Uncategorized
This Orthodox Jewish model made history at New York Fashion Week
(New York Jewish Week) — When disability activist Lily Brasch was asked if she would walk the runway as a model for New York Fashion Week, she didn’t know if she would be able to do it.
That’s not because she has a rare form of muscular dystrophy, which weakens muscles and limits her ability to walk. Rather, it was unfortunate timing: The show was set for Friday evening, when the weekly Jewish holiday of Shabbat begins.
But Brasch, who is Orthodox and goes by the stage name Lily B., quickly devised a workaround: She took her turn on the catwalk in Midtown at 5:00 p.m. and, instead of schlepping back uptown to her Morningside Heights apartment, quickly headed to a nearby hotel to welcome Shabbat with her sisters.
Brasch, center, and her sisters, who also live in New York, celebrated Shabbat at a nearby hotel after Brasch walked the runway. (Courtesy)
And so on Friday, Feb. 10, Brasch became the first model with muscular dystrophy to walk the runway unassisted at New York Fashion Week, and the second person with the condition ever to appear. (The first was actress and model Jillian Mercado in 2020, who used a wheelchair.)
“It felt really good — it felt freeing,” said Brasch, 22, who modeled a gold sari from the brand Randhawa, which specializes in modern South Asian style. “I definitely never thought I would do something like this.”
“I prioritize representing disability, and pride, and just bringing joy to that community, but I also prioritize remaining truthful to my faith,” Brasch said. “It was great teamwork to get me on the stage and represent disability, and then come right off to go celebrate Shabbat.”
When Brasch was 16, she was diagnosed with centronuclear myopathy, a rare form of non-progressive muscular dystrophy. She was told she would never be able to walk or lift heavy objects unassisted due to her disability. At the time she was disheartened — but she said she used the diagnosis as motivation to “prove barriers are meant to be broken.”
Walking in New York Fashion Week — which runs through Wednesday — is the latest in a series of triumphs for Brasch, who moved to New York last August to attend Columbia University. Last March, Brasch climbed Camelback Mountain in Scottsdale, Arizona — a feat which she calls “My Everest.” She’s also competed in body-building competitions and loves going to the gym.
She also founded the Born to Prove foundation, which promotes disability awareness and breaking barriers.
Though the Chicago native has not always been outward about her Judaism in her activism — in fact, at first she was advised by friends and family not to bring attention to it — Brasch has come to realize how much her religion guides her.
“My Jewish identity has inspired me in that we’re all put on this earth for a reason. Every single one of us has a purpose and that’s what my religion has helped me find,” she said. Her purpose, Brasch added, is to represent strength and beauty for people with disabilities in the next generation.
She also wants to be an inspiration within the Jewish community. “There is a lack of representation in the Jewish community, at least in my Orthodox community, of people with disabilities actually achieving things,” she said. “It’s not really talked about and it’s looked down upon.” Groups like RespectAbility and the Rudin Family Foundation have been working to change that.
She was worried about posting on social media from Fashion Week, knowing her observant friends might question the timing around Shabbat. But Brasch said she was pleasantly surprised when so many congratulated her on representing disability and Judaism and staying true to herself on the runway. “That was one of the best things for me to see because that was my initial goal: to show that there are people with disabilities in the Jewish community and things are changing,” she said.
Brasch is also partnering with Movinglife, an Israeli manufacturer of folding mobility scooters — a deal she inked just before she found out she would walk in Fashion Week. The company partnered with rabbis as well as researchers from the Zomet Institute in Israel to ensure that their scooters could be used on Shabbat even though they are electric, said Brasch, who currently uses the scooters to get around.
With her modeling debut behind her, Brasch said she would walk in Fashion Week again — but she’d rather see other models with disabilities on the runways. “I hope that next time it’s not me — it’s the next girl,” she said.
“The feeling of overcoming something and the feeling of being put out there and being cheered on is something everyone should feel,” Brasch added. “Often, with a disability, I hear ‘poor you.’ It can’t be like that anymore.”
—
The post This Orthodox Jewish model made history at New York Fashion Week appeared first on Jewish Telegraphic Agency.
Uncategorized
The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
Uncategorized
Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
Uncategorized
Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”