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A fashion show in Tribeca attempts to capture ‘The Jewish Uniform’

(New York Jewish Week) – Hip-hop music blasted through loudspeakers as about a dozen models strutted up and down a makeshift runway. Some of them wore cream knit loungewear, while others were clad in modest but elegant dresses accessorized with silk scarves.

The models, many of them student volunteers from Chelsea’s Fashion Institute of Technology, were donning “The Jewish Uniform,” at least as defined by the minds of Havurah, a cohort of self-described “frum” (religiously observant) New York-based 20-somethings aspiring to create a “renaissance of Jewish art.” In addition to the fashion show, Havurah has hosted readings, Torah study and concerts, and the group recently launched “Verklempt!,” a Jewish literary magazine.

Last Thursday evening, “The Jewish Uniform” highlighted 13 Jewish designers whose levels of experience ranged from amateurs to well-established brands like Batsheva, whose signature modest dresses and ultra-feminine womenswear first made a big splash in 2016. Directed by Havurah co-founders Daniella Messer and Eitan Gutenmacher — both 20-year-old students at New York University —  the show’s looks were curated by Ashley Finkel, a 26-year-old e-commerce coordinator at La Perla and styled and staged by Lily Paige Sausen, 26, who runs an online vintage store.

Havurah’s motive is to create Jewish art and to understand the intersection of art and Judaism. The fashion show, in particular, aimed to celebrate and explore what makes an outfit Jewish — at least through an observant lens.

Ashley Finkel, left, one of the show’s curators, speaks with designer Elke Reva Sudin, May 11, 2023. (Saul Sudin)

“The intention of the show was to use fashion as a medium to bring together a community of creatives in NYC,” Finkel told the New York Jewish Week. “We’re very happy with how the evening turned out.”

Around 120 people attended the show, which took place in the outdoor space underneath the bulbous curve of the architecturally unique Tribeca Synagogue (49 White St.), an Orthodox congregation. The downtown neighborhood is now known for its hip loft buildings, but it was once a center of the textile and cotton trade industries in the 19th and early 20th centuries.

The show’s creators, from left to right: Eitan Gutenmacher, Daniella Messer, Lily Paige Sausen, Ashley Finkel and Kayla Mantell, at the show on May 11, 2023. (Julia Gergely)

“I thought it was really cool to be able to show my looks in a Jewish show,” said Yarden Sopher-Harelick, a 24-year-old designer and FIT graduate who had three outfits in the show, including a blazer dress fashioned out of bubble wrap and a seatbelt.

Batsheva Hay, the Orthodox designer who runs the eponymous brand, donated four dresses to the show, though she wasn’t able to attend herself. 

Each “Jewish Uniform” runway look had a tongue-in-cheek title and description that was presented in an accompanying program for the show, allowing the creative directors to build on their thesis about what makes an outfit Jewish — and to poke some lighthearted fun at Jewish customs as well. Take “The Yenta,” who wears a white blouse, pearls and a long black skirt: “She attends shul for one purpose: the tea. It’s piping hot, just like her outfit,” the program read.

The “Shabbat Snoozer” — a loose, comfortable, matching set in navy — was described as “the classic combination of a food coma and a few hours to spare before Havdalah,” while the “Cholov Yisroelnik,” described as “the kosher version of a milkmaid,” consisted of a headscarf, a pink gingham skirt and white top, with the model carrying a carton of milk instead of a clutch.

For first-time model Tara Dietzel, an 18-year-old first-year student at FIT, walking in the show and seeing clothes designed by Jewish designers was a way for her to envision how she might combine her Judaism, her love of modeling and her professional goal to become a fashion designer.

“It was so much fun and a good first step to figuring out how I can accomplish all of these dreams at once,” Dietzler told the New York Jewish Week after the show.  

Tara Dietzler, left, models a design from Yarden Sopher-Harelick, right, May 11, 2023. (Julia Gergely)

Guests included many of the designers’ friends and family, who cheered enthusiastically as their models walked the runway. After the presentation, everyone came together over wine and seltzer. The designers posed with their looks and models walked through the crowd to show off their clothes’ texture and details up close. 

At the event, Elke Reva Sudin, a Brooklyn-based designer and painter, launched “The Crown Collection,” a limited collection of silk head scarves. Nearly a decade ago, Sudin ran a similarly-missioned organization to Havurah called Jewish Art Now before founding Drawing Booth, a non-Jewish arts vendor where artists live-sketch guests at events. The scarves are her first foray into fashion.

Elke Reva Sudin, middle, stands with two models who donned her new line of headscarves, the Crown Collection, May 11, 2023. (Saul Sudin)

Sudin said that designing scarves — an item popular among Orthodox women, most of whom cover their hair after marriage, as per Jewish law — was a way for her to explore her own Jewish identity and spirituality as a married Orthodox Jewish woman. She found out about Havurah through a mutual artist friend.

“I’ve been out of the Jewish world for a while now and I appreciate that there was a Jewish space I could turn to launch my scarves, which are sort of my return to Jewish art while entering into the world of fashion,” Sudin, 35, told the New York Jewish Week. “Both my designs and Havurah have the same intent, which is to be inclusive and to create something not only beautiful, but meaningful to the Jewish community.” 


The post A fashion show in Tribeca attempts to capture ‘The Jewish Uniform’ appeared first on Jewish Telegraphic Agency.

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Why are all the cool girls wearing yarmulkes?

If you have a passion for fashion, enjoy exotic headgear, or, if you, like me, just happen to go outside once in a while, then there is a good chance that you, too, have crossed paths with the “crochet skullcap.” Cobweb-thin and dainty, they come in as many colors as Joseph’s coat and just as many stitch patterns. Some have little stars or pom-poms on the fringe. Some even have brims, like a lampshade but for your head.

I had never seen one of these creations until a few months ago. For reasons I cannot disclose, I was walking down Carnaby Street, a famous shopping mecca in London’s SoHo neighborhood, squinting down at Google Maps when some spirit — maybe God — compelled me to look up. Before me in the afternoon glare stood a glimmering seraph. She was tall and gleaming, sliding languidly down the street like a cheetah on a runway. And on her head she wore … a yarmulke?! I blinked and shook myself. When I looked again, she was gone.

But her image had burned itself into my memory like acid on copper. Specifically that yarmulke of hers. It was like a lilac doily, but with more structural integrity. It was also bigger than the average yarmulke. Whereas your standard yarmulke is around bald-spot-sized, this woman’s yarmulke was big enough to engulf her whole cranium.

Back in America, preliminary Googling revealed that part of the reason the woman’s yarmulke was so big and purple was that it was not a yarmulke at all, but a “crochet skullcap.” A Vogue article addressed the very question that was plaguing me: “Why Is Everyone Wearing a Tiny Crochet Skullcap?” Everyone, that is, who attended Copenhagen Spring Fashion Week 2026, where apparently everybody “got the memo to wear a tiny crochet skullcap.” Had they all unexpectedly converted to Judaism?

Attendees at Copenhagen Fashion Week 2026 who got the crochet-cap memo. Photo by Paul Gonzales/Getty Images

The article offered alternative theories: Perhaps the artisanal, handmade connotations of crochet (even when mass-produced) appealed to Danish dames; perhaps these head coverings were a symptom of nostalgia for the ’60s and ’70s, when crochet skullcaps were so popular among the freewheeling hippies that the original 2007 release of Julie Albright, the American Girl Doll emblematic of ’70s San Francisco, came with a tiny lilac skullcap of her own.

On the other hand, maybe the crochet skullcap’s ascendance was proof that the cultural pendulum was swinging conservative. I was deep into the article when I found what I had been looking for: my smoking gun, nestled between two parentheses. The crochet skullcap, one fashion expert noted, “is similar to religious head coverings, like the kufi and yarmulke.”

“HA!” I yelled. If there had been any birds in my kitchen, they would have scattered. So I wasn’t insane after all!

Further research revealed that these tiny crochet circlets contained great contradictions. How was it possible that hippy-dippy flower children had pulled up at Woodstock wearing more or less the same hat that other guys wore while praying three to five times a day? Among the religious demographic, the yarmulke and kufi symbolized modesty and humility before God. Among fashion-forward extremists, the crocheted skullcap — some of which sell online for more than $300 — symbolized chicness, even status. Such a paradox required the help of an expert. So I wrote to Janet Linville, the head milliner at the Metropolitan Opera and senior millinery instructor at the Fashion Institute of Technology (FIT) with my question: What did this hat mean?

Unsurprisingly, there were many meanings. “This sort of head covering goes a long way back in history,” she wrote. “Similar caps were worn at night to ‘keep the spirits in (or out), to cover tempting hair, to show marital status, and for religious deference reasons.” On the off-chance the Copenhagen Fashion Week crowd wasn’t trying to keep spirits out or cover their tempting hair, Linville offered another theory: Perhaps it was just that “handmade crafted looks, such as embroidery and knitting have been more popular recently.” In other words, maybe people were just wearing something because it looked cool, not because they were tapping into a millennia-long monotheistic tradition. “I suppose there’s an argument to be made that we are living in more conservative times,” she wrote, “but crocheted skull caps were also popular in the permissive ’60s and ’70s.”

The crochet skull cap falls in step with a broader trend of cool-ifying symbols of tradition and even conservatism, such as the corset, the crucifix, the “prairie dress,” and the “milkmaid dress.” (Evie Magazine’s “Raw Milk Maid Dress” sparked furor in the tradwife community over what was viewed as an unpasteurized level of sexiness.) El País reports that from 2024 to 2025, online searches for knee-length skirts rose by 33%, equestrian boots by 39%, and gingham checks, a pattern some consider evocative of 1950s domesticity, by 33%.

But it is hard to know what people are thinking when they follow trends. Perhaps it is to promote one idea, or to subvert another. Perhaps it is because other people are doing it. Perhaps it is for no reason at all. For my part, I’m thinking of getting in on this trend while it’s hot. There’s a soccer-ball-themed yarmulke from my cousin’s bar mitzvah lying around the house somewhere. All I need to do now is punch a few holes.

The post Why are all the cool girls wearing yarmulkes? appeared first on The Forward.

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Mamdani concedes he can’t arrest Netanyahu but urges U.S. to enforce International Criminal Court warrant

New York City Mayor Zohran Mamdani announced Tuesday night that a legal review he ordered found he does not have the authority to arrest Israeli Prime Minister Benjamin Netanyahu when he visits the city, putting to rest a question that has repeatedly surfaced since he first vowed to take custody in light of an International Criminal Court order for Netanyahu’s arrest.

In the two-minute address posted on his official social media accounts, Mamdani opened by declaring “Benjamin Netanyahu is a war criminal, the architect of a horrific genocide against the Palestinian people” but acknowledged the legal limits that prevent him from following through on his pledge, which had become a rallying cry for his pro-Palestinian supporters. (The use of the term “genocide” to describe the Gazan death toll in the Israel-Hamas war remains contested.)

“My administration has reviewed every avenue available under applicable law to determine whether New York City could execute the International Criminal Court’s arrest warrant if Benjamin Netanyahu came here,” Mamdani said. “It is clear that we do not have the independent legal authority to enforce this one.”

The United States does not recognize the court’s authority over American citizens or foreign nationals on U.S. soil, and local authorities have no power to execute such a warrant. U.S. law gives the federal government control over foreign policy, and heads of state traveling to the United Nations are protected by diplomatic immunity.

The announcement ended days of speculation and fierce backlash over one of his most controversial campaign promises after comments he made when asked about his arrest vow in an interview with The New York Times reignited the issue. “If someone is charged with a warrant from the International Criminal Court for these types of crimes, that’s something I believe should be honored,” Mamdani told reporters on Monday.

Mamdani, who rose to power aligned with pro-Palestinian activism, has been unapologetic about his anti-Zionist views. He came under fire during the mayoral race last year for defending the slogan “globalize the intifada,” used by some at the pro-Palestinian protests and perceived by many as a call for violence against Jews, and repeatedly said he’d arrest the Israeli leader over the conduct of the war in Gaza.

Netanyahu’s representatives in the U.S. responded angrily to Mamdani’s move, calling him “an antisemite” and accusing him of attacking Israel to cover up for political failure.

On Tuesday night, Danny Danon, Israel’s ambassador to the United Nations, responded on social media: “Zohran Mamdani, ENOUGH. Enough with the blood libels. Enough with the attacks on Jewish organizations. Enough with the outreach to the Iranian regime. You were elected to serve New Yorkers, not Hamas’ propaganda. Do your job!”

Tuesday’s video mirrored the Nakba Day video produced by his City Hall media team commemorating the displacement of Palestinians during Israel’s founding in 1948, which drew sharp criticism from Jewish and Zionist organizations. But it also highlighted the tension that has defined Mamdani’s first six months in office: balancing the activist politics that propelled him to City Hall with the legal limits and governing responsibilities of leading the city with the largest Jewish population outside Israel.

In his address, Mamdani said that while the city had exhausted its legal options, the federal government had not. He urged the Trump administration to join the International Criminal Court and enforce its arrest warrant for Netanyahu. President Donald Trump, writing on Truth Social on Monday, reassured Netanyahu that he “will not be arrested, in any way, shape, or form, while in the United States of America.”

Mamdani concluded that Netanyahu “is not welcome in New York City” and said New York leaders can choose not to remain silent to defend Palestinian human rights. “That is my commitment to you,” he said.

The post Mamdani concedes he can’t arrest Netanyahu but urges U.S. to enforce International Criminal Court warrant appeared first on The Forward.

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Democratic socialist rails against AIPAC in uphill primary bid against pro-Israel incumbent in Arizona

(JTA) — Kai Newkirk, an activist and democratic socialist, has made Israel and AIPAC a focal point in his effort to unseat pro-Israel Rep. Greg Stanton in Tuesday’s Arizona Democratic primary.

“I’ve been arrested over 25 times in civil disobedience — and I’ll go to jail for justice again before I ever take a dime from AIPAC,” Newkirk wrote on X last week, referring to the American Israel Public Affairs Committee.

Newkirk, 45, whose organizing has largely focused on campaign finance reform, has repeatedly blasted Stanton’s support from the pro-Israel lobbying group. He has also accused the Israeli government itself of “trying to interfere in our elections,” including in Arizona’s 4th Congressional District where he is running and which covers parts of Phoenix and Maricopa County.

He pointed to a $45 million text message campaign to improve Israel’s image in the U.S. as a sign of such interference, and posited that “they may be targeting areas where AIPAC is more invested or where these issues are more at stake.”

The primary comes as a number of left-wing congressional candidates with sharply critical Israel stances have won the Democratic nomination around the country, and as Israel and AIPAC grow increasingly unpopular among Democratic voters.

The most recent poll on the Arizona race, commissioned by a group that favors Newkirk, had Stanton up by 8 percentage points, while another poll, conducted two weeks earlier by a group favoring Stanton, showed the incumbent ahead by 33 points.

Newkirk’s platform includes ending all military aid to Israel and imposing an arms embargo on the country, which he accuses of genocide.

Stanton, 56, a four-term incumbent, voted against Kentucky Rep. Thomas Massie’s amendment to cut military aid to Israel last week. Newkirk criticized Stanton, saying that he would have voted for the amendment, and suggested that Stanton’s vote was the result of his support from AIPAC.

“Greg Stanton has taken over $300K from AIPAC,” Newkirk wrote. “And today — as so many Americans in our district and across the country struggle to get by — he just voted to send billions more of our tax dollars to Israel to fund their war crimes and genocide. Disgraceful.”

Among AIPAC’s endorsees in Congress, more than a dozen voted to cut aid to Israel last week; AIPAC has since removed the option on its website to donate to those candidates.

Stanton explained his vote on X, saying that the amendment “would undermine America’s ability to counter real threats from Iran” and weaken the ability to promote long-term stability across the region. He also criticized Israeli Prime Minister Benjamin Netanyahu and wrote that “clear change is necessary” as the U.S.-Israel security agreement, which includes $3.8 billion in annual military subsidies for Israel, nears its expiration in 2028.

Newkirk is endorsed by progressive groups such as Our Revolution, Track AIPAC and the Progressive Democrats of America.

Also among Newkirk’s endorsers is Cenk Uygur, the host of the Young Turks who has spread conspiracy theories about Israel. “Kai is Israel Free and has fought to get money out of politics his whole life,” wrote Uygur last month.

Newkirk has faced turbulence in establishing broader support.

The Young Democrats of Arizona pulled its endorsement of Newkirk earlier in July, writing that it had been “made aware of some concerning patterns of behavior” displayed by Newkirk, without specifying what it meant.

Newkirk did not respond to the Jewish Telegraphic Agency’s request for comment. After the Young Democrats of Arizona retracted its endorsement, Newkirk wrote that the withdrawal of the endorsement was based on a false report amid “a wave of wins by democratic socialists” and called it a “weaponization of … disavowed misinformation.

Newkirk did speak out against last year’s killing of two Israeli Embassy staffers outside the Capital Jewish Museum in Washington, D.C. “I stand always with my beloved Jewish siblings against the scourge of antisemitism just as I will never stop in the nonviolent struggle to end the genocide in Gaza, release all hostages, and open the way to just, lasting peace,” he said.

The post Democratic socialist rails against AIPAC in uphill primary bid against pro-Israel incumbent in Arizona appeared first on The Forward.

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