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A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival

(New York Jewish Week) – Now 21 years old, New York’s biggest film festival is also reliably rife with Jewish connections. And this year, the festival — which runs at various venues throughout Manhattan, beginning Wednesday evening and continuing through June 18  — boasts a cool crop, ranging from a profile of Jewish comics legend Stan Lee to a mystery surrounding an Iranian dissident artist whose daughter formerly oversaw one of the city’s most unusual Jewish film festivals. 

Here are some of the Jewish-interest films premiering at Tribeca this year. If you can’t make it in person, select films this year will be available for streaming following the festival.  

“The Future”

Screening in the international narrative competition, this Israeli sci-fi drama plays off the deep divides in Israeli society today. The story is a murder mystery: The head of the country’s space program is killed in the run-up to Israel’s first mission to the moon, and the leader of a new “Minority Report”-esque algorithm designed to predict future acts of terrorism decides to interview a Palestinian university student who has confessed to the murder. 

Playing June 10, 11 and 17.

“Stan Lee”

In advance of its streaming premiere on Disney+, this documentary tells the life story of the Jewish Marvel Comics legend who co-created pop culture’s most recognizable superheroes (including Spider-Man, the X-Men and the Fantastic Four). The film also profiles other Jewish comics pioneers in Lee’s orbit, including underground comics publisher Flo Steinberg, who began her career as his secretary.

Playing June 10, 11 and 18.

“A Revolution on Canvas (Untitled Nicky Nodjoumi)”

The former artistic director of the New York Sephardic Film Festival, Sara Nodjoumi has also produced documentaries like “The Iran Job” and “When God Sleeps,” both about the explosive intersection of pop culture and the Iranian regime. Now, Nodjoumi has turned the lens on her own father, Nickzad, an Iranian “treasonous” artist who saw more than 100 of his paintings mysteriously disappear. Co-directed by Nodjoumi and her husband Till Schauder, the documentary attempts to trace the paintings’ disappearance while asking larger questions about the fate of artists in a repressive society.

Playing June 11, 13 and 15.

“Every Body”

This timely documentary on intersex activists from “RBG” co-director Julie Cohen profiles three people born with ambiguous genitalia who hope to push back on common misconceptions about the gender binary and “corrective” surgery in the wake of sweeping legislation targeting trans people in a growing number of states. One of the film’s subjects, Austin-based Alicia Roth Weigel, is Jewish, and has talked about studying Kabbalah because the Book of Genesis describes “the image of God” as “male and female.” The film will receive a broader theatrical release June 30.

Playing June 11, 12 and 16.

“Scream of My Blood: A Gogol Bordello Story”

Self-proclaimed “Gypsy punk” band Gogol Bordello, which has rotated several Jewish members, has been a global cult sensation for decades (with one heck of a live act). This documentary, which will be screened before a live performance from the band, chronicles the group’s raucous history and its explosive new chapter as a loud protest voice in the aftermath of Russia’s invasion of Ukraine, the homeland of charismatic frontman Eugene Hütz. While Hütz is not Jewish, he told the Manchester Jewish Telegraph that his family often experienced antisemitism from neighbors who had assumed they were. (Hütz also starred in the film adaptation of Jonathan Safran Foer’s Jewish metafiction “Everything Is Illuminated.”) 

Playing June 13, 14 and 16.

Bonus: Jewish issues in audio storytelling

As podcasts grew in popularity in recent years, TriBeCa has introduced an “audio screening” program to complement its film selections. A few of its audio selections this year are of interest to Jewish audiences. There’s “Shalom, Amore,” a docu-fictional series about an Italian Jewish family during Mussolini’s Fascist regime, featuring the voice talent of Stanley Tucci. “Aisha,” a short audio drama, follows developing tension between a Palestinian girl in Gaza City and an Israeli-American aid worker. 

Check festival guide for showtimes.

For more details and information about this year’s Tribeca Film Festival, click here


The post A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival appeared first on Jewish Telegraphic Agency.

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251 hostages were taken to Gaza on Oct. 7. The bodies of these two remain there.

Hamas on Tuesday returned to Israel the body of Dror Or — a 48-year-old father from Kibbutz Be’eri who was abducted with his family on Oct. 7. The handover was mediated by the Red Cross and confirmed by Israeli forensic testing. Or’s wife was killed in the attack, and two of their children were later released during a previous ceasefire.

In exchange, Israel returned 15 Palestinian bodies, completing the latest exchange under the ceasefire as talks begin on advancing to the agreement’s second phase.

Hamas took more than 250 people hostage on the day of the attack. With only two captives now believed to remain in Gaza, the transfer marks a grim but significant step in resolving one of the central flashpoints of the current truce negotiations.

The bodies of one Israeli and one Thai national are still in Gaza.

  • Ran Gvili, 24, was a member of a police counter-terror unit who was on medical leave with a broken shoulder when he heard about the attack. He rushed south and helped evacuate fleeing concertgoers at the Nova music festival. It was later determined that Gvili was shot and killed by Hamas on Oct. 7, his body dragged into Gaza.
  • Sudthisak Rinthalak, a 43-year-old agricultural worker from northeastern Thailand, was killed in Kibbutz Be’eri during the attack, and his body was taken into Gaza. He had been working in Israeli agriculture since 2017, and was regularly sending money back home to support his parents.

Hamas said Wednesday it remained committed to the deal and intends to return both bodies.

Related: Jews around the world pinned yellow ribbons to their clothes and wore dog tag necklaces. How will they continue to mark Oct. 7 once all the hostages have been returned?

The post 251 hostages were taken to Gaza on Oct. 7. The bodies of these two remain there. appeared first on The Forward.

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Boston’s unfinished Holocaust museum hoists boxcar into exhibit space overlooking Boston Common

(JTA) — Traffic on Tremont Street in downtown Boston came to a standstill Tuesday morning as a crane lifted a historic 12-ton railcar onto the fourth floor of the city’s upcoming Holocaust museum.

The museum, the first of its kind in New England, was launched by the The Holocaust Legacy Foundation in 2022, which was founded by couple Jody Kipnis and Todd Ruderman following a 2018 March of the Living trip to Auschwitz.

While construction on the site, which rests on the city’s Freedom Trail near the Boston Common, remains ongoing, the installation of the 20th-century railcar, believed to be the same type used by the Nazis to transport Jews to extermination camps, marked a major milestone for the museum’s creation.

The railcar, which measures 30 feet long, 12 feet high, and nearly 9 feet wide, was lifted into the new museum structure by a 173-foot tower crane before construction continues around it.

A group of supporters, Massachusetts officials, civic leaders, Jewish community representatives and Boston-area partners looked on as the railcar was installed, according to the museum.

“The hardest truth this railcar forces us to confront is this: the Holocaust was not carried out by the Nazis alone. It was carried out by people, ordinary people, who kept the trains running, who stamped the papers, who followed schedules, who chose silence over courage,” said Kipnis, the co-founder and CEO of Holocaust Museum Boston, in a statement. “This railcar will stand at the heart of the Holocaust Museum Boston to confront that truth.”

After the museum opens in late 2026, the railcar will rest in a protruding bay window on the museum’s fourth floor so that pedestrians will be able to see visitors enter the railcar but not exit, a choice the museum said it intended to symbolize “the millions who never returned and the freedoms that were stripped away.”

The railcar was donated to the museum by Sonia Breslow, a Phoenix resident whose father was deported to the Treblinka concentration camp on a railcar of the same kind. Breslow’s father, who later moved to Massachusetts, was among fewer than 100 survivors of Treblinka, where 900,000 Jews were murdered.

The railcar was first discovered in a Macedonian junkyard in 2012, according to the museum, and later transported to Massachusetts, where conservator Josh Craine of Daedalus Art Conservation spent the past six months restoring it for exhibition.

“Seeing this railcar lifted into its new home took my breath away,” said Breslow. “My father survived a transport to Treblinka in a car just like this. Most who were taken there did not survive. For this railcar to be in Massachusetts, a place where he rebuilt his life, is deeply personal. It ensures that his story, and the stories of millions, will never be forgotten.”

The post Boston’s unfinished Holocaust museum hoists boxcar into exhibit space overlooking Boston Common appeared first on The Forward.

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Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right.

(JTA) — Progressive Jewish author Peter Beinart drew a volley of criticism on Tuesday from the boycott Israel movement as well as a right-wing Israeli group over an appearance at Tel Aviv University.

Beinart, who is an outspoken critic of Israel and a journalism professor at the City University of New York, spoke Tuesday evening in Tel Aviv with Yoav Fromer, a senior faculty member at TAU’s English department, in an event titled “Trump, Israel and the Future of American Democracy.”

A founding member of the Boycott, Divestment and Sanctions movement, or BDS, publicly called on Beinart to cancel his visit after saying it had privately urged him to do so. The Palestinian Campaign for the Academic and Cultural Boycott of Israel is the BDS movement’s cultural arm and a leading advocate for boycotts of Israeli academic institutions.

“Palestinians condemn Peter Beinart’s event at complicit Tel Aviv University in the midst of Israel’s genocide in Gaza,” PACBI said in a post on X. “Whitewashing genocide can never be reconciled with any claim to humanism or moral consistency.”

In a press release, PACBI accused the university of being “deeply complicit in enabling and trying to whitewash Israel’s US-armed and funded genocide as well as its decades old regime of settler-colonialism, military occupation and apartheid.”

Beinart declined to comment to the Jewish Telegraphic Agency. But he responded to the criticism on social media, where said he supports a boycott of Israeli academic institutions as well as a right of return for Palestinians and an end to Israel’s occupation of the West Bank — all principles of the BDS movement to which he has long subscribed.

At the same time, he said, while he supports “many forms of boycott, divestment and sanction against Israel and Israeli institutions,” he believes there is “value in speaking to Israelis about Israel’s crimes” by speaking at universities.

“I do so because I want to reach Jews who disagree with me—because I believe that by trying to convince Jews to rethink their support for Israel’s oppression of Palestinians, I can contribute, in some very small way, to the struggle for freedom and justice,” Beinart wrote.

The author of several books including “Being Jewish After the Destruction of Gaza,” published earlier this year, Beinart is also scheduled to speak at Hebrew University later this week, according to Haaretz.

Beinart also wrote that “right-wing Israeli organizations have pressured Tel Aviv University to cancel my talk,” adding that he felt he should “take advantage of this opportunity to say in Israel what I’ve been saying elsewhere for the last two years.”

Matan Jerafi, the CEO of the right-wing Israeli activist group Im Tirtzu, sent a letter to Tel Aviv University’s president, Ariel Porat, on Tuesday urging him to cancel the event, according to Israel National News.

“Why is he hosting someone on his campus who does not recognize the State of Israel and calls for sanctions against Israel?” wrote Jerafi. “We call on Mr. Porat to cancel this absurd event. Stop tarnishing the reputation of Israeli academia. This is not Columbia University.”

The post Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right. appeared first on The Forward.

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