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This rabbi and singer-songwriter is in a New York state of mind
(New York Jewish Week) — Rabbi Steven Blane is nothing if not an innovator: Way back in 2010, a full decade before the pandemic made Zoom services a regular part of Jewish life, Blane launched an exclusively virtual synagogue, Sim Shalom.
Among the many hats he’s worn throughout his professional life, Blane has also launched the Jewish Spiritual Leadership Institute, an online “trans-denominational” rabbinical and cantorial school. Prior to his virtual pursuits, he was a congregational rabbi — and before that, a cantor — and for many years he was also an audio producer, running one of the first companies to record audio books.
Now, at 66, Blane is pursuing yet another career: that of a professional musician. A dedicated singer and songwriter, Blane just released his tenth album, “Songs for New York Lovers,” a collection of 13 jazzy songs, many of which are inspired by the city. These days, in addition to his online Jewish ventures, Blane can be found performing live just about weekly, particularly at Silvana, an Israeli cafe and music venue in Harlem, which is run by “the greatest people on the planet,” he said.
When it comes to performing, “I can’t get enough,” Blane told the New York Jewish Week via a Zoom interview, in which he had both his guitar and a keyboard close at hand. (Ed. note: If you’re a journalist and have never had a source serenade you, I suggest you call up Blane and remedy this immediately!) “I always wanted to be a songwriter, that was my passion right out of college,” he said.
Many of Blane’s original songs reference famous New York City locations, such as “Central Park,” “The Ramble” and “Bleecker Street,” and one tune is even called “New York Is My Girlfriend.” Fittingly, Blane’s virtual background, as we spoke, depicted Central Park in the snow.
As a young man, however, Blane — who counts Leonard Cohen, Tom Waits, Billy Joel and Elvis Presley among his musical influences — thought his future lay in Nashville. In his early 20s, Blane packed up his car and started driving to Music City, where he hoped to make it as a songwriter. Along the way, however, he got cold feet and turned around. “I have slight regrets about not fulfilling that dream then,” Blane admits. “But don’t get me wrong: I’m very grateful. We’ve had a great, great life.”
Upon his return to New York, Blane gigged around the city, and even landed a role in the 1979 Broadway adaptation of a Leo Tolstoy story, “Strider: The Story of a Horse,” where he played a “gypsy.” At 30, he launched his audio production business and, from there, fell into the professional Jewish world by accident because, in synagogues, he could get paid to sing. “I was making money as a cantor,” he said. “I wasn’t selling religion, I was singing at a high level for a few alter kockers [old people] who appreciated it.”
In the ensuing years, Blane held various cantorial and rabbinic positions in the tri-state area (he was ordained by Rabbinical Seminary International in 2001) but regularly butted heads with more traditional factions in Conservative Judaism that felt playing music on Shabbat was taboo.
Eventually, Blane realized he needed to forge his own path — which led him to launch his online shul and rabbinical school, as well as his concept of “Universalist Judaism,” which, according to Blane, “is just an innate concept within its DNA that there are no barriers to Jewish worship, that there are no barriers to relationships in Jewish universalism.” All are welcome in Jewish Universalist spaces, said Blane — who, upon noticing my son’s budgerigar flying behind me during our conversation, stressed that parrots are welcome, too.
“I’m here for your Jewishness, to support you, to educate you, to be there for life cycles,” he said.
Blane began to pursue songwriting again in earnest in 2014, when he and his wife of 36 years, Carol, left the Bergen County, New Jersey home where they raised their three grown daughters and returned to New York City.
Here, Blane finds inspiration everywhere he looks. “I love the vibe, I love the energy,” he said of the city. “I walk around the city every day. My exercise now is to walk about five or six miles a day.” His favorite haunt, he said, is the Lower East Side — which is certainly a shlep from the Upper West Side one-bedroom where he and Carol live. He particularly likes the corner of Grand and Essex Streets, where his aunt used to reside.
For Passover this year, on Wednesday evening, Blane will perform at the Knickerbocker Bar and Grill on University Place. He’ll lead a group of celebrants through a 45-minute seder before a festive meal that includes braised brisket of beef and apple walnut strudel. “It’s the funnest seder — you have all these people from the neighborhood, and a few kids,” Blane said. “Before COVID, [it was] packed to the gills. So they’ve been trying to build it up again.”
Pre-COVID, Blane was also known for his High Holiday shows at the classic Bleecker Street rock club, The Bitter End.
Usually, however, Blane keeps his rabbinic identity separate from his singer-songwriter identity — at least officially. Though he may not introduce himself onstage as a rabbi, he sees his current dual careers as informing one another. “Performing for me is davening,” he said, using the Yiddish word for prayer. “It’s a spiritual event. Everything comes together.”
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The post This rabbi and singer-songwriter is in a New York state of mind appeared first on Jewish Telegraphic Agency.
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A chat in Yiddish with filmmaker Pearl Gluck
וואָס געשעט ווען אַ יונגע פֿרוי פֿאָרט זוכן אַ פֿאַרלוירענע געבענטשטע חסידישע סאָפֿע אין אונגערן, און געפֿינט דווקא אַ נײַעם קונסטוועג וואָס ברענגט ייִדיש אין קינאָ אַרײַן און דערבײַ הייבט זי אָן אַ הצלחהדיקע פֿילם־קאַריערע?
באַקענט זיך אויף אַ זומישן שמועס אויף ייִדיש מיט פּראָפֿ׳ פּערל גליק — אַ פֿילמאָגראַפֿקע וואָס איז דערצויגן געוואָרן בײַ אַ חסידישער משפּחה — זונטיק, דעם 23סטן נאָוועמבער, 1:30 נאָך מיטאָג ניו־יאָרקער צײַט.
הײַנט איז גליק אַ פּראָפֿעסאָרין פֿון פֿילם־פּראָדוקציע בײַ פּען־סטייט־אוניווערסיטעט, און די גרינדערין פֿון Palinka Pictures. זי שאַפֿט דאָקומענטאַלע און נאַראַטיווע פֿילמען, אין וועלכע זי וועבט צונויף ייִדיש־לשון מיט די טעמעס זכּרון, משפּחה און דאָס דערציילן פּערזענלעכע געשיכטעס.
דער אינטערוויו, וואָס וועט געפֿירט ווערן דורך אלי בענעדיקט, ווערט געשטיצט פֿון דער ייִדיש־ליגע.
גליקס פֿילמען האָט מען שוין געוויזן אינעם Film Forum און אויף PBS, ווי אויך אין פּראָגראַמען פֿאַרבונדן מיט דעם „קאַן־קינאָ־פֿעסטיוואַל“. צווישן אירע באַקאַנטסטע פֿילמען זענען: „דיוואַן“, Where is Joel Baum און „שלעסער אינעם הימל“.
בענעדיקט וועט שמועסן מיט איר וועגן איר שאַפֿערישן פּראָצעס, ווי ייִדיש שפּילט אַ ראָלע אין אירע פֿילמען, און די געשיכטע הינטער געוויסע סצענעס. מע וועט אויך ווײַזן קורצע אויסצוגן צו פֿאַרטיפֿן דעם שמועס.
כּדי זיך צו פֿאַרשרײַבן אויף דער פּראָגראַם, גיט אַ קוועטש דאָ.
The post A chat in Yiddish with filmmaker Pearl Gluck appeared first on The Forward.
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UN Says Israeli Wall Crosses Lebanon Border
The United Nations headquarters building is pictured though a window with the UN logo in the foreground in the Manhattan borough of New York, Aug. 15, 2014. Photo: REUTERS/Carlo Allegri
A survey conducted by the United Nations Interim Force in Lebanon last month found that a wall built by the Israeli military crosses the Blue Line, the de facto border, a U.N. spokesperson said on Friday
The Blue Line is a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights.
Stephane Dujarric, the spokesperson for the U.N. secretary-general, said the concrete T-wall erected by the IDF has made more than 4,000 square meters (nearly an acre) of Lebanese territory inaccessible to the local population.
A section of an additional wall, which has also crossed the Blue Line, is being erected southeast of Yaroun, he said, citing the peacekeepers.
Dujarric said UNIFIL informed the Israeli military of its findings and requested that the wall be removed.
“Israeli presence and construction in Lebanese territory are violations of Security Council resolution 1701 and of Lebanon’s sovereignty and territorial integrity,” UNIFIL said in a separate statement.
An Israeli military spokesperson denied the wall crossed the Blue Line.
“The wall is part of a broader IDF plan whose construction began in 2022. Since the start of the war, and as part of lessons learned from it, the IDF has been advancing a series of measures, including reinforcing the physical barrier along the northern border,” the spokesperson said.
UNIFIL, established in 1978, operates between the Litani River in the north and the Blue Line in the south. The mission has more than 10,000 troops from 50 countries and about 800 civilian staff, according to its website.
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Hamas Quietly Reasserts Control in Gaza as Post-War Talks Grind On
Palestinians buy vegetables at a market in Nuseirat, central Gaza Strip, November 13, 2025. Photo: REUTERS/Mahmoud Issa
From regulating the price of chicken to levying fees on cigarettes, Hamas is seeking to widen control over Gaza as US plans for its future slowly take shape, Gazans say, adding to rivals’ doubts over whether it will cede authority as promised.
After a ceasefire began last month, Hamas swiftly reestablished its hold over areas from which Israel withdrew, killing dozens of Palestinians it accused of collaborating with Israel, theft or other crimes. Foreign powers demand the group disarm and leave government but have yet to agree who will replace them.
Now, a dozen Gazans say they are increasingly feeling Hamas control in other ways. Authorities monitor everything coming into areas of Gaza held by Hamas, levying fees on some privately imported goods including fuel as well as cigarettes and fining merchants seen to be overcharging for goods, according to 10 of the Gazans, three of them merchants with direct knowledge.
Ismail Al-Thawabta, head of the media office of the Hamas government, said accounts of Hamas taxing cigarettes and fuel were inaccurate, denying the government was raising any taxes.
ANALYST SEES HAMAS ENTRENCHING
The authorities were only carrying out urgent humanitarian and administrative tasks whilst making “strenuous efforts” to control prices, Thawabta said. He reiterated Hamas’ readiness to hand over to a new technocratic administration, saying it aimed to avoid chaos in Gaza: “Our goal is for the transition to proceed smoothly.”
Hatem Abu Dalal, owner of a Gaza mall, said prices were high because not enough goods were coming into Gaza. Government representatives were trying to bring order to the economy – touring around, checking goods and setting prices, he said.
Mohammed Khalifa, shopping in central Gaza’s Nuseirat area, said prices were constantly changing despite attempts to regulate them. “It’s like a stock exchange,” he said.
“The prices are high. There’s no income, circumstances are difficult, life is hard, and winter is coming,” he said.
US President Donald Trump’s Gaza plan secured a ceasefire on October 10 and the release of the last living hostages seized during the Hamas-led October 7, 2023 attacks on Israel.
The plan calls for the establishment of a transitional authority, the deployment of a multinational security force, Hamas’ disarmament, and the start of reconstruction.
But Reuters, citing multiple sources, reported this week that Gaza’s de facto partition appeared increasingly likely, with Israeli forces still deployed in more than half the territory and efforts to advance the plan faltering.
Nearly all of Gaza’s 2 million people live in areas controlled by Hamas, which seized control of the territory from President Mahmoud Abbas’ Palestinian Authority (PA) and his Fatah Movement in 2007.
Ghaith al-Omari, a senior fellow at the Washington Institute think-tank, said Hamas’ actions aimed to show Gazans and foreign powers alike that it cannot be bypassed.
“The longer that the international community waits, the more entrenched Hamas becomes,” Omari said.
US STATE DEPARTMENT: HAMAS ‘WILL NOT GOVERN’
Asked for comment on Gazans’ accounts of Hamas levying fees on some goods, among other reported activities, a US State Department spokesperson said: “This is why Hamas cannot and will not govern in Gaza.”
A new Gaza government can be formed once the United Nations approves Trump’s plan, the spokesperson said, adding that progress has been made towards forming the multinational force.
The PA is pressing for a say in Gaza’s new government, though Israel rejects the idea of it running Gaza again. Fatah and Hamas are at odds over how the new governing body should be formed.
Munther al-Hayek, a Fatah spokesperson in Gaza, said Hamas actions “give a clear indication that Hamas wants to continue to govern.”
In the areas held by Israel, small Palestinian groups that oppose Hamas have a foothold, a lingering challenge to it.
Gazans continue to endure dire conditions, though more aid has entered since the ceasefire.
THEY ‘RECORD EVERYTHING’
A senior Gazan food importer said Hamas hadn’t returned to a full taxation policy, but they “see and record everything.”
They monitor everything that enters, with checkpoints along routes, and stop trucks and question drivers, he said, declining to be identified. Price manipulators are fined, which helps reduce some prices, but they are still much higher than before the war began and people complain they have no money.
Hamas’ Gaza government employed up to 50,000 people, including policemen, before the war. Thawabta said that thousands of them were killed, and those remaining were ready to continue working under a new administration.
Hamas authorities continued paying them salaries during the war, though it cut the highest, standardizing wages to 1,500 shekels ($470) a month, Hamas sources and economists familiar with the matter said. It is believed that Hamas drew on stockpiled cash to pay the wages, a diplomat said.
The Hamas government replaced four regional governors who were killed, sources close to Hamas said. A Hamas official said the group also replaced 11 members of its Gaza politburo who died.
Gaza City activist and commentator Mustafa Ibrahim said Hamas was exploiting delays in the Trump plan “to bolster its rule.” “Will it be allowed to continue doing so? I think it will continue until an alternative government is in place,” he said.