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A comics legend, a punk band and an Israeli sci-fi drama bring Jewish themes to the Tribeca Film Festival
(New York Jewish Week) – Now 21 years old, New York’s biggest film festival is also reliably rife with Jewish connections. And this year, the festival — which runs at various venues throughout Manhattan, beginning Wednesday evening and continuing through June 18 — boasts a cool crop, ranging from a profile of Jewish comics legend Stan Lee to a mystery surrounding an Iranian dissident artist whose daughter formerly oversaw one of the city’s most unusual Jewish film festivals.
Here are some of the Jewish-interest films premiering at Tribeca this year. If you can’t make it in person, select films this year will be available for streaming following the festival.
“The Future”
Screening in the international narrative competition, this Israeli sci-fi drama plays off the deep divides in Israeli society today. The story is a murder mystery: The head of the country’s space program is killed in the run-up to Israel’s first mission to the moon, and the leader of a new “Minority Report”-esque algorithm designed to predict future acts of terrorism decides to interview a Palestinian university student who has confessed to the murder.
Playing June 10, 11 and 17.
“Stan Lee”
In advance of its streaming premiere on Disney+, this documentary tells the life story of the Jewish Marvel Comics legend who co-created pop culture’s most recognizable superheroes (including Spider-Man, the X-Men and the Fantastic Four). The film also profiles other Jewish comics pioneers in Lee’s orbit, including underground comics publisher Flo Steinberg, who began her career as his secretary.
Playing June 10, 11 and 18.
“A Revolution on Canvas (Untitled Nicky Nodjoumi)”
The former artistic director of the New York Sephardic Film Festival, Sara Nodjoumi has also produced documentaries like “The Iran Job” and “When God Sleeps,” both about the explosive intersection of pop culture and the Iranian regime. Now, Nodjoumi has turned the lens on her own father, Nickzad, an Iranian “treasonous” artist who saw more than 100 of his paintings mysteriously disappear. Co-directed by Nodjoumi and her husband Till Schauder, the documentary attempts to trace the paintings’ disappearance while asking larger questions about the fate of artists in a repressive society.
Playing June 11, 13 and 15.
“Every Body”
This timely documentary on intersex activists from “RBG” co-director Julie Cohen profiles three people born with ambiguous genitalia who hope to push back on common misconceptions about the gender binary and “corrective” surgery in the wake of sweeping legislation targeting trans people in a growing number of states. One of the film’s subjects, Austin-based Alicia Roth Weigel, is Jewish, and has talked about studying Kabbalah because the Book of Genesis describes “the image of God” as “male and female.” The film will receive a broader theatrical release June 30.
Playing June 11, 12 and 16.
“Scream of My Blood: A Gogol Bordello Story”
Self-proclaimed “Gypsy punk” band Gogol Bordello, which has rotated several Jewish members, has been a global cult sensation for decades (with one heck of a live act). This documentary, which will be screened before a live performance from the band, chronicles the group’s raucous history and its explosive new chapter as a loud protest voice in the aftermath of Russia’s invasion of Ukraine, the homeland of charismatic frontman Eugene Hütz. While Hütz is not Jewish, he told the Manchester Jewish Telegraph that his family often experienced antisemitism from neighbors who had assumed they were. (Hütz also starred in the film adaptation of Jonathan Safran Foer’s Jewish metafiction “Everything Is Illuminated.”)
Playing June 13, 14 and 16.
Bonus: Jewish issues in audio storytelling
As podcasts grew in popularity in recent years, TriBeCa has introduced an “audio screening” program to complement its film selections. A few of its audio selections this year are of interest to Jewish audiences. There’s “Shalom, Amore,” a docu-fictional series about an Italian Jewish family during Mussolini’s Fascist regime, featuring the voice talent of Stanley Tucci. “Aisha,” a short audio drama, follows developing tension between a Palestinian girl in Gaza City and an Israeli-American aid worker.
Check festival guide for showtimes.
For more details and information about this year’s Tribeca Film Festival, click here.
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Tucker’s Ideas About Jews Come from Darkest Corners of the Internet, Says Huckabee After Combative Interview
US Ambassador to Israel Mike Huckabee looks on during the day he visits the Western Wall, Judaism’s holiest prayer site, in Jerusalem’s Old City, April 18, 2025. Photo: REUTERS/Ronen Zvulun
i24 News – In a combative interview with US Ambassador to Israel Mike Huckabee, right-wing firebrand Tucker Carlson made a host of contentious and often demonstrably false claims that quickly went viral online. Huckabee, who repeatedly challenged the former Fox News star during the interview, subsequently made a long post on X, identifying a pattern of bad-faith arguments, distortions and conspiracies in Carlson’s rhetorical style.
Huckabee pointed out his words were not accorded by Carlson the same degree of attention and curiosity the anchor evinced toward such unsavory characters as “the little Nazi sympathizer Nick Fuentes or the guy who thought Hitler was the good guy and Churchill the bad guy.”
“What I wasn’t anticipating was a lengthy series of questions where he seemed to be insinuating that the Jews of today aren’t really same people as the Jews of the Bible,” Huckabee wrote, adding that Tucker’s obsession with conspiracies regarding the provenance of Ashkenazi Jews obscured the fact that most Israeli Jews were refugees from the Arab and Muslim world.
The idea that Ashkenazi Jews are an Asiatic tribe who invented a false ancestry “gained traction in the 80’s and 90’s with David Duke and other Klansmen and neo-Nazis,” Huckabee wrote. “It has really caught fire in recent years on the Internet and social media, mostly from some of the most overt antisemites and Jew haters you can find.”
Carlson branded Israel “probably the most violent country on earth” and cited the false claim that Israel President Isaac Herzog had visited the infamous island of the late, disgraced sex offender Jeffrey Epstein.
“The current president of Israel, whom I know you know, apparently was at ‘pedo island.’ That’s what it says,” Carlson said, citing a debunked claim made by The Times reporter Gabrielle Weiniger. “Still-living, high-level Israeli officials are directly implicated in Epstein’s life, if not his crimes, so I think you’d be following this.”
Another misleading claim made by Carlson was that there were more Christians in Qatar than in Israel.
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Pezeshkian Says Iran Will Not Bow to Pressure Amid US Nuclear Talks
Iranian President Masoud Pezeshkian attends the Shanghai Cooperation Organisation (SCO) Summit 2025, in Tianjin, China, September 1, 2025. Iran’s Presidential website/WANA (West Asia News Agency)/Handout via REUTERS
Iranian President Masoud Pezeshkian said on Saturday that his country would not bow its head to pressure from world powers amid nuclear talks with the United States.
“World powers are lining up to force us to bow our heads… but we will not bow our heads despite all the problems that they are creating for us,” Pezeshkian said in a speech carried live by state TV.
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Italy’s RAI Apologizes after Latest Gaffe Targets Israeli Bobsleigh Team
Milano Cortina 2026 Olympics – Bobsleigh – 4-man Heat 1 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 21, 2026. Adam Edelman of Israel, Menachem Chen of Israel, Uri Zisman of Israel, Omer Katz of Israel in action during Heat 1. Photo: REUTERS/Athit Perawongmetha
Italy’s state broadcaster RAI was forced to apologize to the Jewish community on Saturday after an off‑air remark advising its producers to “avoid” the Israeli crew was broadcast before coverage of the Four-Man bobsleigh event at the Winter Olympics.
The head of RAI’s sports division had already resigned earlier in the week after his error-ridden commentary at the Milano Cortina 2026 opening ceremony two weeks ago triggered a revolt among its journalists.
On Saturday, viewers heard “Let’s avoid crew number 21, which is the Israeli one” and then “no, because …” before the sound was cut off.
RAI CEO Giampaolo Rossi said the incident represented a “serious” breach of the principles of impartiality, respect and inclusion that should guide the public broadcaster.
He added that RAI had opened an internal inquiry to swiftly determine any responsibility and any potential disciplinary procedures.
In a separate statement RAI’s board of directors condemned the remark as “unacceptable.”
The board apologized to the Jewish community, the athletes involved and all viewers who felt offended.
RAI is the country’s largest media organization and operates national television, radio and digital news services.
The union representing RAI journalists, Usigrai, had said Paolo Petrecca’s opening ceremony commentary had dealt “a serious blow” to the company’s credibility.
His missteps included misidentifying venues and public figures, and making comments about national teams that were widely criticized.