Uncategorized
A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival
(New York Jewish Week) – Now 21 years old, New York’s biggest film festival is also reliably rife with Jewish connections. And this year, the festival — which runs at various venues throughout Manhattan, beginning Wednesday evening and continuing through June 18 — boasts a cool crop, ranging from a profile of Jewish comics legend Stan Lee to a mystery surrounding an Iranian dissident artist whose daughter formerly oversaw one of the city’s most unusual Jewish film festivals.
Here are some of the Jewish-interest films premiering at Tribeca this year. If you can’t make it in person, select films this year will be available for streaming following the festival.
“The Future”
Screening in the international narrative competition, this Israeli sci-fi drama plays off the deep divides in Israeli society today. The story is a murder mystery: The head of the country’s space program is killed in the run-up to Israel’s first mission to the moon, and the leader of a new “Minority Report”-esque algorithm designed to predict future acts of terrorism decides to interview a Palestinian university student who has confessed to the murder.
Playing June 10, 11 and 17.
“Stan Lee”
In advance of its streaming premiere on Disney+, this documentary tells the life story of the Jewish Marvel Comics legend who co-created pop culture’s most recognizable superheroes (including Spider-Man, the X-Men and the Fantastic Four). The film also profiles other Jewish comics pioneers in Lee’s orbit, including underground comics publisher Flo Steinberg, who began her career as his secretary.
Playing June 10, 11 and 18.
“A Revolution on Canvas (Untitled Nicky Nodjoumi)”
The former artistic director of the New York Sephardic Film Festival, Sara Nodjoumi has also produced documentaries like “The Iran Job” and “When God Sleeps,” both about the explosive intersection of pop culture and the Iranian regime. Now, Nodjoumi has turned the lens on her own father, Nickzad, an Iranian “treasonous” artist who saw more than 100 of his paintings mysteriously disappear. Co-directed by Nodjoumi and her husband Till Schauder, the documentary attempts to trace the paintings’ disappearance while asking larger questions about the fate of artists in a repressive society.
Playing June 11, 13 and 15.
“Every Body”
This timely documentary on intersex activists from “RBG” co-director Julie Cohen profiles three people born with ambiguous genitalia who hope to push back on common misconceptions about the gender binary and “corrective” surgery in the wake of sweeping legislation targeting trans people in a growing number of states. One of the film’s subjects, Austin-based Alicia Roth Weigel, is Jewish, and has talked about studying Kabbalah because the Book of Genesis describes “the image of God” as “male and female.” The film will receive a broader theatrical release June 30.
Playing June 11, 12 and 16.
“Scream of My Blood: A Gogol Bordello Story”
Self-proclaimed “Gypsy punk” band Gogol Bordello, which has rotated several Jewish members, has been a global cult sensation for decades (with one heck of a live act). This documentary, which will be screened before a live performance from the band, chronicles the group’s raucous history and its explosive new chapter as a loud protest voice in the aftermath of Russia’s invasion of Ukraine, the homeland of charismatic frontman Eugene Hütz. While Hütz is not Jewish, he told the Manchester Jewish Telegraph that his family often experienced antisemitism from neighbors who had assumed they were. (Hütz also starred in the film adaptation of Jonathan Safran Foer’s Jewish metafiction “Everything Is Illuminated.”)
Playing June 13, 14 and 16.
Bonus: Jewish issues in audio storytelling
As podcasts grew in popularity in recent years, TriBeCa has introduced an “audio screening” program to complement its film selections. A few of its audio selections this year are of interest to Jewish audiences. There’s “Shalom, Amore,” a docu-fictional series about an Italian Jewish family during Mussolini’s Fascist regime, featuring the voice talent of Stanley Tucci. “Aisha,” a short audio drama, follows developing tension between a Palestinian girl in Gaza City and an Israeli-American aid worker.
Check festival guide for showtimes.
For more details and information about this year’s Tribeca Film Festival, click here.
—
The post A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival appeared first on Jewish Telegraphic Agency.
Uncategorized
IDF Soldier from Connecticut Killed in Southern Lebanon Combat
Sgt. Moshe Yitzhak Hacohen Katz. Photo: courtesy.
i24 News – The Israel Defense Forces announced on Sunday morning the death of Sgt. Moshe Yitzhak Hacohen Katz, 22, originally from New Haven, Connecticut, who was killed during combat operations in southern Lebanon on Saturday.
According to the military, Katz was killed in a rocket attack targeting Israeli forces operating during efforts to expand a security zone in southern Lebanon. The IDF said the strike occurred overnight between Friday and Saturday, during a large-scale barrage aimed at units deployed in the area.
An initial military investigation found that one rocket directly hit an infantry unit from the 890th Battalion of the Paratroopers Brigade, killing Katz instantly. Three additional soldiers were wounded and are listed in moderate condition.
The IDF said the announcement of Katz’s death was delayed to ensure that all family members, including those in the United States, were properly notified.
The army also said that recent attacks have largely focused on the four IDF divisions operating in Lebanon. In the past 24 hours alone, approximately 250 rockets were launched toward Israeli positions, with 23 crossing into Israeli territory, according to military figures.
Uncategorized
AI-Generated Antisemitic Rabbi Racks Up Millions of Followers with Questionable Financial Advice

i24 News – An AI-generated character known as Rabbi Goldman has attracted millions of followers online by combining old antisemitic tropes with digital-age conspiracy theories. The avatar, presented as a caricature of a New York rabbi, plays off stereotypes of Jewish power and wealth while dispensing unsolicited “financial advice” and conspiracy-laden commentary about global elites.
In his videos, Rabbi Goldman claims that Jews have “known every secret for thousands of years,” weaving age-old prejudice into modern misinformation. Among his assertions: that the moon landing was faked, the US government will soon exert total control over its citizens, and billionaires stage yacht sinkings for insurance fraud—all allegedly foreknown by “the Jews.”
Before being removed on Sunday night, his Instagram account had racked up over 1.5 million followers. Yet the same page remains active on Facebook, which shares an owner with Instagram, with roughly 180,000 followers and thousands of interactions per post. The comments reveal an audience that is genuinely engaged with, and emboldened by, his vitriolic rhetoric.
Rabbi Goldman’s videos follow a simple formula designed to thrive in algorithm-driven ecosystems. They begin with a cryptic slogan implying secret knowledge or hidden wealth — invoking Jews as the keepers of these secrets — to draw viewers in and extend watch time, thus being featured on more people’s feeds. What follows is a cascade of AI-generated, factually dubious monologues, all culminating in a pitch: he can show you how to acquire the same “Jewish wisdom.”
That pitch leads to his website, where a manual titled How to Make and Invest Money sells for $9, and he claims it has been purchased by over 4,000 people. The real product, however, carries a fuller title — How to Make and Invest Money Like the Jews. The 62-page PDF amounts to generic, AI-spun financial advice labeled as “the Jewish method,” occasionally interspersed with random references to the Talmud. Just like the videos, it references how Jews have managed to be successful for thousands of years but offers little backup as to how that can translate to a real-world scenario.
Most of it plays off the stereotype of Jews being financially astute. But some lines, such as “Jews do not day trade… We buy the market — the entire market — and we hold it indefinitely,” remove the mask entirely.
Whether we like it or not, antisemitism thrives online—and platforms’ recent loosening of content restrictions under the banner of “free speech” has only amplified it. Social media has become an ideal environment for grifters to blend prejudice with profit. And that is, to their credit, what the creators of Rabbi Goldman have done.
They have clearly borrowed from the “manosphere” playbook—a cluster of influencers promoting hyper-masculine, materialistic lifestyles infused with misogyny and antisemitism. Like Andrew Tate and similar figures, Rabbi Goldman appeals to disaffected young men who feel alienated by the economy and society in which they live, eager to locate a scapegoat.
In Goldman’s case, the scapegoats are the elites and billionaires. But the framing of the Jews alongside the elites has, by proxy, made them the scapegoat too. By merging coded hatred with generic Instagram-style self-help language, the character transforms antisemitism into a marketable aesthetic.
So essentially, the creator of Rabbi Goldman has found a niche in an emerging market, playing off of antisemitism to sell cheaply produced slop to teenagers. Which is both entrepreneurial and morally awful. But the issue is that social media has bred the ground for this by rewarding shock content and letting antisemitism often go untouched. Even when they deleted his Instagram account, dozens of copycats popped up, including an absurdly ironic German-language version that uses the likeness of British politician Jeremy Corbyn.
And this is what happens when social media companies are reactive rather than proactive. They were chasing shadows after the account became so big. Instead, they need to cut it out at its source, be tougher on antisemitism, and be more vigilant with AI content.
And for social media users, it is hard to tell what’s real and what isn’t anymore. Just try not to get financial advice from an AI rabbi who thinks the moon landing was fake.
Uncategorized
Pezeshkian Clashes with IRGC Over Iran’s War Strategy and Economy
Iranian President Masoud Pezeshkian attends the Shanghai Cooperation Organisation (SCO) Summit 2025, in Tianjin, China, September 1, 2025. Iran’s Presidential website/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Deep divisions have reportedly emerged within Iran’s leadership as the war enters its fifth week, with tensions growing between President Masoud Pezeshkian and senior figures in the Islamic Revolutionary Guard Corps, according to a report by Iran International.
The report by Iran International claims Pezeshkian has sharply criticized the military escalation strategy led by IRGC commanders, warning of severe economic consequences if the conflict continues.
He is said to have cautioned that without a ceasefire, Iran’s economy could “completely collapse within three weeks to a month.”
According to the same report, Pezeshkian has called for the restoration of executive and administrative authority to the civilian government, a demand reportedly rejected by IRGC leadership, including Ahmad Vahidi.
Vahidi is said to have pushed back, blaming the current crisis on the government’s failure to implement structural reforms prior to the war and recent protest movements.
Meanwhile, signs of economic strain are becoming increasingly visible across Iran. Reports from several major cities describe ATMs that are empty, out of service, or inaccessible, alongside repeated disruptions to online banking systems.
Public sector employees have also reported delays in salaries and benefits over the past three months.
