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Al Jaffee, iconic Mad Magazine cartoonist who also inked Chabad comic, dies at 102
(JTA) — Perhaps the greatest influence on Al Jaffee, known to readers of Mad Magazine as the creator of the “Fold-In,” was the time he spent living in a Lithuanian shtetl as a child.
Jaffee had been born in Savannah, Georgia, but returned to his mother’s native country with her after she became disillusioned by the irreligious character of life in America. Living in her small town, Zarasai, from ages 6 to 12, he became steeped in both the Yiddish and the “anti-adultism” that would infuse his work. He also gained fluency in comics through strips mailed by father, who remained in the United States.
Jaffee died Monday in New York City at 102, nine decades after returning from Lithuania and less than three years after the iconic cartoonist retired from Mad, where he had inked the end-page feature since 1964.
The “Fold-In” defined Mad Magazine ever since Jaffee invented it as a cartoon satire of the centerfold in publications like Playboy. The feature allowed readers to interact with the pages to form multiple images — the first one depicted Elizabeth Taylor’s divorce from Eddie Fisher and, after a fold, her subsequent marriage to Richard Burton.
A generation of comedians credited Jaffee and his fellow Mad contributors — the self-described “usual gang of idiots” — with shaping their comic sensibilities. “RIP Al Jaffee. He had a profound influence on my mind when I was a kid. One of the greats,” the Jewish comedian and podcaster Marc Maron tweeted Monday.
For a swath of cartoon consumers — those associated with the Chabad-Lubavitch Jewish movement — Jaffee’s most important contribution came not in Mad’s pages but in a different publication, The Moshiach Times. There, Jaffee for decades inked a strip for children called “The Shpy,” depicting a rabbinic secret agent who battles the forces of evil. It was, he told a Chabad publication in 2020, shortly after his retirement at 99, a deeply personal endeavor.
“‘The Shpy’ wasn’t just some superhero. I couldn’t do that,” Jaffee said. “I had to draw a character I could get into.”
Jaffee was born Abraham Jaffee on March 13, 1921 in Savannah, where his father, an immigrant from Lithuania, had been recruited from New York City to run a dry-goods shop. His mother, who had immigrated from the same town as his father, never took to life in the South, where Orthodox Judaism was unfamiliar and kosher food hard to come by. When Jaffee, the oldest of four brothers, was 6, she bundled the children up and took them back to Lithuania for a visit that stretched for six years.
Jaffee’s biography characterizes his time in Zarasai as one of both deprivation and invention, in which he was forced to come up with entertainment because there was little provided for the children. After Adolf Hitler’s rise to power in nearby Germany in 1933, his father retrieved him and two of his brothers, later sending for the third. Jaffee never saw his mother again after he returned to the United States; the Jews of Zarasai were executed by the Nazis and their Lithuanian collaborators on Aug. 26, 1941.
Back in New York, Jaffee’s artistic prowess earned him a spot in the first class of the High School of Music & Art, where he connected with classmates who would be his partners for many years to come. He would create comics for several shops before settling in as a freelancer at Mad, where his high school friend Harvey Kurtzman was the editor and where Yiddish peppered the pages even as the humor magazine reached a wide audience. While Mad was recognizably Jewish to many Jewish readers, it did not proclaim itself as such — an approach that Jaffee told an interviewer in 2016 was intentional.
“I lived through a period when Jewish people were very nervous about flaunting their Jewishness,” Jaffee said in the interview, published in the Forward, in which he explained that he still tended to think in Yiddish. “Even after the war, you were aware that there were people out there who wanted to kill you just because you were Jewish. And it’s still around.”
His side gig as the Chabad cartoonist began in 1984, after a young rabbi recruited him and other Mad contributors to add a contemporary aesthetic to a magazine with a circulation of about 10,000. Though Jaffee had a complicated relationship with Jewish observance, he signed on quickly, according to the Chabad feature about his tenure that was published in 2020.
In the story, Jaffee recalled highlights of his life in Zarasai, which had largely been described in negative terms in his earlier biography. “My brother Harry and I would spend the whole year sketching and planning what we’d do to improve the design of lanterns,” Jaffee recalled about celebrating the fall holiday of Simchat Torah. “Then when the holiday came, we’d march around the bimah [prayer platform]. It was so much fun.” He also said that he aspired to be like the Shpy, whose wispy beard resembled his own.
Jaffee announced his retirement in June 2020, months after the death of his wife of 42 years, Joyce Revenson. A previous marriage, to Ruth Ahlquist, with whom he had two children, ended in divorce. He is survived by his children, stepchildren, grandchildren and three great-grandchildren.
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The post Al Jaffee, iconic Mad Magazine cartoonist who also inked Chabad comic, dies at 102 appeared first on Jewish Telegraphic Agency.
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With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act
There was a time when David Mamet being honored at the Kennedy Center wouldn’t have raised eyebrows.
His contributions to American theater and film transcend an affinity for four letter words (let’s call them “the F— Variations”). His tough-talking, desperate men gave splenetic voice to the indignities of a capitalist system in Glengarry Glen Ross, evolving sexual mores in Sexual Perversity in Chicago and, in a movie like The Verdict, the justice system.
Cut to 2026 and Mamet’s scripts are but an afterthought to his grievance. When he makes headlines now, it’s for his reactionary conservative streak and his role as a partisan in the culture war. Together with a run of flops, numbering a Harvey Weinstein #MeToo comedy and a Broadway show not even Al Pacino could save, his esteem has cratered among the liberal circles that once embraced him, and to which he once belonged but now prefers to eviscerate.
He has made the transition from dramatist to pundit, first at HuffPost, lately at The Free Press. Reading too much into Oleanna, perhaps, he has called teachers pedophiles on Fox News, written screeds on cancel culture and, a prerequisite for the Kennedys at this moment, praised President Donald Trump.
In the honor, there is a strain of tragedy. Mamet has strayed so far from where he started — what he called his “brain-dead liberal” era — that he makes perfect sense for this appointment, under a regime that tried to slap its leader’s name onto a tribute to a slain president meant as a bipartisan shrine to art. (Due to the Center’s closure amid turmoil and legal battles, the ceremonies will take place at the Capital One Arena, which is only too perfectly bleak.)
A younger Mamet would have looked askance at such a figure as our current Commander-in-Chief, a character who is on the make with all sorts of half-baked schemes. The Iran War may be his latest play on a Buffalo nickel.
It’s enough to make one wonder if we’ve been misreading Mamet all along. Are the men breaking-and entering to steal the Glengarry leads meant to be admired? Are the Hollywood sleazes in Speed-the-Plow aspirational? Is Al Capone the real hero of The Untouchables?
Perhaps the evening, which tends to include career retrospectives, will elucidate. But if the Kennedy Honors could once be said to be for closers, it may now be only for a particular kind of sellout.
The post With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act appeared first on The Forward.
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Why is Britney Spears studying Hebrew?
It’s Britney, Yitz!
Continuing a curious social media trend that has previously seen appreciation for the beards of chess-playing Chabadniks and the Zohar hidden among baby clothes, Britney Spears took to Instagram Sunday to post a Hebrew Book of Psalms and the Lekutei Amaraim, or Tanya, a Hasidic book of sayings.
The caption reads: “I’m extremely bored !!! Learning Hebrew reading right to left !!! Beautiful language !!!” (A previous caption, posted Sunday, was more cryptic, concluding “God speed little man !!! I love u !!!,” perhaps indicating the presence of a havruta or someone in her life who keeps his mitzvot.)
What exactly is happening here? Is Spears, like Marilyn before her and Sydney Sweeney now, about to dip her toe into the mikveh?
The best clue we have isn’t from Spears’ page, but from Israeli model Natalie Dadon, who tagged the “Hit Me Baby One More Time” singer in a selfie with the Tanya. “Finally, it’s possible to tell,” Dadon posted, in a gallery with Hebrew language news coverage of the posts. Dadon did not immediately respond to a request for comment.
Dadon’s social media presence involves Tanya study, which itself is a cornerstone to Lubavitch philosophy (so perhaps is connected to the Chabad chess players whose beards Spears so admired) and adjacent to Kabbalah.
Spears is no stranger to Jewish subjects. Around the time she locked lips with Madonna at the 2003 VMAs, she started, like so many others, to look into Kabbalah, as this handy timeline from Hey Alma notes. She has a Hebrew tattoo of letters that signify healing in kabbalistic texts and was apparently once attached to star in a Holocaust-time-travel-romance film called The Yellow Star of Sophia and Eton, which now that I’ve heard of it I will never shut up about.
She has credited Kabbalah with helping her through a difficult time in her life and has been spotted wearing a star of David.
But we should approach Spears’ dalliance with Judaism, now sandwiched on her Insta page between a call-out of her sister Jamie Lynn and a NSFW video of her dancing with a rose Emoji as a fig leaf, with some healthy skepticism.
Her Instagram bio currently reads “Pray Every Day” with a prayer hands emoji next to a Bible emoji with a cross. She’d still appear to be Christian — or, at the very least, waiting for the new iOS update with the Tanya emoji.
The post Why is Britney Spears studying Hebrew? appeared first on The Forward.
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Haley Stevens cheered at Jewish day school after endorsing GOP Senate candidate
(JTA) — Democratic Michigan U.S. Rep. Haley Stevens was given an extended ovation at a fundraising gala for a Detroit-area Jewish day school Sunday, hours after her endorsement of Republican Mike Rogers for Senate.
Stevens, a longtime pro-Israel stalwart, was celebrated at the Yeshiva Beth Yehudah annual dinner as many members of her party across the country spoke out against her decision to break with Democratic nominee Abdul El-Sayed.
Video of Stevens’ minute-long standing ovation was shared on social media by representatives of Agudath Israel of America, a major Orthodox advocacy group. Strongly pro-Israel Jews have largely lauded her move to Rogers, which she said came about in part because of her objections to El-Sayed’s past relationship with anti-Israel streamer Hasan Piker.
Also on Sunday evening, Stevens struggled to explain the timing of her decision in an interview with CNN’s Anderson Cooper. One consistency in her response was her belief that she was helping Democrats beat back antisemitism within their own party.
“I’m trying to help the Democratic Party. I felt the same way about Graham Platner and his Nazi tattoo,” Stevens said, referencing the Maine Senate candidate who ultimately stepped down from the nomination. Asked if she believed El-Sayed is antisemitic, she responded, “I think some of the actions have certainly been antisemitic, Anderson, but I’m just sick of who he stands with.”
She named Piker and “the uncle,” referring to Piker’s uncle Cenk Uygur, whose PAC produced an ad supporting El-Sayed that blamed Israel for the price of groceries. After Stevens publicly pressured El-Sayed to condemn the ad’s contents, the candidate appeared to do so on Saturday night, which Stevens celebrated in a statement — hours before endorsing Rogers.
To Cooper, Stevens suggested that many other Democrats felt the way she did.
“I’ve been hearing from a ton of Dems, Anderson, who have said, ‘Thank you. This is how we felt.’ They haven’t liked this campaign. It’s painful,” she said. A growing number of Michigan Jewish Democrats have pledged to vote for Rogers, though more than 1,000 have also signed a letter pledging to vote for El-Sayed.
Yeshiva Beth Yehudah is spread across multiple suburban Detroit campuses and is the largest Jewish day school in the state. Its annual fundraising dinner, “An Evening of Unity,” is known for drawing big national names in politics and the media, usually from both major parties.
Kentucky Gov. Andy Beshear, a Democrat, was the evening’s keynote speaker, and the gala program also featured personal letters from President Donald Trump and Vice President JD Vance.
But it was Stevens, a regular supporter of the school, who turned the most heads. She was also presented with what the emcee called “a specially designed, illuminated book of the five scrolls of our prophets, which remind you all of our heartfelt esteem and appreciation for who you are.”
The yeshiva’s leadership also extended warm wishes to Stevens’ Jewish fiancé, Democratic megadonor Jason Turkish, whom the yeshiva’s emcee described as “our dear friend.” Turkish’s own endorsement of Rogers came days before the congresswoman’s.
This article originally appeared on JTA.org.
The post Haley Stevens cheered at Jewish day school after endorsing GOP Senate candidate appeared first on The Forward.
