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A revived Jewish Museum spotlights the story of Jewish endurance
The object that best explains the Jewish Museum’s new core exhibition isn’t actually there.
Printed on the wall is a photographed section of the first century Arch of Titus, depicting the sacking of Jerusalem in 70 AD. Among the plunder looted by the Romans was the Temple’s seven-branched menorah. This image, carved by conquerors, speaks to a lost homeland and culture. Or it might have, had Jews not proven supremely adaptable.
The rest of the exhibit’s 200 items, ranging from antiquity to this decade, are a testament to how Jews, experiencing millennia of diaspora, suffered, thrived and engaged with their neighbors. As Jewish Museum director James S. Snyder told me, his approach is not to present Jews as separate and elevated, but as a people deeply enmeshed in their global communities, resonating with them while maintaining their sense of self.
The $14.5 million renovation of the third and fourth floors in the Central Park-facing, neo-Gothic mansion built for the German-American Warburg family in 1908, can’t help but tell that story.
Titled “Identity, Culture and Community: Stories from the Collection,” the exhibit is organized thematically and roughly chronologically, beginning with a gallery of Judaica: a handsome Torah ark from Urbino, inscribed in Hebrew and decorated with Italianate flourishes. A Torah scroll destroyed by the British in the American Revolution holds pride of place, while an adjoining gallery, inspired by the forthcoming 250th Anniversary of the United States, boasts personal artifacts like the mezuzah of Continental Army financier Haym Salomon.
Moving away from Torah finials and portraits of prominent Jews, there’s a section dedicated to persecution and remembrance. Hanging there is a selection of intimate portraits by Gertrud Kauders, whose paintings were discovered in the walls of a home outside Prague during a 2018 home renovation. Kauders, an assimilated Czech Jew who was murdered in 1942 in Majdanek, hid them before her deportation.
While this work was discovered decades after her death, it’s in the company of some notable names, and not all of them Jewish. A 1936 Alice Neel painting of a New York City Communist rally, illustrating her friend, the artist Sid Gotcliffe, holding a placard reading “Nazis Murder Jews,” appears alongside an apocalyptic, modernist cityscape by Abraham Manievich. Manievich’s 1919 depiction of the destruction of the Kiev ghetto, a literal scapegoat foregrounded in the rubble, seems to prefigure Picasso’s Guernica in an expressionist mode.
European Jews were not immune to the modernism sweeping over Europe, and used its fractured forms to comment on their people’s persecution. A late figurative drawing of severed limbs by Mark Rothko, from his crucifixion series in the early 1940s, makes a wry comment on Christian hegemony and Hitler’s campaign of annihilation. (Marc Chagall, who produced a similar series, is across the way, appearing to pee on his native Vitebsk, which he left for Paris.)
A charm bracelet produced in Terezin, whose individual pieces are identifiable on a touch screen, shows how production didn’t stop in the Holocaust. Hadar Gad’s notebook, imagining the obliteration of her grandmother’s hometown in Poland, and produced after Oct. 7, reveal the Shoah’s continued resonances today. Dor Guez, son of a Palestinian Christian mother and North African Jewish father, makes use of his family’s quotidian possessions to tell their post-World War II immigration story. Other other artists make use of suitcase imagery.
From commentaries on displacement, there next emerges a reclamation of ritual objects within the context of a dominant culture: a Bauhaus-inspired menorah, a mid-century modern Torah crown forged with looping silver threads. Women artists, like Lee Krasner, gravitate toward abstraction. A stretch devoted to women modernists focuses on intersectionality. There are Miriam cups, a feminist inclusion to the Seder ceremony, and artist Gil Yefman’s kippah, topped by a dark nipple to signify the feminine nature of God.
Two thousand years after the sack of Jerusalem, contemporary artists are still grappling with how to express their Jewishness alongside compounding, modern identities. Candace Breitz’s video installation registers her discomfort, as a white woman chosen to represent South Africa at the 57th Venice Biennial, and so features a diverse and representative group of artists, saying “I am Candace Breitz.” A piece by Izhar Patkin, inspired by motifs on Persian rugs, faces a carpet from the 1890s with the likeness of Moses and Aaron, which the Shah of Iran is believed to have commissioned for his Jewish doctor.
Coinciding with the new core exhibit is a second floor show spotlighting the early works by Anish Kapoor, the Indian-born British artist, whose father was Hindu and whose mother was from the Iraqi Jewish community. (In a press conference, Kapoor downplayed how his background shaped the art.) But the overall theme carries onto the new fourth floor learning center.
Replicas of objects — a mosaic floor tile, a ceramic turkey menorah from 2013’s “Thankgivukkah,” an ancient bull figurine that is remarkably Aardman-esque — are available to touch to teach visitors about materials artists use. A 50-foot glass vitrine, with 130 menorahs from around the globe, most crafted by non-Jewish artisans, look out onto the modernist art on the floor below. The display is not about Hanukkah, but the significance of light in all cultures.
Even in a section devoted to largely pre-diaspora archaeology, where families can dig through foam rubble for potsherds, a touchscreen invites the visitor to read about “interactions among peoples.”
Imperial coins and helmets of Hellenic occupiers are on view. So too, are ritual objects from other Levantine groups, some several thousand years old, up to a 20th-Century bridal pin from Baghdad. The Jewish story, these objects insist, can’t be understood in isolation.
The post A revived Jewish Museum spotlights the story of Jewish endurance appeared first on The Forward.
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Amsterdam’s New Warning to Europe on Antisemitism
Anti-Israel protesters clash with police outside Amsterdam’s Concertgebouw, breaking through barricades and setting off smoke bombs during a demonstration against a performance by the IDF’s chief cantor. Photo: Screenshot
Amsterdam likes to present itself as a city of tolerance. It celebrates diversity, prides itself on openness, and often reminds the world of its history as a refuge for those seeking freedom. Yet something deeply troubling happened in Amsterdam last week that should concern not only the Netherlands, but all of Europe:
A municipal debate about antisemitism had to be held at a secret location because of security concerns.
Pause for a moment and consider what that means. In a democratic European capital, a discussion about protecting a Jewish minority could not take place openly for fear of threats and intimidation. If that does not signal a serious problem, what does?
That’s in addition to the bombing of a Jewish school, and another attack that just occurred.
During the meeting, a 15-year old Jewish boy addressed the room. His testimony cut through political rhetoric and statistics with the clarity only a young voice can bring. Since the October 7, 2023, massacre in Israel, he said, life for Jewish students in Amsterdam has changed dramatically. Many of his friends have already left the city. They no longer see a future there.
Imagine hearing those words in 2026 in one of Europe’s most celebrated liberal cities. A teenager speaking calmly about the disappearance of his community.
Amsterdam alderman Melanie van der Horst was visibly moved and struggled to hold back tears. The emotional moment showed that some political leaders understand the gravity of what is happening. Yet empathy alone will not solve the problem.
Another participant in the debate raised a painful but necessary question: How must it feel for Jewish residents to walk daily through public spaces where demonstrations take place in which their country and their people are shouted down? Pro-Palestinian protests have become a constant presence in parts of the city. Political protest is a democratic right, but when rhetoric turns into open hostility toward Jews, society has crossed a dangerous line.
One proposal during the debate illustrated the level of frustration. A politician suggested sending undercover police officers into the streets wearing a kippah in order to identify those who harass Jews. Critics called the idea controversial. But the fact that such a measure is even being discussed reveals how serious the situation has become.
The problem extends beyond the streets. Jewish organizations in the Netherlands increasingly report difficulties renting venues for events. Cultural gatherings and lectures sometimes struggle to find halls willing to host them. It rarely makes headlines, but this quiet exclusion sends a clear message: you are welcome in theory, but not visibly.
History has taught Europe where that kind of atmosphere can lead. Antisemitism rarely begins with violence. It begins with discomfort, social pressure, and the slow normalization of hostility toward Jewish identity.
Meanwhile, another factor fuels the problem. Much of the European media landscape presents Israel through a lens that reduces a complex reality to a simple narrative of aggressor and victim. When context disappears and facts are replaced by slogans, public perception shifts. The hostility directed at Israel easily spills over into hostility toward Jews living thousands of kilometers away.
That is why factual education and responsible journalism matter so much. Civil society organizations that work to counter misinformation often struggle to be heard. Yet without a commitment to truth, public debate becomes an echo chamber for activism rather than a search for understanding.
There is also a question for Jewish communities themselves. When fear grows, the instinct to become less visible is understandable. But invisibility comes at a cost. If intimidation forces people to hide their identity, those spreading hatred learn that their tactics work.
The lesson of Jewish history is painfully clear. Silence has never protected Jewish communities.
Strength does not mean confrontation. It means refusing to surrender identity and dignity to intimidation. It means raising a generation that is proud rather than afraid. It means understanding that resilience is sometimes the only answer to those who seek to erase a people’s presence.
The young boy in Amsterdam asked a simple question without even intending to pose a challenge to Europe: will the Jewish community still exist here in the future?
That question should echo far beyond the walls of the municipal chamber where he spoke. Because if a Jewish teenager in Amsterdam already doubts his future in the city, then Europe is facing not just a Jewish problem.
It is facing a moral test of its own values.
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Billy Crystal Leads Tribute at Oscars for His Late Best Friend, Jewish Filmmaker Rob Reiner
Billy Crystal speaks about Rob Reiner during the Oscars show at the 98th Academy Awards in Hollywood, Los Angeles, California, US, March 15, 2026. Photo: REUTERS/Mike Blake
Billy Crystal delivered an emotional tribute to his late best friend and legendary actor-turned-director Rob Reiner at the 98th Academy Awards on Sunday night, and was joined on stage by several of Reiner’s other Hollywood friends and stars of his iconic films.
While eulogizing Reiner at the Dolby Theatre in Los Angeles, Crystal, 78, spoke about his longtime friend as a “master storyteller” and mentioned his long list of memorable projects. The longtime collaborators first met in 1975, when Crystal was cast as Reiner’s best friend in an episode of “All In The Family.”
“My friends, Rob’s movies will last for lifetimes, because they were about what makes us laugh and cry, and what we aspire to be far better in his eyes: far kinder, far funnier, and far more human,” Crystal said. He then talked about Reiner’s marriage to the late Michele Singer Reiner, who was killed alongside her husband on Dec. 14. Crystal called the two “unstoppable” together and said the couple’s loss is “immeasurable.”
“A gifted photographer, she not only produced films with Rob, but it was her energy that had them working tirelessly to fight social injustice in the country that they both loved,” he added. “Rob and Michele Reiner became the driving force in the landmark decision for marriage equality across the United States.”
“To the millions who have enjoyed his films all these years, I want you to know, here and around the world, how many times Rob told me that it meant everything to him, that his work meant something to you — and for us who had the privilege of working with and knowing him and loving him,” Crystal continued.
After the “When Harry Met Sally” star concluded his speech — by saying “Buddy, what fun we had storming the castle” — over a dozen actors who worked alongside the director on films joined Crystal on stage and stood silently together. They included Meg Ryan, Michael McKean, Jerry O’Connell, Mandy Patinkin, Kathy Bates, Annette Bening, John Cusack, Demi Moore, Kiefer Sutherland, Daphne Zuniga, Christopher Guest, Wil Wheaton, Fred Savage, Cary Elwes, Carol Kane, and Kevin Pollak. They had worked with the late filmmaker on movies that included “When Harry Met Sally,” “The Princess Bride,” “This Is Spinal Tap,” “Misery,” “A Few Good Men,” and “Stand by Me.”
Sunday night’s tribute came three months after the director died at the age of 78 on Dec. 14.
Crystal was introduced to the stage by Conan O’Brien, who was hosting the Oscars on Sunday night but was also one of the last people to see the Reiners alive. The couple was found stabbed to death in their Brentwood home hours after they attended a holiday party at O’Brien’s house on Dec. 13. Two sources who attended the party said they witnessed a loud verbal exchange between the Reiners and their middle son, 32-year-old Nick Reiner. He was arrested the following night and charged with murdering his parents.
The younger Reiner is charged with two counts of first-degree murder with special circumstances, including the use of a knife. He pleaded not guilty and has remained in custody without bail since his arrest. Reiner is next due in court on April 29 and could face life in prison without parole, or the death penalty, if convicted.
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Israel Says It Has Plans for At Least 3 Weeks of War as Airstrikes Pound Iran
Emergency personnel work at the site of a strike on a residential building, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 16, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Israel said on Monday it had detailed plans for at least three more weeks of war as it pounded sites across Iran overnight, while Iranian drone attacks temporarily shut Dubai airport and hit a key oil facility in the United Arab Emirates.
The US-Israeli war on Iran is now entering its third week with no clear end in sight, largely shutting the Strait of Hormuz, through which 20% of the world’s oil and liquefied natural gas flow, pushing up energy prices and raising fears of a spike in global inflation.
US President Donald Trump on Sunday called for a coalition of nations to help reopen the strait and said the US-led NATO defense alliance faced a “very bad” future if its members failed to help.
But while allies voiced support for diplomatic efforts to reopen the route, they were cautious about joining any military action.
ISRAEL STILL HAS ‘THOUSANDS’ OF TARGETS IN IRAN
Israeli military spokesperson Lieutenant Colonel Nadav Shoshani told reporters there were detailed operational plans for the war with Iran for the next three weeks, and other plans extending further ahead.
Israel has said it wants to weaken Iran‘s capacity to threaten it, striking ballistic missile infrastructure, nuclear facilities, and the security apparatus, and that it still has thousands of targets to hit.
“We want to make sure that they are as weak as possible, this regime, and that we degrade all their capabilities, all parts and all wings of their security establishment,” Shoshani said.
Iranian Foreign Minister Abbas Araqchi for his part said Tehran had not asked for a ceasefire or exchanged messages with the US, according to Iran‘s semi-official Student News Network.
In a post on X, Araqchi also said that some “neighboring states” that host US forces and permit attacks on Iran were also actively encouraging the killing of Iranians.
“Stances should be promptly clarified,” he said.
He said 200 children were among the hundreds of Iranian civilians killed in US or Israeli bombings.
Fars News Agency reported that several civilians had been killed in a strike near Tehran’s Martyrs’ Square, without giving figures.
ISRAEL CLAIMS STRIKES ON IRAN‘S SPACE PROGRAM
The Israeli military said on Monday it was carrying out air strikes on Tehran, Shiraz, and Tabriz.
It said its Air Force had also struck sites linked to Iran’s space program, including destroying a research facility in Tehran involved in developing a satellite launched in 2024.
One Tehran resident told Reuters that there had been no internet overnight and Iranians felt isolated from the world.
“People are being killed,” Shahnaz, 62, said via WhatsApp. “Just days before Nowruz (Iranian New Year, on March 20), but people are not in the mood to celebrate. When will this end?”
Asked if she supported the Islamic Republic, Shahnaz said: “No, I don’t. How can I? They killed my granddaughter in [January’s] protests. We want this regime to go. We want this misery to end.”
In Israel, air raid sirens warned of Iranian missiles. Iran‘s Revolutionary Guards said Tehran had launched attacks on areas In Tel Aviv, the US al-Dhafra air base in Abu Dhabi, the US naval base in Bahrain, and Bahrain’s Sheikh Issa air base.
Furthermore, oil loading operations at the UAE port of Fujairah on the Gulf of Oman were suspended following an Iranian drone strike.
Fujairah is a key exit point for the UAE’s Murban crude – a volume equivalent to roughly 1% of global demand.
Flights at Dubai International Airport, one of the world’s busiest, were suspended for several hours after a drone strike on a nearby fuel storage facility sent plumes of black smoke into the sky. Saudi Arabia intercepted 34 drones in its eastern region in one hour, state media said. No injuries were reported in either incident.
Later on, Reuters reporters also heard booms in the Qatari capital, Doha.
OIL SLIPS ON BESSENT SHIPPING COMMENTS
Despite the turbulence, oil prices, which had been above $100 a barrel, fell sharply and stocks rallied after US Treasury Secretary Scott Bessent told CNBC the US was “fine” to let some Iranian fuel vessels sail through the strait, and believed Indian and Chinese tankers had also passed through.
Ship-tracking data showed a Pakistan-bound oil tanker had passed through the Strait of Hormuz over the weekend, indicating that some countries are able to negotiate safe passage for their vessels.
On Sunday, Trump had demanded that countries relying heavily on oil from the Gulf should help protect the strait, and said he hoped China, France, Japan, South Korea, Britain, and others would participate.
However, many – including Germany, Italy, Greece, Japan, and Australia – said they would not send warships.
Israel continued to strike Lebanon and Gaza, attacking Iran-backed Hezbollah and Palestinian Hamas terrorists. The Israeli military said its troops had begun limited ground operations against Hezbollah positions in southern Lebanon.