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These NYC college students want to kickstart a Jewish arts renaissance

(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name. 

Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.

Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country. 

“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”

Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)

The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”

“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”

By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.

The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website. 

Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.” 

While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.

The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”

“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.

With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues. 

In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.” 

“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”

The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.

“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram. 

Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.

On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.

According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause. 

“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.

“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.” 

Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)

As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.

“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”

Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor. 

“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”


The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.

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We Should Be Welcoming All Jews and Bringing Them Closer — Despite Religious Differences

Reading from a Torah scroll in accordance with Sephardi tradition. Photo: Sagie Maoz via Wikimedia Commons.

We Jews have always liked to argue about religion, and everything from kashrut to conversion. Often these differences are far from polite. In every branch and variation of Judaism (as elsewhere), there are sects and extremes, iconoclasts and revisionists, insiders and outsiders. It pains me that we seem so incapable of overcoming such differences and conflicts amicably.

There is an axiom in religious life (all religions, not just Judaism) that those more religious than you are fanatics, and anyone less religious is a doomed sinner. The joke may be extreme, but I think we can all relate to the sentiment.

I could never understand why, for many years, the established Orthodoxy was opposed to going to and teaching at Jewish conferences simply because there might also be people there whose ideas about Judaism they did not share. Neither could I understand the argument that one should not go to Reform communities to teach Torah. On the contrary, if they are so misled by their heretical rabbis, surely it would only be beneficial to go and share another point of view — unless one is so insecure that there might be a risk of backsliding.

The Lubavitch movement is successful precisely because it does not prejudge, and regards every Jew as worthy of attention, regardless of background. And on the other side, anyone vaguely familiar with Reform Judaism in Israel and much of the Diaspora knows that much (not all) of it is seriously trying to come to terms with how to get back to a more traditional way of life with more Hebrew and study.

Of course, as a traditionalist, I disagree with those who make light of our religious traditions and laws. But to some extent, we all choose what to focus on and what not to. I can understand communities that want to preserve their specific identities by excluding those who wish to undermine them. But we can still treat others with tolerance and understanding out of simple good manners. We are such a small people, we cannot afford to lose even more people than we do through ignorance and defection. And thank goodness for those of all variations we welcome in with open doors.

I may not agree with much of Reform ideology and ritual, but I also believe Orthodoxy could have and should be much more flexible. I admire a great deal in the Haredi world, but I think they are seriously mistaken over their attitude to serving Israel’s military needs. And I deplore Neturei Karta’s support of Iranian mass murderers, as I do secular Israelis who want to undermine the Jewish State. Opposition comes from both sides.

There is a Talmudic principle that a Jewish child captured by non-Jews, a Tinnok SheNishba, could not possibly be found guilty of breaking Jewish law since he (or she) would have had no positive experiences of it to be able to make a positive decision. The saintly rabbi known as the Chafetz Chaim (Yisrael Meir Kagan 1838-1933) used this to argue that most modern Jews have never experienced the passion and intensity of genuine Torah spirituality, and therefore cannot be blamed for rejecting something they know nothing of. You can only be a genuine heretic if you really know what it is you are rebelling against!

I would welcome anyone, no matter who, from whatever background, who wanted to identify as a Jew, study and participate. They should be welcomed and encouraged to explore the varieties of Jewish experience and decide where they fit in. And we should do our best to draw them closer and help with any problems of integration they might face.

On Pesach, we will read about the four different sons including the “bad one” with different approaches to Torah. But at least they sat around the same table and were participating in the Seder.

We should use Torah to bring Jews closer — including those who have drifted, and the misguided ones — not to insult them and push them further away just because they have a different view than ours.

The author is a writer and rabbi, based in New York.

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Tehran’s Escalation Doctrine: Why Iran Is Targeting the Entire Middle East

Smoke rises after reported Iranian missile attacks, following United States and Israel strikes on Iran, as seen from Doha, Qatar, March 1, 2026. Photo: REUTERS/Mohammed Salem

Iran’s latest missile and drone strikes across the Gulf signal a dangerous strategic shift. What once appeared to be a confrontation primarily between Tehran, Israel, and the United States is rapidly transforming into a wider regional conflict. By conducting military assaults on Saudi Arabia, Qatar, the United Arab Emirates, and Bahrain, the Islamic Republic has effectively widened the battlefield and placed the stability of the entire Middle East at risk.

On March 7, 2026, Iranian President Masoud Pezeshkian publicly apologized to Iran’s Gulf neighbors after Iranian missile and drone strikes triggered air defense alerts in those states. In a televised statement, he expressed regret for the attacks and claimed that Tehran would halt strikes on neighboring countries unless attacks against Iran originated from their territory. But even as he spoke, air defense sirens and missile interceptions were continuing across the Gulf region. Then the government walked the statement back.

For many countries in the Middle East, the contradiction is glaring. Iran’s apology appeared less a genuine effort at de-escalation and more a familiar Iranian tactic: spinning rhetorical damage control while continuing its aggression.

This pattern is hardly new. For decades, the Islamic Republic has pursued a strategy that blends diplomacy, denial, and deception with relentless expansionism. The result is a geopolitical doctrine aimed not merely at confronting Israel or the United States, but at reshaping the entire Middle East under Tehran’s ideological and strategic dominance.

Iranian leaders have long framed their military posture as defensive, but the reality unfolding across the Middle East tells a very different story. Missiles fired toward Saudi territory, drones intercepted over Gulf cities, and attacks linked to Iranian proxies across multiple theaters point to a broader strategy of coercion. Rather than confining its conflict to direct adversaries, Tehran is increasingly pressuring neutral or semi-neutral states in order to expand the battlefield.

The remarks of Muhammad‑Bagher Ghalibaf, speaker of Iran’s parliament, made this explicit. Ghalibaf declared on social media that Iran’s defense doctrine follows the ideological guidance of the Islamic Republic’s revolutionary leadership and warned that peace will remain impossible as long as American military bases exist in the region.

This statement was effectively a strategic threat to every Middle Eastern state hosting American forces. It confirmed what regional leaders have long suspected: Iran views the entire Gulf security architecture, not merely Israel, as a legitimate target.

One of the most striking aspects of Iran’s recent escalation is that it has drawn states into the conflict that were actively attempting to avoid confrontation. Countries across the Gulf Cooperation Council had pursued diplomatic efforts to reduce tensions between Iran and its adversaries. Oman, for example, had played a leading mediating role in discussions surrounding Iran’s nuclear program.

Yet Iranian missiles and drones have now placed these very states directly in the line of fire. Strategically, this approach is baffling. By striking Gulf territories or allowing projectiles to fall near critical infrastructure, Tehran risks transforming potential mediators into determined adversaries. Analysts have long warned that attacks on Gulf states could collapse the region’s delicate neutrality and push Arab governments into closer alignment with the United States and Israel. In other words, Iran’s escalation may be strengthening the very coalition it claims to oppose.

The Islamic Republic’s behavior cannot be understood purely in military terms. At its core lies an ideological framework embedded in the doctrine of Vilayat-e-Faqih: “Guardianship of the Islamic Jurist.” This system, created after the Iranian Revolution, grants ultimate political authority to the clerical leadership rather than elected institutions. The result is a hybrid regime in which electoral politics exist but real power rests with a religious elite that defines foreign policy through ideological confrontation.

For this leadership, regional dominance is not merely a strategic ambition. It is a revolutionary obligation. From Iraq to Syria, Lebanon, and Yemen, Tehran has cultivated proxy networks that extend its influence far beyond its borders. These networks allow Iran to wage asymmetric warfare while maintaining plausible deniability. The expansion of this strategy into the Gulf itself marks a new and dangerous phase.

Iran’s confrontation with Gulf states is not only militarily reckless. It is economically self-destructive. The Persian Gulf and the Strait of Hormuz form one of the most vital arteries of global commerce. Disruptions in the region affect energy markets, maritime trade routes, and strategic industrial supply chains.

Iranian actions that threaten shipping lanes risk destabilizing not only regional economies but also global technological industries. Qatar, for example, plays a significant role in the export of helium, a critical resource used in semiconductor manufacturing and advanced technologies. Any disruption in Gulf logistics reverberates across industries ranging from artificial intelligence to aerospace.

If Tehran’s objective is to impose costs on its adversaries, it must recognize that such disruptions will also inevitably damage Iran itself. Economic isolation, sanctions pressure, and investor flight are predictable consequences of escalating regional conflict. In strategic terms, Iran’s current approach resembles an “economic own goal” — a policy that undermines its own long-term stability.

The Islamic Republic’s external aggression reflects deep internal vulnerabilities. Years of economic hardship, corruption scandals, and political repression have eroded public confidence in the ruling establishment. Anti-government protests have repeatedly shaken the regime, revealing widespread dissatisfaction across Iranian society. The leadership in Tehran therefore faces a familiar dilemma.

Authoritarian systems often attempt to consolidate power by redirecting domestic frustration toward external enemies. Foreign confrontation becomes a tool for internal cohesion. In this context, escalation abroad may serve a political purpose at home: reinforcing the narrative that Iran is surrounded by hostile forces and must rally behind its revolutionary leadership. Yet such strategies carry enormous risk. History demonstrates that regimes relying on external conflict to sustain legitimacy often accelerate their own downfall.

The Middle East now faces a critical strategic question: Will Iran’s campaign of intimidation continue unchecked, or will the threatened regional states coordinate a collective response? The growing convergence of security interests between Israel and several Arab states represents one possible outcome. Iranian escalation may inadvertently accelerate regional cooperation against Tehran’s ambitions. The normalization processes that began in recent years could gain renewed urgency if the Gulf states conclude that Iran’s threats are directed not only at Israel but at the entire regional order.

At the same time, the United States remains a central factor in the strategic equation. In Tehran’s calculus, American military installations across the Gulf serve as both deterrents and potential targets. Iran’s repeated warnings about these bases indicate that the regime views the broader American security architecture as a critical obstacle to its regional ambitions.

Another factor shaping Iran’s future is the question of leadership. The Islamic Republic now faces a profound political vacuum. Despite widespread dissatisfaction with the regime, no unified opposition figure has yet emerged capable of mobilizing the population around a coherent alternative vision. This absence of leadership allows the ruling clerical establishment to maintain its grip on power even as public frustration grows. Yet history suggests that such conditions rarely remain static. The pressures created by economic stagnation, international isolation, and internal dissent can eventually converge to bring about transformative political change.

For Iran, the central challenge is whether a new leadership capable of reconciling the country with its neighbors and the international community will emerge before the current system pushes the region into wider conflict.

The Iranian regime’s recent missile and drone attacks across the Gulf reveal a dangerous strategic reality: Tehran’s confrontation is no longer limited to Israel or the United States. It is evolving into a broader campaign of intimidation against the entire Middle Eastern order.

By targeting or threatening Gulf states that had sought neutrality, the Islamic Republic risks uniting the region against it. By escalating military pressure while offering hollow diplomatic apologies, it exposes the contradiction at the heart of its strategy. And by prioritizing ideological confrontation over economic stability, it places the welfare of the Iranian people at risk.

If the current trajectory continues, Iran will not succeed in dominating the Middle East. Instead, it may accomplish the opposite — driving its neighbors, the United States, and Israel into an increasingly unified coalition determined to contain the ambitions of a regime whose revolutionary ideology has turned regional leadership into a permanent state of war.

Salah Uddin Shoaib Choudhury is editor of the Bangladesh-based publication Blitz and a commentator on Islamist extremism, terrorism, and South Asian geopolitics. A version of this article was originally published by The BESA Center.

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The Truth About Israel’s Wartime Censorship

Fire ignited at the impact site following an Iranian missile strike, amid the US-Israeli conflict with Iran, in central Israel, March 13, 2026. Photo: REUTERS/Gideon Markowicz

There are censorship laws in Israel.” (NPR)

Israel has imposed strict military censorship … for decades, but has tightened its restrictions.” (AFP)

“‘We have a partial understanding of the reality on the ground,’ the senior manager admitted. ‘Our coverage of the war is not truthful.’” (+972 Magazine)

Since the US-Israel war against the Islamic Republic of Iran broke out at the end of February 2026, one aspect of media coverage has drawn particular attention — Israel’s military censorship regulations and their effect on what journalists can publish.

While some have claimed that these restrictions are designed to hide the damage caused by Iranian missile strikes, the reality is far less conspiratorial.

As explained by CNN correspondent Oren Liebermann in a recent report, the purpose of Israel’s censorship rules is to prevent the release of sensitive military information that could assist Iran in its ongoing missile campaign.

This includes details such as the precise locations of missile impacts or the positioning of Israeli interceptor systems — information that could help Iranian forces adjust their targeting.

Liebermann notes that the regulations have not prevented CNN or other outlets from publishing footage of attacks, but they do prohibit livestreaming during missile strikes, which could inadvertently reveal operational details in real time.

This aspect of military censorship is separate from Israel’s policy restricting foreign journalists’ independent access to Gaza, allowing entry primarily through embedded tours with the IDF.

In this latter instance, the stated reasoning has not been the risk of publishing sensitive military information, but rather concerns about journalist safety and the potential disruption to ongoing military operations.

As former IDF spokesperson Lt. Col. (res.) Peter Lerner explained:

It should also be noted that Israel’s wartime censorship rules are not limited to journalists. In theory, they apply to civilians as well.

At the beginning of the war, the IDF issued a public warning on X urging Israelis not to share the locations of missile impacts online because such information could assist the enemy (a modern Israeli version of the classic “loose lips sink ships”).

The only difference is that enforcing such restrictions on millions of civilians posting on social media is far more difficult than regulating a much smaller number of professional news organizations.

Israel is not alone in enforcing military censorship of sensitive information during wartime.

As noted by AFP, the Gulf states facing missile and drone threats from Iran have implemented similar censorship measures, with some banning the spread of images of sensitive sites such as missile impact locations, while others restrict the spread of demoralizing or false reports online.

Outside of the Middle East, censorship rules exist in other modern conflict zones, including Ukraine and the Kashmir region between India and Pakistan.

In other words, Israel’s wartime censorship regulations are not an attempt to conceal damage from Iranian strikes or manipulate the narrative of the war.

They are a standard wartime measure designed to prevent sensitive information from helping the enemy — a practice widely used by countries facing active military threats.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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