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A Holocaust cattle car in Times Square makes a moving, if jarring, statement
(New York Jewish Week) — Times Square may be best known for its flashy billboards, roving bands of knock-off Elmos and hordes of gawking tourists. But on Tuesday, Holocaust Remembrance Day, visitors to the “crossroads of the world” could also see a replica of the kind of cattle car that transported millions of Jews to their deaths in Nazi-run concentration camps.
The cattle car was parked at the intersection of 46th and Broadway, across from a Forever 21 and the TKTS Ticket window, where curious visitors could step inside and see a film, projected on its four walls, detailing the horrors of the Holocaust.
The “Cattle Car: Stepping In and Out of Darkness” exhibit was developed in 2020 by ShadowLight, a Toronto-based Holocaust education nonprofit, and Southern NCSY, the Florida branch of the Orthodox Union youth group. NCSY’s “Hate Ends Now” tour is traveling the country with a mission to promote Holocaust education and combat antisemitism.
“This exhibit is one of the country’s most innovative Holocaust education tools, and today we’ve brought it to the crossroads of the world,” said Todd Cohn, executive director of Southern NCSY. “If you want to make the world aware of a cause, this is the place to do it.”
On Tuesday morning, while lots of people walked by without looking up, as many in New York are wont to do, several stopped in their tracks to take a look around, snap some pictures and scan the QR code to learn more about the cattle car and the Holocaust. Others took selfies and one asked if the exhibit was a celebration of Passover, which Cohn took as an opportunity to teach about Judaism and the memory of the Holocaust.
“This is amazing to see,” said Yael Shimoni-Degani, an Israeli tourist who was walking through Times Square while visiting her daughter who lives in New York City. The pair was waiting to go inside. “It’s very important to remind people what happened,” Shimoni-Degani said.
The cattle car will be parked in Times Square until 9:00 p.m. on Tuesday, or Yom Hashoah, which is marked as Holocaust Remembrance Day by Israel and Jews worldwide. Rotating groups from area Jewish high schools were invited to visit throughout the day. An event scheduled for 7:00 p.m., open to the public, was to feature Holocaust survivors, U.S. Army veterans who were involved in liberating the camps, Israeli emissaries and local politicians. The crowd will be invited to sing prayers and light yahrzeit candles in memory of victims of the Holocaust.
A group of students from The Ramaz School exits the “Cattle Car: Stepping In and Out of Darkness” exhibit in Times Square, April 18, 2023. (Julia Gergely)
Attendees are closed inside the cattle car — an effort to make tangible the experience of victims and survivors. The 20-minute video provides a timeline of the Holocaust and and includes testimonies from survivors Hedy Bohm and Nate Leipciger. The video concludes by urging viewers to take responsibility for their actions, asking questions like, “How did the world let this happen?” and “How can you raise your voice?” Statistics on rising antisemitism, racism and violence against LGBTQ communities are displayed.
“While inspiring the Jewish future is our core mission, the general public is just as much our intended audience today,” Cohn said, noting the “universal message” of the exhibit. One of the goals of “Hate Ends Now,” which has toured the Florida state capitol and will move onto college campuses in Boston next week, is to “make sure hate doesn’t go unchecked,” Cohn said, especially in a time of rising antisemitism.
There was a large security and police presence nearby, and an officer inside the exhibit.
Dini Hass, an educator at the Ramaz School who had brought a group of students to tour the exhibit, told the New York Jewish Week that visiting the cattle car was an incredible experience and an opportunity to share her family’s story as the granddaughter of four Holocaust survivors. “To have this in the middle of Times Square is one of the craziest things I’ve ever seen,” she said, admiringly.
Writer Dara Horn, however, was skeptical that exhibits like this — especially those mounted in such a public space like Times Square — actually have the power to turn the tide of antisemitism, despite their well-meaning intentions.
“I came to the disturbing conclusion that Holocaust education is incapable of addressing contemporary antisemitism,” said Horn, who recently toured the country taking stock of different Holocaust education initiatives. “There’s a bunch of reasons for that. One is that it’s been used as this case study outside of history and it’s used for public moral education. I can’t think of any other event in history where we isolate it from any kind of context and it’s become an atrocity that we are required to universalize.”
Horn noted that her comments were not specific to the “Hate Ends Now” exhibit, rather to the broader effort of Holocaust education and combating antisemitism among the general, non-Jewish public. She also conceded that, for Jewish communities, Yom Hashoah and Holocaust education exhibits are important in that they offer a moment to mourn and honor the dead.
And yet, she said, “This becomes the one thing people know about Jews — that they were murdered in the Holocaust — and now it is there to teach us something about humanity,” she added. “There’s a huge problem where the general public is taught about the Holocaust, and knows absolutely nothing about Jews who are alive today, or about the lives and contents of Jewish civilization in Europe that was lost.”
As someone who is well-informed about the Holocaust, educator Dini Hass said that she is often shocked by how little both Jews and non-Jews know about the Holocaust. “If something like this makes even one person stop for a second to think about the Holocaust and want to learn about it, then it’s doing its job,” she said.
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She claims she saw Hitler’s ashes and danced with Goering. But is any of it true?
Hitler and My Mother-in-Law
By Terese Svoboda
O/R Books, 416 pages, $23.00
Patricia Hartwell had many stories from her time as a correspondent for the US Office of War Information. Once, she said, she took a picture with Adolf Hitler’s ashes so American citizens would see that the war was over. It’s a thrilling tale, but nobody knows if it’s true.
The mystery surrounding this photo — where it is, if the ashes were actually Hitler’s, whether there even was a picture — takes center stage in Hitler and My Mother-in-Law, a lengthy memoir by author Terese Svoboda.
As a correspondent for the US Office of War Information during World War II, Hartwell was the first female reporter to arrive at Dachau and Hitler’s Eagle’s Nest. She also pocketed several of Hermann Goering’s medals. Well-researched, engaging, and occasionally cringe-inducing in its depiction of awkward interactions between Svoboda and Hartwell, the book paints Hartwell as a woman who was both morally dubious and undeniably impressive.
Svoboda, author of the novels Cannibal and Dog on Fire, has plenty of reasons not to believe her mother-in-law, who died in 1998 at age 82. She lied in an oral history of Hawaii’s State Foundation on Culture and the Arts about being accepted into Harvard Law School in 1936, even though women weren’t admitted there until 1950. She claimed several times to have been close friends with Eleanor Roosevelt and that she was invited to stay in the White House on occasion. No records of such a relationship with the former-First Lady exist.
While Svoboda doesn’t hold back her criticisms of her mother-in-law — and she has plenty — the memoir does not demonize her. Instead, Svoboda attempts to understand her mother-in-law’s penchant for embellishment in the context of the patriarchal society in which she lived, one that forced impressive women to be quiet about their achievements. Maybe struggling so long for recognition led Hartwell to feel the need to exaggerate her life story.
The book does not just explore the lies Hartwell told others but also the ones she told herself, such as refusing to believe that her second husband, Dickson Hartwell, a World War II veteran and fellow journalist, beat her children.
And yet among all the falsehoods, there are known facts about Hartwell’s life that seem stranger than the ones she invented. During the Allied occupation of Germany, Hartwell served briefly as the mayor of Berchtesgaden, a resort town where Hitler and other Nazi leaders vacationed. She got to see a collection of looted art recovered from Goering — and picked out a painting to take home. Apparently it wasn’t unusual for members of the American press and military to take souvenirs, no matter how heinous their origin story.
The piece, one of Lucas Cranach’s many versions of “Cupid Complaining to Venus,” was one of Hitler’s favorites. Nearly two decades after Hartwell brought it back to New York, Dickson sold the painting, apparently without her permission, to E. A. Silberman Galleries in order to purchase a small newspaper in Arizona. The Jewish-owned art firm then sold the painting to the National Gallery of London for over a hundred times more than what they bought it for.
Hartwell also claimed to have danced with Goering at a party that the American soldiers held the night of his arrest. According to some reports, rather than punishing Goering, the military fraternized with him. Based on her own archival research, Svoboda determines this claim to be plausible.
Why, Svoboda wonders, would Hartwell “want to boast of not only meeting the second most evil Nazi, but dancing with him?” If it’s a lie, it’s one that seems to work against its teller. If it’s the truth, it’s one most people would probably like to keep hidden. To some, whether it’s fiction or not may not be important. But Svoboda contends that to those who want to understand the type of person Hartwell was, the truth behind this story is crucial.
Although Svoboda remembers seeing the photo of Hartwell with Hitler’s ashes, it never resurfaced after the woman’s death. According to Svoboda’s husband, Hartwell’s oldest son, the ashes were not Hitler’s, just a random pile picked for a posed photo to mark the end of the war. No matter who — or what — the ashes belonged to, it’s the power behind the story, one of a fallen dictatorship, that mattered. And Hartwell clearly understood the power of stories.
The post She claims she saw Hitler’s ashes and danced with Goering. But is any of it true? appeared first on The Forward.
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How ‘Spiritually Israeli’ became a slur that isn’t really about Israel
Once upon a time — which is to say, not recently — Israel had a reputation in the West as an underdog. This, combined with its gold-star management of its international image, a practice known as hasbara, led to a perception of the Jewish nation as a scrappy fighter that triumphed over its bullies, the Arab nations that flank each of its borders. Later, Israeli PR successfully marketed Tel Aviv as a gay mecca to prove its character as a progressive leader, and its success in technology to paint the country as the “Start-up Nation.”
Since Oct. 7, this has changed entirely. Now, Israel, not its Arab neighbors, is widely portrayed as the bully. And this association goes so deep that posters online have begun to bring up Israel outside of any context relating to the war, international politics or anything Jewish. In the current parlance, “spiritually Israeli” has taken hold as a catch-all pejorative.
Take, for example, the World Series. The Los Angeles Dodgers — if you’re not a baseball fan, they just won the World Series — are, this year, the spendiest team in the game, known for hoarding wealth and amassing the best players. Other sports impose salary caps to try to keep the playing field relatively equal, and the games more compelling. Not baseball. (It does levy luxury taxes on teams that spend a lot — but, if you’re already paying your star player $700 million, you just pay the tax, too.)
Which means that the Dodgers’ win was not exactly widely celebrated outside of Los Angeles. “Never forget it’s fuck the Dodgers, fuck Israel and fuck ICE forever,” reads one popular tweet on the game. The Dodgers, as several posts put it, are “spiritually Israeli.” Yet another post referred to the team as the “Tel Aviv Dodgers.”
To be clear: The team has no Israelis. The posters don’t mean the team has a partnership with Tel Aviv, or that any of the players are Jewish. They partially mean the team is punching down. And they mostly mean it’s lame to support a team that seemed nearly guaranteed to win.
“Spiritually Israeli” and its ilk are far from the first anti-Israel slang to pop up in the past two years. Various pejoratives like “Isn’treal” and “Israhell” have been common for years, and gained traction after Oct. 7. Long before the “Hot Girls for Cuomo” and “Hot Girls for Zohran” battle arose in the New York City mayoral battle, there were influencers posting thirst traps captioned: “#freepalestine.” In short, Israel is becoming deeply uncool.
This is all, of course, just the internet. Israel still has the support of the vast majority of U.S. political leaders, for example, who probably don’t keep track of which influencer is posting what about Israel, much less what outfit they were wearing when they did so.
On the other hand, the internet is where much of culture is manufactured today. And however intangible they may be, language and slang do matter reveals societal currents.
Meme encyclopedia Know Your Meme says “spiritually Israeli” is used to call things “culturally empty.” It’s possible to see this as a rebrand of “rootless cosmopolitanism,” an antisemitic idea used to condemn Jews as a corrupting influence on European society. And that is part of the term’s meaning. But really, in practice, it’s used to describe things that are extremely corporate, too big to fail.
Israel is no longer seen as the underdog. And support for Israel in mainstream arenas — politics, government, some media — is why it has become increasingly, well, unsexy to support the nation. Are you excited about your bank? Or your local Safeway? Just like it’s lame for Starbucks to be your favorite coffee shop instead of somewhere local, or it’s basic to love Taylor Swift instead of a niche musician, it has become cringe to love Israel.
But only among a certain crowd; the people using “spiritually Israeli” are, generally, cultivating an aesthetic of hipsterdom. In practice, though, most people love corporate things; that’s how they got so big. At least one major TikToker built her entire brand on being excited about drinking her daily Starbucks. And Taylor Swift is, of course, one of the most successful pop singers of our time. Israel doesn’t need to be cool to thrive.
So however “spiritually Israeli” it might be, people will continue to like what they like — even if it’s the L.A. Dodgers.
The post How ‘Spiritually Israeli’ became a slur that isn’t really about Israel appeared first on The Forward.
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Trump takes aim at Jews who vote for Zohran Mamdani, calling them ‘stupid’
As voters took to the polls across New York City on Tuesday, President Donald Trump renewed his attacks on mayoral frontrunner Zohran Mamdani and the Jewish voters backing him.
“Any Jewish person that votes for Zohran Mamdani, a proven and self professed JEW HATER, is a stupid person!!!,” wrote Trump in a post on Truth Social Tuesday morning.
Trump’s critical comments about Jewish voters casting their ballots for Mamdani, who has drawn sharp criticism from Jewish leaders for his rhetoric about Israel, were not his first.
Last month, Trump told reporters at a press conference with Argentinian President Javier Milei that Mamdani was a “communist” who “hates Jewish people and yet he’s got Jewish people supporting him.”
Recent polls have suggested that more Jews in the city are planning to vote for Gov. Andrew Cuomo than Mamdani. But Mamdani has significant support from Jewish voters, too, including some who have campaigned hard for him.
Trump’s comments echo those he made about Jews who were voting against him in last year’s presidential election, when he said any Jew who votes for Democrats “hates their religion.”
Trump also took to Truth Social Monday night to endorse Cuomo and suggest that he would retaliate against a Mamdani-run New York. “If Communist Candidate Zohran Mamdani wins the Election for Mayor of New York City, it is highly unlikely that I will be contributing Federal Funds, other than the very minimum as required,” he wrote.
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