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These NYC college students want to kickstart a Jewish arts renaissance

(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name. 

Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.

Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country. 

“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”

Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)

The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”

“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”

By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.

The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website. 

Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.” 

While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.

The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”

“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.

With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues. 

In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.” 

“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”

The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.

“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram. 

Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.

On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.

According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause. 

“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.

“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.” 

Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)

As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.

“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”

Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor. 

“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”


The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.

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Trump Administration Appeals Harvard Funding Ruling

United States President Donald J Trump in White House in Washington, DC, USA, on Thursday, December 18, 2025. Photo: Aaron Schwartz via Reuters Connect.

US President Donald Trump filed an appeal of a ruling by an Obama-appointed federal judge which restored $2.7 billion in public grants he had impounded from Harvard University over its alleged failure to address campus antisemitism along with other faults.

The move aims to put Harvard on the back foot,  as his efforts to penalize the institution have run into repeated legal roadblocks despite that virtually every other elite institution he has targeted for reform — such as Columbia University, Brown University, and Northwestern University — decided that settling with Trump is preferable to fighting the administration.

As previously reported, by The Algemeiner, US federal judge Allison Burroughs ruled in September that Trump acted unconstitutionally when he confiscated about $2.2 billion in Harvard University’s research grants, charging that he had used antisemitism as a smokescreen for a targeted, ideologically motivated assault on this country’s premier universities.” Burroughs went on to argue that the federal government violated Harvard’s free speech rights under the US Constitution’s First Amendment and that it was the job of courts to “ensure that important research is not improperly subjected to arbitrary and procedurally infirm grant terminations.”

The ruling conferred a major victory to Harvard, as it had been asked to grant to a wishlist of policy reforms that Republican lawmakers said would make higher education more meritocratic and less welcoming to anti-Zionists and far-left extremists. Contained in a letter the administration sent to Harvard president Alan Garber — who subsequently released it to the public — the policies called for “viewpoint diversity in hiring and admissions,” the “discontinuation of DEI initiatives,” and “reducing forms of governance bloat.” They also implored Harvard to begin “reforming programs with egregious records of antisemitism” and to recalibrate its approach to “student discipline.”

Harvard refused the president his wishes even after losing the money and took the issue to federal court. Meanwhile, it built a financial war chest, leveraging its GDP-sized assets to issue over $1 billion dollars in new debt and drawing on its substantial cash reserves to keep the lights on. It fought on even as it registered its largest budget deficit, $113 million, since the Covid-19 pandemic, according to The Harvard Crimson.

On Friday, Harvard told multiple outlets it is “confident that the Court of Appeals will affirm the district court’s opinion.”

The Harvard Corporation also said on Tuesday that the university will retain Alan Garber as president for an “indefinite” period. Garber was appointed in Jan. 2024 amid antisemitic, pro-Hamas demonstrations on campus and Harvard’s being pilloried over revelations that Garber’s predecessor, Harvard’s first Black president, Claudine Gay, is a serial plagiarist.

Under Garber’s leadership, Harvard has contested a slew of lawsuits accusing school officials of standing down while anti-Israel activists abused Jewish students. It settled some of the cases and prevailed in others. At the same time, Harvard agreed to incorporate into its policies a definition of antisemitism supported by most of the Jewish community, established new rules governing campus protests, and announced new partnerships with Israeli academic institutions. By all accounts, it is in no rush to settle its dispute with the Trump administration.

“Alan’s humble, resilient, and effective leadership has shown itself to be not just a vital source of calm in turbulent times, but also a generative force for sustaining Harvard’s commitment to academic excellence and to free inquiry and expression,” Harvard Corporation senior fellow Penny Pritzker said in a statement. “Alan has not only stabilized the university but brought us together in support of our shared mission.”

Follow Dion J. Pierre @DionJPierre.

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After Bondi, What Hanukkah Really Means This Year

Arizona State University Chabad and Downtown Tempe hold Menorah lighting ceremony on Dec. 7, 2023. Photo: Alexandra Buxbaum vis Reuters Connect

Before Hanukkah (and before the Bondi Beach massacre), my son asked me what the holiday is really about. Not the gifts, not the latkes, not even the oil that famously lasted eight days. “But what actually happened?” he pressed. He has been learning quite a bit in Hebrew school and pushed me: “How did a tiny group win when everyone thought they couldn’t?”

It’s a question that lands differently this year. I told him the truth: Hanukkah is the story of a small, outmatched community refusing to accept that the world’s hatred and power alignments would dictate their future.

The Maccabees were not the strongest or the most numerous. They weren’t protected by empires or alliances. They persevered because they believed their identity mattered, their way of life mattered, and their freedom to live as Jews mattered. And that conviction — rooted in faith, courage, and stubborn hope — carried them through the impossible.

He listened, nodded, and then asked the question so many Jewish parents have heard this year: “Is it like that now?”

I wish the analogy didn’t fit. My son is growing up in a moment when open antisemitism spreads faster than any ancient decree; when mobs surround synagogues, when Jewish students are told they don’t belong, when the Internet can turn ignorance into global hate in seconds. He sees the hate filled graffiti around our neighborhood. He hears others in the city talk about Israel with a hostility that has nothing to do with policy and everything to do with identity. He watches the news and senses the unease in our home when we talk about safety.

And so the Maccabean story is not abstract. It is a mirror.

For years, many of us lived Jewishly in a way that was proud but cautious — visible but not too visible, present but politely understated. 

So many American Jews assumed America would always be different, that the ancient need for Jewish vigilance was something our generation might finally outgrow. But my son’s question made clear that those days are gone. 

The world has changed, and our children deserve a model of Jewish life rooted not in caution, but in confidence.

The miracle of Hanukkah is not just that oil burned longer than nature allowed — it’s that Jews did. That our people insisted on lighting a flame even when the world around them demanded surrender. They restored the Temple not because victory was assured, but because Jewish life itself was worth defending whether or not anyone else agreed.

This year, the miracle feels less like ancient mythology and more like a living assignment. It reminds us that Jewish endurance has never depended on winning the popularity contest of nations. The Jewish people have always survived — and often thrived — by holding firm in who we are even when the world misunderstands, resents, or maligns us.

That lesson came into sharper focus when I showed my son the famous photograph in Kiel, Germany, in 1931 of a menorah in the window facing the Nazi flag across the street — one family defiantly insisting on light when every force around them demanded fear. He stared at it quietly. Then he looked out our own window, the same window where just weeks ago we saw protesters screaming about Jewish power, Zionism, and Israel with a rage meant to intimidate. They called for Israel’s destruction, the death of his family members living in Israel, and the murder of Jews in America for simply existing. It didn’t matter that this was New York, not 1930s Germany; the message was unmistakable.

So this year we have placed our menorah in the window — not tucked away, not dimmed, not hesitating. It is our declaration of resilience, a statement of presence, and a call to the world that Jewish life will not retreat. We will not cower. We will not waver in our right to be here, to belong, to live openly as Jews in the United States or anywhere else. We are resolute. We are defiant. And we are proud.

Some insist that Jews and Jewish institutions must bend — moderate our commitments, soften our existence, or “balance” our right to safety with demands that erase the legitimacy of Jewish peoplehood itself.

Hanukkah teaches the opposite: Jews do not need to contort ourselves to appease ideologies that deny our very right to endure. We are allowed to exist openly. We are allowed to be strong. We are allowed to defend ourselves and our communities. We are allowed to assert that our story, our dignity, and our continuity matter. We are allowed to be proud of our faith, our history, and our place in the world.

And America, if it means what it says about pluralism, has obligations too. A free society does not ask minorities to hide the parts of themselves others find inconvenient. A healthy democracy protects its citizens especially when they are under threat — not only when they are easy to celebrate. Jewish belonging is not conditional. It is anchored in centuries of contribution to American civic, cultural, scientific, intellectual, and communal life. Our presence strengthens this nation; our resilience is not a provocation but a fulfillment of America’s promise.

When I look at my son, I see why this clarity matters. He deserves a Jewish life lived without apology or fear. He deserves a community that is strong, grounded, and proud. He deserves to inherit a tradition defined not by defensiveness, but by purpose.

So yes, I told him, the story of a small group doing the impossible resonates now. Not because we are powerless, but because the pressures to retreat, disappear, or doubt ourselves have returned with force. The right response — now as then — is illumination; bringing light into the world  

One candle does not drive away all darkness. It simply refuses to let the darkness win uncontested. That is what we are called to do right now: to insist on our visibility, to teach our children pride rather than dread, to speak plainly even when others prefer we whisper, and to bring light and enlightenment to a world that too often chooses shadows.

This year, as my son places our menorah in the window, he will know that he is part of that unbroken chain; that he, too, inherits the responsibility to kindle light in an age that would rather see it dimmed. And that the enduring miracle of our people is not simply that a flame once lasted eight days, but that we are still here, still proud, and still unafraid to light it again.

May that light shine powerfully, proudly, and without fear.

Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.

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‘The most Australian name’: Matilda, the youngest victim of the Bondi Beach attack, embodies a nation’s grief

(JTA) — The youngest victim of the Bondi Beach Hanukkah massacre is known by just one name — but it’s all that’s needed to make her a symbol for her fellow Australians.

“I named her Matilda because she was our firstborn in Australia. And I thought that Matilda was the most Australian name that could ever exist,” her father Michael, a Jewish immigrant from Ukraine, said at a vigil earlier in the week. “So just remember – remember her name.”

The poem and song “Waltzing Matilda,” written in 1895, is considered an unofficial anthem in Australia, which has been rocked by the terror attack on Bondi Beach that killed 15 people attending a Hanukkah celebration.

At a vigil on Thursday night at Bondi Pavilion — a public space now transformed into a memorial flooded with flowers and displays of solidarity — hundreds of mourners gathered and sang the song to memorialize Matilda, who at 10 was the youngest among the dead.

Matilda had been filmed shortly before the attack admiring as her father put on tefillin, the phylacteries used in prayer that emissaries of Chabad, the group that organized the Hanukkah celebration, routinely help Jewish men put on to fulfill a religious commandment. She was shot while standing with her mother Valentyna and 6-year-old sister.

Seeking to protect their privacy, the family has asked that their last name not be published in the media. Instead, Matilda has become associated her middle name, Bee.

At the somber memorial, all of the attendees were given stickers with Matilda’s name alongside a smiling bumblebee clutching a menorah, a symbol that has become a quiet emblem of remembrance in the days since her death.

At her funeral on Thursday, held at the Chevra Kadisha Memorial Hall, mourners clutched bee balloons and placed bee posters on the exterior of their cars.

A giant plush bumblebee was placed on Matilda’s small white casket at the funeral, one similar to the many that now adorn the Bondi Pavilion flower memorial alongside illustrations of bumblebees.

On social media, parents and schools around the world have posted children’s illustrations and photos of bees at the request of Matilda’s parents, a tribute that has spread widely as a way of remembering her. On Facebook, Matilda’s father, Michael, has reposted many of the online memorials.

Build a Bear Workshop Australia also announced the production of a limited-edition plush bee in memory of Matilda, with all proceeds going to her family. A GoFundMe page set up by her language teacher has also drawn over $550,000 in donations.

“She loved the outdoors, animals, she went to school, she had friends, everybody loved her,” Rabbi Yehoram Ulman, whose son-in-law, Rabbi Eli Schlanger, was also killed in the attack, said during his eulogy for Matilda. “The tragic, so totally cruel, an unfathomable murder of young Matilda is something that’s painful to all of us as if our own daughter was taken from us.”

Valentyna said at the vigil that until Sunday, she had been happy that her family had moved from Ukraine, which has been at war with Russia since Russia invaded in 2022.

“I came from Ukraine. I brought from Ukraine my oldest son, with him, and I was so happy that he’s not there right now. He’s not fighting for his land, and he’s safe here,” she said as she broke down in sobs. “I couldn’t imagine I would lose my daughter here.”

Chris Minns, the premier of New South Wales, the Australian state that includes Sydney, quoted from “Waltzing Matilda” at Matilda’s funeral.

“She bore the name Matilda to honor this great land, Australia’s heart and spirit forever hand in hand,” said Minns, who wore the bumblebee sticker on his lapel, according to ABC. “Her spirit like a swagman’s will never fade away. She’s waltzing with the angels, where love will always stay.”

The post ‘The most Australian name’: Matilda, the youngest victim of the Bondi Beach attack, embodies a nation’s grief appeared first on The Forward.

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