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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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France Continues to See Surge in Antisemitism, New Government Data Shows, Amid Rampant Hostility Toward Jews
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
Antisemitism in France remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, as Jews and Israelis faced several targeted attacks amid a relentlessly hostile climate despite heightened security measures, according to a newly published data.
On Thursday, the French Interior Ministry released its annual report on anti-religious acts, revealing a troubling rise in antisemitic incidents documented in a joint dataset compiled with the Jewish Community Protection Service.
Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the newly released report warns that antisemitism remains “historically high,” with more than 3.5 attacks occurring every day.
Over the past 25 years, antisemitic acts “have never been as numerous as in the past three years,” the report says, noting a dramatic spike following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Les chiffres de l’antisémitisme en France en 2025 : un enracinement de la haine antijuive.
Le ministère de l’Intérieur a publié, ce jeudi 12 février 2026, les chiffres des actes antireligieux en France pour l’année 2025. Les données chiffrées concernant les actes antisémites… pic.twitter.com/PQXQfNwsqT
— CRIF (@Le_CRIF) February 12, 2026
Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.
Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.
The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.
According to French officials, this latest report, which is based on documented cases and official complaints, still underestimates the true scope of the problem, largely due to widespread underreporting.
The first six months of 2025 alone saw more than 640 antisemitic incidents, a 27.5 percent decline from the same period in 2024, but a 112.5 percent increase compared to the first half of 2023, before the start of the war in Gaza.
The report also reveals a surge in physical attacks, totaling 126 incidents last year, with a striking 67.4 percent of all antisemitic acts aimed at people.
Of all recorded incidents, 30.5 percent of antisemitic outrages took place in private settings and 13.1 percent in educational institutions, but the true extent is likely higher, as these numbers do not account for school-related antisemitism reported by the French Ministry of National Education.
The latest data further indicates that anti-Israel rhetoric is fueling antisemitism, with one-third of incidents explicitly referencing Palestine or the war in Gaza.
The French government’s newly released figures come as the local Jewish community continues to face a growing climate of hostility, despite official efforts to increase security and curb the rise in anti-Jewish hatred.
In a shocking second antisemitic attack in less than a week, a 13-year-old boy in Paris was brutally beaten Monday by a knife-wielding assailant.
On his way to a synagogue in Paris’s 18th arrondissement, the schoolboy was physically attacked by a group of five individuals who beat him, pressed a knife to his throat, called him a “dirty Jew,” and stole his belongings, the French news outlet Le Parisien reported.
According to the Paris prosecutor’s office, the victim was walking to a synagogue, clutching his kippah in his hand rather than wearing it for fear of being recognized, when five attackers confronted him. The group then stole his AirPods, sneakers, and coat, and forced him to empty his pockets.
The boy also told authorities that he was shoved, punched in the face, and threatened with a knife to his throat before his attackers stole his belongings, shouting antisemitic remarks throughout the assault.
In a separate incident over the weekend, three Jewish men wearing kippahs were physically threatened with a knife and forced to flee after leaving their Shabbat services near the Trocadéro in southwest Paris’s 16th arrondissement, European Jewish Press reported.
As the victims were leaving a nearby synagogue and walking through the neighborhood, they noticed a man staring at them. The assailant then approached the group and repeatedly asked, “Are you Jews? Are you Israelis?”
When one of them replied “yes,” the man pulled a knife from his pocket and began threatening the group. The victims immediately ran and found police officers nearby. None of the victims were injured.
Last week, a Jewish primary school in eastern Paris was vandalized, with windows smashed and security equipment damaged, prompting a criminal investigation and renewed outrage among local Jewish leaders as targeted antisemitic attacks continued to escalate.
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Antisemitism bills head to NYC Council Committee to Combat Hate
The New York City Council committee is moving forward with a series of bills aimed at addressing the rise in antisemitism, including a controversial proposal that would limit protests outside houses of worship.
The newly created Committee to Combat Hate is set to hold a hearing later this month on seven related bills introduced last month by Council Speaker Julie Menin, who is Jewish. The measures include a proposal to establish a 100-foot buffer zone outside synagogues and educational centers, increased funding for security measures, expanded education on online harassment, and improved reporting of antisemitic incidents.
Antisemitic incidents continue to account for a majority of reported hate crimes in New York City. According to the New York City Police Department, antisemitic incidents made up 57% of all hate crimes reported in 2025. The trend has continued into the new year, with more than half of all hate crimes reported in January targeting Jews or Jewish institutions, NYPD data showed.
Menin, who is the first Jew to lead the city’s legislative body, said last month that the council would vote on her five-point plan to combat antisemitism at Thursday’s meeting, hoping to pass it on an “aggressive and fast timetable.” A council spokesperson said the timetable has since been modified to align with the Feb. 25 committee hearing. After that hearing, the Speaker will decide when the bills go to the full council for a vote.
The panel is chaired by Councilmember Yusef Salaam, who is Muslim and has spoken about the need to confront antisemitism alongside Islamophobia. “When antisemitism rises, Islamophobia often follows,” Salam said at a news conference when the speaker announced her plan. “When Islamophobia is tolerated, antisemitism finds new grounds to grow.”
Before she became speaker, Menin privately promised Inna Vernikov, a Republican from Brooklyn, to create a subcommittee dedicated to combating antisemitism. Instead, she formed a task force, co-chaired by Vernikov and Eric Dinowitz, a Democrat from the Bronx and chair of the seven-member Jewish Caucus. The appointment of Vernikov drew criticism for her incendiary remarks on social media about Mayor Zohran Mamdani and the Democratic Party’s approach to antisemitism.
Mamdani, a strident Israel critic who faces scrutiny from mainstream Jewish organizations over his response to antisemitism and pro-Palestinian protests, said he broadly supports the package introduced by Menin but expressed reservations about the legality of the proposed 100-foot buffer zone around synagogues and other houses of worship. “I wouldn’t sign any legislation that we find to be outside of the bounds of the law,” he said.
On Wednesday, during a budget hearing at the state Legislature, Mamdani was questioned again about his response to antisemitic rhetoric, including the slogan “globalize the intifada,” that has been chanted at protests against the war in Gaza. “I strongly discourage the language, and I have not used the language,” Mamdani said.
Progressive groups that support Mamdani, including Jews For Racial & Economic Justice, Jewish Voice for Peace and IfNotNow, called on council members to reject the buffer zone bill. “When houses of worship host non-religious political events, they are making a choice with the knowledge that they might be protested for doing so,” the groups said.
Mamdani has faced criticism twice for his response to protests outside synagogues hosting events about real estate investment in Israel. On Jan. 8, protesters outside a Queens synagogue featured chants of “Say it loud, say it clear, we support Hamas here.” Though Mamdani quickly condemned the language, he had to follow up later to denounce Hamas.
Just after Mamdani’s election in November, he issued a mixed response to a demonstration outside Manhattan’s Park East Synagogue that featured anti-Israel and antisemitic slogans. He initially questioned the use of a sacred place for an event promoting migration to Israel. He later clarified his statement and said he would consider legislation limiting protests outside synagogues.
Critics said the response, which took nearly a day, was slow and undercut Mamdani’s repeated pledges to protect Jewish New Yorkers, and raised fresh questions about what kind of mayor he intends to be. New York City is home to the largest concentration of Jews in the United States.
The post Antisemitism bills head to NYC Council Committee to Combat Hate appeared first on The Forward.
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James Van Der Beek, ‘Dawson’s Creek’ star, had longstanding ties to Israel
(JTA) — James Van Der Beek, the beloved star of the 1990s television show “Dawson’s Creek” who married his wife in Tel Aviv in 2010, has died.
Van Der Beek died on Wednesday at 48, following a years-long battle with colorectal cancer.
“Our beloved James David Van Der Beek passed peacefully this morning,” his family wrote on Instagram Wednesday. “He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity, and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”
Van Der Beek’s breakout role, playing 15-year-old Dawson Leery in the hit teen drama “Dawson’s Creek” in 1998, earned him widespread acclaim and cemented him as a teenage heartthrob of the early 2000s.
Van Der Beek, who was not Jewish, met his wife, Kimberly Brook, in 2009 while traveling in Tel Aviv at a restaurant on Bograshov Beach.
In August 2010, the pair returned to Israel where they were married at the Kabbalah Center in Tel Aviv and toured around the country during their honeymoon.
In a post on Instagram in 2021, Van Der Beek recalled his time in Israel and Hebron, a city in the West Bank, detailing shouts of “Mazel Tov” from Israelis as well as the arrest of their tour guide by Israeli police.
“This is by no means a complete picture of the situation, and I won’t pretend to understand the geopolitical complexities fueling this conflict…,” wrote Van Der Beek. “But there’s a lot of humanity on both sides of that razor wire, and whatever ‘solution’ fails to recognize that… isn’t a solution.”
Van Der Beek is survived by his wife and their six children, Olivia, Joshua, Annabel, Emilia, Gwendolyn and Jeremiah.
Among the close friends and associates who mourned Van Deer Beek after his death were “Golda” director Guy Nattiv and Becky Tahel, an Israeli-American creative whose career in Hollywood began as a babysitter to the Van Der Beeks’ young children.
“Looking back at so many moments, so many evenings that became sacred because you were in them,” Nattiv posted on Instagram. “Birthdays, Jewish holidays, crowded tables, loud laughter, NFL games and concerts. James, you weren’t just present in our lives you were woven into them. Every piece of you lives inside our hearts now.”
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