פֿרײַנד אין אַרגענטינע, כּדי צו הערן ווי עס גייט אים.
איך בין ממש צעבראָכן — האָט ער געזאָגט — פֿאַרוואָס האָט דער אויבערשטער דאָס געטאָן?!
האָב איך אים געענטפֿערט: — איך בין נישט דעם אויבערשטנס בוכהאַלטער, און זיכער נישט זײַן אַדוואָקאַט. איך ווייס נישט פֿאַרוואָס ער טוט וואָס ער טוט, און פֿאַרוואָס ער טוט נישט וואָס ער טוט נישט. איך מיין אַז די וויכטיקסטע פֿראַגע איז נישט: „פֿאַרוואָס איז דאָס געשען“? נאָר גיכער: „וואָס איצט? וואָס קענען מיר זיך דערפֿון לערנען?“
האָט ער מיך געפֿרעגט, וואָס איך האַלט איז דער מוסה־השׂכּל. האָב איך אים געפֿרעגט צי ער געדענקט די מעשׂה פֿון יונה.
— אַוודאי. דער פֿיש האָט אים אײַנגעשלונגען.
ריכטיק — האָב איך געזאָגט — אָבער דאָס איז בלויז דער ערשטער טייל פֿון דער מעשׂה. נאָך דעם וואָס יונה האָט אין נינווה איבערגעגעבן די נבֿואה, מיט וועלכער דער אויבערשטער האָט אים געשיקט, איז ער אַרויס פֿון שטאָט און זיך אַוועקגעזעצט צו זען וואָס עס וועט ווערן.
דער אויבערשטער האָט דעמאָלט געמאַכט אויפֿוואַקסן אַ קיקיון, וואָס האָט אים געגעבן שאָטן, און יונה האָט זיך זייער געפֿרייט. אָבער אויף מאָרגן האָט דער אויבערשטער געשיקט אַ וואָרעם, וואָס האָט פֿאַרדאָרבן דעם קיקיון, און דער בוים איז פֿאַרטריקנט געוואָרן.
ווען די זון האָט שטאַרק געברענט, האָט יונה געליטן פֿון דער היץ און איז געוואָרן גאָר פֿאַרצווייפֿלט. האָט אים דער אויבערשטער געפֿרעגט: טרויערסטו איבערן קיקיון?
און יונה האָט געענטפֿערט: יאָ, ביז צום טויט.
האָט דער אויבערשטער געזאָגט: דו באַדויערסט אַ קיקיון, וואָס דו האָסט נישט פֿאַרפֿלאַנצט און נישט אויפֿגעהאָדעוועט. אין איין נאַכט איז ער אויפֿגעקומען, און אין איין נאַכט איז ער פֿאַרגאַנגען.
און זאָל איך דען נישט רחמנות האָבן אויף דער גרויסער שטאָט נינווה, וווּ עס וווינען מער פֿון צוועלף טויזנט מענטשן?“…
די מעשׂה שטעלט אונדז פֿאָר אַ פּשוטע אָבער טיפֿע פֿראַגע: וואָס פֿאַרדינט טאַקע אונדזער גרעסטע זאָרג?
און דאָ קומען מיר צוריק צום וועלט־בעכער. עס איז גאָר פֿאַרשטענדלעך, אַז אַן אַרגענטינער זאָל זײַן אַנטוישט ווען זײַן מאַנשאַפֿט פֿאַרשפּילט. ספּאָרט רופֿט אַרויס שטאַרקע געפֿילן, און דאָס איז דווקא איינע פֿון די סיבות, פֿאַרוואָס מענטשן האָבן עס אַזוי ליב.
— דײַן טרויער איז נישט קיין חסרון — האָב איך אים געזאָגט — פֿאַרקערט. עס ווײַזט, אַז דו ביסט אַ מענטש מיט געפֿיל. און געפֿיל איז אַ טײַערע מידה.
אָבער ווען די ערשטע אַנטוישונג הייבט שוין אָן זיך אָפּצושוואַכן, איז כּדאַי זיך צו פֿרעגן: וואָס נאָך אין לעבן פֿאַרדינט אַזאַ מאָס פֿון דײַן איבערגעגעבנקייט?
באַטראַכט נאָר אַ מאָמענט. דו האָסט נישט געקענט ברענגען דעם נצחון, און דו האָסט אויך נישט גורם געווען די מפּלה. און דאָך האָט דער רעזולטאַט, וואָס איז בכלל נישט געווען אין דײַנע הענט, אַזוי שטאַרק באַווירקט דײַנע געפֿילן.
אפֿשר וואָלט זיך געלוינט אַרײַנצולייגן די זעלבע עמאָציאָנעלע ענערגיע אין אַן אַנדער מין „פֿאַרמעסט“ — אין אַזאַ, וווּ דײַנע באַשלוסן און דײַנע מעשׂים קענען טאַקע מאַכן אַן אמתן חילוק.
וואָס פֿאַר אַ פֿאַרמעסט מיין איך? דאָ קומט אַרײַן אַן אויסערגעוויינטלעכע הוראה פֿונעם רמב״ם.
דער רמב״ם שרײַבט, אַז יעדער מענטש דאַרף שטענדיק זען זיך אַליין און די גאַנצע וועלט ווי פּונקט באַלאַנצירט צווישן זכות און חובֿה.
איין מצווה. איין גוט וואָרט. איין מעשׂה פֿון חסד. אַפֿילו איין גוטער געדאַנק.
יעדער איינער פֿון זיי קען איבערוועגן די גאַנצע וואָג לטובֿה — נישט נאָר פֿאַר זיך אַליין, נאָר פֿאַר דער גאַנצער וועלט.
מיר טראַכטן אָפֿט: וואָס מאַכט אויס וואָס איך׳ל טאָן? איך בין דאָך בלויז איין מענטש צווישן אַכט ביליאָן? דער רמב״ם בעט אונדז צו קוקן אויף דער וועלט מיט אַנדערע אויגן:
שטעל זיך פֿאָר אַ וואָג. אויף איין זײַט שטייען פֿיר ביליאָן מענטשן. אויף דער צווייטער זײַט — נאָך פֿיר ביליאָן. די וואָג איז פּונקט באַלאַנצירט. איצט שטעל זיך פֿאָר, אַז דו טרעטסט צו און באַשליסט אויף וועלכער זײַט זיך צו שטעלן. אין יענער רגע ווערט דײַן באַשלוס דער באַשליסנדיקער. דו ביסט דער וואָס האָט איבערגעוואָגן די גאַנצע וואָג.
אויב דאָס קלינגט צו אַבסטראַקט, לאָמיר זיך אומקערן צום וועלט־בעכער.
דער גאַנצער טורניר — נאָך וואָכן פֿון שפּילן, צענדליקער נאַציאָנאַלע מאַנשפֿאַטן און הונדערטער שפּילער — איז דער סוף באַשלאָסן געוואָרן דורך איין איינציקן מאָמענט.
איין שפּילער. איין גאָל. אַזוי איז אויך אין דער רוחניותדיקער וועלט.
דער גרויסער געראַנגל צווישן גוטס און שלעכטס, וואָס באַגלייט די גאַנצע געשיכטע פֿון דער מענטשהייט, קען אויסזען ווי עפּעס צו גרויס, כּדי אַ יחיד זאָל קענען אײַנווירקן דערויף.
אָבער אויב די וואָג איז טאַקע באַלאַנצירט, ווי דער רמב״ם באַשרײַבט, קען דער גאַנצער סוף־רעזולטאַט אָפּהענגען פֿון איין מענטש. פֿון איין מצווה. פֿון איין גוט וואָרט. פֿון איין גוטן געדאַנק.
און יענער מענטש קען זײַן דווקא דו אַליין. מיט דעם באַשלוס וואָס ליגט הײַנט אין דײַנע הענט.
עס איז דאָ נאָך אַן ענין, וואָס דער וועלט־בעכער קען אונדז לערנען. די נבֿיאים באַשרײַבן אַ צײַט, ווען די וועלט וועט דערגרייכן איר אמתן ציל. דעמאָלט וועט דער משיח קומען און ברענגען אַן עפּאָכע פֿון שלום, גערעכטיקייט און אַלגעמיינער דערקענונג פֿון גאָט.
קען מען זיך פֿרעגן: ווי אַזוי איז עס מעגלעך, אַז איין מענטש זאָל אינספּירירן די גאַנצע וועלט?
אָבער טראַכט צוריק וועגן דעם וואָס מיר האָבן פּונקט איצט מיטגעזען. ביליאָנען מענטשן האָבן אין איין אויגנבליק זיך צוגעקוקט אויף איין מענטש: ליאָנעל מעסי.
פֿאַר אַ קורצן מאָמענט איז ער געוואָרן דער צענטער פֿונעם אויפֿמערק פֿון ביליאָנען מענטשן!
אויב דאָס איז מעגלעך אין דער וועלט פֿון ספּאָרט, איז עס נאָך מער פֿאַרשטענדלעך, אַז עס וועט קומען אַ טאָג, ווען די גאַנצע מענטשהייט וועט זיך ווענדן צו אַ פֿירער, וועמענס כּוח וועט נישט ליגן אין זײַנע פֿיס, נאָר אין זײַן רוח.
משיח וועט נישט פֿאַראייניקן מענטשן אַרום אַ פּילקע. ער וועט פֿאַראייניקן זיי אַרום אמת. אַרום גוטסקייט. אַרום גערעכטיקייט. אַרום שלום. און אַרום דער ידיעה פֿון ג-טליכקייט.
איך האָב דעמאָלט צוגעגעבן מיט ַא שמייכל: „ס׳איז דאָ אַ טשיקאַווער צופֿאַל. דער נאָמען Messi קלינגט ַא ביסל ענלעך צו Messiah.
אַוודאי איז דאָס בלויז אַ לשון־צופֿאַל. אָבער אַ מאָל קען אַ קליינע צופֿעליקייט דינען ווי אַ בריק צו אַ גרעסערן געדאַנק. און דער געדאַנק איז פּשוט:
אויב די גאַנצע וועלט קען זיך פֿאַראייניקן אַרום אַ פֿוסבאָל־פֿינאַל, אויב ביליאָנען מענטשן קענען זיך טיילן די זעלבע האָפֿענונג, די זעלבע שפּאַנונג און די זעלבע באַגײַסטערונג, דערמאָנט דאָס אונדז, אַז די מענטשהייט איז פֿעיִק זיך צו פֿאַראייניקן.
די פֿראַגע איז נאָר: אַרום וואָס?
די נבֿיאים זעען פֿאָרויס א טאָג, ווען די וועלט וועט זיך פֿאַראייניקן נישט אַרום קיין שפּיל, נאָר אַרום אַ ציל. נישט אַרום אַ געווינער, נאָר אַרום אמת. נישט אַרום אַ גאָל, נאָר אַרום דעם אויבערשטן.
און ביז עס קומט יענער טאָג, האָט יעדער איינער פֿון אונדז זײַן אייגענע ראָלע. מיר דאַרפֿן נישט וואַרטן אויף אַ פֿולן סטאַדיאָן. מיר דאַרפֿן נישט וואַרטן אויף אַ וועלט־פֿינאַל. און מיר דאַרפֿן זיכער נישט וואַרטן ביז אַלע אַנדערע וועלן טאָן וואָס זיי דאַרפֿן טאָן.
די געלעגנהייט ליגט פֿאַר אונדז יעדן טאָג. יעדער באַשלוס. יעדער גוט וואָרט. יעדע מצוה. יעדער אַקט פֿון חסד. זיי אַלע זײַנען מער באַטײַטנדיק, ווי מיר שטעלן זיך פֿאָר.
אפֿשר וועלן מיר קיינמאָל נישט וויסן, ווי ווײַט די השפּעה פֿון אַן איינציקער מעשׂה האָט זיך פֿאַרשפּרייט. אָבער לויט דעם רמב״ם דאַרפֿן מיר לעבן מיט דעם באַוווּסטזײַן, אַז עס איז זייער מעגלעך, אַז דווקא יענע מעשׂה האָט איבערגעווויגן די גאַנצע וואָג.
מיר קענען אפֿשר נישט באַשליסן ווער עס זאָל געווינען דעם וועלט־בעכער. אָבער מיר קענען יעדן טאָג באַשליסן וואָס פֿאַר אַ וועלט מיר העלפֿן בויען.
אויב יעדער פֿון אונדז וועט טאָן זײַן טייל, וועלן מיר אַלע צוזאַמען העלפֿן ברענגען דעם טאָג, ווען די וועלט וועט דערגרייכן איר אמתן נצחון — די גאולה האמתית והשלימה, מיט ביאת משיח צדקנו במהרה בימינו, ממש.
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Trump’s messy new deal with Saudi Arabia shows how far Israel has fallen
The American decision to sign a deal granting Saudi Arabia a pathway toward a civilian nuclear program is a terrible development for Israel — not just because Riyadh could one day turn nuclear infrastructure developed with the United States into a weapons capability.
The agreement reflects the collapse of Israeli strategy under Prime Minister Benjamin Netanyahu since the Hamas attack of Oct. 7, 2023; the erosion of Israel’s influence in the U.S.; and Israel’s descent toward the status of a pariah state.
A day after the deal was announced, Trump — seemingly rattled by the flood of criticism that ensued — said it was dependent on Saudi Arabia joining the Abraham Accords. But he did not clarify what aspect of the Accords he meant; there’s no indication that such a requirement is included in the already-signed deal; and Riyadh has made clear that it will do no such thing until there is concrete progress toward a Palestinian state, which is a fantastical notion under the current Israeli government.
For years, nuclear cooperation represented one of Washington’s greatest sources of leverage over Saudi Arabia. It was long believed that prospect would be used to anchor some kind of pact involving normalization with Israel, binding nuclear safeguards, a regional defense architecture and a united front against Iran. Under such an arrangement, Israel would have established formal relations with the Arab world’s most influential power, and gained both a central role in a new regional security system and enforceable Saudi commitments against pursuit of nuclear weapons.
Washington has now at least begun giving Riyadh the prize — no matter what Trump says, amending the deal post-facto will be at best extraordinarily difficult — without Israel receiving any of the benefits.
That dire truth is the outcome of nearly three years in which Israel has confused military brilliance with strategy, and abandoned almost all public diplomacy as its status in the world plummeted.
No one can deny the extraordinary capabilities displayed by Israel’s armed forces and intelligence services since the Oct. 7 massacre. Hezbollah absorbed devastating blows. Iranian military assets suffered setbacks. Hamas lost thousands of fighters and much of its military infrastructure.
But a sense of true strategy is needed to convert military achievement to political outcomes. Strategy can strengthen alliances, expand legitimacy and leave a country in a stronger geopolitical position than the one in which it entered a conflict.
That seems to be completely beyond Netanyahu’s ability.
In the months immediately following Oct. 7, Israel possessed something extraordinarily rare: overwhelming international legitimacy. Hamas had committed an atrocity that horrified much of the democratic world. Moderate Arab governments viewed Hamas as a dangerous extension of the same Islamist forces that threatened their own stability. Former President Joe Biden’s administration recognized that extraordinary alignment, and sought to build upon it, working toward an ambitious regional framework.
In the early months of war, Hamas faced near-unanimous global pressure to hand over Gaza to a reformed Palestinian Authority, backed by moderate Arab governments. Arab states appeared ready to help marginalize Hamas politically and financially, and make life uncomfortable for its leaders.
For a moment, it was easy to see a path forward in which Saudi Arabia would normalize relations with Israel, with other countries following. A U.S.-led regional alliance facing Iran might integrate Israel into the Middle East more deeply than was ever previously imaginable.
That framework offered Israel the chance to translate the trauma of Oct. 7 into a strategic transformation of the region. Instead, Netanyahu chose an open-ended war whose nebulously defined goals were not achievable by military means alone, amid a reasonable and growing suspicion in the public and around the world that he was doing so to preserve his hold on power.
Every few weeks Israelis heard that Hamas stood on the verge of collapse. Each extension of the war was presented as the last before “complete victory” — which Netanyahu kept claiming was “a step” away. Victory remained perpetually on the horizon as Israel’s international standing collapsed.
Now, Netanyahu is wanted at the Hague. Diplomatic isolation has deepened and economic pressure mounted as boycott movements — including many informal ones — expanded.
And critically, American public opinion has shifted sharply, particularly among younger Americans, threatening the bipartisan foundation upon which Israel’s relationship with Washington has rested for generations.
Recent credible polls show that more Americans now sympathize with Palestinians than with Israelis.
Israelis think this happened because of a propaganda campaign against them on social media, because of antisemitism in Europe, or because of hostile journalists. That is partly true but mostly wrong. These shifts are mostly a result of the posture of the Israeli government.
The reality is that Israel killed tens of thousands of Palestinian civilians, accepted that toll with remarkably little public reflection or regret, and relied on the trauma of Oct. 7 to justify it. Around the world, that proved politically devastating. It is especially absurd considering that Israel paid this extraordinary price without achieving its central objective of removing Hamas from Gaza — which was foreseeable and infuriating.
Things might change if the opposition comes to power in October. The idiotic demonization of the Palestinian Authority might end. Jewish terrorism in the West Bank might be stamped out. Settlement construction beyond the fence line, and certainly illegal outposts, might stop.
Israel might again at least be trying to find a solution to the festering Palestinian issue — or at least prefer to lower the flames. That might, in the long term, bring Saudi Arabia back to the table.
But the U.S, has stopped waiting. That the Saudi deal was signed at all, no matter what Trump says now, suggests that Washington is now basically indifferent to the loss of leverage for a deal favoring Israel.
How to resolve the muddle Trump has made? The key: the agreement appears to not include the possibility of enrichment on Saudi soil, but just general assistance to create a program for nuclear energy. So Trump will be able to say that enrichment must await Saudi normalization with Israel. But Saudi Arabia will still be able to claim the symbolic victory of entering into nuclear collaboration with the U.S.
And so, the regional architecture envisioned in the first months after Oct. 7 has vanished because of the forever-wars Netanyahu has pursued — which also resulted in the deaths of dozens of hostages and more than 1,000 soldiers, badly damaged Israel’s economy, and left the country’s international standing in shambles.
And the strategic alliance between Israel and the U.S. — without which Israel’s very existence will be in danger — is falling apart in front of our eyes, not because of Trump but because we are losing the American people.
This is what you get when you are all brawn and no brain, and all tactics and no strategy.
That realization should define Israel’s coming election far more even than arguments over judicial reform or the Haredi draft. Those who have led Israel into this disaster deserve to be punished. Not just removed from power, but decisively repudiated. They have become a danger to the Zionist project itself.
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Harvard students have questions after Hillel withdraws its brief against Trump
Jewish Harvard students are still trying to make sense of a baffling turn of events, after Hillel International weighed in on the university’s lawsuit against the Trump administration seeking restoration of federal funding withheld over alleged campus antisemitism — and then just as suddenly withdrew its brief from the U.S. Court of Appeals for the First Circuit.
Hillel International had filed an amicus brief Wednesday supporting Harvard’s suit against the federal government, which seeks to restore roughly $2.7 billion in federal research funding. In its brief, Hillel International acknowledged that antisemitism is an issue at Harvard and other universities, but that “campus life for Jewish students has meaningfully improved” following actions taken by the school.
Less than 24 hours later, Hillel International confirmed that it was withdrawing the brief, citing an error in its internal review process, according to the student newspaper, the Harvard Crimson.
What’s more, Hillel International filed the brief without the knowledge of Harvard Hillel, a campus organization that operates independently, the paper reported.
Hillel’s reversal followed sharp criticism of the brief on social media from some Jewish public figures. Among them was Shabbos Kestenbaum, a Harvard Divinity School graduate who filed a Title VI lawsuit against the university for ignoring antisemitism. He wrote on X that he was “shocked” by the decision.
“Rather than take responsibility for their failure to respond to the explosion of antisemitism on American campuses post October 7th, Hillel has instead decided to support the perpetrators,” Kestenbaum wrote. He encouraged donors to stop giving to Hillel and choose organizations like Chabad or Jewish day schools instead.
Kestenbaum told the Harvard Crimson that Hillel International President Adam Lehman had not seen the brief before the organization filed it. Hillel International did not respond to an inquiry from the Forward to confirm this.
Hillel’s withdrawal of the brief disappointed Tova Kaplan, a recent graduate who testified at a U.S. Commission on Civil Rights hearing on campus antisemitism. The brief cited her testimony.
“While I’m not sure what factors led to this decision, it feels like a prioritization of politics over Jewish students,” Kaplan wrote in a statement to the Forward.
“The Trump administration’s attacks aren’t even designed to help Jewish students — instead, they’re designed to instrumentalize our voices and pain to achieve their own political goals,” she wrote.
Siding with Harvard along with numerous other groups, including civil liberties organizations across the ideological spectrum and 18 other American universities, the withdrawn brief argued that cutting research funding is not a productive way to halt university antisemitism. Harvard’s improvement measures, following recommendations from its own Task Force on Combating Antisemitism and Anti-Israel Bias, have been more effective than what the brief called the “draconian one-size-fits-all approaches of the sort the government here pursues.”
These measures, the withdrawn brief said, “do not help Jewish students or improve the campus climate” but instead, “they disproportionately impact the very Jewish students and Jewish researchers the government purportedly seeks to help.”
But another recent graduate who said he did not want to be identified, sees Hillel’s opposition to the Trump administration’s actions as taking the wrong side of the fight. He believes the federal defunding of Harvard pushes the university to protect Jewish students.
“I think a major reason Harvard’s been making changes is because they’re under threat,” he said.
He also contends Hillel International’s evidence to back its claim that Harvard’s efforts have improved antisemitism are weak — lacking measurable results.
Dani Kobrick, a rising senior, said she is perplexed by Hillel International’s actions.
“I don’t think Hillel needed to submit anything to begin with,” she said. “But I do think that withdrawing it makes a very big statement.”
The post Harvard students have questions after Hillel withdraws its brief against Trump appeared first on The Forward.
