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With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut
I first began listening to Bob Dylan in earnest in early 1974, with the purchase of the contemporaneous album Planet Waves, a somewhat quiet, unassuming collection of deep, intimate songs – including the color-by-number anthem, “Forever Young” — recorded with The Band before they would go out on tour for the first time since Dylan’s premature retirement from the road in 1966 (the same year, incidentally, that the Beatles quit touring). Dylan’s return to touring after his eight-year layoff would pretty much continue for the rest of his career up to and including today.
I did not get to see Dylan in concert until fall 1978, missing two of his all-time greatest tours – his 1974 “comeback” tour with The Band, captured on the live album Before the Flood, and the following year’s “Rolling Thunder Revue,” the subject of several live concert albums, including 1976’s Hard Rain and the more recent The Rolling Thunder Revue: The 1975 Live Recordings, a sprawling, 14-CD box set, released in 2019. (There was also an official two-CD set in 2002, and many widely available bootleg recordings of the legendary tour, as well as a Dylan concert film, Renaldo and Clara, released in 1978, and Martin Scorsese’s 2019 “pseudo-documentary” about the tour.)
Alas, my introduction to live Dylan was during one of his most bizarre tours, launched in Japan in early 1978 and initially captured on the April 1979 American release of Bob Dylan at Budokan (originally intended as a Japan-only release in August 1978). The 1978 tour was controversial, which Dylan acknowledged right from the stage of the old Boston Garden where I first saw him, when, halfway through the show, he paused and said to the audience, “I hope you don’t think this is Las Vegas music, or disco music, because you know it’s not.”
Bob Dylan, circa 1963 Photo by Ralph Baxter
It was a direct answer to critics’ complaints about the song arrangements and the sound of the band, as well as the overall stage aesthetic, which to some mimicked the tackiness of concerts by Neil Diamond and the recently deceased Elvis Presley. (Some blame manager and concert promoter Jerry Weintraub — who worked with both Presley and Diamond, as well as with Frank Sinatra – for Dylan’s cheesy, lounge-lizard presentation.)
Dylan didn’t help his cause by introducing from the stage such well-known songs as “It’s Alright, Ma (I’m Only Bleeding),” or asking the audience, “Hey, what’s the name of this?” over the opening chords of “All Along Watchtower.” Doubters questioned the need for an eight-piece band (large for the time) and a trio of female backup singers. Some crueler critics even took to calling it the “Alimony Tour,” a nasty way of accusing Dylan of selling out in the wake of his divorce from his first wife, Sara.
Even though Dylan catered to the desires of audiences around the world to hear primarily his “greatest hits” — and this was one of the last tours on which he did so — he couched them in such weird arrangements that maybe he was justified in introducing them by name; otherwise, they may have remained unrecognizable to some. From where I sat in the cavernous, echoe-y Garden, it proved to be an inauspicious introduction to Bob Dylan, concert artist.
And now, 45 years later, Dylan’s label, Columbia Records, has seen fit to give the 1978 tour — as captured in those first two weeks in Japan — the full “Bootleg Series” treatment, with The Complete Budokan 1978, including two complete concerts at Tokyo’s Budokan, newly remixed and spread out over four CDs, featuring 36 previously unreleased performances. (The official release date is Friday, Nov. 17.)
Film still from 1966 European tour, by D. A. Pennebaker Courtesy of Bob Dylan Center
It is an album package for which Dylan fans — other than rabid completists (possibly including myself) — were not clamoring. This, rather than a more complete version of Before the Flood? This, rather than a live album from one of his two tours with Tom Petty and the Heartbreakers? This, rather than a live album — or many live albums — capturing the many ups (and downs) of Dylan’s so-called Never Ending Tour, which began in June 1988 and, depending on how you define it, could include concerts as recent as the one I saw a few weeks ago in Schenectady, N.Y.? (Dylan’s current tour is officially billed as the “Rough and Rowdy Ways” world tour, which began in 2021 and is expected to continue into 2024, and marks a rare step forward in truth in advertising, as about half the concert is devoted to songs from the album of the same name.)
Yet this time around, the concerts at Budokan (if not the 1978 tour, which evolved over the course of a year and 114 concerts in Asia, the South Pacific, Europe, and North America) are what we’ve got. And the new package is not without its merits. The remixed and remastered sound is brilliant (which may or may not be a positive, depending upon how you feel about that sound). The recording captures an unusually chatty frontman, by Dylan’s standards (he has been known to utter nary a word in concert for decades), one seemingly in a terrific mood and also one who is downright funny.
“This is an unrecorded song – see if you can guess which one it is,” he says to the audience before launching into “Is Your Love in Vain,” which would not be released until Street Legal came out four months later. The humor – some of it mocking and self-deprecating – that Dylan evinces even suggests that he was fully aware that he was presenting himself as something akin to a Las Vegas showman.
From Left: Rick Danko, Robbie Robertson, Bob Dylan, Richard Manuel, Garth Hudson and Levon Helm, 1974 Photo by Barry Feinstein
If so, it would not be the first time nor anywhere near the last time that Dylan was playing a character — no less a fictive version of Dylan than Renaldo in Renaldo and Clara nor Jack Fate in his 2003 film, the aptly-titled Masked and Anonymous. (There is a whole school of thought that “Bob Dylan” himself is a put-on, a fictional character invented by a savvy youngster from Hibbing, Minnesota, named Robert Allen Zimmerman.)
But the context of where he had been and, with the benefit of hindsight, where he was headed musically might be the strongest reason to spend time with these glitzy tracks and their unusual arrangements. The use of backup singers, especially ones whose vocals were stylized in gospel-like call-and-response, offered a hint that Dylan was beginning a journey that would see him explore different aspects of Black music in subsequent albums.
Steve Douglas’ dominant saxophone lends many of the numbers a jazzy, R&B feel. A few songs are recontextualized as reggae numbers. In the years immediately following the 1978 tour, Dylan would dive deep into gospel music on several albums, into Motown and R&B on 1981’s “Shot of Love,” and reggae on 1983’s Infidels, which even saw Dylan hire Robbie Shakespeare and Sly Dunbar, famed Jamaican reggae producers, to play bass and drums.
The new Budokan collection is not the only new Dylan product seeing release this season. Bob Dylan: Mixing Up the Medicine is a fabulous new doorstop of a book whose 610 pages serve as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, which opened in May 2022. The volume spans Dylan’s entire life and career, featuring over 1,100 images from the archives — everything from concert ticket stubs to handwritten lyric sheets to rarely seen backstage photographs — all duly captioned by editors Mark Davidson and Parker Fishel, both curators at the Dylan Center.
The book also does a terrific job of contextualizing the many objects, images, and ephemera in 30 new essays by writers including Sean Wilentz, Greil Marcus, Lucy Sante, Tom Piazza, Richard Hell, Greg Tate, and Larry Sloman. Sonic Youth cofounder Lee Ranaldo uncovers the mystery of the very first recording featuring the voice of a teenaged Robert Allen Zimmerman and a couple of his hometown friends, “a casual lark for three Jewish boys on Christmas Eve.”
The 610-page ‘Mixing Up the Medicine’ serves as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, Courtesy of Callaway Arts & Entertainment
Marvin Karlins, who gave free folksinging and guitar lessons to students at the University of Minnesota’s Hillel, recounts meeting and tutoring an unassuming first-year student named Zimmerman, pointing him towards the thriving folk club scene in the Dinkytown section of Minneapolis. Griffin Ondaatje does yeoman’s work tracing the influence of Joseph Conrad in Dylan’s songs, and the New Yorker’s Amanda Petrusich reevaluates Dylan’s first book, Tarantula, in a short essay that should rightly renew interest in Dylan’s imaginative work of prose-poetry, “as deep a piece of literature as anything else he wrote.”
So much territory is covered in the book, including Dylan and Johnny Cash, Dylan and the Band, Dylan and the Beatles (especially George Harrison), Dylan and the Grateful Dead, Dylan on the silver screen, even Dylan’s ill-fated collaboration with Archibald MacLeish. You would have to arrange a multiple-month residency at the Dylan archive to soak in all that is presented in this volume, as attractive as it is informative. It isn’t pitched toward the general or casual reader, but if you have a Dylan fan in your life, your holiday gift-giving dilemma is solved.
Three weeks ago, the big news in popular music was the first album of new music by the Rolling Stones in 18 years, with plans for a 2024 tour. Last week, the Beatles — who broke up in 1970 — released their much-touted “final” single, “Now and Then,” reconstructed from a demo cassette John Lennon made in the late-1970s, featuring overdubbed parts by the three other Beatles (with a little help from “machine-assisted learning,” which sounds an awful lot like AI to me).
Given the fact that the 82-year-old Nobel Prize-winning rock poet Bob Dylan continues to tour incessantly, swinging through the Northeast most recently (and playing three shows in New York City next week), you can be forgiven if you wake up some mornings wondering what year it is, and perhaps more to the point, what world it is. That one’s easy: it’s Bob Dylan’s world, and we just happen to live in it. Lucky us.
The post With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut appeared first on The Forward.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
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White House Cites Biden Clash With Netanyahu Over Iran as Proof of President’s Mental Fitness
US President Joe Biden hosts the 2023 Teacher of the Year event at the White House in Washington, US, April 24, 2023. Photo: REUTERS/Kevin Lamarque
Amid growing concerns over US President Joe Biden’s mental fitness, key White House officials are suggesting his foreign policy discussions with Israeli Prime Minister Benjamin Netanyahu, including a clash over how to respond to Iran’s unprecedented military attack on the Israeli homeland earlier this year, serve as evidence that he is still capable of leading from the Oval Office.
Biden and Netanyahu engaged in a heated back-and-forth in the immediate aftermath of Iran launching a massive missile and drone salvo at Israel in April, according to a new report by the New York Times. The US and other allies helped Israel shoot down nearly every drone and missile. The attack caused only one injury.
However, the Times revealed that while Netanyahu initially wanted to respond to Iran in a forceful way, Biden threatened to withhold US support in the event of a major Israeli retaliatory strike, arguing it would risk sparking a regional conflict in the Middle East.
“Aides present in the Situation Room the night that Iran hurled a barrage of missiles and drones at Israel portrayed a president in commanding form, lecturing Prime Minister Benjamin Netanyahu by phone to avoid a retaliatory escalation that would have inflamed the Middle East,” the Times reported. “‘Let me be crystal clear,’ Mr. Biden said. ‘If you launch a big attack on Iran, you’re on your own.’”
“Mr. Netanyahu pushed back hard, citing the need to respond in kind to deter future attacks,” the report continued. “‘You do this,’ Mr. Biden said forcefully, ‘and I’m out.’ Ultimately, the aides noted, Mr. Netanyahu scaled back his response.”
Israel’s military response was small and appeared aimed at minimizing the risk of escalation.
The Times report, headlined “Biden’s Lapses Are Said to Be Increasingly Common and Worrisome,” came on the heels of Biden delivering a widely-panned presidential debate performance last Thursday against former US President Donald Trump. Biden’s performance, which oftentimes appeared incoherent and muddled, set off alarm bells in Democratic circles, sending the president’s allies scrambling to extinguish concerns over his age and mental acuity.
While highlighting rising concerns, the news story also noted instances in which, according to aides, Biden appeared coherent and capable, citing the exchange with Netanyahu and his handling of the Iranian missile attack more broadly as one such example.
However, an anonymous Biden administration official told the Times that they are unsure whether Biden could hold his own against adversarial foreign leaders such as Vladimir Putin of Russia.
On Wednesday, the White House directly attributed quotes to Netanyahu in which the Israeli premier reportedly said he found Biden “very clear and very focused” during his visit to Israel following the Oct. 7 attacks by Hamas. According to a White House spokesperson, Netanyahu also reportedly cited the “more than a dozen phone conversations, extended conversations with President Biden” as evidence of the commander-in-chief’s vitality.
“Some White House officials adamantly rejected the suggestion of a president not up to handling tough foreign counterparts and told the story of the night Iran attacked Israel in April,” the New York Times reported. “Mr. Biden and his top national security officials were in the Situation Room for hours, bracing for the attack, which came around midnight. Biden was updated in real time as the forces he ordered into the region began shooting down Iranian missiles and drones. He peppered leaders with questions throughout the response.”
During its first direct attack on Israeli territory, Iran in April launched roughly 300 missiles and drones at the Jewish state.
Leading up to the attack, Iranian officials had promised revenge for an airstrike on Iran’s consulate in Damascus, Syria that they attributed to Israel. The strike killed seven members of Iran’s Islamic Revolutionary Guards Corps (IRGC), a widely designated terrorist organization, including two senior commanders. One of the commanders allegedly helped plan the Hamas terrorist group’s Oct. 7 massacre across southern Israel.
Israel has neither confirmed nor denied involvement in the incident.
“After it was over, and almost all of the missiles and drones had been shot down, Mr. Biden called Mr. Netanyahu to persuade him not to escalate. ‘Take the win,’” Mr. Biden told the prime minister, without reading from a script or extensive notes, according to two people in the room. In the end, Mr. Netanyahu opted for a much smaller and proportionate response that effectively ended the hostilities,” the article added.
Days later, Israel responded to the Iranian aggression by launching a modest missile attack on an airbase near Isfahan. The Jewish state sought to show that it could effectively target key strategic locations in Iran while not escalating the conflict any further. Netanyahu insisted on launching a retaliatory attack against Iran, arguing that ignoring the Iranian strikes would incentivize more attacks against the Jewish state.
IRGC Brigadier General Amir Ali Hajizadeh said that Iran is waiting for “the opportunity” to launch a new round of strikes against Israel, Iranian media reported on Tuesday, potentially boosting Netanyahu’s argument that a smaller response would invite further attacks.
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Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report
Palestinian terrorists ride an Israeli military vehicle that was seized by gunmen who infiltrated areas of southern Israel, in the northern Gaza Strip, Oct. 7, 2023. Photo: REUTERS/Ahmed Zakot
A journalist at a US-based nonprofit posted tutorials on how to commit stabbing attacks and depicted a rescued Israeli hostage as a pig drinking blood, according to newly surfaced social media posts.
Eitan Fischberger, a communications analyst and former Israel Defense Forces (IDF) staff sergeant who first broke the story on X/Twitter, alleged that Mahmoud Ajjour, a correspondent for The Palestine Chronicle, posted disturbing images and videos to his Instagram page.
Fischberger posted screenshots and screen recordings of the posts.
According to The Chronicle‘s website, Ajjour is a photojournalist and correspondent for the outlet, which is a US-based 501c3, or nonprofit organization.
One of the posted images depicted Noa Argamani — an Israeli who was kidnapped from the Nova music festival during Hamas’ Oct. 7 terrorist attacks in southern Israel, and then rescued in an IDF special operation last month — as a pig drinking blood from a Coca-Cola bottle.
Here, for example, Ajjour posted a picture of Israeli hostage Noa Argamani, portrayed as a pig drinking the blood of Palestinians.
Noa, as you recall, was freed by Israeli forces in the same rescue operation in which Ajjour’s terrorist colleague was killed pic.twitter.com/oiLCqekxbl
— Eitan Fischberger (@EFischberger) June 30, 2024
In Oct. 2015, Ajjour posted a picture of a masked Palestinian holding up a knife, with the caption, “I declare it a revolution.”
That time — from approximately Sept. 2015 to June 2016 — was referred to as the “knife intifada,” as there was an uptick in Palestinian terrorist attacks, particularly using knives, against Israelis in Jerusalem, along with other parts of Israel and the West Bank.
Ajjour also seems mighty fine endorsing stabbing attacks pic.twitter.com/xi2MnZVddl
— Eitan Fischberger (@EFischberger) June 30, 2024
During that same month, Ajjour also reportedly posted a two-part tutorial on how to carry out stabbings with the caption, “May Allah protect them,” likely referring to those who were engaging in such attacks.
So much, in fact, that he uploaded a two-part instruction video showing off some best practices for stabbing Israelis pic.twitter.com/Z12rVo4Enx
— Eitan Fischberger (@EFischberger) June 30, 2024
Then, in 2023, after the son of a Hamas preacher was killed when a device he was trying to launch at Israel exploded, Ajjour mourned his death on Instagram. “Your father’s legacy is proud of you,” he wrote alongside a picture that included what appeared to be a Hamas flag.
And here, Ajjour mourns the death of Bara’a al-Zard, son of Hamas preacher Wael al-Zard.
Silly Bara’a died in an explosion caused by a device he was trying to launch at Israeli forces near the Gaza security fencehttps://t.co/vZR6IW0shF pic.twitter.com/ipQw55BYd7
— Eitan Fischberger (@EFischberger) June 30, 2024
This is not the first time a journalist from The Palestine Chronicle was alleged to have either supported or partaken in terrorism.
Abdallah Aljamal, who was a correspondent for The Chronicle, allegedly held three Israeli hostages in his home, according to the Israeli government. He was killed during a raid that rescued four hostages, including Argamani. After the allegations came to light, The Chronicle changed Aljamal’s status on its website from a correspondent to a contributor.
The Palestine Chronicle did not respond to a request for comment for this story.
Fichberger wrote that he wants the US House Ways and Means Committee to investigate The Chronicle for what seems to have become a pattern.
“If The Chronicle is let off the hook for employing an actual terrorist hostage-taker, it would prove that the American counter-terror legal apparatus really is irreparably broken,” he wrote.
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