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A US military base canceled a children’s event celebrating a pioneering Jewish woman cyclist, citing DEI ban
(JTA) — A children’s museum housed on a U.S. military base cancelled a planned storytime reading celebrating the life of a pioneering 19th-century female Jewish cyclist earlier this year, after the book was flagged under a military-wide ban on “DEI” content.
The stated reason was because the book was about a woman, its author, Mary Boone, told the Jewish Telegraphic Agency.
“If they had actually read the book and found out it was about a Latvian Jewish immigrant, it would have been a double whammy,” Boone said.
The recently revealed reason for the cancellation is the latest example of how a broad crackdown on diversity initiatives throughout the U.S. military, under Defense Secretary Pete Hegseth, has pushed out Jewish representation as well.
Earlier this year the U.S. Naval Academy removed a display honoring Jewish female graduates ahead of a planned Hegseth visit. The academy also removed several books about Judaism and the Holocaust from its campus library, while leaving others including “Mein Kampf” intact. The Pentagon additionally removed content about Holocaust remembrance from its websites this spring, prompting a response from Jewish War Veterans of the USA.
The incidents all occurred this spring, immediately following Hegseth’s anti-DEI order. That was also when a military base near Tacoma, Washington, cancelled a planned reading of the children’s book “Pedal Pusher: How One Woman’s Bicycle Adventure Helped Change The World.” The picture book is a biography of Annie Cohen Kopchovsky, who in 1895 became the first woman to cycle around the world.
The talk featuring the book’s author was scheduled to be held this past March, during Women’s History Month, at Joint Base Lewis-McChord, home to around 110,000 people including service members and their families. Boone, a Tacoma resident, revealed the reasons behind the cancellation in a Seattle Times op-ed on Oct. 11, in recognition of Banned Books Week.
“Four days before the event, I was told it violated the administration’s executive order restricting so-called ‘radical’ Diversity, Equity, and Inclusion programs across federal institutions,” she wrote. “Someone complained when they saw my story time being promoted. Museum higher-ups appealed to military attorneys, who ruled that the program about a pioneering cyclist was out of bounds.
“Let that sink in: the Commander-in-Chief of the U.S. military had effectively declared a woman on a bike too threatening for children.”
A representative for Joint Base Lewis-McChord declined to comment, citing reduced office functions owing to the ongoing government shutdown.
Boone, who is not Jewish but is married to a Jew, told JTA that she was led to believe someone on the base had complained after seeing a poster advertising the reading. She doubts that those objecting to the book had actually read it, but rather had reacted because “it was a book about a woman.”
A section of the book briefly mentions Kopchovsky’s Jewish and immigrant identity as one reason why her journey, as a mother of three circumnavigating the globe by bike in 1895, was so improbable.
“Annie was a Latvian Jewish immigrant, and this was a time when prejudice toward Jewish people was widespread,” the book reads.
Initially, Boone said, she had not planned to include the section in the book, which only runs to 700 words. “My editor called and said, ‘This is a huge part of her story you left out,’” the author recalled. She said she responded, “I’m not a Jewish writer. Can I tell this? She was like, ‘Yes, you can tell this.’” The passage made the book.
Greentrike, a nonprofit that operates the base’s museum as well as a different children’s museum in Tacoma, declined to comment. Another March event featuring Boone at the Children’s Museum of Tacoma, off base, went forward as scheduled.
The Seattle Times obtained an email from Greentrike outlining the military’s reasons for the book’s cancellation as part of the op-ed’s fact checking process.
In March, the museum had initially announced the events “in celebration of Women’s History Month,” saying the readings would be paired with children’s activities including bike safety lessons. A brief update announcing the military base event’s cancellation only stated that storytime “will not be taking place at this time and has been removed from the event calendar.”
Back in 1895, Kopchovsky set off on her bicycle journey from Boston as part of a wager between two men who had placed bets on whether it was possible for a woman to cycle around the world. Initially pedaling west, she reached Chicago and almost gave up before ditching her heavy women’s bicycle for a lighter and more practical men’s model, then set off back east — eventually sailing on to bike in Europe and Asia before heading back to Chicago.
During her travels, Kopchovsky went by “Annie Londonderry” — not to disguise her Jewish identity, but because she had struck a sponsorship deal with the mineral-water company Londonderry Lithia. She earned $10,000 for her ride and wrote often about it after her return, frequently embellishing her tales of derring-do.
Children on the base have still received multiple opportunities to hear about Kopchovsky. When the storytime cancellation was initially announced, Boone said, she was contacted by representatives from two public schools also housed on base. She wound up speaking at both of them, without incident.
Months later, after she went public with the initial cancellation, she was swarmed with speaking invitations and sales of her book picked up. Among the new connections she made were to distant relatives of Kopchovsky.
“It’s given me the opportunity to talk about her to a lot more people who are outraged that this book about a woman would be cancelled,” she said.
The post A US military base canceled a children’s event celebrating a pioneering Jewish woman cyclist, citing DEI ban appeared first on The Forward.
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Warsaw Jewish cemetery director fired amid clash over who controls the preservation of Poland’s Jewish past
The director of Warsaw’s Jewish cemetery has been fired following a dispute over restoration projects on the site, which he said too often excluded local Jews.
Witold Wrzosinski, the Jewish director, said he was pushed out on Dec. 10 after seeking a new contract with the Polish Cultural Heritage Foundation, which controls public funds for works in the cemetery. The cemetery languished in neglect for decades after World War II, only recently becoming the center of efforts to preserve the history of Poland’s Jews.
Wrzosinski manages the cemetery’s operating budget for the local Jewish community board, but many restoration projects there also depend on public funds invested by the Cultural Heritage Foundation.
The foundation is led by Michał Laszczkowski, who has ties to the right-wing Law and Justice party that governed Poland from 2015 to 2023 and backed Poland’s newly elected president, a Holocaust revisionist. The party promotes historical narratives about Polish victimhood and resistance to the Nazis while delegitimizing research on Polish antisemitism.
Wrzosinski alleges that the current contract between the foundation and the Jewish community board is “abusive,” limiting the influence of local Jews over projects in their own cemetery.
“The whole composition of the contract left us with no power to control the priorities of the foundation,” said Wrzosinski. “We think, as the Jewish community that owns the cemetery, we should have a say.”
Some 200,000 Jews are buried at the cemetery on Okopowa Street in the heart of Poland’s capital. Founded in 1806, it is one of Europe’s largest Jewish cemeteries and holds generations of cultural luminaries, rabbis and activists, along with about 50,000 Jews who were killed by the Nazis and consigned to two mass graves. One portion remains active for the small Jewish community still living in Warsaw today.
In a meeting with the foundation, Wrzosinski said he presented a new arrangement that would safeguard the Jewish community’s input in restoration and conservation projects.
But he said Laszczkowski rejected the arrangement and said the “mental wellbeing of the members of the Jewish community is not a factor” to him.
Laszczkowski did not reply to requests for comment from the Jewish Telegraphic Agency.
The Cultural Heritage Foundation has a stated mission to “protect and promote the national heritage of Poland.” Though it is not specifically dedicated to Jewish heritage, restoring some of Poland’s 1,200 Jewish cemeteries has fallen under its purview. In 2017, the Polish government pledged $28 million to renovate Warsaw’s Jewish cemetery and put the Cultural Heritage Foundation in charge of the funds.
At the time, Warsaw’s Jewish community board was happy to sign this agreement, said Wrzosinski.
“Everybody was so excited that so much money was being pumped into the cemetery that they allowed the foundation to have everything,” he said.
After Laszczkowski rejected Wrzosinski’s proposed new contract, Wrzosinski said the Jewish community would end its agreement with the foundation. Laszczkowski in turn threatened to sue and cut off public funds from the cemetery if Wrzosinski stayed at the helm.
Tombstones at the Jewish Cemetery on Okopowa Street in Warsaw, Poland. (Bildagentur-online/Schoening/Universal Images Group via Getty Images)
Then the Jewish board turned on Wrzosinski, with four out of seven members voting to remove him. They also suspended his member rights and blocked him from communal Hanukkah celebrations, though that ban has already been reversed after a backlash. Wrzosinski said his fellow board members were intimidated by Laszczkowski’s legal threats.
Wrzosinski has directed the Jewish cemetery since 2020, becoming a key figure behind its renovations and rising profile. He began working at the largely abandoned cemetery in 2006, when it looked more like a forest, and led an effort to clean, decode and index the tombstones. He and his colleagues are documenting the graves in an online database, allowing descendants around the world to trace where their family members rest. Wrzosinski has found seven of his own relatives among the graves.
Wrzosinski said the Cultural Heritage Foundation could fall vulnerable to outside forces, including nationalist political leaders, since it was not contractually accountable to local Jews.
He pointed to a 2018 project under the Law and Justice government, which directed the foundation to build the Mausoleum of Jewish Fighters for the Independence of Poland — a reconstruction of a structure originally planned in 1939, just before the outbreak of World War II. Many local Jews see the mausoleum as a political design. It features a large Polish eagle and a Star of David, appearing to intertwine Polish nationalism with Jewish memory.
“People didn’t really feel it’s natural, or that it meets any actual need of the community. It just feels artificial and sent from above,” said Wrzosinski.
That same year, the Law and Justice government passed a notorious law that banned accusing Poland or the Polish people of complicity in Nazi crimes.
The mausoleum was built on a part of the cemetery that hosted some of its oldest graves. During construction, the tombstones were removed and stored in a back area. Wrzosinski said the foundation promised to return them, but after years of pressure from the Jewish community, the stones remain out of sight.
“This is wrong according to the halacha, according to the Jewish law,” he said. “If you know where tombstones are coming from, you shouldn’t keep them far away from that place, and you shouldn’t keep them in mud, somewhere in the back, if you took them from the actual area of the cemetery where people are buried.”
Wrzosinski’s dismissal has ignited a fierce outcry among Polish Jewish historians and museum professionals. Barbara Kirshenblatt-Gimblett, the chief curator of Warsaw’s POLIN Museum of the History of Polish Jews, circulated a petition to reinstate him. Within a few days, it has amassed nearly 700 signatures from across the globe.
“The abrupt dismissal is both incomprehensible and deeply troubling,” said the letter. “The preservation of Jewish heritage and memory — especially in a place so profoundly marked by history — requires expertise and knowledgeable leadership. Such leadership should be protected and supported, not discarded.”
This article originally appeared on JTA.org.
The post Warsaw Jewish cemetery director fired amid clash over who controls the preservation of Poland’s Jewish past appeared first on The Forward.
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Lia Koenig describes her life as an actress, from Bucharest to Tel Aviv
צװישן די יאָרן 2018 און 2024 האָט דער ישׂראלדיקער טעאַטער־פֿאָרשער ד״ר יניבֿ שמעון גאָלדבערג פֿונעם בר־אילן אוניװערסיטעט פֿאַרבראַכט לאַנגע שעהען שמועסנדיק מיט דער באַרימטער ייִדישער אַקטריסע ליאַ קעניג. פֿון דעם איז אַרױסגעװאַקסן דאָס בוך די בינע פֿון איר לעבן, װאָס איז פּובליקירט געוואָרן אױף ענגליש דורכן באָסטאָנער פֿאַרלאַג „אַקאַדעמיק סטאָדיז פּרעס“. קעניג, שרײַבט גאָלדבערג אין דער הקדמה, איז אײנע פֿון די לעצטע לעבעדיקע ייִדישע אַקטיאָרן, װאָס האָבן זיך געלערנט זײער קונסט דירעקט אין דער טעאַטער־סבֿיבֿה אין מיזרח־אײראָפּע פֿאַרן חורבן.
דאָס בוך פּרוּװט, װי װײַט עס איז מעגלעך אין דער ענגלישער איבערזעצונג, אָפּצוהיטן דעם נאַטירלעכן טאָן פֿון די שמועסן. גאָלדבערג שטעלט פֿראַגעס און קעניג ענטפֿערט אױף זײ, אָפֿט מאָל מיט לענגערע אָנאַזײַטן, װאָס ציִען נאָך זיך װײַטערדיקע פֿראַגעס.
דער לײטמאָטיװ פֿון קעניגס מאָנאָלאָגן איז די אַנטױשונג, װאָס ייִדיש האָט ניט באַקומען קײן געהעריקע אָפּשאַצונג ניט — דעמאָלט אין אײראָפּע און ניט הײַנט אין ישׂראל. „זײ האָבן ניט קײן דרך־ארץ פֿאַר ייִדישע אַקטיאָרן אין ישׂראל,“ זאָגט זי מיט אַ טאָן פֿון ביטערקייט.
דער שמועס נעמט אַרײַן פֿאַרשײדענע תּקופֿות פֿון קעניגס לעבן. זי איז געבױרן געװאָרן אין לאָדזש אין 1929. אירע עלטערן יוסף קאַמיען (שטײן) און דינה קעניג זײַנען געװען באַרימטע ייִדישע אַקטיאָרן אין פּױלן. לאה איז געװען דרײַ יאָר אַלט װען די עלטערן האָבן זיך צעשיידט און זי איז אַריבער קײן טשערנאָװיץ מיט דער מאַמען, װאָס האָט געשפּילט אינעם דאָרטיקן ייִדישן טעאַטער. דער טאַטע איז פֿאַרבליבן אין לאָדזש און איז אומגעקומען אינעם חורבן.
װען די דײַטשישע חיילות האָבן באַפֿאַלן דעם סאָװעטן־פֿאַרבאַנד אין 1941 זײַנען זײ אַנטלאָפֿן קײן אוזבעקיסטאַן. דאָרט איז די מאַמע שיִער ניט געשטאָרבן פֿון טיפֿוס. דאָס זײַנען געװען די סאַמע שװערסטע יאָרן אין קעניגס לעבן, אָבער אַזױ האָבן זײ זיך געראַטעװעט פֿונעם חורבן.
נאָך דער מלחמה האָבן די מאַמע מיט דער טאָכטער זיך באַזעצט אין בוקאַרעשט, װוּ לאה האָט אָנגעהױבן שפּילן אינעם ייִדישן טעאַטער. אירע אײַנדרוקן פֿון יענע יאָרן אין דער קאָמוניסטישער רומעניע זײַנען געמישטע. זי לױבט דעם ייִדישן טעאַטער װאָס איז געװען גוט אָרגאַניזירט און האָט באַקומען אַ סטאַבילע שטיצע מצד דער רעגירונג. דער בוקאַרעשטער ייִדישער טעאַטער האָט געהאַט אַ פּראָפֿעסיאָנעלע טרופּע און האָט געשמט װי אײנער פֿון די בעסטע טעאַטערס אינעם לאַנד.
אָבער דער קאָמוניסטישער רעזשים האָט ניט דערלױבט קײן פֿרײַהײט ניט אין קונסט און ניט אינעם פּריװאַטן לעבן. דער ייִדישער טעאַטער האָט עקזיסטירט אין אַ מין „געטאָ“ בעת אין דער אַרומיקער געזעלשאַפֿט זײַנען געװען פֿאַרשפּרײט אַנטיסעמיטישע געפֿילן. אינעם יאָר 1961 האָט זײ זיך אײַנגעגעבן עולה צו זײַן קײן מדינת־ישׂראל.
אין ישׂראל איז דער מצבֿ פֿונעם ייִדישן טעאַטער געװען גאָר אַנדערש פֿון רומעניע. אין דער ייִדישער מדינה זײַנען געװען פּריװאַטע טרופּעס, װאָס האָבן אָפֿט געשפּילט „שונד“. די מאַמע האָט שטרענג געהײסן לאהן: „הײב אָן אין העברעיִש און ערשט װען דו׳סט װערן באַקאַנט, קענסטו טאָן װאָס דו װילסט אױף ייִדיש.“
לאה קעניג האָט געשפּילט אױף דער העברעיִשער בינע מיט אַ גרױסן דערפֿאָלג העכער װי פֿופֿציק יאָר. און דאָך זאָגט זי: „איך רעד העברעיִש אָבער מײַן אמת איז אין ייִדיש.“ העברעיִש איז „ניט קײן שפּראַך פֿאַר טעאַטער.“ זי קען ניט שפּילן שלום־עליכם אױף העברעיִש אָדער אױף ענגליש: קײן שום איבערזעצונג „רירט נישט מײַן נשמה“.
ערשט פֿיר יאָר נאָך איר אָנקומען אין ישׂראל האָט זי װידער אָנגעהױבן צו שפּילן אױף ייִדיש, טײלװײַז צוליב פּרנסה. דער פּריװאַטער ייִדישער טעאַטער האָט באַצאָלט בעסער אײדער די מלוכישע „הבימה“. אין די 1960ער און 1970ער יאָרן האָט זי גאַסטראָלירט אין אײראָפּע, דרום־ און צפֿון־אַמעריקע און אין אױסטראַליע. איר מאַן הירשל (צבֿי) שטאָלפּער, דער רעזשיסער פֿון זײער טרופּע, „האָט כּסדר געבױט אַ פּראָגראַם װאָס האָט זיך אָנגעהױבן מיט נאָסטאַלגיע נאָכן נעכטן, און דערנאָך זײַנען מיר אַריבער צו די הײַנטיקע ענינים,“ דערמאָנט זיך קעניג.
די שמועסן קערן זיך װידער און װידער אַ מאָל צו לאהס טאַטע־מאַמע. זײ האָבן געהערט צו דעם דור ייִדישע אַקטיאָרן, װאָס האָבן „אײַנגעפֿלאַנצט די ליבע צום טעאַטער אינעם מיזרח־אײריפּעיִשן עולם“, האָט זי באַטאָנט. אין מדינת־ישׂראַל, להיפּוך, איז די באַציִונג צו ייִדיש אַ ביטולדיקע.
אינעם יאָר 1986 האָט קעניג באַקומען די העכסטע ישׂראלדיקע פּרעמיע „פּרס ישׂראל“ פֿאַר דער הױפּט־ראָלע אין יעקבֿ גאָרדינס דראַמע „מירעלע אפֿרת“. די קלאַסישע ייִדישע דראַמע האָט מען אױפֿגעפֿירט אױף העברעיִש בײַ „הבימה“ אין תּל־אָבֿיבֿ. דאָס איז געװען אַ מאָמענט װען קעניג האָט דערפֿילט אַז זי געהערט טאַקע באמת צו ישׂראל, כאָטש זי האָט ניט קײן מענטאַליטעט פֿון אַ ישׂראלי.
נאָך דעם דאָזיקן דערפֿאָלג האָט „הבימה“ דערלױבט צו שפּילן „מירעלע אפֿרת“ אױף ייִדיש מיט די אײגענע אַקטיאָרן. דאָס איז געװען דאָס אײנציקע מאָל װען דער טעאַטער האָט אַרײַנגענומען אַ ספּעקטאַקל אױף ייִדיש אין איר רעפּערטואַר. אָבער דעם ייִדישן נוסח האָט מען ניט געשפּילט אינעם הױפּט־זאַל, נאָר אױף דער קלענערער בינע „בית־החיל“ („דעם זעלנערס הױז“).
דער גרעסטער טײל פֿון די שמועסן אינעם בוך זײַנען געװידמעט פֿאַרשײדענע טעאַטראַלע עפּיזאָדן און ראָלעס פֿון לאה קעניג אין ישׂראל. עס זײַנען דאָ אַ סך אינטערעסאַנטע עפּיזאָדן, פּערזענלעכע פּרטים און שאַרפֿזיניקע באַמערקונגען. צום סוף פֿונעם בוך געפֿינט מען ניצלעכע צוגאָב־מאַטעריאַלן װעגן לאה קעניגס עלטערן; די רשימה פֿון אירע ראָלעס און אַ היפּשע צאָל פֿאָטאָגראַפֿיעס.
אַלץ איז זײער אַ װערטפֿולער מאַטעריאַל, אָבער צומאָל װערט דער לײענער, בפֿרט אַן ענגליש־רעדנדיקער, פֿאַרפּלאָנטערט אין די פֿילצאָליקע פּרטים װעגן פֿאַרשײדענע אױפֿפֿירונגען אױף דער ישׂראלדיקער בינע. פֿון דעסטוועגן וועט דאָס בוך זײַן ספּעציעל אינטערעסאַנט פֿאַר מומחים פֿונעם ישׂראלדיקן טעאַטער. דער אַלגעמײנער לײענער װעט זיך באַקענען מיט אַ מערקװירדיקער פֿרױ, װאָס האָט געװידמעט איר גאַנץ לעבן דער ייִדישער קונסט און איז טאַקע מצליח געווען, ניט געקוקט אױף די שװערע נסיונות און האַרבע מניעות אױף איר לעבנסגאַנג.
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Bondi gunmen condemned ‘Zionist’ actions prior to attack and threw bombs that failed to detonate, police say
The two gunmen who opened fire on a Hanukkah celebration in Sydney, Australia last week, killing 15, recorded a manifesto video prior to the attack in which they condemned the acts of “Zionists.”
The description of the video, which was included in newly released documents from the Local Court of New South Wales on Monday, comes as one of the attackers, Naveed Akram, 24, currently faces 59 charges, including 15 counts of murder and one count of terror. His father, Sajid Akram, 50, was killed on the scene of the attack.
In the video, which was filmed in October and found on Naveed Akram’s cellphone, the pair sit in front of an Islamic State flag and four long-armed firearms and appear to recite a passage from the Quran. Later, the pair explain their motivation for the attack on Bondi beach, and condemn the acts of “Zionists,” according to the court documents.
“Police allege that the Accused and his father, S. Akram, adhere to a religiously motivated extremist ideology linked to the Islamic State,” the court documents read. “This is demonstrated by their videoed speech and use of Islamic State flags during the attack.”
During the attack, the pair also threw three pipe bombs and a “tennis ball bomb” that failed to detonate, according to the court documents. Another explosive device was also found on the trunk of their car.
The court document also alleges that the father and son had “meticulously planned” the attack for “many months,” detailing that the pair had engaged in: “Making an ISIS inspired video; Making of ISIS flags; Firearms Training; Making of pipe bombs and improvised explosive devices; Booking of accommodation as a staging post; and Transportation of firearms and ammunition for the attack.”
In October, the pair booked a house on Airbnb that was used as a “staging post” for the attacks and were also recorded conducting firearms training in a “countryside location” that police believe was in New South Wales.
On Dec. 12, two days before the attack, the pair were also seen on CCTV footage driving to Bondi beach and walking along the footbridge from where they would later shoot at the Hanukkah event.
Naveed and Sajid Akram allegedly traveled to Bondi Beach on Dec. 12 to plan for the attack on the Hanukkah event days later, according to surveillance video shared by law enforcement. (Local Court of New South Wales)
“Police allege that this is evidence of reconnaissance and planning of a terrorist act,” the court documents said.
On Monday, Naveed Akram was transferred from the hospital where he had been healing from injuries sustained during the attack to the Long Bay Correctional Complex in Malabar, a high-security prison facility.
The parliament of New South Wales was also recalled on Monday to vote on new legislation that would limit gun ownership for non-citizens and reduce the number of firearms a person can legally own to four.
Sajid Akram was an Indian national who had been living in Australia on a resident visa and owned six firearms.
The new legislation would also ban the display of terror symbols and place restrictions on protests, including giving police the power to remove face coverings during protests. The state government has also vowed to ban the popular pro-Palestinian slogan “globalize the intifada.”
“We have got a responsibility to knit together our community that comes from different races and religions and places from all over the world. We can do it in a peaceful way,” New South Wales Premier Chris Minns told reporters outside of Parliament on Monday.
Australian Prime Minister Anthony Albanese was booed at a vigil on Sunday at Bondi beach for the victims of the attack, underscoring growing pressure on the Australian leader to call a Royal Commission, Australia’s highest level of inquiry, into the terror attack.
Albanese has so far dismissed calls for a Royal Commission, arguing that it would take too long, instead announcing a review of federal intelligence and law enforcement agencies.
“Emotions were raw and a lot of people in the community are hurting and angry, and some of that anger was directed towards me, and I understand that,” said Albanese at a press conference on Monday. “As Prime Minister, I feel the weight of responsibility for an atrocity that happened whilst I’m Prime Minister. And I’m sorry for what the Jewish community and our nation as a whole has experienced.”
This article originally appeared on JTA.org.
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