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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Yemen’s Aden Airport Shuts as Saudi-UAE Rift Deepens
Passengers wait for their flights at Aden Airport in Aden, Yemen, Jan. 1, 2026. Photo: REUTERS/Fawaz Salman
Flights at Yemen’s Aden international airport were halted on Thursday, the latest sign of a deepening crisis between Gulf powers Saudi Arabia and the United Arab Emirates, whose rivalry is reshaping war-torn Yemen.
At the airport — the main international gateway for parts of Yemen outside Houthi control — passengers crowded the terminal, waiting for updates on their flights.
Later on Thursday, Yemeni sources said flights between Aden and all destinations outside the UAE would resume, though Reuters was unable to confirm that immediately.
Air traffic was shut down due to a row over curbs on flights to the UAE, though there were contradictory accounts of exactly what had happened and who was responsible.
Awadh al-Subaihi said he had been waiting at the airport for a flight to Cairo for medical treatment. “We are suffering, and many other patients and elderly people here are waiting in a difficult situation,” he said.
The UAE backs the separatist Southern Transitional Council (STC) that seized swathes of southern Yemen from the internationally recognized government last month.
Saudi Arabia, which backs the government, regarded that move as a threat, triggering the biggest crisis between it and Gulf neighbor the UAE in decades.
The UAE-backed STC controls the transport ministry in the internationally recognized coalition government, whose main leadership is supported by Saudi Arabia.
The ministry accused Saudi Arabia in a statement of imposing an air blockade, saying Riyadh had instituted measures requiring all flights to go via Saudi Arabia for extra checks.
It added that when it objected to this, Saudi Arabia had clarified that the restriction was only on flights between Aden and the UAE.
DISAGREEMENT OVER WHO IS RESPONSIBLE
A Saudi source denied any involvement in restricting flights, adding that Yemen’s own internationally recognized government had imposed the requirement on flights between Aden and the UAE in order to curb escalating tensions.
The Saudi source added that the southern-controlled ministry had then responded by ordering a full shutdown of air traffic rather than comply with the restrictions on flights to and from the UAE.
An official source at the transport minister’s office denied this, saying the minister had not issued any decisions to close the airport.
Reuters could not immediately reach the leadership of the internationally recognized government, which has been in Saudi Arabia since the STC seized swathes of the south last month, for comment on the airport closure and flight restrictions.
The UAE Foreign Ministry did not immediately reply to a request for comment on the airport closure.
The tussle is the latest in a deepening crisis in Yemen that has exposed a deep rift between the two Gulf oil powers.
Saudi Arabia this week accused the UAE of pressuring Yemen’s STC to push towards the kingdom’s borders and declared its national security a “red line,” prompting the UAE to say it was pulling its remaining forces out of Yemen.
That followed an airstrike by Saudi-led coalition forces on the southern Yemeni port of Mukalla that the coalition said was a dock used to provide foreign military support to the separatists.
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Several Reported Killed in Iran Protests Sparked by Economic Hardships
People walk past closed shops, following protests over a plunge in the currency’s value, in the Tehran Grand Bazaar in Tehran, Iran, Dec. 30, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Several people were killed during unrest in Iran, Iranian media and rights groups said on Thursday, as the biggest protests to hit the Islamic Republic for three years over worsening economic conditions sparked violence in several provinces.
The semi-official Fars news agency reported that three protesters were killed and 17 were injured during an attack on a police station in Iran‘s western province of Lorestan.
“The rioters entered the police headquarters around 1800 (local time) on Thursday … they clashed with police forces and set fire to several police cars,” Fars reported.
Earlier, Fars and rights group Hengaw reported deaths in Lordegan city in the country’s Charmahal and Bakhtiari province. Authorities confirmed one death in the western city of Kuhdasht, and Hengaw reported another death in the central province of Isfahan.
The clashes between protesters and security forces mark a significant escalation in the unrest that has spread across the country since shopkeepers began protesting on Sunday over the government’s handling of a sharp currency slide and rapidly rising prices.
VIOLENCE REPORTED IN SEVERAL CITIES
Fars reported that two people had been killed in Lordegan in clashes between security services and what it called armed protesters. It earlier said several had died. Hengaw said several people had been killed and wounded there by security forces.
The Revolutionary Guards said one member of its affiliated Basij volunteer paramilitary unit had been killed in Kuhdasht and another 13 wounded, blaming demonstrators who it accused of taking advantage of the protests.
Hengaw said that the man, named by the Guards as Amirhossam Khodayari Fard, had been protesting and was killed by security forces.
Hengaw also reported that a protester was shot dead on Wednesday in Isfahan province in central Iran.
Reuters could not immediately verify any of those reports.
Protests also took place on Thursday in Marvdasht in the southern Fars province, the activist news site HRANA reported. Hengaw said demonstrators had been detained on Wednesday in the western provinces of Kermanshah, Khuzestan, and Hamedan.
CRITICAL MOMENT FOR CLERICAL RULERS
Iran’s clerical rulers are grappling with Western sanctions that have battered an economy already reeling from more than 40% inflation, compounded by Israeli and US airstrikes in June targeting the country’s nuclear and ballistic missile infrastructure and military leadership.
Tehran has responded to the protests with an offer of dialogue alongside its security response.
Government spokesperson Fatemeh Mohajerani said on Thursday that the authorities would hold a direct dialogue with representatives of trades unions and merchants, but without giving details.
The Basij is a volunteer paramilitary force loyal to Supreme Leader Ayatollah Ali Khamenei. It is affiliated with the Islamic Revolutionary Guards Corps, which on Thursday accused those involved in the unrest in Kuhdasht of “taking advantage of the atmosphere of popular protests.”
GOVERNMENT SHUTDOWN
Merchants, shop owners, and students in a number of Iranian universities have been demonstrating for days and closing major bazaars. The government shut down much of the country on Wednesday by declaring a holiday due to cold weather.
Authorities have in recent years quashed protests over issues ranging from high prices, droughts, women’s rights and political freedoms, often with tough security measures and extensive arrests.
Iran‘s economy has been struggling for years, chiefly because of US and Western sanctions over Tehran’s nuclear program, support for terrorism, and human rights abuses. Regional tensions led to a 12-day air war with Israel in June, further straining the country’s finances.
The Iranian rial lost around half its value against the dollar in 2025, with official inflation reaching 42.5% in December.
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Australia’s Jewish History Might Have Unfolded Differently
People attend the ‘Light Over Darkness’ vigil honoring victims and survivors of a deadly mass shooting during a Jewish Hanukkah celebration at Bondi Beach on Dec. 14, in Sydney, Australia, Dec. 21, 2025. Photo: REUTERS/Hollie Adams
The deadly pogrom that took place in Australia at a Hanukkah event on Bondi Beach was the culmination of more than two years of hate and violence directed at Jews following the October 7 Hamas terror attack on Israel.
Australian Jews have learned that what they once considered to be one of the safest and most comfortable places in the world to be a Jew, is anything but. Yet the Jewish experience in Australia might have been very different.
The idea of a Jewish refuge somewhere other than Israel predates the modern Zionist movement. In the 20th century, two possible havens for Jewish refugees were considered during the lead up to World War II; both were rejected.
The more widely known effort involved a proposal for a refuge in Alaska. It was the initiative of Harold Ickes, US Secretary of the Interior, who was concerned that Alaska’s sparse population (only 70,000) would make it a tempting target for attack. (This story is the historical basis for Michael Chabon’s 2007 novel The Yiddish Policemen’s Union.) The proposal received only lukewarm support from President Roosevelt and after three days of presentations to the US Senate Committee on Territories and Insular Affairs in May 1940, it died.
The second effort, less widely known, involved a proposed Jewish sanctuary in Australia, a possibility I learned about only recently when I was going through some Yiddish literature left by my parents.
I grew up in Montreal, the son of Yiddish-speaking Jewish immigrants from Eastern Europe.
For the first half of the 20th century, Montreal, the home of writers such as the poet J. I. Segal, was a major center of North American Yiddish culture. My parents would often mention Melech Ravitch, pen name for Zecharia-Chune Bergner, a well- known Yiddish poet and essayist, who was a leading figure in Montreal Yiddish circles.
I discovered that Ravitch, originally from Poland, spent several years during the 1930s in Australia, before ending up in Montreal. While there, he investigated the feasibility of establishing a haven for Jewish refugees in a sparsely inhabited region of northwestern Australia known as the Kimberley.
The proposal, backed by a European group, the Freeland League, would involve the purchase of land (a little over 10,000 square miles) in Western and Northern Australia. An advance contingent of 500 Jewish refugees from Europe would begin the process of creating a settlement, followed by 75,000 to 100,000 people to follow. Ravich envisioned an eventual population of one million, this at a time when the population of Australia as a whole was less than seven million.
The company that owned the land agreed to sell the desired tract, and leading religious and public figures, including the Premier of Western Australia, were in favor. But opposition at the federal level prevented the plan from moving forward. The League was informed that the Australian Government, led by Prime Minister John Curtin, was not in favor of “alien settlement in Australia.”
The Australian government was consistent. The Évian Conference, held in July 1938 at the French resort city of Évian les Bains, was initiated by President Roosevelt to find a solution to the plight of hundreds of thousands of stateless European Jews. Thirty-two nations, including Australia, participated. The conference achieved very little. The Australian chief delegate, Colonel T. W. White, declared “as we have no real racial problem, we are not desirous of importing one by encouraging any scheme of large-scale foreign migration.”
The Jews murdered in the Holocaust were doomed by worldwide indifference to their fate, but also by the fact that there was no independent Jewish state that could have served as a refuge when they needed one. That’s why Israel is needed now — and why an Australian refuge would have made such a huge difference nearly 100 years ago.
Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo.