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A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival

(New York Jewish Week) – Now 21 years old, New York’s biggest film festival is also reliably rife with Jewish connections. And this year, the festival — which runs at various venues throughout Manhattan, beginning Wednesday evening and continuing through June 18  — boasts a cool crop, ranging from a profile of Jewish comics legend Stan Lee to a mystery surrounding an Iranian dissident artist whose daughter formerly oversaw one of the city’s most unusual Jewish film festivals. 

Here are some of the Jewish-interest films premiering at Tribeca this year. If you can’t make it in person, select films this year will be available for streaming following the festival.  

“The Future”

Screening in the international narrative competition, this Israeli sci-fi drama plays off the deep divides in Israeli society today. The story is a murder mystery: The head of the country’s space program is killed in the run-up to Israel’s first mission to the moon, and the leader of a new “Minority Report”-esque algorithm designed to predict future acts of terrorism decides to interview a Palestinian university student who has confessed to the murder. 

Playing June 10, 11 and 17.

“Stan Lee”

In advance of its streaming premiere on Disney+, this documentary tells the life story of the Jewish Marvel Comics legend who co-created pop culture’s most recognizable superheroes (including Spider-Man, the X-Men and the Fantastic Four). The film also profiles other Jewish comics pioneers in Lee’s orbit, including underground comics publisher Flo Steinberg, who began her career as his secretary.

Playing June 10, 11 and 18.

“A Revolution on Canvas (Untitled Nicky Nodjoumi)”

The former artistic director of the New York Sephardic Film Festival, Sara Nodjoumi has also produced documentaries like “The Iran Job” and “When God Sleeps,” both about the explosive intersection of pop culture and the Iranian regime. Now, Nodjoumi has turned the lens on her own father, Nickzad, an Iranian “treasonous” artist who saw more than 100 of his paintings mysteriously disappear. Co-directed by Nodjoumi and her husband Till Schauder, the documentary attempts to trace the paintings’ disappearance while asking larger questions about the fate of artists in a repressive society.

Playing June 11, 13 and 15.

“Every Body”

This timely documentary on intersex activists from “RBG” co-director Julie Cohen profiles three people born with ambiguous genitalia who hope to push back on common misconceptions about the gender binary and “corrective” surgery in the wake of sweeping legislation targeting trans people in a growing number of states. One of the film’s subjects, Austin-based Alicia Roth Weigel, is Jewish, and has talked about studying Kabbalah because the Book of Genesis describes “the image of God” as “male and female.” The film will receive a broader theatrical release June 30.

Playing June 11, 12 and 16.

“Scream of My Blood: A Gogol Bordello Story”

Self-proclaimed “Gypsy punk” band Gogol Bordello, which has rotated several Jewish members, has been a global cult sensation for decades (with one heck of a live act). This documentary, which will be screened before a live performance from the band, chronicles the group’s raucous history and its explosive new chapter as a loud protest voice in the aftermath of Russia’s invasion of Ukraine, the homeland of charismatic frontman Eugene Hütz. While Hütz is not Jewish, he told the Manchester Jewish Telegraph that his family often experienced antisemitism from neighbors who had assumed they were. (Hütz also starred in the film adaptation of Jonathan Safran Foer’s Jewish metafiction “Everything Is Illuminated.”) 

Playing June 13, 14 and 16.

Bonus: Jewish issues in audio storytelling

As podcasts grew in popularity in recent years, TriBeCa has introduced an “audio screening” program to complement its film selections. A few of its audio selections this year are of interest to Jewish audiences. There’s “Shalom, Amore,” a docu-fictional series about an Italian Jewish family during Mussolini’s Fascist regime, featuring the voice talent of Stanley Tucci. “Aisha,” a short audio drama, follows developing tension between a Palestinian girl in Gaza City and an Israeli-American aid worker. 

Check festival guide for showtimes.

For more details and information about this year’s Tribeca Film Festival, click here


The post A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival appeared first on Jewish Telegraphic Agency.

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Alabama is forcing the Ten Commandments into my children’s classrooms. As a rabbi, I’m horrified

As of this month, many public schools in Alabama are required to display the Ten Commandments in classrooms, libraries, lunchrooms and all other common spaces.

Proponents of Senate Bill 99, signed into law by Gov. Kay Iven on April 10, have claimed that these enforced displays are historical, educational and religiously neutral. As an Alabama rabbi — and a father of two future public school students — I see that defense as not just incorrect, but also deceitful, especially because the version of the Ten Commandments that the law endorses is, itself, not historically accurate.

The Ten Commandments are a sacred Jewish text. They were given to the Jewish people, written in Hebrew, and rooted in a specifically Jewish story of liberation and covenant. This law takes that text, strips it of its context, and reshapes it using a Christian lens.

The version of the Ten Commandments that will be displayed in our schools omits the text’s defining opening: “I am the Lord your God, who brought you out of Egypt, out of the land of slavery.” That line grounds the commandments in the narrative of the Jewish people. To remove it is not preservation. It is distortion.

Claims of the law’s neutrality are a strategy meant to give legal and cultural cover to the fact that it clearly privileges one particular Christian worldview in public institutions meant to serve everyone.

This does not reflect the beliefs or desires of all Christians. Many Christian leaders and communities understand that faith loses its integrity when it is elevated or enforced by the state. Many of my Alabama colleagues, across religious traditions, are dismayed by this as well. They understand that this law is an ideological move that uses religion to draw boundaries around belonging, and object to that weaponization of something sacred.

In opposing Senate Bill 99, the American Historical Association made the point plainly, arguing that this law presents a distorted version of American religious history under the label of “historical truth.”

The text of the bill describes the Ten Commandments as “a key part of the Judeo-Christian religious and moral tradition” — a claim that does not reflect the consensus of historians, legal scholars or the judiciary.

The idea of a unified “Judeo-Christian” tradition is itself a misleading modern construction. It did not come from Judaism. It emerged within a Christian framework and recasts Judaism as a precursor to Christianity rather than a living, evolving tradition in its own right.

Alabama students, like students across this country, deserve an education that is accurate, intellectually honest and grounded in real scholarship. Public schools should be places where students can form identities they are proud of, develop the values that guide them, and begin to understand how they can contribute to the world around them. They should be places where students feel safe, nurtured and valued.

This law erodes those principles. Instead, it replaces real education with ideology, narrowing what students are allowed to learn and how they are taught to understand their country. It denies students exposure to the full diversity of American religious life, replacing that rich landscape with a single, imposed narrative.

When a classroom wall presents one version of a religious text as if it were foundational to civic life, it sends a message. Some students will see themselves reflected in the text. Others, like my children, will learn that they are on the outside. Muslims, Hindus, Buddhists, Sikhs, atheists and others will be further pushed to the margins.

This law is about power: who has it, and who does not. It is about whose story is told, and whose is reshaped to fit someone else’s narrative. And it teaches something dangerous: not to think, but to conform. To get in line. To stay silent. To learn, early on, where you stand.

The United States cannot be great when it elevates one religion over others. Our students deserve better than indoctrination presented as education. They deserve a system that reflects that we are a nation shaped not by one tradition, but by many.

As a rabbi, I am angry that a sacred text from my tradition is being taken, altered and presented as something it is not.

As a Jew, I am furious that our story is being stripped of its context and repurposed in a way that marginalizes others.

And as a father of two children who will be in public school, I am deeply uneasy about what this signals to them about who belongs — and who does not.

That is why we must speak out and do everything we can to oppose and repeal this law. We must work to protect a better kind of American society — one that ensures our public institutions remain open to all, and that our children grow up in a world that reflects the dignity of difference, not the demand for conformity.

The post Alabama is forcing the Ten Commandments into my children’s classrooms. As a rabbi, I’m horrified appeared first on The Forward.

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Some Tankers Cross Strait of Hormuz Before Shots Fired, Ship-Tracking Data Shows

A satellite image shows the ship movement at the Strait of Hormuz on April 17, 2026, in Space. EUROPEAN UNION/COPERNICUS SENTINEL-2/Handout via REUTERS

More than a dozen tankers, including three sanctioned vessels, passed through the Strait of Hormuz after a 50-day blockade was lifted on Friday, shipping data showed, before Iran reimposed restrictions on Saturday and fired at some vessels.

Reopening the strait is key for Gulf producers to resume full oil and gas supplies to the world, and end what the International Energy Agency has called the worst-ever supply disruption.

US President Donald Trump said on Friday Iran had agreed to open the strait, while Iranian officials said they wanted the US to fully lift its blockade of Iranian tankers.

Western shipping companies cautiously welcomed the announcements but said more clarity was needed, including on the presence of sea mines, before their vessels could transit.

IRAN RESUMES RESTRICTIONS

The ships that passed through the strait on Friday and Saturday via Iranian waters south of Larak island were mainly older, non-Western-owned vessels and included four sanctioned ships, according to ship-tracking data.

Iran arranged passage for a limited number of oil tankers and commercial ships following prior agreements in negotiations, a spokesperson for Iran’s Revolutionary Guards said.

Other ships have been seen approaching the strait and turning back as Iran said it would maintain strict controls as long as the US continues its blockade of Iranian ports.

The UK Navy reported on Saturday that Iranian gunboats fired at some ships attempting to cross the strait.

Some merchant vessels received radio messages from Iran’s navy saying the strait was shut again and that no ships were allowed to pass, shipping sources said on Saturday.

Ship-tracking data showed five vessels loaded with liquefied natural gas from Ras Laffan in Qatar approaching the strait on Saturday morning.

No LNG cargoes have transited the waterway since the US-Israeli war with Iran began on February 28.

Hundreds of ships have been stuck in the Gulf since the conflict started and Tehran closed the strait, forcing Gulf oil and gas producers to sharply cut production.

Top producers such as Saudi Arabia, the UAE, Iraq and Kuwait say they need steady tanker flows and unrestricted passage through the strait to resume normal export operations.

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Trump Greenlights Russian Oil to Ease Strain on Global Markets After War with Iran

US Treasury Secretary Scott Bessent in Washington, DC, US, March 27, 2026. Photo: REUTERS/Jonathan Ernst

i24 NewsThe Trump administration has authorized a 30-day emergency waiver allowing the maritime purchase of Russian oil, reversing a hardline stance in an effort to stabilize skyrocketing global energy prices.

The Treasury Department announced Friday that the license for crude and petroleum products will remain in effect until May 16, 2026, responding to intense pressure from international partners struggling with the fallout of the war with Iran.

This policy pivot comes as a surprise after Treasury Secretary Scott Bessent suggested earlier this week that no further exemptions would be granted:

“As negotiations with Iran accelerate, the administration seeks to ensure oil availability for those who need it most. We must prevent a total price collapse for consumers while the geopolitical situation remains volatile.”

Ensuring global oil availability is paramount for the US as over 80 energy facilities in the Middle East have been damaged by recent war with Iran. With the November midterm elections approaching, record-high fuel prices at the pump remain a primary vulnerability for the Republican party. By allowing Russian oil back into the maritime flow, the administration hopes to neutralize “pain at the pump” before voters head to the polls.

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