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Yom HaShoah and Harvard’s Complete Refusal to Address Hatred and Attacks on Jews
April 20, 2025, Cambridge, MA, USA: Harvard University and Harvard Square scenes with students and pedestrians. Photo: Kenneth Martin/ZUMA Press Wire via Reuters Connect.
Last week Israel commemorated Yom HaShoah, the country’s Holocaust Remembrance Day.
As I stood at silent attention along with an entire country, listening to the one minute long commemorative siren and thinking of the role the Holocaust has played in our collective past, I couldn’t help but hear its haunting echoes in our present.
Harvard University recently filed a lawsuit against the Trump administration, purportedly in defense of “academic freedom.” The specific “freedom” Harvard is defending is to harass, intimidate, and physically assault Jewish students with impunity, and in violation of Title VI of the Federal Civil Rights Act. Harvard now claims that the White House’s actions violate the university’s First Amendment rights. They do not.
A quick note: at RealityCheck we encourage our readers to support (and oppose) policies, rather than people. How one feels about any politician (including President Trump) should be irrelevant to one’s opinion on the safety of Jewish students, and the proper enforcement of the Civil Rights Act of 1964. Here’s what you need to know to build your own, well-informed opinion.
Since October 7, 2023, Harvard University has been host to more than a year and a half of attacks on Jewish students, including: physical assaults, vandalism, harassment, demonstrations, divestment resolutions, classroom disruptions, calls for “intifada” and other death threats, and a disgraced university president who infamously testified before Congress that calling for the genocide of Jews might not be antisemitic because, “it depends on the context.”
The Trump administration has demanded that Harvard University comply with a list of requirements to ensure basic safety and equal protection for all students on campus, including: banning masks by protesters, cooperating with law enforcement, reviewing disciplinary policies, increasing accountability by those responsible for student safety, and an end to so-called “Diversity Equity and Inclusion” (DEI) programs, which for years have been used to limit Jewish and Asian admissions to Harvard (and which have been rejected by the United States Supreme Court).
Upon Harvard’s refusal to comply with its demands, the administration made good on a threat to pull $2 billion in Federal funding, with the promise of more cuts to come, as well as a request that the IRS consider revoking the university’s tax exempt status.
In its lawsuit, Harvard claims it has a First Amendment right to refuse the White House’s Title VI demands. It does not.
As a general matter, the First Amendment guarantees the right to all manner of abhorrent personal expression, including: racism, obscenity, outright lies, victim blaming and victim shaming, and even the right to oppose basic American values. However, nothing in the US Constitution obligates the American people to pay for such activities.
More specifically, Title VI of the Civil Rights Act requires that, “No person in the United States shall, on the ground of race, color, or national origin, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any program or activity receiving Federal financial assistance.”
In this case, Jewish students at Harvard most certainly suffered exclusion, and were most certainly denied the benefits of a safe education, at an institution that is Federally funded to the tune of billions of US taxpayer dollars.
Harvard has objected not only that the funding cuts are illegal under the First Amendment, but also immoral because they will impact a variety of research programs that provide positive benefits to the world, including in fields like health care. Yet a long line of Supreme Court cases, following the 1974 precedent of Bob Jones University v. Johnson, disagree. These cases hold that, by choosing to violate the Civil Rights Act, a university endangers Federal funding for all of its programs, and that it is absolutely appropriate for the Federal government to use such funding as leverage to ensure compliance. In effect, the Supreme Court’s view is that it is the university, and not the White House, that is endangering its own programs: by permitting racism within its ranks, in violation of Federal funding rules.
Harvard does have a potentially successful argument that the White House did not follow certain procedural requirements, such as providing notice and an administrative hearing. However, even if successful, this argument will not prevent Federal funding cuts, but will merely require the White House to fulfill the mechanical requirements before moving forward.
Harvard’s campus newspaper has touted an open letter signed by some 100 Jewish students objecting to the White House’s demands, claiming that President Trump is causing more harm than good. However, those 100 signatures comprise only 4.6% of Harvard’s approximately 2,300 Jewish students. In other words, over 95% of Harvard’s Jewish population did not sign the letter, including students such as Shabbos Kestenbaum, who is pursuing one of several ongoing Title VI lawsuits against the university, and students like Yoav Segev and Moshe Y. Dembitzer, who were recently a part of related suits.
The case has been set for oral arguments on July 21 before US District Court Judge Allison Burroughs, an Obama appointee, who previously ruled in favor of Harvard’s racially motivated admissions policies. Judge Burroughs’ decision was subsequently overruled by the Supreme Court.
To get an idea of how Harvard’s lawsuit is likely to play out, either at the trial level or eventually on appeal, one may look to the ongoing case of Gartenberg v Cooper Union, the New York college where students attempted to hide in a library while under violent, antisemitic attack, just weeks after the massacre of October 7. In February, Judge John P. Cronan vigorously denied the college’s motion to dismiss stating, “The Court is dismayed by Cooper Union’s suggestion that the Jewish students should have hidden upstairs or left the building, or that locking the library doors was enough to discharge its obligations under Title VI. These events took place in 2023—not 1943—and Title VI places responsibility on colleges and universities to protect their Jewish students from harassment, not on those students to hide themselves away in a proverbial attic or attempt to escape from a place they have a right to be.”
I could not have said it better myself, and so I won’t attempt to: these events took place in 2023 — not 1943.
Excluding Jews from academic life through violence and intimidation, all while cloaked in the garment of arrogant moralizing, was one of the most notable hallmarks of early Nazi Germany, long before such exclusion became codified into Nazi law. Whether history will repeat itself depends on what America does next.
This year, on Yom HaShoah, “never again” must mean now.
Daniel Pomerantz is the CEO of RealityCheck, an organization dedicated to deepening public conversation through robust research studies and public speaking.
The post Yom HaShoah and Harvard’s Complete Refusal to Address Hatred and Attacks on Jews first appeared on Algemeiner.com.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”
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Merz Says Criticism of Israel in Germany Has Become Pretext for Hatred of Jews
German Chancellor Friedrich Merz attends celebrations of the newly completed renovation of Reichenbach Strasse synagogue in Munich, Germany, Sept. 15, 2025. Photo: REUTERS/Angelika Warmuth
Chancellor Friedrich Merz said on Wednesday that criticism of Israel was increasingly being used in Germany as a pretext for stoking hatred against Jews.
Speaking at an event to mark the 75th anniversary of the founding of the Central Council of Jews, Merz said that antisemitism had “become louder, more open, more brazen, more violent almost every day” since the Hamas-led attacks on Oct. 7, 2023, that ignited the Gaza war.
“‘Criticism of Israel‘ and the crudest perpetrator-victim reversal is increasingly a pretext under which the poison of antisemitism is spread,” he said.
Germany is Israel‘s second biggest weapons supplier after the US, and has long been one of its staunchest supporters, in part because of historical guilt for the Nazi Holocaust – a policy known as the “Staatsraison.”
Last month, however, Germany suspended exports of weaponry that could be used in the Gaza Strip because of Israel‘s plan to expand its operations there – the first time united Germany had acknowledged denying military support to its long-time ally.
The decision followed mounting pressure from the public and his junior coalition partner over the humanitarian crisis in Gaza.
In his speech in Berlin on Wednesday, Merz mentioned his about-turn, saying that criticism of the Israeli government “must be possible,” but added: “Our country suffers damage to its own soul when this criticism becomes a pretext for hatred of Jews, or if it even leads to the demand that Germany should turn its back on Israel.”