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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Writer of sitcom airing instead of Eurovision in Ireland calls broadcaster’s boycott over Israel ‘disgraceful antisemitism’
(JTA) — Irish comedy writer Graham Linehan accused Ireland’s public broadcaster of “disgraceful antisemitism” over its decision not to air this year’s Eurovision Song Contest because of Israel’s participation — even as his work will get prime airtime as a result.
Instead of airing the annual international song contest’s finale Saturday, which Ireland and four other nations have boycotted this year over Israel’s participation, the country’s public broadcaster, RTÉ, is scheduled to air an episode of “Father Ted,” a beloved Irish sitcom that Linehan co-created.
“I am disgusted that Father Ted is being used as a fig leaf to cover RTE’s disgraceful antisemitism,” Linehan wrote in a post on X on Tuesday. He later added that the broadcaster was “turning Father Ted into an antisemitic dogwhistle.”
Linehan, who has become a prominent anti-transgender activist in recent years, also posted an online petition on Monday calling for the resignation of RTÉ Director General Kevin Bakhurst over the broadcaster’s decision not to air the Eurovision finale because of Israel’s participation.
“I did not give my permission for Father Ted to be used as a prop in an antisemitic political gesture. I object to it in the strongest possible terms,” Linehan wrote. “This is not the Ireland I know. This is not the Ireland that gave Father Ted to the world. RTÉ’s institutional antisemitism is poisoning Irish public life, normalising Jew-hatred under the guise of solidarity, and it must be confronted.”
Linehan’s petition, which had garnered over 4,000 signatures by Wednesday afternoon, comes months after RTÉ announced plans to boycott the competition in December, writing in a statement at the time that its participation “remains unconscionable given the appalling loss of lives in Gaza and the humanitarian crisis there.”
On Tuesday, Israel’s Eurovision contestant Noam Bettan was met by chants of “stop the genocide” as he performed his song “Michelle” in Vienna. Bettan’s semifinal qualified him to perform in Saturday’s finale, where he will compete against entrants from 25 other countries.
Bettan told the BBC that he was shocked by the protests, and hoped that the public broadcasters of Iceland, Ireland, Spain, the Netherlands and Slovenia would return for next year’s competition.
“It’s bad for them,” Bettan said. “They’re losing the opportunity to be in this amazing experience. So I am full of hope that next year they can sing and spread their light.”
This article originally appeared on JTA.org.
The post Writer of sitcom airing instead of Eurovision in Ireland calls broadcaster’s boycott over Israel ‘disgraceful antisemitism’ appeared first on The Forward.
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At Jewish Democratic event, Jacob Frey says anti-Zionism can blur into antisemitism
(JTA) — WASHINGTON — Jacob Frey, the Jewish mayor of Minneapolis, decried some criticism of Israel during a Jewish Democratic event on Wednesday.
Speaking at the national conference of the Jewish Democratic Council of America in Washington, D.C., Frey recounted visiting a local grocery store shortly after Hamas’ attack on Israel on Oct. 7, 2023.
“The tiny little Jewish section, which had hummus and maybe one other product, was tagged with, ‘Why do you support genocide?’” he said. “And this was just the Jewish section, it wasn’t even the Israeli section.”
Frey continued, “So as much as people say, and have often said, ‘No we’re talking about Zionists, not Jews’ — well many of those same people are tying Zionism to Judaism. You can’t have it both ways at the same time.”
He concluded that “you can both believe in a State of Israel and support it, and simultaneously be opposed to some of the horrific acts that [Israeli Prime Minister Benjamin] Netanyahu has conducted.”
Frey’s comments, which came in response to a question from the audience, were some of his most extensive on Israel and his first on the topic since he took the national spotlight earlier this year for his defiant stance against the Trump administration’s aggressive immigration enforcement in his city.
The fact that Frey, 44, decided to appear at JDCA’s national leadership summit itself was notable because he is a relatively young rising star in a Democratic Party where the ascendant sentiments, especially among the progressive wing and among younger voters, are critical of Israel. The JDCA promotes a strong U.S.-Israel relationship and a two-state solution to the Israeli-Palestinian conflict.
Responding to a question about anti-Israel sentiment in his party, Frey said he thought Democrats should do more to constrain fringe sentiments within the party.
“It’s easy for me, and it’s very easy for Democrats, to critique the right,” he said. “I’ve got a whole team supporting me when I said get the F out of Minneapolis. That was not a hard thing to do, that’s just what I felt. What’s harder to do is to tell your own side, sometimes your own friends that, you know what, you’ve gone too far.”
He added, “My deep concern right now is that people don’t have the guts to tell their own side what they don’t want to hear.”
Asked in an interview following the session about whether Democrats should be campaigning alongside figures like the progressive streamer Hasan Piker, who is a staunch Israel critic and has drawn accusations of antisemitism, Frey told the Jewish Telegraphic Agency that he was not familiar with the debate around Piker nor his positions.
But Frey said he takes issue with litmus tests and opposes the villainization that comes from people on both ends of the political spectrum.
“I am uncomfortable with, ‘Get on board, say the word, say the phrase or we’re going to tar and feather you — put out this post or say on the stage this exact term, or else we’re going to consider you to be a villain,’” he said.
While Frey has drawn support from progressives over his showdown with ICE, the Immigration and Customs Enforcement agency that staged weeks of raids in Minneapolis earlier this year, he has clashed with that wing before on Israel. In 2024, Frey blocked his city council’s resolution calling for a ceasefire in Gaza, calling it “one-sided resolution that adds more division to an already fraught situation.”
On Wednesday, the primary discussion between Frey and JDCA’s treasurer Beth Kieffer Leonard, focused on the ICE presence in Minneapolis and Frey’s response.
He also offered a Jewish reason for his determination to stop ICE “dead in their tracks” so that other cities aren’t similarly targeted, citing the value of repairing the world.
“As Jews, we have an obligation through tikkun olam to stand up for it, to make the world a better place, to heal people and to recognize that when they come for one of us, that they come for all of us,” he said.
When asked about Israel and anti-Zionism during the Q&A session, Frey expanded on his belief in the State of Israel as well as his criticisms of its government.
“You can recognize the importance of a place for peace and refuge, a place where refugees by the hundreds of thousands and millions have immigrated to Israel — from both Ashkenazi countries and also Iraq, Iran and Yemen — a very mixed ethnically and culturally place,” Frey said. “You can recognize that the history is complex. That there are areas where we collectively as Jews can improve. Where policies can be improved.”
Frey continued that he is an adamant opponent of Trump but believes in America and said the same should be possible with Netanyahu and Israel.
This article originally appeared on JTA.org.
The post At Jewish Democratic event, Jacob Frey says anti-Zionism can blur into antisemitism appeared first on The Forward.
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Saudi Warplanes Struck Militias in Iraq During War, Sources Say
F-15SA fighter jets are seen at King Faisal Air College in Riyadh, Saudi Arabia, Jan. 25, 2017. Photo: REUTERS/Faisal Al Nasser
Saudi fighter jets bombed targets linked to powerful Tehran-backed Shi’ite militias in Iraq during the Iran war, while retaliatory strikes were also launched from Kuwait into Iraq, multiple sources familiar with the matter said.
The strikes are part of a broader pattern of military responses around the Gulf that remained largely hidden during a conflict that began with US-Israeli attacks on Iran and has spread to the wider Middle East.
For this report, Reuters spoke to three Iraqi security and military officials, a Western official, and two people briefed on the matter, one of them in the US.
The Saudi strikes were carried out by Saudi air force fighter jets on Iran-linked militia targets near the kingdom’s northern border with Iraq, one Western official and the person briefed on the matter said. The Western official said some strikes took place around the time of the April 7 US-Iran ceasefire.
They targeted sites from which drone and missile attacks were launched at Saudi Arabia and other Gulf states, the sources said.
Citing military assessments, the Iraqi sources said rocket attacks were launched on at least two occasions from Kuwaiti territory on Iraq. One set of strikes hit militia positions in southern Iraq in April, killing several fighters and destroying a facility used by Iran-backed militia Kataib Hezbollah for communications and drone operations, they said.
Reuters could not determine whether the rockets from Kuwait were fired by the Kuwaiti armed forces or the US military, which has a large presence there. The US military declined to comment. The Kuwaiti information ministry and the Iraqi government did not immediately respond to requests for comment.
SAUDI ARABIA ALSO HIT IRAN
A Saudi foreign ministry official said Saudi Arabia sought de-escalation, self-restraint and the “reduction of tensions in pursuit of the stability, security, and prosperity of the region,” but did not address the issue of strikes on Iraq. A spokesperson for Iraq’s Kataib Hezbollah also did not immediately respond to a request for comment.
On Tuesday, Reuters reported that Saudi Arabia launched strikes directly on Iran during the war in retaliation for attacks on the kingdom, the first time Riyadh is known to have hit Iranian soil. The UAE also carried out similar strikes on Iran, three people familiar with the matter said.
But hundreds of the drones that targeted the Gulf emanated from Iraq, all the sources said.
Militia-linked Telegram channels repeatedly posted statements during the war claiming attacks on targets in Gulf states, including Saudi Arabia and Kuwait. Reuters could not independently confirm their authenticity.
Sustained attacks from a second front in Iraq prompted Saudi Arabia and Kuwait to lose patience with the militias, which collectively command tens of thousands of fighters and arsenals including missiles and drones.
Kuwait summoned Iraq’s representative in the country three times during the war to protest cross-border attacks, as well as the storming of the Kuwaiti consulate in the city of Basra on April 7. Saudi Arabia also summoned Iraq’s ambassador on April 12 to protest attacks.
IRAQ-GULF TIES DEFINED BY SUSPICION
Gulf Arab relations with Iraq have long been defined by suspicion. Ties were severely damaged in 1990 when Iraqi President Saddam Hussein’s forces invaded Kuwait and fired Scud missiles at Saudi Arabia, and they remained strained for decades.
The 2003 US-led invasion of Iraq deepened Gulf concerns by empowering Shi’ite political factions and armed groups closely tied to Tehran, turning Iraq into a key node in Iran’s regional network of proxies.
Gulf states have repeatedly accused Baghdad of failing to rein in those groups, which operate with significant autonomy and have launched attacks across borders.
A China-brokered détente between Iran and Saudi Arabia in 2023 had offered hope for broader regional stabilization. But the outbreak of war has severely tested those gains, drawing Gulf states into a conflict they had sought to avoid and exposing the limits of diplomatic progress made in recent years.
In March, Saudi Arabia and Kuwait had warned Baghdad via diplomatic channels to curb rocket and drone attacks by pro-Iranian groups against Gulf states, according to two Iraqi security officials and a government security adviser.
Iraqi forces say they intercepted some attempted attacks, including the seizure of a rocket launcher west of Basra intended to strike Saudi energy facilities.
But Iran-backed militias continue to fly surveillance drones along Iraq’s borders with Kuwait and Saudi Arabia, conducting reconnaissance and feeding intelligence to Iran, according to four Iraqi security sources and a person briefed on the matter.
“They are gathering information on what has been damaged, what is still working. They are preparing for the next strike,” the person briefed on the matter said.