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A German town built a granary atop its Jewish cemetery. Now the bones are yielding insights about Ashkenazi DNA.
BERLIN (JTA) – The city of Erfurt in central Germany is home to an impeccably restored medieval synagogue made possible because local Jews had been expelled long before the Nazis began their campaign to destroy Jewish sites.
Now, Erfurt’s long-hidden Jewish past is again offering new insights — this time about the genetic history of Ashkenazi Jews.
Human remains from a medieval Jewish cemetery in Erfurt have allowed what researchers say is the largest ancient Jewish DNA study to date. Conducted without disinterring any remains, in keeping with Jewish law, the study published Wednesday in the scientific journal Cell found that Erfurt’s medieval Jewish community was more genetically diverse than their modern-day cousins, and carried many of the same Jewish genetic diseases — such as Tay Sachs and cystic fibrosis — that affect Ashkenazi Jews today.
“There have been many previous DNA studies, but not of Jews,” said geneticist Shai Carmi, a professor at the Hebrew University of Jerusalem, whose search for study material led him to an archaeological dig at the Jewish cemetery in Erfurt. He and his collaborators were able to analyze DNA of 33 individuals who died between 1270 and 1400, using teeth they found there.
The study follows a similar analysis revealed in August by researchers in England, who studied the DNA from skeletons found at the bottom of a medieval well and concluded that the remains were likely of victims of an antisemitic massacre in 1190. Analysis of six individuals prior to their identification as Jewish revealed that Ashkenazi Jews developed a unique genetic variation centuries earlier than realized.
The Erfurt analysis also includes samples from before the epidemic of Black Death that was until recently understood to have created the genetic “bottleneck” that created the genetic markers common among Ashkenazi Jews today.
Erfurt’s Jewish settlement existed from the 11th to 15th century, with a brief gap following a 1349 massacre perpetrated after the Jews were falsely blamed for causing the bubonic plague. Surviving Jews returned there, but after all Jews were expelled once and for all in 1454, the city built a granary on top of the Jewish cemetery.
Karin Sczech participates in the excavation at the medieval Jewish cemetery of Erfurt. (Courtesy of TLDA Ronny Krause)
In 2013, the city approved the repurposing of the unused granary into a parking lot. Because it was an historic site, a rescue excavation was initiated, overseen for the State of Thuringia by German archaeologist Karin Sczech.
Meanwhile, Carmi had been looking for Jewish cemeteries anywhere in the world “where we could analyze remains already excavated,” he told JTA in a telephone interview from Jerusalem. “I consulted historians and eventually reached the archeologist in Erfurt.” Fortunately, he said, “they still hadn’t reburied the remains.”
He approached Sczech, who later became a co-author of the new study. In 2018, with a supportive judgment from Rabbi Ze’ev Litke — an Israeli expert on genetics and Jewish law — and permission from Erfurt’s then-rabbi, Benjamin Kochan, work began to extract and analyze DNA from detached teeth found in the graves. (About 500 Jews live in Erfurt today, most of them having migrated from the former Soviet Union since 1990.)
American geneticist David Reich picked up the teeth and brought them back to the department of human evolutionary biology at Harvard University in Cambridge, Massachusetts, where drilling and DNA extraction took place.
While the skeletons were reburied, the teeth are still stored at the research institutes where they have been analyzed, in case scientists need to retest to verify the result.
The project provides an ethical basis for studies of ancient Jewish DNA, Carmi said. “Of course we couldn’t just go to a cemetery and dig and take out skeletons; this would be prohibited,” he said, referring to Jewish law prohibiting the removal of bones from where someone was buried.
But Litke opined that the study could be done, because the bones already had been disturbed for an unrelated reason. “He recommended using teeth, as the analysis does almost no damage,” Carmi said.
There are many motivations to study Jewish DNA: One can find lost relatives going back a few generations, and answer questions about Jewish origin of partners intending to marry. But the goal of Carmi’s team was “to fill the gaps in our understanding of Ashkenazi Jewish early history.”
There are several non-destructive ways to obtain DNA from human remains, said Carmi, who also works as a consultant to an Israeli firm that helps clients trace their genetic roots.
“You can take an almost microscopic slice of bone and extract DNA in a solution, or put the entire bone in a solution and extract the DNA without drilling, without disturbing the dead. This opens the way to doing studies even without teeth,” he added.
His team found that the Erfurt community appeared to fit into two genetically distinct groups, descending either from Middle Eastern or European populations. This genetic variability no longer exists, Carmi said.
At the same time, Carmi said, the analysis found remarkable continuity in the local community, as well. “One third of the Erfurt individuals descended from one woman through their maternal lines,” he said, adding that evidence suggested that she lived between 1,000 and 2,000 years ago.
In a press statement, geneticist Reich of Harvard said the work “also provides a template for how a co-analysis of modern and ancient DNA data can shed light on the past. Studies like this hold great promise not only for understanding Jewish history, but also that of any population.”
The research team, with more than 30 scientists, included Hebrew University’s Shamam Waldman, a doctoral student in Carmi’s group, who performed most of the data analysis.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
