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A new children’s book will depict the Jewish Theological Seminary’s devastating 1966 library fire — and how its neighbors responded

(JTA) — Just before locking down in early 2020 due to the COVID-19 pandemic, children’s book author Caroline Kusin Pritchard was waiting to pick up her two toddlers from preschool at Congregation Beth Am in Palo Alto, California, when she saw a thin volume poking out of a shelf in the synagogue library. 

The 56-page book, called “Fire! The Library is Burning,” by Rabbi Barry Cytron, detailed a historical event she had never heard of before: the 1966 library fire at the Jewish Theological Seminary, in the Manhattan neighborhood of Morningside Heights.

The fire was a devastating event for the seminary, the flagship institution of Conservative Judaism. It destroyed some 70,000 books and 40 Torahs in the library’s collection, some of which had been saved from Poland. No people were hurt and few rare books were burned, but because of the way the library was constructed, in a windowless tower, the only way to put it out was to dump water from above, resulting in sweeping damage even to volumes that escaped the flames.

What grabbed Kusin Pritchard’s attention was not the fire itself, but the way New Yorkers who lived and worked near the school responded to it — volunteering to evacuate books from the library and protect them from lasting damage.

That response is the focus of her upcoming children’s book, “The Keeper of Stories,” announced this week and due out in the fall of 2024. The episode, Kusin Pritchard said, feels all the more meaningful at a time when activists and local governments across the country are banning books — including some about the Holocaust — and restricting them from school library shelves.

“I just never thought a story about saving books would feel radical in 2023,” she said. “People are proactively going out of their way to strip books from public libraries and school shelves.”

The message of “The Keeper of Stories,” Kusin Pritchard added, is that “it didn’t matter to people what necessarily was in the books. They just knew there was inherent value and the story is being told and to save and protect books more generally, like these sacred gatekeepers of our humanity.”

The book is on the road to publication at a time of significant change for the JTS library, a large and storied institution with 400,000 volumes that includes a notable collection of rare Jewish books. The library downsized its space after a 2015 real estate deal and has more recently drawn scrutiny for auctioning some of its rare books. The longtime lead librarian who led the efforts to recover from the fire, Menahem Schmelzer, died last year

Schmelzer, a Holocaust survivor born in Hungary who served as JTS’ head librarian from 1964 to 1987, spoke to Kusin Pritchard about his recollection of the fire, which happened to occur on his birthday.

“He was able to share just gorgeous, textured memories about what the experience was like for him,” she recalled.

“There’s a refrain throughout about ‘the keeper of stories,’” Kusin Pritchard added, referencing the book’s title. “This idea of, ‘who are the keepers of stories?’ Is it the building involved? Is it the pages of the book?”

Kusin Pritchard is the author of other children’s books with Jewish themes. “Gitty and Kvetch,” released in 2021, features a character who is always complaining; “Where is Poppy?”, out next year, is about a girl’s first Passover after her grandfather’s death. The new book, meant for readers in elementary school, will be illustrated by Selina Alko, who is Jewish and has previously illustrated books about interfaith holiday celebrations and the effort to save Czech children from the Nazis.

“The Keeper of Stories” will depict the steps that JTS’s neighbors took to save the books that didn’t burn. They formed an impromptu chain to pass books out of the library, pack them in boxes and, in turn, clear the boxes out to make more space for additional evacuated books. Volunteers also mobilized to place paper towels between each page of books soaked by the firehoses that were in danger of growing mold. 

“These volunteers came from across the city and dried these books with paper towels and you can still see the places where they taped them and glued them back together on some of these actual books, on the pages.” Kusin Pritchard said. “Their stories still kind of exist in person.”

Initially, Kusin Pritchard wrote the draft from the perspective of the person who came up with the idea of using paper towels to preserve the books — an effort that caused a run on the towels nearby. But she soon realized that the story was about more than one individual’s efforts to save the contents of a library, so none of the characters is named.

“This wasn’t about this one person,” Kusin Pritchard said. “It was about how everyone came together. Preschoolers, students down the street, the pastors, the company that heard about this and sent paper towels, or General Foods who had these freeze dryers and they sent their food scientists to try and freeze dry the books. It was a collective.”

Kusin Pritchard said she usually writes lighter fare, but as the parent of three young children — 6, 4 and 2 years old — she said she isn’t worried about frightening readers.

“Kids can take on and handle a lot more than we give them credit for,” she said. 

She also hopes to show her young readers that they can play a role in safeguarding books, too. 

“In a world where book banning seems more and more normalized,” she said, “a story about saving books feels really resonant.” 


The post A new children’s book will depict the Jewish Theological Seminary’s devastating 1966 library fire — and how its neighbors responded appeared first on Jewish Telegraphic Agency.

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Judea Pearl: What Reason I Find for Hope After October 7

Supporters of Israel gather in solidarity with Israel and protest against antisemitism, amid the ongoing conflict between Israel and the Palestinian terror group Hamas, during a rally on the National Mall in Washington, DC, Nov. 14, 2023. Photo: REUTERS/Leah Millis

Judea Pearl’s new book, Coexistence and Other Fighting Words: Selected Writings of Judea Pearl, 2002–2025, compiles the author’s writings on topics such as Israel, Zionophobia, antisemitism, the October 7 massacre, and his son, Daniel.

Below is an excerpt from the book, which serves as its epilogue:

Epilogue: The Crater of October 7

Science tells us that the extinction of dinosaurs occurred approximately sixty-six million years ago, when an asteroid struck the Earth, forming a huge crater in the Yucatán Peninsula. An enormous dust cloud blocked the sun, cooled the planet, and disrupted food chains, ultimately leading to the extinction of about 75 percent of all plant and animal species, including the dinosaurs.

Science tells us much about disasters that occurred millions of years ago, but, sadly, it tells us almost nothing about how our lives will be shaped by the giant crater created by the blow of October 7. Looking into its depths, we find ourselves clueless and bewildered about what future might emerge from the dust cloud that still obscures our sun — and what species, movements, or ideas will perish or evolve from the darkness, winter, and confusion it has left behind.

Some say they were surprised by the brutality and hatred of October 7. Others were shocked by the scale of the operation and how close it came to its goal.

As a native Israeli, raised on the stories of the Hebron Massacre (1929) and haunted by the horrific images of the Ramallah lynching (2000), I was not surprised by the brutality and savagery of Israel’s enemies. Nor was I surprised by the depth of their hatred and inhumanity — a reality I painfully experienced in the murder of my son, Danny. Likewise, I already saw the early and deep infiltration of Hamas’ ideology into Western thought. Indeed, this book documents my premonitions about this process and the extent to which Hamas’ ideology mirrors the essential Palestinian mindset: “From the river to the sea.”

What, then, shocked me about the crater of October 7?

I was shocked by how swiftly Zionophobia — the absolute denial of Israel’s right to exist — became normalized, mainstream, and even respectable in Western discourse, precisely at Israel’s moment of greatest vulnerability.

I’ve witnessed many personal attacks on Israel before, but they always followed her victories and achievements. Those attacks I could understand; people instinctively side with the underdog. But the post-October 7 attacks were different. This time, they were driven by a wholehearted desire for Israel’s demise — with all its genocidal implications. The scent of blood, it seems, triggered a hunger for more. Hordes of predators emerged from their ideological tunnels, rushing to indict, sentence, and lynch Israel in the finest tradition of herd madness.

Can the Jewish people survive this madness? Can Western civilization endure the dangers rising from these tunnels?

Ideologies, once metastasized, are deadlier than the sword. We have heard Western intellectuals brand the Bibas family as “settlers,” thus, legitimate targets. Others went even further, labeling them “Nazi guards of a concentration camp.” A civilization capable of generating such images has lost all moral bearings and may not endure for long.

Yet I refuse to say that we are doomed.

Not because the threats aren’t real, but because alongside the spreading moral decay, I have also found islands of moral clarity, primarily among my fellow Jews, my students, and my academic colleagues. The crater of October 7 has created a deeper appreciation of Israel’s centrality in Jewish life, along with a sharper understanding of the outbreak of Zionophobia in its aftermath. This renewed awareness encompasses not only Israel’s historical, cultural, and spiritual significance to Jewish identity, but also its role as the embodiment of Jewish “normalcy.” In these islands of moral clarity, the existence of Israel is now understood to be essential to ensuring that Jews everywhere are treated as equals — not as a unique, tolerated, respected, or admired minority, but as equals. In short, no Jew can be truly equal in the family of man before Israel stands equal in the family of nations.

I cannot end without evoking the victims. I see them, the children of Western civilization, sons and daughters of Isaac and Prometheus: my son, Danny, Ilan Halimi, the Bibas family, the one thousand two hundred murdered on October 7. I imagine them standing up, waiting for me, for us, to say something meaningful. All I can say is Yitgadal Ve’Yitkadash Shmai Rabah — the Jewish prayer of mourning recited in memory of the dead. A prayer that does not mention death or mourning, but glorifies God and expresses hope for a good life and universal peace. It is a humble confession of our inability to comprehend God’s cruel ways of playing with human lives and world order.

I sang this prayer at Danny’s funeral. I said to Danny: “I’ll sing it to you in the special melody that your great-grandfather chanted on Yom Kippur.” It’s a melody that rattles the gates of Heaven and pleads for mending our broken world order.

Yitgadal Ve’Yitkadash Shmai Rabah

Judea Pearl is Chancellor’s professor at UCLA and president of the Daniel Pearl Foundation.

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He documented a changing Jewish world, and the Jewish world changed him

“I have to tell you,” Bill Aron told me as he walked around The World In Front of Me, a retrospective of his photography at the American Jewish Historical Society. “My photography allowed me to walk into rooms I might never have otherwise walked into.”

We had just looked at some of his work documenting Jews on the Lower East Side of Manhattan in the 1970s and 80s: a sofer bent over a Torah scroll, a glowering rabbi with imposing eyebrows, a Hasidic wedding in the Bobover movement. Each photo begat the next; when he showed a reticent subject the results of his film, they would invite him back to take more.

The Bobover Rebbe at the wedding of his daughter to the son of the Cheshinover Rebbe, in Borough Park, Brooklyn in 1975. Aron was invited to the wedding after photographing the rebbe buying an etrog and sending him the print. Photo by Bill Aron

Aron has become known for his work documenting Jewish communities around the world — his first book, From the Corners of the Earth, shows Jewish life in New York, Los Angeles, Cuba and the then-Soviet Union. His next, Shalom Y’all, was the result of a decade spent in the lesser-known Jewish communities of the American South.

His images are joyous and warm, portraits of resilience and invention, not dour investigations of poverty and antisemitism, offering respect to each subject he was able to meet through his work.

“American Jewish Gothic” by Bill Aron, shot on the Lower East Side in 1975. Photo by Bill Aron

But his camera didn’t just change his access to the communities he documented. It changed Aron’s own experience of his Judaism.

A series of photographs shows scenes from the New York Havurah, a lay-led, egalitarian Jewish religious movement: A rabbi stands in reverent contemplation under his tallit in a misty forest, a child smiles from her father’s shoulders during a Shabbaton. Aron was a member in the 70’s, which is how he found himself in the middle of those scenes. But, he said, he didn’t grow up observant, and without his camera, while he might have been a member, he would have been “a much more passive one,” he said.

Judi Samuels Meirowitz dancing with the Torah on Simchat Torah in 1976, at the Havurah. Photo by Bill Aron

These photos are anything but passive. People smile or glower directly into the camera, and proudly present their life to the lens — a handful of shrimp from a Jewish man who built a business selling the shellfish to New Orleans restaurants, a woman showing off a bowl full of her famous chopped liver, a woman grinning as she carries a Torah on Simchat Torah. There is a clear symbiosis between Aron and his subjects, in which they each shaped and enlivened each other.

This, Aron said, was not the style of street photography at the time he came up. People were not supposed to document their own communities, nor were they supposed to engage with their subjects.

“It was frowned upon to study your own community — you were supposed to go out,” he said. “Street photography was supposed to be dispassionate.”

But of course people saw the camera and reacted to it, so he embraced that fact, spending hours talking to his subjects and learning their stories. Now that he has bequested his work to the AJHS, those stories are now preserved not only in images but also in a podcast accompanying the exhibit, in which Aron is able to preserve the memories behind each photograph.

New Orleans, LA, Michael Shackleton, Shrimper, 1989. Aron said Shackleton found New York too crowded when he immigrated, so he ended up in New Orleans, where he set up a business selling shrimp to restaurants from the docks. Photo by Bill Aron

The stories come through in the images alone, too; each shot is redolent of Aron’s affection for his subjects. An Israeli soldier in Jerusalem’s Old City makes flirtatious eye contact with a woman as his companions smirk. An elderly man on a bench dives in to kiss his wife on the cheek. Holocaust survivors beam out from full color photos, not reduced to the numbers on their arms but presented as “people who lived lives, lived beyond their nightmares, had families where they could, given back to their communities,” Aron said.

“Border Patrol Flirt Squadron,” taken in Jerusalem’s Old City in 1980. “I wish I knew whether they ever got together,” Aron said. Photo by Bill Aron

Not every image, on its surface, seems Jewish — there isn’t always a yarmulke or a lulav or a Torah scroll in frame. Nevertheless,  Aron manages to find the sense of Jewishness that knits these images into the tapestry of Jewish life.

In a photo of a couple embracing at the liquor store they ran in Arkansas as part of the Shalom, Y’all series, Aron told me that only the husband was planning to be photographed, because his wife wasn’t Jewish. The photographer invited her anyway, and the couple ended up explaining that an Orthodox rabbi had performed their marriage ceremony. This seemed wrong to Aron — Orthodox rabbis don’t perform intermarriages — so they produced their marriage certificate to show him. As they pulled it out of the envelope, he recounted, another slip of paper fell out in which the rabbi had written that the wife had consented to become a member of the people of Israel and was now a Jew, a fact she was unaware of but delighted, Aron recalled, to discover.

“I loved interacting with people while I was photographing,” he said, “and the people became part of the portrait.” Aron did too.

The World in Front of Me is showing now through June 4 at the American Jewish Historical society. More information is available here.

The post He documented a changing Jewish world, and the Jewish world changed him appeared first on The Forward.

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Prosecutors charge Capital Jewish Museum shooter with terrorism

Federal prosecutors added two terrorism charges to the indictment against Elias Rodriguez, the Chicago man accused of killing two Israeli embassy employees outside a networking event held at the Capital Jewish Museum last May.

The new indictment, filed on Wednesday, claims that Rodriguez murdered Yaron Lischinsky, 30, and Sarah Milgrim, 26, with the intent to both influence government policy through “intimidation” and that he sought to “coerce a significant portion of the civilian population” of the United States.

“These additional terrorism-related charges carry a mandatory life sentence under D.C. Code, while also reflecting the reality that this act was in fact an act of terror,” U.S. Attorney Jeanine Pirro said in a statement.

Rodriguez, 31, who prosecutors say flew from Chicago to carry out the attack, allegedly shot Lischinsky and Milgrim repeatedly after they left a Jewish young professionals reception at the museum, hosted by the American Jewish Committee.

He then entered the museum and shouted, “I did it for Palestine, I did it for Gaza.”

While prosecutors previously charged Rodriguez with national origin-based hate crimes, they have focused on the political dimension of the attack and the indictment quotes at length from social media posts and a manifesto that law enforcement sources attribute to Rodriguez.

“I am glad that today at least there are many Americans for which the action will be highly legible and, in some funny way, the only sane thing to do,” the manifesto stated. “Free Palestine.”

Lischinsky, a German-born Israeli, worked as a research assistant at the Israeli embassy while Milgrim, who was American, worked in its department of public diplomacy.

It remains unclear whether Rodriguez, who has pleaded not guilty, intentionally targeted the young couple, who were planning to get engaged on an upcoming trip to Israel. Israeli Ambassador Yechiel Leiter initially said that Rodriguez had identified Milgrim and Lischinsky as embassy employees while mingling with attendees at the event and then waited outside for them to leave.

But other accounts say Rodriguez never made it inside the event prior to the shooting, and the Israeli Embassy later said that Leiter was merely floating “a theory that law enforcement officials are investigating.”

Prosecutors said at a September hearing that they had more than 1.5 million pages of evidence against Rodriguez, while one of his defense attorneys described receiving “trillions of gigabytes” of data from the government.

The post Prosecutors charge Capital Jewish Museum shooter with terrorism appeared first on The Forward.

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