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A fashion show in Tribeca attempts to capture ‘The Jewish Uniform’
(New York Jewish Week) – Hip-hop music blasted through loudspeakers as about a dozen models strutted up and down a makeshift runway. Some of them wore cream knit loungewear, while others were clad in modest but elegant dresses accessorized with silk scarves.
The models, many of them student volunteers from Chelsea’s Fashion Institute of Technology, were donning “The Jewish Uniform,” at least as defined by the minds of Havurah, a cohort of self-described “frum” (religiously observant) New York-based 20-somethings aspiring to create a “renaissance of Jewish art.” In addition to the fashion show, Havurah has hosted readings, Torah study and concerts, and the group recently launched “Verklempt!,” a Jewish literary magazine.
Last Thursday evening, “The Jewish Uniform” highlighted 13 Jewish designers whose levels of experience ranged from amateurs to well-established brands like Batsheva, whose signature modest dresses and ultra-feminine womenswear first made a big splash in 2016. Directed by Havurah co-founders Daniella Messer and Eitan Gutenmacher — both 20-year-old students at New York University — the show’s looks were curated by Ashley Finkel, a 26-year-old e-commerce coordinator at La Perla and styled and staged by Lily Paige Sausen, 26, who runs an online vintage store.
Havurah’s motive is to create Jewish art and to understand the intersection of art and Judaism. The fashion show, in particular, aimed to celebrate and explore what makes an outfit Jewish — at least through an observant lens.
Ashley Finkel, left, one of the show’s curators, speaks with designer Elke Reva Sudin, May 11, 2023. (Saul Sudin)
“The intention of the show was to use fashion as a medium to bring together a community of creatives in NYC,” Finkel told the New York Jewish Week. “We’re very happy with how the evening turned out.”
Around 120 people attended the show, which took place in the outdoor space underneath the bulbous curve of the architecturally unique Tribeca Synagogue (49 White St.), an Orthodox congregation. The downtown neighborhood is now known for its hip loft buildings, but it was once a center of the textile and cotton trade industries in the 19th and early 20th centuries.
The show’s creators, from left to right: Eitan Gutenmacher, Daniella Messer, Lily Paige Sausen, Ashley Finkel and Kayla Mantell, at the show on May 11, 2023. (Julia Gergely)
“I thought it was really cool to be able to show my looks in a Jewish show,” said Yarden Sopher-Harelick, a 24-year-old designer and FIT graduate who had three outfits in the show, including a blazer dress fashioned out of bubble wrap and a seatbelt.
Batsheva Hay, the Orthodox designer who runs the eponymous brand, donated four dresses to the show, though she wasn’t able to attend herself.
Each “Jewish Uniform” runway look had a tongue-in-cheek title and description that was presented in an accompanying program for the show, allowing the creative directors to build on their thesis about what makes an outfit Jewish — and to poke some lighthearted fun at Jewish customs as well. Take “The Yenta,” who wears a white blouse, pearls and a long black skirt: “She attends shul for one purpose: the tea. It’s piping hot, just like her outfit,” the program read.
The “Shabbat Snoozer” — a loose, comfortable, matching set in navy — was described as “the classic combination of a food coma and a few hours to spare before Havdalah,” while the “Cholov Yisroelnik,” described as “the kosher version of a milkmaid,” consisted of a headscarf, a pink gingham skirt and white top, with the model carrying a carton of milk instead of a clutch.
For first-time model Tara Dietzel, an 18-year-old first-year student at FIT, walking in the show and seeing clothes designed by Jewish designers was a way for her to envision how she might combine her Judaism, her love of modeling and her professional goal to become a fashion designer.
“It was so much fun and a good first step to figuring out how I can accomplish all of these dreams at once,” Dietzler told the New York Jewish Week after the show.
Tara Dietzler, left, models a design from Yarden Sopher-Harelick, right, May 11, 2023. (Julia Gergely)
Guests included many of the designers’ friends and family, who cheered enthusiastically as their models walked the runway. After the presentation, everyone came together over wine and seltzer. The designers posed with their looks and models walked through the crowd to show off their clothes’ texture and details up close.
At the event, Elke Reva Sudin, a Brooklyn-based designer and painter, launched “The Crown Collection,” a limited collection of silk head scarves. Nearly a decade ago, Sudin ran a similarly-missioned organization to Havurah called Jewish Art Now before founding Drawing Booth, a non-Jewish arts vendor where artists live-sketch guests at events. The scarves are her first foray into fashion.
Elke Reva Sudin, middle, stands with two models who donned her new line of headscarves, the Crown Collection, May 11, 2023. (Saul Sudin)
Sudin said that designing scarves — an item popular among Orthodox women, most of whom cover their hair after marriage, as per Jewish law — was a way for her to explore her own Jewish identity and spirituality as a married Orthodox Jewish woman. She found out about Havurah through a mutual artist friend.
“I’ve been out of the Jewish world for a while now and I appreciate that there was a Jewish space I could turn to launch my scarves, which are sort of my return to Jewish art while entering into the world of fashion,” Sudin, 35, told the New York Jewish Week. “Both my designs and Havurah have the same intent, which is to be inclusive and to create something not only beautiful, but meaningful to the Jewish community.”
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The post A fashion show in Tribeca attempts to capture ‘The Jewish Uniform’ appeared first on Jewish Telegraphic Agency.
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Drunk with power, Donald Trump follows the dictates of Athenian commanders — and a certain Jewish philosopher
The strong do what they can, the weak suffer what they must.
This phrase has been invoked by political pundits and leaders, including the Canadian Prime Minister Mark Carney, over the past few days as the world was plunged into Donald Trump’s fever dream of the conquest of Greenland. Yet what they neglected to mention is the quotation’s source and context in which it was uttered.
But both are crucial if we are to fully appreciate the troubling relevance of the phrase and the somber light the German-Jewish thinker Leo Strauss cast on it.
The phrase first crops up in the History of the Peloponnesian War, the ancient Athenian historian Thucydides’ account of one of the most consequential events in the history of the West. In the midst of their war against Sparta, an Athenian fleet lands on the small island of Melos, which they have been ordered to annex or annihilate. The dialogue that follows is entirely the creation of Thucydides, who strips away what he believed were the pleasant fictions we tell to blind ourselves to the reality of human nature.
Despite the Melian delegation’s appeals, the Athenian commanders are unmoved. “Nature always compels men to rule over anyone they can control,” they tell the Melians.“We did not make this law…but we will take it as we found it and leave it to posterity forever, because we know that you would do the same if you had our power as would anyone else.”
Yet the Athenians are tragically blind to the corollary: Human beings will always resist and rebel against those who try to invade them. When the Melians refused to submit, the Athenians were as good as their word; upon breaching the city walls, they slaughtered the men and sold the women and children into slavery. Shortly later, full of their conviction that might makes right, the Athenians decide to invade Sicily — an act of hubris which leads to a catastrophic defeat and a fate like the one they meted out to the Melians.
These world-altering events bring us to Leo Strauss, the man who Harold Bloom once described as a “political philosopher and Hebraic sage.” Born into an Orthodox Jewish family in 1899, by the 1930’s Strauss had won the reputation as a brilliant and not always orthodox political theorist. With the rise of Nazism, Bloom had the means and foresight to quit his native country in 1937. He became something of an itinerant intellectual, finding a series of academic appointments at Columbia University, University of Chicago, and the New School while writing many of his best-known books, including Natural Right and History and Thoughts on Machiavelli.
Over time, Strauss also became known as the éminence grise of neo-conservatism, the hawkish postwar ideology that viewed foreign policy through the harsh lens of political realism and has been credited with influencing the Bush Administration’s cataclysmic decision to invade Iraq. For his critics, it hardly helped that Strauss was influenced by the writings of the Nazi-adjacent and antisemitic legal theorist Carl Schmitt, who favored strong executive authority and believed that the politics of a nation and policies of the state must respond to the distinction between friend and enemy.
An advocate of “reading between the lines,” Strauss basically sets the traditional interpretation of Thucydides and the significance of the Melian dialogue on its head. Most students of Thucydides believe he sides with Pericles, the Athenian leader who, in his famous funeral oration, declares his city as the school for all of Greece. And why not? Thanks to its openness to ideas and debate, Athens excelled in the arts and sciences. No less important, thanks to its sense of civic responsibility, the city’s citizen army excelled in military prowess and power.
That this shining example of democracy should, at the end of a two-decade war, have been defeated and occupied by brutish if not barbaric Sparta marks one of history’s great tragedies. And yet, Strauss suggests we misunderstand the nature of the tragedy. The Periclean vision is inspiring, he allows, but it was also the reason why Athens lost the war. Strauss claims that Thucydides knew this as well. Just like his contemporary Plato, the ancient historian instead thought the best of all models was the closed society of Sparta rather than the open society of Athens.
By “best,” what Strauss meant is that cities like Sparta are best positioned to maintain the endurance and stability of the state and those who look to it for their security. In turn, this requires such states to embrace what he called the “Athenian thesis” which boils down to the claim made by the Athenian commander at Melos: The strong, indifferent to justice or moderation, do what they can while the weak suffer what is meted out to them. After all, Athens was itself an expanding empire that absorbed other cities into its alliance whether they wished to join or not.
Of course, we have no idea what Strauss would have thought about Donald Trump’s efforts to slap tariffs on islands inhabited only by penguins and annex other islands inhabited by people who have made clear they have no desire to become American. But I suspect that Strauss would remind us that the relentless pursuit of power and property is not unique to narcissistic sociopaths. Instead, states are almost always and necessarily driven by the will to expand. And therein lies the true tragedy.
The post Drunk with power, Donald Trump follows the dictates of Athenian commanders — and a certain Jewish philosopher appeared first on The Forward.
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120th anniversary of the Forverts advice column “Bintel Brief”
מזל־טובֿ! דעם 20סטן יאַנואַר 2026 איז געוואָרן 120 יאָר זינט דער גרינדונג פֿון „אַ בינטל בריוו“ — דער עצות־רובריק פֿונעם פֿאָרווערטס. די רובריק איז פֿאַרלייגט געוואָרן פֿונעם גרינדער און לאַנגיאָריקן שעף־רעדאַקטאָר אַב קאַהאַן אין 1906.
כּדי אָפּצומערקן דעם יום־טובֿ ברענגען מיר אײַך צוויי זאַכן:
• ערשטנס, אַן אַרטיקל וועגן אַ טשיקאַווען בריוו וואָס איז אָנגעקומען אין דער פֿאָרווערטס־רעדאַקציע אין יאַנואַר 1949, פֿון אַ לייענער וועמעס זון האָט חתונה געהאַט מיט אַ קריסטלעכער פֿרוי
• צווייטנס, אַ פֿאָרווערטס־ווידעאָ אויף ייִדיש וועגן דער געשיכטע פֿון „אַ בינטל בריוו“, מיטן געוועזענעם פֿאָרווערטס־רעדאַקטאָר באָריס סאַנדלער און דער פֿאָרווערטס־אַרכיוויסטקע חנה פּאָלאַק.
The post 120th anniversary of the Forverts advice column “Bintel Brief” appeared first on The Forward.
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Report: Khamenei Moved to Underground Bunker in Tehran
Iran’s Supreme Leader Ayatollah Ali Khamenei speaks in a televised message, after the ceasefire between Iran and Israel, in Tehran, Iran, June 26, 2025. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Amid tense expectation of US strike on key assets of the Islamic regime, Iran’s Supreme Leader Ali Khamenei was moved into a special underground bunker in Tehran, the Iran International website reported on Saturday.
The report further added that the supreme leader’s third son Masoud Khamenei has taken over day-to-day management of the leader’s office, functioning as the de facto main channel for coordination vis-à-vis the executive branches of the government and the security forces.
The report describes Khamenei’s hideout as a “fortified site with interconnected tunnels.”
On Thursday US President Donald Trump said that a “massive” naval force was heading toward Iran.
“We have a lot of ships going that direction just in case. We have a big flotilla going in that direction. And we’ll see what happens,” Trump told reporters.
“We have an armada. We have a massive fleet heading in that direction, and maybe we won’t have to use it. We’ll see,” Trump added.
The USS Abraham Lincoln, along with three destroyers, was spotted making its way to the Middle East from Asia, according to ship-tracking data.
