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What to do every night of Hanukkah 2022 in NYC

(New York Jewish Week) — Hanukkah 2022 is just days away — the eight-day holiday begins Sunday, Dec. 18 and concludes the evening of Sunday, Dec. 25. 

If you’re looking to celebrate the Festival of Lights beyond the annual family Hanukkah party, you’re in luck: In this great and very Jewish city of ours, there are enough Hanukkah-themed events to keep you busy the entire holiday. 

We’ve put together a packed schedule of celebration for every night of the holiday — whether you’re looking for a candle-lighting ceremony, a concert or a comedy show, there’s something for everybody. If you’re not in New York or can’t make it out, be sure to check The Hub for an updated list of virtual classes, events and celebrations going on throughout the week.

Here’s our guide to eight crazy nights in NYC:

Sunday, Dec. 18

See the newest Jewish adaptation of “A Christmas Carol”

“A Hanukkah Carol, or GELT TRIP! The Musical” is a new musical that puts a Jewish spin on Charles Dickens’ “A Christmas Carol.” The plot centers around Chava Kanipshin, a cruel and manipulative social media influencer who hides her Jewish identity because she was bullied as a child. But on one memorable Hanukkah, Chava is visited by spirits of the past, present and future to reckon with her life before it is too late. On the first night of Hanukkah, songs and scenes from the show will be performed in a live concert. Buy tickets for the in-person or livestream show on at 7:00 p.m. here. ($15-$50) 

Celebrate with Hanukkah songs and Hebrew music 

Conducted by Matthew Lazar, Zamir, one of New York’s preeminent Jewish choirs, is performing on the first night of Hanukkah. Zamir Chorale, the Hebrew-singing choir, and Zamir Noded, the young adults choir, will both sing at the Kaufman Music Center (129 W. 67th St.). The concert will also celebrate Israel’s 75th birthday. Buy tickets for the 7:30 p.m. concert here. ($40)

Watch the lighting of Brooklyn’s largest menorah at Grand Army Plaza

At Grand Army Plaza in Brooklyn, Chabad of Park Slope will host their annual Hanukkah Kickoff party and concert on the first night of Hanukkah. Beginning at 4:00 p.m., the party will feature a live performance by the band Zusha, as well as latkes and gifts. The largest menorah in Brooklyn will be lit at 5:00 p.m., with nightly lighting to follow. Find more Chabad events and menorah lightings here. (Free)

Get the band together for klezmer in the park

The Brooklyn Conservatory of Music will host a Klezmer Hanukkah Celebration and jam session at the Old Stone House in Prospect Park. Led by Ira Temple, the klezmer session will be open to the public. The celebration, which will include a menorah lighting, will take place from 3:00-4:30 p.m. on the afternoon of Dec. 18. RSVP here. (Free) 

Monday, Dec. 19

Skate the night away

The 15th Annual Chanukah on Ice at Wollman Rink in Central Park will take place from 6:00 p.m. to 9:00 p.m. on the second night of Hanukkah. The event will feature live entertainment, kosher food and the lighting of a giant ice menorah. Buy tickets and find more information here. ($28-$35)

Show your Jewish pride: Shine a Light on Antisemitism in Times Square

Shine a Light on Antisemitism will host its second annual concert and gathering in Times Square from 5:00-6:30 p.m. The event, emceed by comedian Ariel Elias, will include a public menorah lighting and is meant as a public display of Jewish pride amidst rising antisemitism. Other performers include Nissim Black, The Moshav Band, David Herkowitz formerly of the Miami Boys Choir, The Ramaz Upper School Choir and the cast of the National Yiddish Theatre Folksbiene’s “Fiddler on the Roof in Yiddish.” The event is co-sponsored by UJA-Federation, the Jewish Community Relations Council, the Anti-Defamation League and the American Jewish Committee. Find more information here. (Free)

Naomi Levy, 36, is bringing the pop-up Hanukkah-themed Maccabee Bar to New York. (Ezra Pollard)

Tuesday, Dec. 20

Grab a specialty cocktail at the Maccabee Bar

Taking over the cocktail bar Ollie in the West Village, a Hanukkah-themed pop-up bar is headed to NYC this year. Serving unique cocktails like a Latke Sour and an Ethiopian-inspired mule alongside latkes and other Hanukkah foods, the Maccabee Bar will be open from Dec. 13 through Dec. 31. Check the website for reservations and updated hours, and read our interview with bartender and creator Naomi Levy here. (drinks $10-$16)

Menorah lighting and party in Brooklyn

Dirah, a “spiritual start-up” Chabad initiative that offers Jewish experiences for people of all affiliations and backgrounds, will host a community menorah lighting, live music and latkes at Carroll Park (291 President St.) in Carroll Gardens, Brooklyn at 5:30 p.m. There will also be a fire juggling show to celebrate the festival of lights. RSVP here. (Free)

Wednesday, Dec. 21

Stand-up comedy at the Marlene Meyerson JCC Manhattan

The Marlene Meyerson JCC Manhattan is presenting “Oy Gevalt Comedy,” hosted by Ashley Austin Morris, featuring a performance by stand-up comedian Lenny Marcus. The in-person show is on Dec. 21 at 7:00 p.m. Buy tickets here and check the JCC’s other Hanukkah offerings here, including several Hanukkah parties and nightly candle-lighting. ($10)

Thursday, Dec. 22

Join Hey Alma for a comedy showcase on the Lower East Side

Hey Alma’s Evelyn Frick will host Get Lit, Bitch: A Hanukkah Comedy Show,” a live stand-up comedy showcase at Caveat NYC (21A Clinton St.) on the Lower East Side. The show, open to those 21 and over, begins at 7:00 pm. Featuring Jared Goldstein (Comedy Central), Benny Feldman (Just for Laughs), Sami Schwaeber (NY Comedy Festival) and Jenny Gorelick (Comedy Central). Buy tickets here for livestream or in person. ($10-$15)

Laugh and sing along at the Chanukahstravaganza in Brooklyn

Comedians Lana Schwartz and Illana Michelle Rubin host “The Sixth Annual Chanukahstravaganza!”, a standup comedy showcase at Littlefield NYC (635 Sackett St.) in Gowanus, Brooklyn. Performers include Brandon Follick, Jess Salomon, Alon Elian, Rebecca Weiser, Charlie Bardey and Anna Suzuki. The show, open to those 21 and older, runs from 8:00-10:30 p.m.. Buy tickets here. ($12)

Ira Kaplan performing with the band Yo La Tengo at the Bowery Ballroom in New York City in 2003. (Getty Images)

Friday, Dec. 23

Rock out with Yo La Tengo

Yo La Tengo is back this year with their annual run of Hanukkah concerts. Playing every night of Hanukkah at The Bowery Ballroom (6 Delancey St.) on the Lower East Side, the indie rock trio is known for bringing out surprise guests during their Hanukkah performances. Buy tickets before they sell out! ($50)

Indulge in all the fried foods 

Yes, latkes are delicious — but why not try something different this Festival of Lights? Head out on a self-guided food tour and feast on Hanukkah treats at one of the many bakeries serving up Hanukkah-themed desserts across the city, including Balaboosta, Edith’s and Breads Bakery. Check out the New York Jewish Week’s guide to get started.

Saturday, Dec. 24

Party all night long at the Matzoball…

Christmas Eve falls on the seventh night of Hanukkah this year, which should make Matzoball, the iconic Jewish Christmas Eve bash, even more fun. This year at Harbor NYC (621 West 46th St.), Matzoball has long been the place for Jewish singles to connect and party the night away. Buy tickets here. ($50)

… or with The Streicker Center at TAO Downtown 

For another Christmas Eve option, check out “The Night Before Christmas” holiday party hosted by The Streicker Outreach Center at Temple Emanu-El as part of their initiative to reach Jewish young professionals. A ticket to the party at TAO Downtown (92 9th Ave.) in the Meatpacking District includes an all-you-can-eat Asian food dinner, an open bar and dancing. DJed by Ann Streichman and Kosha Dillz. Buy tickets here. ($48)

Sunday, Dec. 25

Carry on the tradition at “Fiddler on the Roof in Yiddish”

Running at the New World Stages (340 West 50th St.) for only seven weeks, the return of “Fiddler on the Roof in Yiddish” is already nearing its end. The cast will be performing a matinee and evening performance on the last night of Hanukkah, and the show is the perfect way to get into the spirit of “Tradition!” Buy tickets and find showtimes here. (Tickets starting at $87)


The post What to do every night of Hanukkah 2022 in NYC appeared first on Jewish Telegraphic Agency.

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He works at a Holocaust museum by day. How’d he end up in ‘Marty Supreme’?

Heading into his audition for Marty Supreme, Isaac Simon was nervous. But not for the reasons you’d expect.

“I was taking a long lunch break from the museum,” he said, “and at the time I was three or four months into my job.”

Appearing in a Josh Safdie movie was something Simon, who runs internship programs at the Museum of Jewish Heritage, had genuinely never dreamed of. He wasn’t an actor, or an aspiring one. He’d never taken an acting class or been in front of a camera.

But two years after he was scouted at a baseball card convention, Simon was invited to try out for the role of Roger, a cocksure amateur who gets hustled on the ping-pong table by Timothée Chalamet’s Marty Mauser. Standing 6-foot-9 with ice-blue eyes, low eyebrows and flowing brown hair, Simon had the look, the paddle skills and, clearly, the temperament to land a pivotal part in an Oscar-bound — and richly Jewish — cinematic hit.

“I don’t get starstruck,” Simon, 31, said. “I get excited.”

Isaac Simon wore a Museum of Jewish Heritage pin to the premiere. Photo by Theo Wargo/Getty Images

The slew of non-actors who feature in Marty Supreme alongside A-listers like Chalamet, Gwyneth Paltrow and Tyler, The Creator has already become part of the film’s lore. Safdie and veteran casting director Jennifer Venditti have a penchant for casting street regulars; among the first-timers in the movie are basketball legend George Gervin, viral TikTok and YouTube personas and the guy from Shark Tank.

But perhaps none had as personal a connection to the film’s story of post-war Jewish striving as Simon, a native New Yorker whose graduate study at Queens College focused on the development of Holocaust studies in the U.S. In Marty Supreme, which is loosely based on the story of real-life midcentury table tennis star Marty Reisman, one of the protagonist’s best friends is a Holocaust survivor; one of the film’s most arresting scenes is an Auschwitz flashback.

Simon’s day job is, of course, at the largest Holocaust museum in New York. The fateful coincidence of his casting, Simon said, was “like a bizarre lottery ticket I was able to cash in.”

A fateful encounter

The story of Simon’s star turn begins in the summer of 2022, when Venditti spotted him at a baseball card show in Long Island. Venditti was there with Safdie; Simon — then still in grad school — was there with his dad.

Venditti said they was there to cast extras and non-actors for a baseball-related movie, and asked if she could take a two-minute video of him talking about himself. He obliged, and in the recording told her where he was from (New York City) and what he was doing at the show (chasing the famously rare T206 tobacco card series).

“I thought to myself, ‘Wow, could I really have been at the right place and the right time for something I wasn’t even expecting?’” Simon recalled. Then two years passed, and the run-in faded from memory.

It was not until the summer of 2024 that he received an email from Venditti: “Isaac Simon audition opportunity – scouted at card show.” No script was provided and nothing about the project was disclosed — just a date and a location.

On his elevator up to the audition, he heard the hollow bouncing of a ping-pong ball. Having seen a headline about Chalamet being attached to a Reisman biopic a few days earlier, he realized what the next few minutes might entail.

“The first audition was a total blur,” Simon recalled. “I remember playing ping pong with the assistant casting director and he was like, ‘Oh you’re good!’” At a subsequent callback, he played out a few improv scenarios — some light trash talking, or being cheated in a game. A few weeks later, he got called in for costume fittings.

He hadn’t solicited any acting tips, or studied film prior to his audition. But his work at the museum, where he trains educators on how to teach the Holocaust in 90 minutes, had prepared him.

“Because teaching is a performance, there is sort of an inherent performative quality to the work I do,” Simon said. “And so I think that that lent itself well — or at the very least, it didn’t hurt — to the work I was being asked to do for Josh.”

“Marty Supreme” director Joshua Safdie (R) gives direction to Tyler, The Creator at the bowling alley where Simon’s scene was filmed. Courtesy of A24

‘Cast for a reason’

Having run through his lines with his dad and his girlfriend, Simon headed upstate that fall to play Roger — and play opposite Chalamet. (This time, he took two days off of work.)

Roger, the reigning hotshot at a humdrum bowling alley, features in two scenes. In the first, he’s goaded into wagering $40 against Marty, who’s feigning amateurism, and loses. He reappears a few minutes as Marty fills up at a nearby gas station, realizing he was hustled by the reigning American champion; he and his pals want their money back.

Walking into the converted Bowlero where they shot the first scene, Simon was floored by the set. “Each individual looked like they were from the 1950s, and yet their outfit was distinctly their own,” he recalled. Miyako Bellizzi, the costume designer, had fitted him in a striped button-up and faded blue work pants; Simon’s hair was slicked back and to the side.

He hadn’t met Safdie before he got to set, and his cues from the Uncut Gems co-director were limited.

Over the course of his scenes, there were times when he wasn’t sure he was doing what Safdie wanted. Here, it was his inexperience that Simon drew on. “I kept reminding myself that I was cast for a reason, and I was cast as a non-actor for a reason,” he said, “and what I’m bringing to this experience is inherently different than what a trained actor would be. Therefore, if I were a trained actor, I would not be what Josh was looking for in the scenario.”

He didn’t have too much time to banter with the film’s stars during the shoot; most of his time on set was spent with other bit-players. But when the camera was shooting other actors, Safdie wanted to keep the sound of live table tennis in the background, so he had Chalamet and Simon play each other off-camera.

As to who had the upper hand? “We’re probably about even,” Simon said.

“Marty Supreme” casting director Jennifer Venditti has a penchant for scouting non-actors in public places. Courtesy of A24

Jewish mythmaking

Even after the shoot, Simon couldn’t quite believe it was real. He told almost no one outside his family, superstitious that the scene would get cut. But then the premiere arrived. “It was surreal,” he said.

He’s now seen the film nine times — yes, all the way through — indulging friends who want to see it with him. And his acting has won some praise, with one X post calling it an “incredible underrated performance” liked more than 2,000 times.

Simon likes the movie, if you couldn’t tell, echoing its director and star in calling it a love letter to New York. The film, Simon said, touches on Jewish identity in a way that reminds him of his own family and their experience in this country.

“The way in which it captured intergenerational relationships in Jewish homes in post-war America, in New York specifically, felt very autobiographical for the way that my relatives talked amongst each other,” he said. “There’s a love there that transcends.”

As a Holocaust educator, Simon felt the movie handled that theme appropriately. He found the honey scene — an Auschwitz flashback too intense to explain here — moving, and the Holocaust humor tactfully dispatched. He loved the yiddish.

Yet Simon still couldn’t wrap his head around his own involvement in such a fitting project. His work passing on the history and memory of the Holocaust to future generations was already meaningful before he got an IMDB page.

“So to be cast in a film and have a speaking line,” he said, “and it just so happens that that film is also this incredibly Jewish film — which has direct references in the scene at Auschwitz — is equally bizarre, but also really beautiful, and oddly perfect.”

The post He works at a Holocaust museum by day. How’d he end up in ‘Marty Supreme’? appeared first on The Forward.

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Trump’s new Gaza plan marks a radical break from Israeli policy — can it succeed?

The United States has in effect broken with Israeli policy, cleverly engineering the Palestinian Authority’s return to Gaza.

President Donald Trump’s plan for the second stage of the Gaza ceasefire, the launch of which was announced Wednesday, involves the creation of a transitional Palestinian technocratic authority with strong ties to the PA. This collapses fictions Israel has sustained for years: that Gaza can be stabilized without the PA, which was ousted from the territory by Hamas in 2007; that the PA is no better than Hamas; and even that Palestinian governance itself is illegitimate, a belief held by the most extreme Israeli nationalists.

Reality has finally prevailed, and that reality is that the PA, flawed though it is, remains the only Palestinian political body capable of replacing Hamas in Gaza.

The logic expressed by those, like Israeli Prime Minister Benjamin Netanyahu, who aim to keep the PA out of Gaza, has brought Israel to the brink. Splitting Palestinian governance between Hamas and the PA, long Netanyahu’s strategy, led to unmitigated disaster, and public anger is at a boil.

Which means that the PA must return to Gaza not only for the sake of Palestinians, but also for Israelis. The Zionist project must be steered away from permanent war, international isolation and internal decay. That means finding a way to work toward a sustainable future with the Palestinians — which almost certainly means, in turn, accepting the PA as their legitimate government.

Decades of misleading rhetoric

Since the establishment of a ceasefire, brokered by Trump’s administration, in September, Hamas has reasserted control over large parts of Gaza. Militarily weakened, it survived politically — because Israel still refused to empower any viable Palestinian alternative.

That return to the status quo in many ways serves Netanyahu’s agenda. Keeping Hamas in power allows for a state of permanent emergency and despair about the chances for peace — the very forces that Netanyahu has, for decades, successfully turned into political capital. “There is no difference between the PA and Hamas” became a mantra — as if a political bureaucracy and a theocratic militia that massacres civilians and rejects coexistence on principle could be legitimately compared.

Now, as long as Hamas rules Gaza, its very presence constitutes an emergency narrative that Netanyahu can use to delay the accountability over his responsibility for Oct. 7: Wartime is no time for politics.

The Palestinian Authority, by contrast, has been treated as dangerous because it represents a measure of pragmatism.

The PA, ineffective as it has been, could be the basis of a functional political framework that would force Israel to confront the need for separation from the Palestinians, real borders, and eventual Palestinian statehood. That’s especially true because there’s the potential for actual peace with a Palestine run by the PA, which already coordinates with Israel at enormous political cost in the West Bank, where its security forces arrest militants and dismantle extremist cells.

New governance for Gaza

The technocratic committee put forward to govern Gaza under Trump’s second phase plan is formally nonpartisan, but its personnel and legitimacy are largely drawn from the ranks of the PA, with Ali Shaath, a former PA deputy minister, set to lead the effort. Others come from the same institutional ecosystem, because there is simply no other reservoir of Palestinian administrative experience. The PA has publicly endorsed the framework. Israel must now also meet its own obligations under the Trump plan — no matter how distasteful its leaders might find the plan’s endorsement of the PA to be.

That means, chiefly, that Israel must declare clearly that once Gaza is stabilized by the technocratic committee, it is prepared to enter negotiations toward a Palestinian state, with final borders to be determined later. Israel can openly state its intention to retain major settlement blocs in the West Bank and seek long-term security arrangements in the Jordan Valley. But it should also affirm in principle its readiness to recognize a Palestinian state and guarantee access arrangements in Jerusalem.

These statements would not resolve the conflict, by any means. But they would go some way toward restoring credibility.

To get there, Hamas must surrender its weapons in Gaza, with an international stabilization force present to keep the peace. The best chance for disarmament is if the weapons are handed to Palestinians. By default, the PA security forces will be the best candidates for the job, as the new technocratic government lacks a security arm. Hamas’s senior leadership should probably be allowed to exit into exile.

To build a Palestinian consensus in this direction, regional powers — Qatar, Egypt, Saudi Arabia, the United Arab Emirates, and Turkey — must make reconstruction conditional on disarmament. The choice must be unmistakable: real recovery without any trace of a Hamas militia – or years in tent cities.

If all this is achieved, the real work begins. Areas under the new authority must visibly improve. Adequate housing, electricity, water, education, employment, and free movement must return in ways Palestinians can measure. The comparison with Hamas rule must be obvious.

Reformations in the PA — and Israel

Such a process with the PA should also be made conditional.

As existing U.S. proposals suggest, the PA must be required to undertake concrete reforms, including by overhauling educational materials that appear to condone violence against Israelis and ending payments to the families of imprisoned militants.

Senior PA officials have already signaled willingness to move on both fronts. These are achievable changes,

The payoff would be immense, potentially including normalization with Saudi Arabia, broader reconciliation of Israel the Arab and Muslim worlds, the gradual erosion of the global delegitimization campaign against Israel, and renewed international cooperation — especially in confronting Iran’s nuclear program, ballistic missiles, and regional militias. In time, Zionism would once again be seen as a serious national project capable of difficult, mature decisions.

The catch: Little of this is likely to happen under the current Israeli government.

That is the central truth of 2026, an election year: a change of leadership in Israel is not optional for anyone who wants a better future. The disaster of the Oct. 7, 2023 attack was the culmination of years of strategic failure, ideological paralysis, and the reckless empowerment of Hamas. This is what happens when complacent societies repeatedly elevate unfit leadership in the face of existential danger.

So Israelis must decide: will they support a government that thrives on permanent conflict, or endorse the possibility of peace?

The post Trump’s new Gaza plan marks a radical break from Israeli policy — can it succeed? appeared first on The Forward.

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California’s Gavin Newsom Proposes Budget Increase for State Universities Amid Federal Funding Threats

California Gov. Gavin Newsom in Sacramento, California, US, on Aug. 8, 2025. Photo: REUTERS/Carlos Barria

California Gov. Gavin Newsom, a rumored potential candidate for US president in 2028, has proposed hundreds of millions of dollars in new funds for state universities amid the Trump administration’s policy of canceling federal grants and contracts held by institutions which it accuses of failing to combat campus antisemitism.

Newsom previously sought to cut funding to the University of California (UC) and California State University (CSU) by 8 percent during the 2025-2025 fiscal year (FY), before dropping that figure to 3 percent. Then on Friday, the governor proposed a new budget which would increase next year’s appropriation by $350.6 million for UC and $365.7 million for CSU, raising the state’s general fund for the schools to $5.3 billion and $5.6 billion, respectively.

“The budget introduced today by Gov. Newsom continues to provide critical support for the university and our students,” UC president James B. Milliken said in a statement responding to the news. “State support is more important than ever, as we face tremendous financial pressures stemming from rising costs and unprecedented federal actions. UC campuses rely on funding stability to serve students and maintain the academic and research excellence that has made UC the world’s greatest research university.”

He added, “An investment in UC is an investment in California’s future. I look forward to our ongoing partnership with Gov. Newsom and the legislature to ensure that our students have what they need to succeed at UC and beyond.”

The move, even as it defers $129.7 million for UC and $143.8 million for CSU to a later date, gives the schools breathing room as they fear the Trump’s administration’s confiscation of funds. Last year, for example, the administration impounded $250 million from the University of California, Los Angeles (UCLA).

US President Donald Trump ordered the money canceled in August after determining that the school exposed Jewish students to discrimination by refusing to intervene when civil rights violations transpired or failing to correct a hostile environment after the fact. He ordered the move even after UCLA agreed to donate $2.33 million to a consortium of Jewish civil rights organizations to resolve an antisemitism complaint filed by three students and an employee.

UCLA was sued and excoriated by the public over its handling of a “Gaza Solidarity Encampment” that an anti-Zionist student group established on campus in the final weeks of the 2024 spring semester. Witnesses said that it was a source of antisemitism from the moment it became active, and according to the lawsuits, students there chanted “death to the Jews,” set up illegal checkpoints through which no one could pass unless they denounced Israel, and ordered campus security assigned there by the university to ensure that no Jews entered it.

Many antisemitic incidents occurred at UCLA before the institution was ultimately sued and placed it in the crosshairs of the Trump administration.

Just five days after Hamas’s Oct. 7, 2023, massacre across southern Israel, as previously reported by The Algemeiner, anti-Zionist protesters chanted “Itbah El Yahud” at Bruin Plaza, which means “slaughter the Jews” in Arabic. Other incidents included someone’s tearing a chapter page out of Philip Roth’s 2004 novel The Plot Against America, titled “Loudmouth Jew,” and leaving it outside the home of a UCLA faculty member, as well as Students for Justice in Palestine (SJP) staging a disturbing demonstration in which its members cudgeled a piñata, to which a picture of Israeli Prime Minister Benjamin Netanyahu’s face was glued, while shouting “beat the Jew.”

On the same day that UCLA settled the suit, the US Department of Justice’s Civil Rights Division ruled that UCLA’s response to antisemitic incidents constituted violations of the Equal Protection Clause of the Fourteenth Amendment of the US Constitution and Title VI of the Civil Rights Act.

“Our investigation into the University of California system has found concerning evidence of systemic antisemitism at UCLA that demands severe accountability from the institution,” Attorney General Pamela Bondi said in a statement at the time. “This disgusting breach of civil rights against students will not stand: the [Department of Justice] will force UCLA to pay a heavy price for putting Jewish Americans at risk and continue our ongoing investigations into other campuses in the UC system.”

Newsom has positioned himself as an ally of higher education throughout its clash with Trump. In August, he demanded that Harvard University president Alan Garber resign rather than reach a deal with the Trump administration that would restore federal funding to Harvard in exchange for the school’s agreeing to conservative demands for addressing campus antisemitism and shuttering diversity, equity, and inclusion (DEI) programs.

“You don’t work with Donald Trump — only FOR Donald Trump,” Newsom protested, writing on the X social media platform. “Looks like Harvard has chosen to surrender. Alan Garber must resign. An absolute failure of leadership that will have demonstrable impacts to higher education across our country. He should be ashamed.”

He added, “California will never bend the knee.”

Newsom had days earlier criticized Trump’s effort to combat antisemitism and reform higher education, denouncing it as “disgusting political extortion.”

Follow Dion J. Pierre @DionJPierre.

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