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With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut

I first began listening to Bob Dylan in earnest in early 1974, with the purchase of the contemporaneous album Planet Waves, a somewhat quiet, unassuming collection of deep, intimate songs – including the color-by-number anthem, “Forever Young” — recorded with The Band before they would go out on tour for the first time since Dylan’s premature retirement from the road in 1966 (the same year, incidentally, that the Beatles quit touring). Dylan’s return to touring after his eight-year layoff would pretty much continue for the rest of his career up to and including today.

I did not get to see Dylan in concert until fall 1978, missing two of his all-time greatest tours – his 1974 “comeback” tour with The Band, captured on the live album Before the Flood, and the following year’s “Rolling Thunder Revue,” the subject of several live concert albums, including 1976’s Hard Rain and the more recent The Rolling Thunder Revue: The 1975 Live Recordings, a sprawling, 14-CD box set, released in 2019. (There was also an official two-CD set in 2002, and many widely available bootleg recordings of the legendary tour, as well as a Dylan concert film, Renaldo and Clara, released in 1978, and Martin Scorsese’s 2019 “pseudo-documentary” about the tour.)

Alas, my introduction to live Dylan was during one of his most bizarre tours, launched in Japan in early 1978 and initially captured on the April 1979 American release of Bob Dylan at Budokan (originally intended as a Japan-only release in August 1978). The 1978 tour was controversial, which Dylan acknowledged right from the stage of the old Boston Garden where I first saw him, when, halfway through the show, he paused and said to the audience, “I hope you don’t think this is Las Vegas music, or disco music, because you know it’s not.”

Bob Dylan, circa 1963 Photo by Ralph Baxter

It was a direct answer to critics’ complaints about the song arrangements and the sound of the band, as well as the overall stage aesthetic, which to some mimicked the tackiness of concerts by Neil Diamond and the recently deceased Elvis Presley. (Some blame manager and concert promoter Jerry Weintraub — who worked with both Presley and Diamond, as well as with Frank Sinatra – for Dylan’s cheesy, lounge-lizard presentation.)

Dylan didn’t help his cause by introducing from the stage such well-known songs as “It’s Alright, Ma (I’m Only Bleeding),” or asking the audience, “Hey, what’s the name of this?” over the opening chords of “All Along Watchtower.” Doubters questioned the need for an eight-piece band (large for the time) and a trio of female backup singers. Some crueler critics even took to calling it the “Alimony Tour,” a nasty way of accusing Dylan of selling out in the wake of his divorce from his first wife, Sara.

Even though Dylan catered to the desires of audiences around the world to hear primarily his “greatest hits” — and this was one of the last tours on which he did so — he couched them in such weird arrangements that maybe he was justified in introducing them by name; otherwise, they may have remained unrecognizable to some. From where I sat in the cavernous, echoe-y Garden, it proved to be an inauspicious introduction to Bob Dylan, concert artist.

And now, 45 years later, Dylan’s label, Columbia Records, has seen fit to give the 1978 tour — as captured in those first two weeks in Japan — the full “Bootleg Series” treatment, with The Complete Budokan 1978, including two complete concerts at Tokyo’s Budokan, newly remixed and spread out over four CDs, featuring 36 previously unreleased performances. (The official release date is Friday, Nov. 17.)

Film still from 1966 European tour, by D. A. Pennebaker Courtesy of Bob Dylan Center

It is an album package for which Dylan fans — other than rabid completists (possibly including myself) — were not clamoring. This, rather than a more complete version of Before the Flood? This, rather than a live album from one of his two tours with Tom Petty and the Heartbreakers? This, rather than a live album — or many live albums — capturing the many ups (and downs) of Dylan’s so-called Never Ending Tour, which began in June 1988 and, depending on how you define it, could include concerts as recent as the one I saw a few weeks ago in Schenectady, N.Y.? (Dylan’s current tour is officially billed as the “Rough and Rowdy Ways” world tour, which began in 2021 and is expected to continue into 2024, and marks a rare step forward in truth in advertising, as about half the concert is devoted to songs from the album of the same name.)

Yet this time around, the concerts at Budokan (if not the 1978 tour, which evolved over the course of a year and 114 concerts in Asia, the South Pacific, Europe, and North America) are what we’ve got. And the new package is not without its merits. The remixed and remastered sound is brilliant (which may or may not be a positive, depending upon how you feel about that sound). The recording captures an unusually chatty frontman, by Dylan’s standards (he has been known to utter nary a word in concert for decades), one seemingly in a terrific mood and also one who is downright funny.

“This is an unrecorded song – see if you can guess which one it is,” he says to the audience before launching into “Is Your Love in Vain,” which would not be released until Street Legal came out four months later. The humor – some of it mocking and self-deprecating – that Dylan evinces even suggests that he was fully aware that he was presenting himself as something akin to a Las Vegas showman.

From Left: Rick Danko, Robbie Robertson, Bob Dylan, Richard Manuel, Garth Hudson and Levon Helm, 1974 Photo by Barry Feinstein

If so, it would not be the first time nor anywhere near the last time that Dylan was playing a character — no less a fictive version of Dylan than Renaldo in Renaldo and Clara nor Jack Fate in his 2003 film, the aptly-titled Masked and Anonymous. (There is a whole school of thought that “Bob Dylan” himself is a put-on, a fictional character invented by a savvy youngster from Hibbing, Minnesota, named Robert Allen Zimmerman.)

But the context of where he had been and, with the benefit of hindsight, where he was headed musically might be the strongest reason to spend time with these glitzy tracks and their unusual arrangements. The use of backup singers, especially ones whose vocals were stylized in gospel-like call-and-response, offered a hint that Dylan was beginning a journey that would see him explore different aspects of Black music in subsequent albums.

Steve Douglas’ dominant saxophone lends many of the numbers a jazzy, R&B feel. A few songs are recontextualized as reggae numbers. In the years immediately following the 1978 tour, Dylan would dive deep into gospel music on several albums, into Motown and R&B on 1981’s “Shot of Love,” and reggae on 1983’s Infidels, which even saw Dylan hire Robbie Shakespeare and Sly Dunbar, famed Jamaican reggae producers, to play bass and drums.

The new Budokan collection is not the only new Dylan product seeing release this season. Bob Dylan: Mixing Up the Medicine is a fabulous new doorstop of a book whose 610 pages serve as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, which opened in May 2022. The volume spans Dylan’s entire life and career, featuring over 1,100 images from the archives — everything from concert ticket stubs to handwritten lyric sheets to rarely seen backstage photographs — all duly captioned by editors Mark Davidson and Parker Fishel, both curators at the Dylan Center.

The book also does a terrific job of contextualizing the many objects, images, and ephemera in 30 new essays by writers including Sean Wilentz, Greil Marcus, Lucy Sante, Tom Piazza, Richard Hell, Greg Tate, and Larry Sloman. Sonic Youth cofounder Lee Ranaldo uncovers the mystery of the very first recording featuring the voice of a teenaged Robert Allen Zimmerman and a couple of his hometown friends, “a casual lark for three Jewish boys on Christmas Eve.”

The 610-page ‘Mixing Up the Medicine’ serves as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, Courtesy of Callaway Arts & Entertainment

Marvin Karlins, who gave free folksinging and guitar lessons to students at the University of Minnesota’s Hillel, recounts meeting and tutoring an unassuming first-year student named Zimmerman, pointing him towards the thriving folk club scene in the Dinkytown section of Minneapolis. Griffin Ondaatje does yeoman’s work tracing the influence of Joseph Conrad in Dylan’s songs, and the New Yorker’s Amanda Petrusich reevaluates Dylan’s first book, Tarantula, in a short essay that should rightly renew interest in Dylan’s imaginative work of prose-poetry, “as deep a piece of literature as anything else he wrote.”

So much territory is covered in the book, including Dylan and Johnny Cash, Dylan and the Band, Dylan and the Beatles (especially George Harrison), Dylan and the Grateful Dead, Dylan on the silver screen, even Dylan’s ill-fated collaboration with Archibald MacLeish. You would have to arrange a multiple-month residency at the Dylan archive to soak in all that is presented in this volume, as attractive as it is informative. It isn’t pitched toward the general or casual reader, but if you have a Dylan fan in your life, your holiday gift-giving dilemma is solved.

Three weeks ago, the big news in popular music was the first album of new music by the Rolling Stones in 18 years, with plans for a 2024 tour. Last week, the Beatles — who broke up in 1970 — released their much-touted “final” single, “Now and Then,” reconstructed from a demo cassette John Lennon made in the late-1970s, featuring overdubbed parts by the three other Beatles (with a little help from “machine-assisted learning,” which sounds an awful lot like AI to me).

Given the fact that the 82-year-old Nobel Prize-winning rock poet Bob Dylan continues to tour incessantly, swinging through the Northeast most recently (and playing three shows in New York City next week), you can be forgiven if you wake up some mornings wondering what year it is, and perhaps more to the point, what world it is. That one’s easy: it’s Bob Dylan’s world, and we just happen to live in it. Lucky us.

 

The post With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut appeared first on The Forward.

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Israel Pounds Gaza City Suburbs, Vows to Press on with Offensive

Smoke rises following an Israeli strike, in Gaza City, August 24, 2025. Photo: REUTERS/Dawoud Abu Alkas

Israeli planes and tanks pounded the eastern and northern outskirts of Gaza City overnight Saturday to Sunday, destroying buildings and homes, residents said, as Israeli leaders vowed to press on with a planned offensive on the city.

Witnesses reported the sound of explosions non-stop overnight in the areas of Zeitoun and Shejaia, while tanks shelled houses and roads in the nearby Sabra neighborhood and several buildings were blown up in the northern town of Jabalia.

Fire lit the skies from the direction of the explosions, causing panic, prompting some families to stream out of the city. Others said they would prefer to die and not leave.

The Israeli military said on Sunday that its forces have returned to combat in the Jabalia area in recent days, to dismantle militant tunnels and strengthen control of the area.

It added that the operation there “enables the expansion of combat into additional areas and prevents Hamas terrorists from returning to operate in these areas.”

Israel approved a plan this month to seize control of Gaza City, describing it as the last bastion of Hamas. It is not expected to begin for a few weeks, leaving room for mediators Egypt and Qatar to try and resume ceasefire talks.

Israel’s Defense Minister Israel Katz on Sunday vowed to press on with the offensive on the city where famine has been declared, which has raised alarm abroad and objections at home. Katz has said that Gaza City will be razed unless Hamas agrees to end the war on Israel’s terms and release all hostages.

Hamas said in a statement on Sunday that Israel’s plan to take over Gaza City showed it wasn’t serious about a ceasefire.

It said a ceasefire agreement was “the only way to return the hostages,” holding Israeli Prime Minister Benjamin Netanyahu responsible for their lives.

The proposal on the table calls for a 60-day ceasefire and the release of 10 living hostages held in Gaza and of 18 bodies. In turn, Israel would release about 200 long-serving Palestinian prisoners held by Israel.

Once a temporary ceasefire begins, the proposal is for Hamas and Israel to begin negotiations on a permanent ceasefire that would include the return of the remaining hostages.

On Thursday, Netanyahu said that Israel would immediately resume negotiations for the release of all 50 hostages – of whom Israel believes around 20 are still living – and an end to the nearly two-year-old war but on terms acceptable to Israel.

‘HUNGRY AND AFRAID’

Around half of the enclave’s two million people currently live in Gaza City. A few thousand have already left, carrying their belongings on vehicles and rickshaws.

“I stopped counting the times I had to take my wife and three daughters and leave my home in Gaza City,” said Mohammad, 40, via a chat app. “No place is safe, but I can’t take the risk. If they suddenly begin the invasion, they will use heavy fire.”

Others said they will not leave, no matter what.

“We are not leaving, let them bomb us at home,” said Aya, 31, who has a family of eight, adding that they couldn’t afford to buy a tent or pay for the transportation, even if they did try to leave. “We are hungry, afraid and don’t have money.”

A global hunger monitor said on Friday that Gaza City and surrounding areas are officially suffering from famine that will likely spread. Israel has rejected the assessment and says it ignores steps it has taken since late July to increase aid.

The war began on October 7, 2023, when Hamas-led gunmen burst into southern Israel, killing some 1,200 people, mainly civilians, and taking 251 hostages.

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Iran Signals Willingness to Scale Back Uranium Enrichment to Ease Tensions

Atomic symbol and USA and Iranian flags are seen in this illustration taken, September 8, 2022. Photo: REUTERS/Dado Ruvic/Illustration/File Photo

i24 NewsIran may be prepared to significantly reduce its uranium enrichment levels in a bid to stave off renewed UN sanctions and limit the risk of further strikes by Israel and the United States, according to a report published Sunday in The Telegraph.

Citing Iranian sources, the paper said Tehran is considering lowering enrichment from 60% to 20%.

The move is reportedly being championed by Ali Larijani, the newly appointed secretary of the Supreme National Security Council, who is holding talks with regime leaders.

“Larijani is trying to convince the system to reduce the level of enrichment in order to avoid further war,” a senior Iranian official told the paper.

The proposal, however, faces stiff resistance from the Islamic Revolutionary Guard Corps, which has long opposed concessions on the nuclear program. Still, the report suggests Iran’s leadership may be open to greater flexibility, including the possibility of reviving engagement with Western powers.

Last month, i24NEWS reported exclusively that a delegation from the International Atomic Energy Agency (IAEA) is expected to travel to Iran. The team of technical experts would seek to resume monitoring of nuclear sites, inspections that have been heavily restricted in recent years.

The development comes amid mounting regional tensions and could represent a critical turning point in the long-running nuclear standoff.

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Major Brush Fire Erupts Near Jerusalem, Evacuations Underway

A view of the new Tel Aviv-Jerusalem fast train seen over the HaArazim Valley (“Valley of Cedars”) just outside of Jerusalem, Sept. 25, 2018. Photo: Yossi Zamir/Flash90.

i24 NewsA large brush fire broke out Sunday in the Cedars Valley area, near Route 1 and the Motza interchange, prompting an emergency response from Jerusalem district fire services. Several water-bombing planes were dispatched, and authorities have declared a “fire emergency.”

As a precaution, residents of Mevaseret Zion are being evacuated. Access to the town from Route 1 has already been blocked, and officials are weighing a full closure of the major highway.

Fire crews from the Ha’uma station are on site working to contain the flames, while motorists in the area are urged to heed traffic updates and follow instructions from emergency services.

Eight firefighting aircraft are currently operating above the blaze in support of ground teams. The fire comes amid one of the hottest, driest summers on record, with conditions fueling a series of destructive wildfires across the country.

Officials warn the situation remains critical, as the blaze threatens a vital transportation corridor leading into Jerusalem.

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