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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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How Yiddish and Savta Sarah shaped my Jewish journey
I first fell in love with Jewish languages as a Fulbright fellow at Tel Aviv University.
I was fascinated by the many languages that had converged in Israel: Hebrew, Arabic, Yiddish, Darija, Russian, Amharic and Ladino. I learned about different communities’ language and history, which built meaningful connections with the people who brought them to life in the present.
Learning Yiddish felt especially profound: the knowledge that it had once been the most widely spoken Jewish language in the world, and that millions of its speakers had been killed in the Holocaust.
I was a Roman Catholic from Texas. Moving to Israel was my first sustained exposure to Jewish life, and I was welcomed into it with a warmth that felt both casual and profound — Shabbat dinners, holiday tables and conversations that stretched late into the night.
About a year into my time there, I met my now-husband, Sagi. Through him, I met his grandmother, Sarah. He called her Savta Sarah (savta is Hebrew for grandmother), so I did too.
On Shabbat afternoons, we’d visit her home. She spoke Yiddish, Polish, Russian and by that time, primarily Hebrew – always with a Yiddish inflection – and little English. My Hebrew was still rudimentary. But I knew German, which is still intelligible to a Yiddish speaker. This became our shared language.
Savta Sarah taught me words like nudnik, mentsh, takhles, shtinker, meshugas, fargin — and pointed out how Yiddish lived on in Israeli slang over the decades. Yiddish, she told me, was a language of cynicism and humor, a way of making life’s tsuris bearable.
Sarah taught me how Yiddish articulated a sense of resilience through cynicism, poking fun at everything in life from the tragic to the banal – for example – “Ikh vil dos nisht haltn, efsher vet emitser dos ganvenen” (“I don’t want to keep this, but hopefully someone will steal it”) can be used when you’ve been given something you don’t want, but feel too guilty about throwing it away.
I also loved “der mentsh trakht, un got lakht” (Man supposes but God disposes)” – used when bad things happen, to remind the hearer, mostly with humor, of the futility of mortality, but it can also refer to a sense of faith, despite the circumstances.
Cynicism was how people survived. This mentality existed alongside warmth in a culture rich with hospitality that always made sure to pause on weddings, bris-milah, holidays and Shabbos to celebrate life.
Sarah embodied that sensibility: perceptive and generous, yet direct and unsentimental. She was also the single Holocaust survivor of her immediate family.
Her memories occasionally surfaced without warning. We would be talking about something mundane, and suddenly she would shift into the past.
Sarah was born in the 1930s near today’s Polish-Ukrainian border. Her mother was murdered by the Nazis in a mass execution of Jewish women and children. Sarah, my mother-in-law told me, survived by luck.
Afterwards, during the chaos of a violent attack on the forced labor camp, Sarah was separated from her father, who was killed. She hid in snowy fields for days, later being taken back to the camp. There she reunited with cousins who smuggled her scraps of food. She was still a child.
After the camp was liberated by the Allied Forces, Sarah was sent to a refugee camp in Cyprus. A first attempt by Jews to escape to British Mandatory Palestine failed when the government turned back ships carrying Jewish refugees. Sarah considered joining an aunt in Venezuela, ultimately trying again to land in eretz-yisroel, at last immigrating in 1947, a year before Israeli independence. She built a life — marrying, raising children, and lovingly witnessing her grandchildren reach adulthood.

I never asked her about the Shoah, but her memories emerged in fragments during our visits. Once, Sarah recalled guarding a loaf of bread in her bed in the camp, only to wake and find it stolen. She told it plainly, without visible emotion. And yet, she joked often and radiated pride in the family she had helped rebuild.
Over time, my relationship with Savta Sarah became part of my own spiritual journey. What began as curiosity about Judaism deepened into a desire to convert. After years of learning, I entered a Modern Orthodox conversion program called “Project Ruth” and will soon immerse in the mikveh to complete the process.
There isn’t just one reason for that decision. But Savta Sarah, a very secular woman, is part of it — not because she argued for faith, but because she embodied a form of Jewish resilience and continuity through her stories and through the Yiddish she taught me. From her, I learned what it meant not just to inherit a tradition, but to participate in rebuilding it.
I have always been a spiritual person who has felt close to God, and feel drawn to Judaism’s daily prayers and the intimacy of putting on tefillin. I was drawn far less to kosher laws. But when I think of Jewish history and my journey that has led me into the Jewish people, stories woven together like the braids of a havdalah candle, it makes sense to be observant. I’m not doing it just for myself, but also as a way of honoring past generations and paving the way for future generations.
When Sagi and I left Israel in 2022, we visited Sarah one last time. By then, she understood we were a couple as two men, though we’d never needed to formally explain.
As we were leaving, she pressed several crisp hundred-dollar bills into Sagi’s hand, smiling mischievously. “This is for both of you,” she said. Then, more seriously: “Look out for each other, that’s all you have in this world.”

Savta Sarah died a few years later. Since then, I’ve continued learning Yiddish, slowly and informally. Language and memory have become central to how I understand my place in the Jewish story.
A century ago, Yiddish speakers in Eastern Europe could not have imagined who might one day take up their language. As fewer native speakers remain, the future of Yiddish may depend, in part, on unexpected inheritors.
And for me, that is an incredible honor.
The post How Yiddish and Savta Sarah shaped my Jewish journey appeared first on The Forward.
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Non-Jews Must Stand Up to Indifference: Antisemitism in Modern Europe
Protesters hold up placards against British Prime Minister Keir Starmer during his visit to Golders Green, northwest London, following a terror attack on April 29, 2026, in which two men were stabbed, in London, Britain, April 30, 2026. Photo: Stefan Rousseau/Pool via REUTERS
Fears and anxieties are running high among British Jews, and among Jews across Europe more broadly. There is only so long that a community can project strength and resilience while its members are being stabbed in broad daylight, and while vile antisemitic graffiti stains the walls of cities like Berlin.
At some point, the question must be asked: how much can a society tolerate before its silence becomes complicity?
This is not a theoretical concern — it is already visible in policies, media coverage, and public debate.
What is perhaps most disturbing is not only the rise in antisemitic incidents, now at record highs in many parts of Europe, but the muted response to them. Similar hatred towards other minorities would provoke outrage and sustained debate.
Yet when Jews are targeted, reactions are often subdued and short-lived. Coverage exists, but in everyday conversations and workplaces, the urgency is largely absent.
Living in Germany, I have found that antisemitism is rarely a topic of concern among non-Jews. It does not seem to stir deep emotional reactions or sustained attention. It exists, but almost in the background. This indifference is not neutral. It is part of the problem.
Many Europeans today do not personally know a single Jewish person. Their understanding of Jews is often filtered through biased media narratives.
There is a vague awareness of a connection between Jews and Israel, but little real understanding. Seen mainly through conflict and accusations, Israel often becomes a reason for disengagement. Even when Jewish co-workers may exist, their identity may remain hidden. I was reminded of this when my son told me about a Jewish boy on his football team who was mocked by teammates when they heard that one of his parents is Jewish. I encouraged my son, as captain, to confront such behavior immediately.
When I share such incidents with non-Jewish friends, they are often genuinely shocked and condemn it, unable to believe such things still happen in Germany today. For a moment, this is reassuring. Yet the concern rarely lasts as people move on with their lives.
But antisemitism is never just a “Jewish problem.” It is a societal one.
History has shown, time and again, that what begins with Jews does not end with them. Antisemitism is not an isolated prejudice; it is often a symptom of broader ideological movements that seek control and dominance. Whether in the forced religious expansions of the medieval period, the racial ideology of Nazi Germany, or modern Jihadist movements that weaponize religion, the pattern is clear: once a society tolerates the dehumanization of one group, it opens the door to the erosion of freedom for all.
This is why today’s indifference is so dangerous. It reflects not only a failure to protect Jews, but an unwillingness to confront the deeper threats.
There is yet another dimension to the issue of antisemitism that is often overlooked: the position of non-Jewish allies.
Across Europe and beyond, there are Christians, Hindus, Muslims, and other righteous individuals who stand up against antisemitism and support Israel, often at significant personal cost.
They lose friendships, face tensions within their families, and encounter hostility in their workplaces. Unlike Jewish communities, which are bound by a strong sense of shared identity and belonging in Am Israel, these allies often stand alone. They do not always have a community to turn to.
This raises an uncomfortable but necessary question: what happens to these individuals if antisemitic rhetoric continues to escalate into physical violence? Jews, despite the immense challenges, have Israel — a homeland that represents refuge and continuity. For Diaspora Jews, aliyah remains an option, however challenging it may be.
But what about those who stand with them, who have tied their moral convictions to the fight against antisemitism? Who protects them?
They may well be the next in line — not because of who they are, but because of what they represent: resistance to hatred, commitment to truth, and refusal to conform to dominant narratives.
This is the hallmark of an unhealthy society — not only the presence of hatred, but the isolation of those who oppose it.
There is a broader irony: many who champion progressive values like anti-oppression, anti-colonialism, and human rights, fail to see how their silence or selective outrage contributes to the problem. In overlooking antisemitism, they undermine the very principles they claim to uphold.
The solution is neither simple nor immediate. But it begins with something fundamental: speaking.
We must continue to talk about antisemitism. We must do it consistently and persistently. There is a lesson in the propaganda strategies of the past: repetition shapes perception. Just as the Nazi propagandist Joseph Goebbels demonstrated how repetition can amplify lies, it can also strengthen truth.
Silence allows distortion to take root. Speaking up on the other hand, creates the possibility of change. There is still hope that people will listen. Because the cost of silence is not only borne by Jews. It is borne by society as a whole.
Paushali Lass is an Indian-German intercultural and geopolitical consultant, who focuses on building bridges between Israel, India, and Germany.
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I Confronted the Palestinian Authority: I Saw a Culture of Fear and Discrimination Against Christians
Palestinian Olympic Committee President Jibril Rajoub, who is also the secretary-general of Fatah’s Central Committee, holds a news conference to update the media about challenges facing Palestinian sports ahead of the Olympics in Paris, in Ramallah, in the West Bank, June 12, 2024. Photo: REUTERS/Ammar Awad
“Excuse me. This is not true. This is not true. Excuse me … I never supported killing civilians or kidnapping kids and women. Never! Even in the past. Okay?” shouted Palestinian leader Jibril Rajoub during an interview that I independently conducted with him at his office in Ramallah last summer.
The secretary-general of Fatah’s Central Committee, Rajoub is one of the most powerful figures in the Palestinian Authority (PA) and is widely regarded as a potential successor to President Mahmoud Abbas. Previously sentenced to life imprisonment for lobbing a grenade at an Israeli army bus, Rajoub later became infamous for torturing political dissidents during his stint as the head of the West Bank’s Preventive Security Force from 1994 to 2002.
As a 19-year-old American student living and working in the largely Palestinian Christian town of Beit Sahour, landing the interview was surprisingly easy.
After confirming a time with Rajoub’s assistant, I hopped into an orange minivan (a common form of public transportation in the West Bank), and headed to Ramallah from Bethlehem. During the ride, I asked my driver — who knew that I was scheduled to meet a Palestinian politician — what his main grievances with the PA were. He replied, “They don’t do anything for us.”
I told him that I’d bring this criticism up. He immediately blurted out, “No, don’t do that!”
At the behest of Rajoub’s assistant, I arrived at the entrance of a corporate office building in an upscale Ramallah neighborhood. Moments later, Rajoub’s assistant appeared, and I was led to a different building. Upon entering this other building, which I did not know, I was greeted by a gigantic mural of former Palestine Liberation Organization (PLO) Chairman Yasser Arafat.
While waiting for Rajoub, who was half an hour late to the interview, I chatted with Fatah-affiliated staff members, who explained that the building was the meeting ground for members of the Fatah Central Committee.
As I asked Rajoub various questions — such as, “What do you think is the most legitimate criticism directed toward the PA today?” — I came to realize that he was a master at evading accountability.
Throughout the interview, Rajoub became increasingly fed up with me, often uttering phrases such as “listen” and “excuse me.” But it was when I attempted to ask Rajoub about his comments following Hamas’ terrorist actions on October 7, 2023 (which he ridiculously blamed Israel for) that he cut me off and started yelling. After I became visibly intimidated, Rajoub had the nerve to tell me, “I’m more democratic than you expect.”
As I left Rajoub’s oversized office, he asked, “Where are you going next?” After I told him that I was returning to Bethlehem, I realized my mistake. I thought, “If they didn’t know before, the PA definitely knows where I live now.”
On the drive back, I was silent and aloof. Thinking that I may be targeted by the PA, the days following the interview filled me with dread. I knew that some American citizens had been tortured by PA forces. When I volunteered at a summer camp, I told a Palestinian Christian colleague about what happened in the interview. She replied, “If we [as Palestinians] asked [Rajoub] what you did, we’d be sent to Jericho.” In the PA’s Jericho prison, Palestinians are routinely tortured.
What this experience revealed to me was that Palestinians in the West Bank live in a constant state of fear due to authoritarian PA rule, which severely restricts basic freedoms. But I quickly noticed that this culture of fear doesn’t affect each group in Palestinian society equally.
“There is a level of [discrimination] organizationally. There’s always a favoritism [toward] Muslims versus the Christians. I’ve seen that happen over and over again,” said Christy Anastas, a Christian Bethlehemite, who fled due to religious and political persecution. The West Bank’s culture of fear disproportionately affects Christians, the most vulnerable demographic.
In 1950, Bethlehem and the surrounding villages were 86% Christian. In 2017, Christians constituted approximately 10% of Bethlehem’s population and 1% of the West Bank’s.
While the number of Christians has marginally increased since the PA’s first census in 1997, the percentage of Palestinian Christians has rapidly dwindled, which is partly the result of emigration. Christian flight is the consequence of various factors, including economic hardship, political instability from the Mideast conflict, theological reasons, better opportunities abroad, corrupt and repressive Palestinian governance, and religious discrimination/extremism.
A 2020 study found that Christians are overwhelmingly worried about the presence of Salafist groups (77%) and armed factions such as Hamas (69%). Two-thirds were fearful of rising political Islam and Sharia-based PA rule. Finally, 70% reported hearing statements that Christians would “go to Hellfire,” 44% believed that Muslims don’t wish to see them in the land, and an identical percentage perceived discrimination when seeking jobs.
Additionally, Christians are commonly cursed on mosque loudspeakers. Rajoub himself has made anti-Christian comments. Unlike Muslims, who similarly experience PA repression, Christians face discrimination in many areas of daily life because of their religion.
Sometimes, anti-Christian discrimination is subtle. “As a Christian who went to an Islamic university uncovered, I used to get sexually harassed the whole time just because I had a cross and I didn’t have a headcover. I personally experienced that over and over again. It’s subtle. You can’t go up and say, ‘It’s because I am a Christian.’ You can’t prove it. That’s part of the problem,” Anastas explained. Other times, discrimination manifests in anti-Christian violence. In December 2025, Muslims severely beat a Christian man in Beit Jala. Some days later, Muslim extremists set ablaze a Christmas tree in Jenin’s Holy Redeemer Church.
However, most Palestinian Christians are afraid to speak about this discrimination.
“They will not talk about it [discrimination] publicly. They will not talk about it in groups,” said Luke Moon, Executive Director of the Philos Project. When I asked Anastas what happens when Christian-Muslim issues do occur, she told me that Palestinians are “always trying to manage it within the society, shut it down, and think, ‘It’s the Israeli occupation trying to create fractions between us.’”
Since Palestinian society perpetually aims to project a false image of unity, it’s uncommon for stories of anti-Christian violence to appear in international media. Consequently, it’s typical for these media outlets to inaccurately place the blame for Christian suffering entirely on Israel, while ignoring the problems within Palestinian society.
A 2024 study found that Christians don’t typically report incidents of harassment (or worse) to the police because it may instigate further oppression. As I questioned Maurice Hirsch, the study’s first author, about the interviews he conducted with Christians, he said that his sources “cannot be named. These people suffer the effects of PA retribution.”
Similarly, Anastas explained that the consequences of reporting discrimination are unpredictable: “Sometimes you go into Stockholm syndrome, where you’re inside an oppressive system, and you’d rather make friends with the oppressive system to be able to survive, versus try and fight it, because you never know what the consequences are. The consequences are unpredictable. Sometimes, you can get away with it. Sometimes, you can get killed for it.”
What I experienced in Ramallah was not simply an interview with a senior Palestinian official, but a glimpse into the culture of fear that operates in the West Bank. This casts a shadow on the future of Israeli-Palestinian relations.
By maintaining an atmosphere of fear, the PA undermines the possibility of reform. A society that intimidates its own citizens (and especially religious minorities), engages in torture, discourages self-criticism, and incentivizes martyrdom is not a viable partner for peace. Until this changes, moderate Palestinians won’t have the ability to create a future where values such as freedom, justice, and peace with Israel are upheld.
