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A Missouri school district could ban ‘Maus,’ citing concerns about whether it is ‘explicit sexual material’

(JTA) – A Missouri school board is preparing to vote next week on whether to ban Art Spiegelman’s Holocaust graphic memoir “Maus” — even though no parent in the district has challenged it.

Spiegelman himself is among those exhorting the board of Nixa Public Schools, a district of about 6,000 students in Christian County just south of the state capital of Springfield, not to remove his book and several others.

“We haven’t learned much from the past, but there’s some things you should be able to figure out,” Spiegelman said in an interview with the literary free-speech advocacy group PEN America published as part of a campaign directed at the Nixa school board. “Book burning leads to people burning. So it’s something that needs to be fought against.”

Nixa is at least the third district in Missouri to seriously question whether current state laws allow it to stock “Maus” in schools. Its board will meet Tuesday to determine the fate of “Maus,” along with six other books including an illustrated adaptation of Margaret Atwood’s “The Handmaid’s Tale,” which portrays a dystopian society in which the United States has been placed under a fundamentalist theocratic rule.

Spiegelman’s book was an early, visible casualty of the nationwide conservative-led movement to remove or restrict books from school libraries for perceived inappropriate content when a Tennessee district voted to remove “Maus” from its middle school curriculum last year. There, school board members cited profanity in the book and a drawing of a naked mouse, which represented the author’s mother after she died by suicide.

Books with LGBTQ content and books about race have been the primary targets of the movement, with graphic novels in particular facing frequent challenges. Over the past year, several other Jewish books have been caught up in purges across multiple states, including an illustrated adaptation of Anne Frank’s diary, a novel about the Holocaust by Jodi Picoult, and a children’s picture book about a Jewish family with two dads.

Unlike in many of these cases, no parent in Nixa challenged the appropriateness of “Maus” or several of the other books facing removal. Instead, the district is concerned that the book could risk violating a state law that establishes a criminal penalty and possible jail time for educators found to have provided children with access to “explicit sexual material.”

“Maus is pending review by the school district due to a recently passed Missouri state law making it a crime to provide materials of visual depiction of sexual act or genitalia to students. Any material that could potentially violate the law are being presented to the board,” Zac Rantz, a district spokesperson, said in a statement to the Jewish Telegraphic Agency.

Rantz emphasized that “Maus” was not being targeted because of its subject matter.

“These actions should not be viewed as an attempt to limit students’ access to information about the Holocaust or be viewed as antisemitic,” he said in the statement. “The district does not tolerate hate speech of any kind and has the teaching of the Holocaust as a part of various classes. The material is being reviewed solely on the basis of the new state law in order to help protect the staff from legal action and place the decision on the board of education.”

Nixa school board president Josh Roberts told the Washington Post the book was “potentially violative” of laws and policies but did not provide further detail. Roberts did not return a JTA request for comment.

Some other Missouri school districts have interpreted the law broadly to mean that comic books and graphic novels, in particular, could expose staff to legal liability. One district near St. Louis ordered staff to temporarily pull not only “Maus,” but also hundreds of other illustrated books, including several Holocaust history books for young readers and art history books featuring Jewish artists.

An email the Nixa school district sent to staff after the law passed instructs its staff to have all materials in their classrooms approved by the district.

“The law defines sexual material as a visual depiction of a sexual act or genitalia,” the email said in part. “There are exceptions for works of art that have serious artistic significance, or works of anthropological significance, or materials used in science courses like biology or anatomy.”

At the time of the Tennessee district’s initial removal of “Maus,” Spiegelman spoke to a local Jewish federation about the controversy, saying it was “about controlling.” He has since appeared on CBS and in other media outlets as a leading voice for authors opposing restrictions on their books in schools.

Now the Pulitzer Prize-winning comics artist is partnering with PEN America to decry attempts to remove the book. PEN has also launched a petition in an effort to convince the Nixa board not to remove the book.

Attacks on “Maus” and other books are “a real warning sign of a country that’s yearning for a return of authoritarianism,” Spiegelman told the Washington Post. Reflecting on the wide array of books that have faced bans, he said, channeling the view of the bans’ proponents, “It’s one more book — just throw it on the bonfire.”

At the Nixa board meeting, the seven-member board will vote individually on each book brought before them. Its vote for “Maus” will not consider questions of appropriateness, only whether the book could conceivably be found in violation of state law.


The post A Missouri school district could ban ‘Maus,’ citing concerns about whether it is ‘explicit sexual material’ appeared first on Jewish Telegraphic Agency.

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I’m an Iranian Student at Yale: Here Is the Problem With the University’s Discourse

Yale University Law School in New Haven, Conn. Photo: Juan Paulo Gutierrez/Flickr.

On April 7, the Yale MacMillan Center hosted a panel titled, “The War on Iran: A Roundtable Discussion.” The speakers repeatedly made false claims about Iran’s modern history and politics. When these claims were challenged by Iranians in the audience, they were met with dismissal and mockery.

This panel epitomizes a larger problem with how Iran is discussed at Yale. Our academic culture has allowed perceived expertise to shield weak and morally suspect arguments, while the voices of Iranians are only tolerated if they reinforce an established narrative.

Laura Robson, Elihu Professor of Global Affairs and History, started by saying she was “not an Iran expert.” She then described Iran’s 1953 government change as the United States collaborating with the British government to remove the democratically elected Prime Minister, “Mustafa” Mossadegh, in favor of the return of an autocratic monarchy.

This is inaccurate, not only because Robson actually meant “Mohammad” Mossadegh, but also because he was never democratically elected. When confronted, the professor claimed that descriptions of anybody, even beyond Iran, as democratically elected need to come with asterisks, morally equivocating dictators with other democratically elected leaders. She continued by saying there’s no question that the regime that the US replaced him with [Pahlavi 1953-1979] was more repressive than the one that came before it.

While criticisms regarding treatment of political prisoners apply to both the Pahlavi and Mossadegh periods, Robson omitted the fact that under Pahlavi, women gained the right to vote, run for office, and divorce. The legal marriage age was raised from 13 to 18. The first public gay wedding in the Middle East was held in Tehran, and the couple was congratulated by the Empress.

Arash Azizi, a fellow at the Yale Program for the Study of Antisemitism, said that former Iranian Foreign Minister Zarif speaks on behalf of the Iranian people, when the mass protests that occurred earlier this year — in which tens of thousands of people were killed — show that the regime clearly lacks popular support. This is something universally acknowledged by even those who oppose the current war.

The controversial US Special Envoy for Iran, Robert Malley, claimed that sanctions and war “have not done one iota” to weaken the Iranian regime or reduce its violence, and returned to the same conclusion he has defended for years: that blind faith in endless negotiation remains the only path forward regardless of past failures.

Contrary to this claim, the sanctions have significantly weakened the regime economically and constrained its terror proxies, and their conduct during this war shows how untrustworthy incessant negotiation attempts have been.

When an Iranian who had lost friends in the Ukrainian PS752 plane shot down and covered up by Zarif’s government asked the panel how they sleep at night knowing they support figures like Zarif, the panelists laughed and joked about using melatonin. The Iranian student’s emotional testimony was deemed uncivil by panel moderator Travis Zadeh, Chair of the Council on Middle East Studies, but the mockery that followed was treated as acceptable.

This is the problem with Iran discourse at Yale, and beyond Yale. Treating academic credentials as a pass to ignore views that don’t fit the pre-established political ideology of “experts” is not merely due to ignorance and disconnect from reality. It is a deliberate decision to launder these fundamental misunderstandings as facts in classrooms where future political leaders sit.

Iranian voices are already silenced through repression, Internet shutdowns, and executions. What little space that remains for Iran discussion is then hijacked by academics who avoid any resolution by framing everything about the region as “too complicated,” treat the region as a monolith, and present the regime’s terrorists as authentic Iranian voices.

Foreigners are told that any intervention is wrong, because Iranians must decide their own future. But when Iranians speak, they are silenced here and silenced in Iran by the very same policies that these foreign experts and discussion panels present as the best solution for Iran.

To make any progress towards peace, that choice must be reconsidered.

The Yale Daily News initially signaled interest in publishing this piece, but declined to move forward after heavy editorial pushback by at least one staff member.

Hadi Mahdeyan is an Iranian international student at Yale University, and a fellow at the Committee for Accuracy in Middle East Reporting and Analysis (CAMERA). Opinions expressed are those of the author and do not necessarily reflect those of CAMERA.

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Group of Writers, Artists Urges Others to Boycott New York City’s Historic 92NY for Its Support of Israel

The 92nd Street Y (now known as 92Y) on New York’s Upper East Side. Photo: Ajay Suresh via Wikimedia Commons.

A group of anti-Israel artists and writers has launched an initiative urging creatives to boycott the New York institution 92NY, formally known as the 92nd Street Y, because the historic nonprofit community center has hosted cultural and political figures who support Israel.

The collective, called 92NO, wrote on its website that the 92NY “stage and venue is tainted by [its] actions throughout the genocide.”

In a statement explaining the group’s formation, members said their frustration with the 92NY started in October 2023, when it canceled a scheduled talk with Pulitzer Prize-winning novelist Viet ُThanh Nguyen that was organized by 92NY’s Unterberg Poetry Center. The event was called off after the author signed an open letter that criticized Israel and called for an immediate ceasefire in the Gaza Strip and an arms embargo on the Jewish state.

The same open letter accused Israel of “ethnic cleansing,” “genocide,” and the “occupation of Palestine.” It condemned “the deliberate killing of civilians,” without denouncing by name the Hamas terrorist organization, which led a deadly assault in southern Israel on Oct. 7, 2023, which started the conflict in Gaza. The letter was published shortly after the start of the Israel-Hamas war.

The cancellation of Nguyen’s event resulted in several writers withdrawing their own scheduled appearances from the 92NY and resignations from staff members. The 92NY venue paused events as part of its literary series “given recent staff resignations.” Seth Pensky, CEO of the 92NY, defended the decision at the time in an interview with New York Magazine and refuted accusations of “censorship.”

Nguyen has previously expressed support for the boycott, divestment, and sanctions (BDS) movement against Israel, and in 2024, he joined over 1,000 prominent authors in vowing to boycott Israeli cultural institutions, including publishers.

In its statement, 92NO noted that after the Nguyen event was canceled, 92NY organized “a series of public events boosting cultural and political support for Israel” that featured figures such as former Israeli Prime Minister Yair Lapid, journalist Bari Weiss, former US special envoy for monitoring and combating antisemitism Deborah Lipstadt, actress Debra Messing, and “various Israeli military, cultural, and academic figures.” The protest group accused 92NY of expressing a “clear bias and support for Israel’s ongoing assault on Gaza.”

“Throughout 2025 and into 2026, 92NY has continued to platform aggressively pro-Israel public figures,” the coalition stated, before listing featured speakers including journalist Bret Stephens, US Rep. Ritchie Torres, novelist Dara Horn, Israeli activist Hen Mazzig – whom the group labeled as an “Israeli propagandist” — Israeli journalists Ronen Bergman and Nadav Eyal, Bernard-Henri Lévy, New York Police Commissioner Jessica Tisch, former White House National Security Adviser Jake Sullivan, and Palantir CEO Alex Karp.

The group specifically accused Sullivan of having “outright complicity in the Gaza genocide,” and claimed he is “one of the chief architects and cheerleaders for Israel’s assault on Gaza.” 92NY also called Karp a “tech world Zionist Bond villain” and criticized Horn for “repeated genocide and apartheid denial.” They claimed Torres is “funding Israel’s genocide in Gaza” because he supports the US providing military aid to the longtime ally and took issue with his “obsessive pro-Israel posting on social media.”

“Nearly three dozen scheduled artists have withdrawn from events at 92NY,” 92NO said in conclusion. “Local activists gather regularly in front of the building to picket against the pro-war, pro-genocide speakers platformed on the 92NY stage. In April 2026, 92NO officially launched, calling on artists to refuse to allow their names and works to be used to launder the reputation of 92NY.”

92NY did not immediately respond to The Algemeiner‘s request for comment about 92NO.

On the 92NY.org Policy Page, the center has a section titled “Regarding Israel.”

“We reaffirm that, as we curate our programming going forward, we will continue to welcome a broad range of viewpoints to our platform, including welcoming people who are critical of Israel, as long as they have not and do not actively call for the destruction of the State of Israel or question its legitimacy,” the policy states. The institution also notes on its website that it will “work to avoid giving platform to hate speech of any kind, including misogyny, transphobia, homophobia, racism, Islamophobia, and, of course, antisemitism.”

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Deni Avdija Makes History as First Israeli to Win NBA Playoff Game — on Israel’s Independence Day

Apr 14, 2026; Phoenix, Arizona, USA; Portland Trail Blazers forward Deni Avdija (8) fouls Phoenix Suns forward Dillon Brooks (3) in the second half during the play-in rounds of the 2026 NBA Playoffs at Mortgage Matchup Center. Photo: Mark J. Rebilas-Imagn Images via Reuters

Deni Avdija became the first Israeli to win an NBA Playoff game when his team, the Portland Trail Blazers, defeated the San Antonio Spurs 106-103 in a Game 2 matchup on Tuesday night, which marked the team’s first playoff win since 2021.

Under interim head coach Tiago Splitter, the 6-foot-8 forward made his playoff debut on Sunday against the Spurs and became just the second player in NBA history to record 30+ points, 10+ rebounds and 5+ assists in their first playoff game. He followed in the footsteps of NBA legend LeBron James, who did the same in 2006, according to the Trail Blazers. Avdija, 25, is also the first player from the Blazers to achieve those numbers in a playoff game in the history of the franchise.

The Blazers lost 98-111 loss on Sunday against the Spurs before redeeming themselves on Tuesday with a victory.

Avdija finished with 14 points, four rebounds, three assists, and one block over the span of 30 minutes in Tuesday’s Game 2 win over the Spurs in the first round of the playoffs. The Tel Aviv native finished the game as Portland’s third-leading scorer.

The Blazers will host the Spurs for Game 3 on Friday.

Before the start of the game on Israel’s Independence Day, which began on Tuesday night, Avdija was asked by Israel’s Sport 5 what he would bring from the Jewish state to the NBA. He replied, “The food, the sea, and the people.”

It was announced on Sunday that Avdija is one of three finalists for the NBA’s Most Improved Player award. He is up against Nickeil Alexander-Walker of the Atlanta Hawks and Jalen Duren of the Detroit Pistons. The winner of the award will be announced on Friday.

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