Uncategorized
2025’s Jewish highlights — from ‘Marty Supreme’ to Max Fried’s menschy move
Jews have been in the spotlight in the past years for all kinds of reasons, many of them less-than-fun: Gaza, war, hostages, protests. But looking back, we wanted to boil it down into highlights. Or at least things that were just really, really Jewish. Basically, everything we thought was worth making note of in the last year, whether for its merits, its lack thereof, or just for its pure oddity.
You may notice reading that there seem to be a few doubles in these categories. But, you see, the “best Jewish movie” is not necessarily the “most Jewish movie.” That’s because there has been a glut of loudly Jewish content that’s awfully hard to ignore, screaming for our attention. That doesn’t mean it’s good, but it’s notable.
So read on for the Jewish things you should remember — whether you want to or not — from 2025.
Best Jewish movie
It’s apparently a Safdie family tradition to induce anxiety in movie-going Jews on Christmas. (Uncut Gems arrived Dec. 25, 2019.) Josh Safdie’s film, about salesman-hustler-table-tennis dynamo Marty Mauser, accumulates Yiddishkeit as it goes, including a brief cameo by a Forward delivery truck. Timothée Chalamet dons thick-rim glasses and hangs a Magen David over his chest as he jousts with a Holocaust survivor opponent (there were a few ping-pong champs who did, in fact, survive Auschwitz). A character in the tradition of Sammy Glick and Duddy Kravitz, Marty is as magnetic as he is entitled. While the film’s concerns are universal, it is perhaps primarily a portrait of the New Jew, not of the Nordau school, but the American one, who regarded success as something he’s owed.
Most Jewish movie
These days, there is such a glut of Holocaust content that each new book, movie or show has to find a unique niche. Nuremberg did so by focusing on the relationship between Hermann Goering, Hitler’s right-hand man, and the psychiatrist assigned to analyze him before the eponymous trials, a man who hoped to find some genetic or mental component for evil that he can diagnose.
But the movie is so intent on being informative that it neglects to actually develop its characters and give real insight into Goering’s mind and motivations, or anyone else’s. Though it purports to be a movie about the banality of evil, it was actually just banal. It culminates in the shocking realization that evil has no genetic component, and most of its reveals carry just as little weight. Its most impactful moment is actually a piece of another film: the archival footage shown during the actual trial, which the movie excerpts.
Most Jewish movie that isn’t actually Jewish
Sentimental Value
In Joachim Trier’s film, which won the Grand Prix prize at Cannes, aging filmmaker Gustav Borg pursues reconciliation with his daughters by trying to cast them in his next film, which is a dramatization of his life. He wants the younger sister Nora, a theater actress who battles crippling anxiety, to play his mother who died by suicide; he’s cast the preteen son of Agnes, the elder sister, as a younger version of himself.
The Norwegian family depicted in this film isn’t Jewish. But Trier introduces all the classic beats of Jewish cultural concern: inherited trauma, the artist’s struggle, and the allure/disappointment of goyish blondes (this one played distractingly by Elle Fanning).
(Bonus points for Jewish musical-comedy darling Catherine Cohen’s bit part as Fanning’s phone-addicted manager.)
Most Jewish TV
The second season of Netflix’s Hot Rabbi hit rom-com, once again dominated Jewish conversations — and the streamer’s most-watched list. But much like its huge first season, the second left something to be desired in terms of its representation of Jews, who once again seemed to be incredibly limited by their religious identity and beliefs, and yet simultaneously eager to cast them off given the right opportunity. Stereotypes — like Jews being bad at sports or good at complaining — do a lot of the work of making the show Jewish. The effect is that Nobody Wants This doesn’t feel Jewish so much as it screams at the audience “this is a Jewish show!”
The show’s approach to Jewishness is perhaps best captured by the fact that menorahs, inexplicably, constantly appear in the background, even though it’s not Hanukkah at any point in either season. But without a hanukkiah on display — and, sometimes, lit — how would we know it’s Jewish?
Best Jewish TV
Long Story Short
The animated show from the creator of the surrealist show Bojack Horseman, Raphael Bob-Waksberg, managed to avoid the pitfalls that so often plague very Jewish media — namely heavy-handedness around Israel, or antisemitism, or leaning on clumsy exposition to define Jewish practices for a gentile audience. Instead, the show just lets its Jewish family be, while also showcasing a wide range of Jewish diversity; the family includes a Black Jewish convert, both a ba’al teshuva son and another son who struggles to connect with his Jewishness, and a queer couple. Each character feels deeply familiar to anyone who spends time in Jewish community, but the show doesn’t try to make the jokes easy to read to non-Jews. Maybe that means some of them fly over the heads of anyone not in the tribe, but that means it’s pitch-perfect for those of us looking for a deeper, subtler representation of Jewish life.
Most Jewish play
The latest play from writer and actress Liba Vaynberg, imagines how six of the Biblical matriarchs — Miriam, Sara, Rebecca, Rachel, Leah and Tziporrah — would have lived today. Set over the course of decades, the girls start the play as 13-year olds and end it in the late stages of adulthood. Each girl’s path is a smart imitation of their matriarch’s actual story, transposed into the modern day. Sara struggles with infertility. Miriam becomes a rabbi, believing that studying Torah will help her lead a good life and avoid misfortune. Leah’s mandrake root is substituted by weed edibles. With humor and an impressive amount of Jewish references that only those steeped in biblical expertise might catch, the play asks: Why is life full of sacrifices, especially ones that seem unjustified? Vaynberg is not interested in giving a solid answer, but still provides a satisfying ending, assuring that life, no matter what it brings, is meant to be lived in full.
Best Jewish play
Slam Frank
Ragebait maestro Andrew Fox’s opus, which reimagines Anne Frank as Anna Franco, a pansexual Latinx immigrant from the “barrios of Frankfurt,” is a piece with many moving parts: a social media campaign that shames the Auschwitz-Birkenau Museum for not including chanclas in their mountains of shoes and, yes, also a “real musical,” despite the doubts of many online who assumed it was pure trolling. In fact, it’s a lucid commentary on the state of woke, where identity boxes serve as proxies for character development, and stops just short of being a full referendum on inclusion.
The piece, riffing on nearly every virtue-signalled mega-musical of the last two decades, is at its most knotty when it takes on Jewishness; Fox knows being Jewish doesn’t map neatly to the fashionable formulas of white privilege and oppressor-oppressed. In the end, it is the reimagined attic residents’ existence as Jews that unravels the simple binaries of progressive politics.
Most Jewish book
Sam Sussman’s novel takes the author’s own nebulous biography as its subject — and the suspicion that Bob Dylan may be his father. If this wasn’t Jewish enough, the initial meeting of his mother and the future-Nobel Laureate took place in the studio of painter Norman Raeben, whose father was Solomon Naumovich Rabinovich (aka Sholem Aleichem). The book generated a lot of interest as a work of a promising debut from a young novelist.
Another extremely Jewish book
Kaplan’s Plot
A rollicking story that toggles between a Ukrainian mobster scraping by and a modern-day tech worker digging through family history, essayist and memoirist Jason Diamond’s first novel digs into Jewish Chicago. Really, as any good Jewish story spanning generations, the book is an examination of the impact of inherited trauma, but it’s not too heavy; it crackles with fast-paced Yiddishisms and the propulsive plot of a thriller. Jewishness isn’t the book’s subject as much as it is its entire ethos.
Funniest Jewish newsletter
One of the brightest and least-talked-about trends in the Jewish world right now is the second wave of Substack newsletters introducing new perspectives on Jewish life. (Read about the first wave here.) Bagel Emoji, a semiregular dispatch from a semi-anonymous, gay semi-Orthodox Jew who lives in Los Angeles, delivers feverish, meandering riffs on niche trends like AI content in Jewish print publications and the notorious odor of a particular kosher grocer to say something deeper about frum life. Bagel’s general sass — thinly masking affection, I think — makes each entry essential reading.
Spiciest Jewish newsletter
Picture a newsletter about Israel discourse so hot it must be handled with gloves. That’s NonZionism, a regular rant from an Israel-based writer who goes by the pen-name Mascil Bina. Skewering the excesses and hollowness of both pro-Israel and anti-Israel ideology, the author’s perspective offers a third position: That Israel is “something that wasn’t inevitable, but cannot now be undone.” His takes are unsparing, and unexpected — one week, it’s the case for Bibi Netanyahu; the next, it’s a withering critique of hasbara titled “Zionism turns your brain to mush.” Just recommending it feels risky.
Best Jewish music moment
Streisand and Dylan duet
Streisand announced an album of duets, The Secret Of Life: Partners, Volume Two, with the likes of Hozier, Paul McCartney, Mariah Carey, Ariana Grande and — finally — Bob Dylan, resolving decades of a great musical will-they-won’t-they.
“The track opens with the sound of harmonica, a sound often associated with Dylan,” wrote the Forward’s Seth Rogovoy. “But this harmonica sounds nothing like Dylan’s style, and it is definitely not Dylan playing.” He is singing though, and Barb comes in by the fourth line. Unfortunately, they have yet to duet on “Lay Lady Lay,” a song Dylan purportedly wrote with Barb in mind.
Best “Good for the Jews” moment
Britney Spears admiring the beards of Chabadniks playing chess
The Instagram post was rizz recognizing rizz.
Best Jewish Food Moment
Manischewitz launches food truck
Since 1888, the Manischewitz Company has been a Jewish household staple. But now, it’s taking its signature products on the road. The Manischewitz Deli on Wheels, an orange truck that serves rugelach, hot dogs, vegetarian egg rolls, and matzo ball soup, launched this March as part of the brand’s plan to market to younger audiences. Last year, the company launched a frozen food line that emphasized convenience, a quality they are also trying to capture in their truck. Manischewitz has a city-wide license and plans to take the truck all over New York and New Jersey. Its creative branding and warm servings of classic Jewish comfort food are a welcome addition to the already bustling food-truck scene.
Most Jewish Food Moment
New York City sets a new record for the world’s biggest Shabbat dinner
On Nov. 20, more than 2,500 Jews — 2,761 to be exact — sat down at the Javits Convention Center in Manhattan and broke the record for the world’s biggest Shabbat dinner. The previous record had been set by Berlin in 2015 with a dinner of 2,322 people. The Forward’s Hannah Feuer was in attendance to get all the details — and do her best to eat all the food served over the multi-course meal. The event included 811 pounds of kugel, 402 challahs, and 22,500 hors d’oeuvres and, in an AI generated video, Albert Einstein, Ruth Bader Ginsburg, Golda Meir and the Hebrew patriarch Abraham offered commentary on the dinner. For entertainment, a woman in a leotard, suspended by wires from the ceiling, played “If I Were a Rich Man” on the violin and the Jewish a capella group Six13 sang “We Are the Champions” to celebrate the victorious occasion.
Biggest Jewish sports disaster
A bicycle blowup
Canadian-Israeli billionaire Sylvan Adams had a hobby — competitive cycling — and a dream: using the sport to bolster Israel’s image abroad. That dream crashed hard into reality this summer at the Spanish Vuelta, where Adams’ team — called Israel-Premier Tech, and featuring zero Israeli or Jewish riders — turned out thousands of anti-Israel protesters.
Several of the race’s stages were altered or cancelled, including the final, which was halted several miles short of the finish line. By the Vuelta’s conclusion, some of the other riders were openly campaigning for Israel-Premier Tech’s exclusion and the team had removed “Israel” from its jerseys. The team’s demise became official this month when it was announced that retired Spanish footballer Andres Iniesta had bought IPT and, er, rechristened it.
Best Jewish sports performance
Avdija delivers
Deni Avdija was not supposed to be this good. Yet in his sixth season, the Portland Trail Blazers’ forward has been producing like an All-Star — he’s averaging 26 points, 7 rebounds, 6 assists per game as of this writing, with borderline elite efficiency — and with any justice, he’ll soon become one.
Most heartwarming Jewish sports moment
A very Jewish draft
It’s gotta be the back-to-back selections of Jewish Brooklyn Nets rookies Ben Saraf and Danny Wolf at June’s NBA Draft. Some draft prognosticators were expecting Wolf, a dynamic seven-footer who led Michigan to the Sweet 16, to be picked early in the first round — before Saraf, a spindly Israeli point guard. Instead, when Nets took Saraf with the 26th pick, the Wolf ganze mishpoche was still twiddling their thumbs. Moments later, though, Commissioner Adam Silver called Wolf’s name, sending older brother Jake Wolf into full-blown sobs — and into the unofficial sports meme hall of fame.
Menschiest Jewish athlete
Max Fried
The Yankees ace called reigning Cy Young winner Tarik Skubal to tell him he deserved to start the All-Star game in his stead. “It’s a very professional thing to do, and you got a ton of respect for guys that do stuff like that,” Skubal later told reporters. What we were thinking: This kid must have great parents!
The post 2025’s Jewish highlights — from ‘Marty Supreme’ to Max Fried’s menschy move appeared first on The Forward.
Uncategorized
A Yiddish chorus in Sao Paulo, Brazil finds its voice again
אין סאַאָ־פּאַולאָ, דער גרעסטער שטאָט אין בראַזיל, האָט דער אײנציקער כאָר אין לאַנד װאָס זינגט אױסשליסלעך אױף ייִדיש, אַרױסגעגעבן אַן אַלבאָם װאָס קלינגט סײַ טיף פֿאַרװאָרצלט אין טראַדיציע, סײַ באַנײַעריש. דער אַלבאָם הייסט „שמשׂ“ (אַרויסגערעדט „שאַמעס“).
דעם אַלבאָם האָט דער „טראַדיציע כאָר“ צוגעגרייט אין דער באָם־רעטיראָ געגנט, װאָס איז אױסגעפֿורעמט געװאָרן דורך נאָכאַנאַנדיקע כװאַליעס אימיגראַנטן פֿון פֿאַרשײדענע לענדער און קהילות. דער דיסק הײבט זיך אָן מיט גרױסע שלאַגערס פֿון ייִדישן רעפּערטואַר און ברײטערט זיך אױס אין אומגעװײנטלעכע ריכטונגען, בתוכם אימפּראָװיזירונג, עלעקטראָנישער מוזיק און באַגעגענישן מיט אַנדערע מוזיקאַלישע טראַדיציעס.
די פּרעמיערע פֿונעם אַלבאָם האָט מען אָפּגעהאַלטן דעם 22סטן אַפּריל אין „פֿאָלקסהױז“, אַ װיכטיקן ייִדישן קולטור־צענטער אין שטאָט, װאָס איז געגרינדעט געװאָרן אין 1946 אין אָנדענק פֿון די קרבנות פֿון חורבן. זינט יענער צײַט אָריענטירט זיך דאָס „פֿאָלקסהױז“ לױט די ייִדישיסטישע און אַנטיפֿאַשיסטישע פּרינציפּן פֿון איקו״ף (דעם „ייִדישן קולטור־פֿאַרבאַנד“), און פֿירט אָן, ביז הײַנט, מיט אַ ייִדישער ביבליאָטעק, קולטורעלע און פּעדאַגאָגישע אַקטיװיטעטן, און מיטן ייִדישן כאָר.
לױט די קוראַטאָרן פֿון אַלבאָם — קאַיאָ־מאָטל לעשער, לאַוראַ װיאַנאַ און זשוליאַ מאָרעלי — פֿונקציאָנירט זײַן טיטל װי אַ שליסל־מעטאַפֿער פֿאַר דעם גאַנצן פּראָיעקט. די 99־יאָריקע דיריגענטקע הוגעטאַ סענדאַטש איז די צענטראַלע פֿלאַם, װאָס װײַזט דעם װעג פֿון דער רײַכער ירושה פֿון דער ייִדישער שפּראַך צו די נײַע דורות זינגערס און ליבהאָבערס פֿון ייִדיש אינעם פֿאָלקסהױז. שוין צענדליקער יאָרן וואָס סענדאַטש פֿירט אָן מיטן כאָר.
דער אַלבאָם, װאָס איז שױן צוטריטלעך אױף „סאַונד־קלאַוד“, װעט סוף מײַ אָנקומען אין „ספּאָטיפֿײַ“, און װעט אױך אַרױסגעגעבן װערן װי אַ װיניל־פּלאַטע אין סעפּטעמבער. ער איז סטרוקטורירט װי אַ פּאַלינדראָם, פּונקט װי דאָס װאָרט „שמשׂ“ אַלײן, און קען װערן אָפּגעשפּילט אין צװײ ריכטונגען, װאָרעם די כּמעט־סימעטרישע זײַטן א׳ און ב׳ שאַפֿן אַ דיאַלאָג צװישן געדעכעניש און נײַע דערפֿינדונגען.
אױף דער ערשטער זײַט פֿונעם אַלבום, טרעט אױף דער כאָר ווי אַ טראַדיציאָנעלערער אַנסאַמבל, מיט נײַע אַראַנזשירונגען פֿון זשאָאַאָ באַריסבע און הוגעטאַ סענדאַטש. דער רעפּערטואַר נעמט אַרײַן סײַ קלאַסיקערס װי די פּאַרטיזאַנער־הימנע „זאָג ניט קײן מאָל“, סײַ פֿאָלקס־ניגונים. דער טרומײטער פֿראַנק לאָנדאָן, צוזאַמען מיטן קלאַרנעטיסט אַלעקס פּאַרק און דעם פּיאַניסט דניאל שאַפֿראַן, מישן צונויף דאָס כאָר־געזאַנג מיטן אינסטרומענטאַלן קלאַנג פֿון כּלי־זמר־מוזיק.
אױף דער צווייטער זײַט, װערן די זעלבע לידער דעמאָנטירט און באַשאַפֿן אױף ס׳נײַ דורך אײַנגעלאַדענע קינסטלערס, װי אַרטאָ לינדסײ, װאָס אימפּראָװיזירט אויפֿן סמך פֿון „זאָג ניט קײן מאָל“; קאַרלאַ באָרעגאַס, װאָס פֿאַרװאַנדלט אַ װיגליד אין אַן עטערישער (ethereal, בלע״ז), קלינגעװדיקער לאַנדשאַפֿט; פּאַולעטע לינדאַסעלװאַ, װאָס מאַכט איבער דאָס ליד „שאַ, שטיל” אין אַ פּולסירנדיקער עלעקטראָנישער שאַפֿונג; און אַװאַ ראָשאַ, װאָס גיט דעם חסידישן ניגון „בים־באַם“ אַ נײַע אינטערפּרעטאַציע.
אַנדערע דיאַספּאָרישע טראַדיציעס קומען אױך אַרײַן אין שפּיל. אַ כאָר פֿון קאָרעאַנער מאַמעס, װאָס איז טעטיק אין באָם־רעטיראָ, זינגט אַ טײל פֿונעם קאָרעאַניש פֿאָלקסליד „דאָס ליד פֿון מײַן מאַמען“, בשעת די אַפֿראָ־בראַזיליאַנער גרופּע פֿון פֿרױען־פּײַקלערס, „אילו אָבאַ דע מין“, באַגלייט דעם ייִדישן שלאַגער „שפּיל זשע מיר אַ לידל“. דער דאָזיקער נוסח פֿון ליד איז באַשאַפֿן געװאָרן אין צוזאַמענאַרבעט מיט דער ישׂראלדיקער קינסטלערין יעל ברתּנא פֿאַר דער פּיעסע „מיר זײַנען דאָ!“, װאָס איז פֿאָרגעשטעלט געװאָרן אין טאַיִב־טעאַטער.
דער פּראָיעקט נעמט אױך אַרײַן אַ נאָטנהעפֿט מיט װערטער אױף ייִדיש, סײַ מיט ייִדישע אותיות, סײַ טראַנסליטערירט, און אױך אױף פּאָרטוגעזיש. די איבערזעצונגען זײַנען געמאַכט געװאָרן דורך דעם סאַאָ־פּאַולער ייִדישיסטישן קאָלעקטיװ „ייִדישע טרופּע“ און דורך דער דיריגענטקע הוגעטאַ סענדאַטש אַלײן. דער מאַטעריאַל װערט באַגלײט אױך פֿון טעקסטן װעגן דעם רעפּערטואַר און דער טראַדיציע פֿון כאָר־געזאַנג אױף דער ייִדישער שפּראַך.
„שמשׂ“ װירקט װי אַ שטילער מאַניפֿעסט. דער טראַדיציע־כאָר, װאָס שטײט אין דער מסורה פֿון ייִדישע כאָרן אין סאַאָ־פּאַולאָ, מיט אַ העכער הונדערט־יאָריקער געשיכטע, װײַזט אױף אַן אַנדער פֿאָרעם פֿון המשכדיקײט, װאָס באַנײַט זיך אין אױסטױש מיט נײַע קאָנטעקסטן, ריטמען און פּאַרטנערס.
אין „פֿאָלקסהױז“ בלײַבט די ייִדישע קולטור אַזױ לעבעדיק, גראָד װײַל זי בײַט זיך כּסדר און שטײט אין ענגער פֿאַרבינדונג מיט אַנדערע שפּראַכן און מינהגים. אַזױ אַרום דינט דער טיטל פֿון אַלבאָם מער װי נאָר אַ מעטאַפֿער. ער באַשרײַבט דעם פּראָיעקט אַלײן׃ אַ פֿלאַם, װאָס טײלט זיך מיט איר פֿײַער מיט אַנדערע, אָן צו פֿאַרלירן דערבײַ איר אײגן ליכט.
[דער אַרטיקל איז רעדאַקטירט געוואָרן מיט דער הילף פֿון גוסטאַװאָ־גרשום עמאָס]
The post A Yiddish chorus in Sao Paulo, Brazil finds its voice again appeared first on The Forward.
Uncategorized
Trump Says ‘Good Chance’ of Iran Nuclear Deal After Delaying Strike
US President Donald Trump delivers remarks on the White House campus in Washington, DC, US, May 18, 2026. Photo: REUTERS/Jonathan Ernst
US President Donald Trump said on Monday there was a “very good chance” the United States could reach an agreement with Iran to prevent Tehran from obtaining a nuclear weapon, hours after saying he had postponed a planned military attack to allow negotiations to continue.
“There seems to be a very good chance that they can work something out. If we can do that without bombing the hell out of them, I would be very happy,” Trump told reporters gathered for a drug price announcement.
Earlier in the day, Trump said he had paused a planned attack against Iran to allow for negotiations to take place on a deal to end the US-Israeli war, after Iran sent a new peace proposal to Washington.
Trump said he had instructed the US military that “we will NOT be doing the scheduled attack of Iran tomorrow, but have further instructed them to be prepared to go forward with a full, large scale assault of Iran, on a moment’s notice, in the event that an acceptable Deal is not reached.”
No such attack had previously been announced, and Reuters could not determine whether preparations had been made for strikes that would mark a renewal of the war Trump started in late February.
Under pressure to reach an accord that would reopen the Strait of Hormuz, Trump has previously expressed hope that a deal was close on ending the war, and similarly threatened heavy strikes on Iran if Tehran does not reach a deal.
In his post, he said the leaders of Qatar, Saudi Arabia, and the United Arab Emirates had requested that he hold off on the attack because “a Deal will be made, which will be very acceptable to the United States of America, as well as all Countries in the Middle East, and beyond.” He did not offer details of the agreement being discussed.
Trump’s post came after Iranian Foreign Ministry spokesperson Esmaeil Baghaei confirmed that Tehran’s views had been “conveyed to the American side through Pakistan” but gave no details.
A Pakistani source confirmed that Islamabad, which has conveyed messages between the sides in the war in the Middle East since hosting the only round of peace talks last month, had shared the latest proposal with Washington. But the source suggested progress had been difficult.
The sides “keep changing their goalposts,” the Pakistani source said, adding: “We don’t have much time.”
IRAN REMAINS DEFIANT
Iran remained defiant in statements issued on state media after Trump’s announcement, warning the US and its allies against making any further “strategic mistakes or miscalculations” in attacking Iran, while contending the Iranian armed forces were “more prepared and stronger than in the past.”
Iran‘s top joint military command, Khatam al-Anbiya, said Iran‘s armed forces are “ready to pull the trigger” in the event of any renewed US attack, according to Iran‘s Tasnim news agency.
“Any renewed aggression and invasion … will be responded to quickly, decisively, powerfully, and extensively,” the commander of Khatam al-Anbiya, Ali Abdollahi, was quoted as saying.
The Iranian peace proposal, as described by a senior Iranian source, appeared similar in many respects to Iran‘s previous offer, which Trump rejected last week as “garbage.”
It would focus first on securing an end to the war, reopening the Strait of Hormuz – a major oil supply route that Iran has effectively blockaded – and lifting maritime sanctions.
APPARENT SOFTENING BY WASHINGTON
Contentious issues around Iran‘s nuclear program and uranium enrichment would be deferred to later rounds of talks, the source said.
However, in an apparent softening of Washington’s stance, the senior Iranian source said on Monday that the United States had agreed to release a quarter of Iran‘s frozen funds – totaling tens of billions of dollars – held in foreign banks. Iran wants all the assets released.
The Iranian source also said Washington had shown more flexibility in agreeing to let Iran continue some peaceful nuclear activity under supervision of the International Atomic Energy Agency.
The US has not confirmed that it has agreed to anything in the talks.
Iran‘s Tasnim news agency separately quoted an unidentified source as saying the US had agreed to waive oil sanctions on Iran while negotiations were under way.
Iranian officials did not immediately comment on Tasnim’s report, which a US official, who declined to be named, said was false.
A fragile ceasefire is in place after six weeks of war that followed US-Israeli airstrikes on Iran, although drones have been launched from Iraq towards Gulf countries, including Saudi Arabia and Kuwait, apparently by Iran and its allies. Pakistan’s Foreign Ministry issued a statement on Monday condemning a drone attack on Sunday, in which Saudi Arabia said it had intercepted three drones that entered the country from Iraqi airspace.
Uncategorized
Israeli flag attack ad prompts antisemitism charge in PA state race — yet boosts the Jewish candidate
Bradley Merkl-Gump, a former middle school social studies teacher and school board member running for Pennsylvania state senate in Tuesday’s primary, is seeking a state job that has little to do with global politics.
Yet voters received campaign mail plastered with an Israeli flag, portraying him as the candidate of an “Israel first” political machine.
The mail, paid for by the Protecting Our Democracy PAC, casts Merkl-Gump as the “hand-picked candidate of the corporate, Israel-first Democratic party boss and insiders” and a “party boss and special interest puppet.” It pictures him in the company of Pennsylvania Sen. John Fetterman, who is a stalwart Israel ally, and — embellished with the Israeli flag — Steve Santarsiero, a Jewish Democratic state senator from a neighboring district who endorsed Merkl-Gump.
Santarsiero, who converted and has a Jewish family, has twice introduced legislation to withhold funding from any Pennsylvania colleges that divest from Israel, but he is a relative moderate on Israel: He has also said he does “not support either Benjamin Netanyahu or his right-wing government,” and does “support the creation of a Palestinian state.”
Merkl-Gump took to Instagram earlier this month to condemn the flyers, accusing the PAC of “targeting his Jewish faith” and declaring “This has gone too far.” He has also has hinted at concerns about the anti-divestment resolution, saying in a recent debate: “We should never be preventing any institution in this state from using its free speech.”
He did not respond to the Forward’s request for comment.
Complicating the picture: the candidate Protecting Our Democracy PAC is promoting in the mailer, Lehigh County Controller Mark Pinsley, is Jewish.
He is also a vocal voice criticizing Israel. The flyer notes that Pinsley “spoke out against Netanyahu’s war crimes.” Like many in his Democratic Party, Pinsley has called Israel’s military campaign in Gaza a genocide.
Pinsley says he sees the mail as pushback on Israel-related policy rather than animus toward Jews.
“To me, it looks like a sharp criticism of a specific vote on a specific bill,” Pinsley said in an interview with the Forward, referring to Santarsiero’s anti-BDS legislation.
Pinsley noted that Pennsylvania Sen. John Fetterman, who is not Jewish but is one of the most outspoken Democrats in support of Israel, also appears in the flyer.
Still, Pinsley conceded that it was disingenuous to tie Fetterman, Merkl-Gump and Santarsiero together through Israel-related framing.
He also condemned the mail as an example of “dark money and outside groups poisoning our politics.”
But other Jews in the district expressed alarm.
Rabbi Moshe Re’em of Temple Beth El in Allentown, which has many congregants located in the district, said the PAC’s focus on Israel seemed intended to “demonize” and “create a kind of a panic.”
“The country that receives the second largest sum of foreign aid in terms of the military is Egypt, and one can have dual citizenship also with Egypt, but you don’t see anyone targeting Egyptian Americans as prioritizing funds for Egypt over local funding,” Re’Em told the Forward. “You have to really question and wonder if something’s being singled out, the extent to which it’s problematic.”
Stealth game?
Accusations that political candidates are “Israel first” have mushroomed with U.S. involvement in the Iran war and funding for Israel’s defense, invoking claims that Jews and their allies have un-American, pro-Israel dual loyalties. Those charges typically revolve around funding AIPAC, the mega pro-Israel campaign group, and the candidates who have received its support.
But state candidates don’t receive money from AIPAC and have no power over foreign policy. Candidates in the Pennsylvania race have largely focused on local issues like bringing down the cost of housing.
The winner of Tuesday’s primary will face off against Republican state Sen. Jarrett Coleman, who assumed office in 2023, and some in the district suspect that the mailer boosting Pinsley is intended to help Coleman get re-elected by prompting Democrats to elect someone too far to the left to win the general election.
The “Israel first” line of attack against Merkl-Gump may also serve an entirely unrelated interest.
The Protecting Our Democracy PAC has links to the “skill game” industry — games similar to slot machines but involve a higher level of player input, avoiding gambling regulation and taxes.
Public records list Joseph Calla, the owner of game supplier Capital Vending in Mechanicsburg, Pa., who wrote an op-ed in January against a proposed tax on the skill games industry, as the chairperson of the Protecting Our Democracy PAC. Calla declined to comment to the Forward.
Coleman’s campaign has received nearly $400,000 from skill-game executives and has argued that taxing the industry would hurt organizations that rely on revenue from skill games, such as fraternal clubs that serve veterans. Coleman did not respond to the Forward’s request for comment.
“These guys are just trying to create chaos,” Pinsley said. “It’s unfortunate that politics has turned into such a nasty game.”
The post Israeli flag attack ad prompts antisemitism charge in PA state race — yet boosts the Jewish candidate appeared first on The Forward.