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A new dance club in Williamsburg is bringing Tel Aviv party culture to Brooklyn
(New York Jewish Week) — On a recent Saturday at Silo, a new dance club in Williamsburg, Brooklyn, an aerialist was dangling above the crowd, doing flips on a hula hoop in front of hundreds of people, while hypnotic house music boomed through the venue’s world-class sound system. It was 1 a.m. and the party was just getting started.
Alex Neuhausen, a 39-year-old Jewish musician-turned-club owner, told the New York Jewish Week that this experience of starting the night well past most people’s bedtimes is inspired by Tel Aviv, the beachside Israeli city famous for its club culture.
“In Tel Aviv, they all get dinner with their family and everyone hangs out at 10 or 11, and then you hang out before the club until 2 or 3, and then you go to the club,” Neuhausen said. “They keep super-late hours. You turn the entire night into an experience. We want to do that.”
Some of the biggest night club venues in Brooklyn can hold thousands of people. Silo, by contrast, holds only 500, which carries a more intimate feel. The club is located on the eastern fringes of Williamsburg inside an repurposed airplane hangar, and its high ceiling provides an open, airy atmosphere to what would otherwise feel like a tightly packed room.
An aerialist performs while hanging above the crowd at Silo in Brooklyn. (Courtesy/Annie Forrest)
The team behind Silo is “mostly Jewish,” Neuhausen said, including co-founder Lily Wolfson, the booking consultant, the sound team and the lighting engineers. Neuhausen’s girlfriend, Ariel Lasevoli, who is the club’s director of performance and production, is half-Jewish. A massive two-sided mural, which separates the main club room from the bar area, was created by the Israeli artist Yoshi.
The striking mural is a piece that seems to change after a guest consumes a few drinks while the music plays. The mural portrays a seemingly endless array of black smoke or fire — gray clouds with some white streaks of electricity in the middle of it — but Neuhausen said it is open to interpretation.
“The front represents chaos,” Neuhausen said about the mural, which stretches 15 feet tall and 24 feet wide. “The show room side is a mix of organic patterns, fractals and flowers, but it never quite resolves into anything if you look closely. It’s like a Rorschach [test]; the viewer gives it meaning.”
The Tel Aviv club scene is only one of Silo’s Jewish inspirations: Neuhausen said his interest in dance music goes back to a young age, when he went to his cousins’ bar and bat mitzvahs in the Washington, D.C. area, where he grew up.
“What’s really striking about going to a bar mitzvah is that everyone dances,” Neuhausen said. “It’s the entire family, from the old folks to everyone. It’s just this joyous occasion. American white bread culture doesn’t have a lot of these elements.”
If a bar mitzvah party is a familial, albeit sometimes corny celebration that involves dancing with your loved ones, then it shares a great deal with the ethos of Silo — namely, to provide a place to party all night long while maintaining a welcoming feeling. It’s the antithesis of the exclusive environment that characterizes many high-end Manhattan and Brooklyn nightclubs, which often come with judgmental door policies and an intense, cooler-than-thou attitude.
At Silo on a Saturday earlier this month, the vibe was almost the complete opposite. The security guard cracked jokes with those waiting in line while checking IDs, and Neuhausen himself took our coats as we walked through the door. The attendees were not just Instagram models; college students, queer folks dressed in drag and 50-somethings were also in the mix. It wasn’t a sold out show, but there were nearly 400 people in the room, and almost everyone was focused on the music.
House music — which combines four-on-the-floor drum beats with R&B vocals and other layers — is Silo’s main focus, a style of music that originated at Black LGBTQ clubs in Chicago and Detroit in the 1980s. It’s a history that, Neuhausen said, shares commonalities with the Jewish people.
“These marginalized communities, maybe almost in spite of the oppression, generate great art,” Neuhausen said. “Jews have a lot in common with that shared cultural experience of oppression.”
At Silo in Brooklyn, the club takes inspiration from Tel Aviv’s party culture. (Courtesy/Annie Forrest)
Neuhausen’s father is Jewish, but not “devout about practicing,” he said. “We only went to synagogue a couple of times but I picked up a lot of cultural Jewish identity from him,” he added. “Whenever I see my extended family, it’s much more Jewish.”
In 2012, Neuhausen formed a band with Wolfson and they moved from San Francisco to New York, where Neuhausen took up residence in a garage in Williamsburg. Eventually, he turned the space into a makeshift venue for performances that included bands, comedians, aerialists and eventually DJs.
By 2017, Neuahusen and Wolfson’s parties were growing, so they opened up a commercial space called “Secret Loft” in Manhattan, which held only 80 people. It’s where, over the next five years, Neuhausen learned how to perfect the art of throwing parties — and where he assembled the team that would later go on to build Silo.
“It did really well immediately,” Neuhausen said. “We thought this was a thing we could actually do for a living. That was really the dream.”
Those parties ultimately became too big for the space. Wanting to be closer to the booming club scene in Brooklyn, the team eventually opened Silo, which is located next to the established megaclub Avant Gardner.
At Silo, the goal is to create a space that’s welcoming for all. “Last weekend, we had the DJs on the floor, on a little bit of an elevated platform,” Neuhausen said. “They were surrounded by people on all sides — everybody is facing inwards. It’s very different from a concert, it feels more like a community event.” During the week, the venue also hosts DJ workshops.
Neuhausen added that the booking team is “two women and a gay guy,” and the goal is to bring women DJs and people of color into the club. Neuhausen noted that, despite its origins, “there tends to be a lot of white guys” within some sub-genres of house music.
“We are booking more eclectic artists than a lot of venues,” he said. “We’re not about making people feel uncool. We’re not elitist. We book elite level talent, but we want everyone to see it.”
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Seeking funding for a Yiddish project for kids or young people?
די פֿישמאַן-פֿונדאַציע פֿאַר ייִדישער קולטור האָט געמאָלדן אַז זי נעמט שוין אָן סובווענץ-אַפּליקאַציעס אויף נײַע פּראָיעקטן פֿאַרן יאָר 2027. די פּראָיעקטן דאַרפֿן האָבן פֿאַר אַ ציל דאָס שטאַרקן ייִדיש ווי אַ לעבעדיקע שפּראַך, באַזונדערס בײַ קינדער און דער יוגנט.
דער טערמין פֿאַר אַפּליקאַציעס פֿאַרן יאָר 2027 איז דער 7טער נאָוועמבער 2026. די אויסגעטיילטע סובווענצן וועט מען מעלדן אין דעצעמבער.
אַלע אַפּליקאַציעס מוזן זײַן אָנגעשריבן אויף ייִדיש און דאַרפֿן נאָכפֿאָלגן די אַפּליקיר-אָנווײַזונגען וואָס איר קענט געפֿינען דאָ.
אַפּליקאַציעס וועלן ווערן באַטראַכט אויף קאָנקורס-יסודות. מען בעט מען זאָל אַרײַנשיקן אַן אַפּליקאַציע (מיט אַלע נייטיקע בײַלייגונגען) דורך בליצפּאָסט צו:
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The post Seeking funding for a Yiddish project for kids or young people? appeared first on The Forward.
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Democrats leader Golan approached by man with knife on Israeli election day
(JTA) — JERUSALEM — Israel Police arrested a man carrying a large knife after he approached Yair Golan, head of the Democrats party, as Golan was campaigning in Tel Aviv on Election Day.
“Contrary to reports, no stabbing attempt occurred,” the police spokesman said in a statement.
The police said officers at the scene noticed a “suspicious object” protruding from beneath the coat of a man standing nearby. When they stopped him for inspection, they found a knife in his possession.
In a statement, Golan’s party said the man approached Golan “in a threatening manner” and that “when Golan’s security guards blocked him, a large knife slipped from beneath his clothing and fell to the ground.”
Police described the suspect as a Jerusalem resident in his 20s. He was arrested and taken to a local police station for questioning. They said the investigation “is ongoing.”
Following the incident, Golan said “incitement and violence will not deter us.” In a statement to the press he blamed the attack on Prime Minister Benjamin Netanyahu’s negative campaigning and highlighted the ties between one of his spokespeople and Qatar.
“This is the direct result of the poison machine operated by Netanyahu and his Qatari agents. I call on everyone who cares about security and democracy to go out and vote now, so that we can ensure the country we love so dearly becomes a free and safe place once again,” Golan said.
This article originally appeared on JTA.org.
The post Democrats leader Golan approached by man with knife on Israeli election day appeared first on The Forward.
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Rebellion PAC’s antisemitic political ad could incite violence against Jews
Israel did not cause high grocery prices in America.
Israel is not the reason you don’t have free universal healthcare.
But a new political ad from Rebellion PAC depicts struggling young parents grocery shopping in Michigan and putting back a dozen eggs because of U.S. military aid to Israel, saying they can no longer afford basics like bananas because they are funding healthcare in Israel. The ad ends by saying Republican Senate candidate Mike Rogers is for “them” — Democratic candidate Abdul El-Sayed is for you.
Rebellion PAC, an independent entity that legally cannot coordinate with campaigns or parties, is proudly promoting a political ad that is deeply misleading, inflammatory and dangerous for American Jews. The ad uses classic tropes blaming Jews for economic and social woes, the same propaganda used historically by antisemitic regimes in Nazi Germany and the USSR. The target in this ad is the Jewish state, but the familiar subtext remains: your family is suffering because Jews are taking your money.
This would be antisemitic in any context, but in the current climate it is wildly irresponsible. American Jewish communities are facing unprecedented domestic terror threats and a historic crisis in antisemitism.
In Michigan, where this ad is aimed at voters who may decide control of the U.S. Senate, an armed domestic terrorist drove a car packed with improvised explosives into Temple Israel. The intent was a mass casualty event aimed at killing as many Jews as possible, including the children in the preschool. Brave security team members stopped the attack, but the attacker was only a few feet from perpetrating what could have been the deadliest terror attack on U.S. children since Oklahoma City.
American Jews make up only 2% of the population, but according to the FBI, Jews made up 63% of religion-based U.S. hate crimes in 2025 — and roughly 14% of all reported hate crimes.
Every candidate across the spectrum, including El-Sayed and Rogers, should disavow and condemn the dangerous rhetoric in this ad. This ad takes real problems — the exploding cost of groceries and healthcare — and blames them on Israel. This is classic antisemitic propaganda.
El-Sayed’s campaign distanced itself from the ad without condemning its content.
“This ad is not affiliated in any way with the Abdul for Senate campaign,” El-Sayed campaign spokesperson Roxie Richner said in an emailed statement. “Abdul is focused on pushing back against Trump’s agenda that is raising prices for Michiganders. No one speaks for Abdul but himself and his campaign.”
It’s worth noting that the El-Sayed campaign did not disavow the content of the ad and only issued a statement via email. El-Sayed himself did not issue a public stance on social media or criticize the inflammatory and dangerous content of the ad. His response is wholly inadequate—it does nothing to confront the antisemitism in the ad, it simply points out his campaign did not make it.
Contrast this with his former opponent, Rep. Haley Stevens, who lambasted the ad on X, stating, “This type of fearmongering about Israel is wrong.” she went on to say, “Do we need to lower costs by building more homes, securing people’s health care, and creating a fairer federal tax code? Yes, we do!! How we do so is not by blaming the high costs of our goods on the only Jewish homeland in the world.”
El-Sayed should unequivocally condemn this ad and its content, not just distance himself from it. Every candidate should stand firmly against antisemitic rhetoric in electoral politics.
When bad actors tell people their economic problems are caused by Israel, it inevitably creates a dangerous situation for Jewish Americans. Though public opinion polls show falling support for the Jewish state, it’s difficult for Americans to take those frustrations out on Israel directly, so local American Jews become a convenient target for their misplaced anger. This is exactly what happened in Michigan at Temple Israel. A Hezbollah sympathizer took his anger on Israel out on the local Jewish population.
Americans are facing real issues. But Israel is not the cause. Our grocery bills are higher for a variety of complex reasons. Grocery inflation started during the pandemic with disrupted supply chains. Production costs have risen. Russia’s invasion of Ukraine raised global grain prices. Bird flu drove up the price of eggs. Tariffs have also impacted food prices.
In terms of healthcare, a Nov. 2025 Gallup poll found that 46% of Americans preferred a government-run healthcare system, while 48% preferred a system based mostly on private health insurance. Cutting or ending U.S. military aid to Israel would not change the fact that Americans are deeply divided on how we should address our healthcare systems’ deep-seated problems. That would require American lawmakers to agree on and enact changes to how our own system is financed and organized. This is an issue of political philosophy — not lack of funds. Israel is not preventing the U.S. from organizing or financing our own healthcare system. Ending military aid to Israel would neither reverse those food-price pressures nor establish universal healthcare. The ad offers struggling Americans a scapegoat for their hardships—and American Jews face the danger of being treated as that scapegoat’s local representatives.
Rebellion PAC’s co-founder and former Executive Director Brianna Wu decried the ad, stating, “I would have quit as executive director rather than produce this,” calling the ad “awful.” We should all follow her example.
Candidates, thought leaders and elected officials must all come together and condemn this dangerous and antisemitic ad. American Jews are already being discriminated against, attacked, and in severe cases, murdered by people who hold them responsible for Israel. Political leaders must reject rhetoric that puts an even larger target on our backs by turning us into scapegoats for America’s economic struggles and healthcare failures.
The post Rebellion PAC’s antisemitic political ad could incite violence against Jews appeared first on The Forward.
