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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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The post ‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023 appeared first on Jewish Telegraphic Agency.
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What it means for Jews when Trump administration officials misquote the Bible
(JTA) — The Bible is back in the news.
In a Pentagon prayer service on April 15, Secretary of War Pete Hegseth quoted what was seemingly meant to be a verse from the ancient Hebrew prophet Ezekiel, but was in fact from the Gospel of Tarantino, as Stephen Colbert quipped.
In response, Sean Parnell, chief Pentagon spokesman, released a statement on X noting that the homage to the auteur’s 1994 film “Pulp Fiction” was intentional. Hegseth had “shared a custom prayer … which was obviously inspired by dialogue in ‘Pulp Fiction.’”
Two days later, the New York Times suggested that President Donald Trump was likely participating in “America Reads the Bible,” a marathon reading of scripture to take place in Washington, D.C.’s Museum of the Bible, as a means to repair his relationship with Catholics after he publicly sparred with the pope over the Iran war and deleted a tweet depicting himself as Jesus Christ.
“President Trump has a complicated relationship with the Bible,” the paper noted. “He has often called it his favorite book, has posed with it for photographers outside a church and has sold his own edition for $60. But he has also struggled to name a favorite passage or even pick a favorite Testament between the two.”
At the event on April 21, Trump read a passage from 2 Chronicles, in which God promises to heal the land if its people “humble themselves, pray, and seek My favor.”
As a scholar specializing in the influence of the Hebrew Bible and Jewish ideas on American history, I can attest that the habit of American leaders citing chapter and verse (accurate or not) is as old as the United States itself. In fact, it dates back to the Pilgrims. It has been a powerful and effective means of cultivating covenantal community. Americans who cited scripture have forged a country unique in world history in the religious freedom it has offered to all its citizens, not the least of which to us Jews, the original biblically bound people.
The America ethos of fighting for freedom and liberty, drawn from the story of the Children of Israel millennia ago, to this day shapes how the United States operates both internally and on the world stage.
Reflecting on the harsh and uncertain early days of Plymouth Colony, William Bradford, who signed the Mayflower Compact and would serve as the territory’s governor for roughly three decades, paraphrased the Exodus story and Moses’ final speech in Deuteronomy. Arriving in the New World, he said, his fellow Pilgrims could only see:
a hideous and desolate wilderness, full of wild beasts and wild men — and what multitudes there might be of them they knew not. Neither could they, as it were, go up to the top of Pisgah to view from this wilderness a more goodly country to feed their hopes; for which way soever they turned their eyes (save upward to the heavens) they could have little solace or content in respect of any outward objects.
In the first half of this excerpt from his journal, Bradford was alluding to the Israelites’ escape from Egypt into the rough wilderness in which they would wander for 40 years. And then he referenced the mountaintop on the precipice of the Promised Land, Pisgah, on which Moses stood as his people were about to complete their arduous journey as described in the last of the Five Books of Moses. To Bradford, scripture was a source of strength and solace during communally challenging times.
Ten years later, the Puritan leader John Winthrop would describe in similarly Hebraic lens how if Massachusetts Bay Colony’s residents will do right in the eyes of the Lord, “We shall find that the God of Israel is among us, when 10 of us shall be able to resist a thousand of our enemies… For we must consider that we shall be as a city upon a hill. The eyes of all people are upon us.”
Winthrop was misquoting of Leviticus 26:8: “Five of you shall give chase to a hundred, and a hundred of you shall give chase to ten thousand.” However, the details were less important than the sense of divine mission that was powering the Pilgrims’ and the Puritan’s project.
Later, the American Founders also possessed a powerful attachment to the Bible, even if the details were sometimes hazy.
John Adams, in 1776, after hearing a sermon paralleling the Patriot cause to Israel’s fight against Pharaoh’s tyranny, ruminated: “Is it not a Saying of Moses, ‘who am I, that I should go in and out before this great People’?” It actually was not a saying of Moses. Adams was conflating Moses’ “Who am I that I should go to Pharaoh…” speech in Exodus 3:11 with a a request by a much later Jewish ruler, King Solomon that God “give me now wisdom and knowledge to go out and come in before this people” (2 Chronicles 1:10).
A year earlier, the equally-enamored-with-
Abraham Lincoln, perhaps the country’s most biblically literate president ever, often weaved scripture into his seminal addresses, from “four score and seven years ago,” which was likely borrowed from a rabbinic sermon citing a verse in Psalms, to a purposeful paraphrase of Exodus 19:5 when, on Feb. 21, 1861, he referred to Americans writ large as the Lord’s “almost chosen people.”
It hasn’t only been political leaders, of course, who rephrase the Word in an effort to encourage Americans to live up to their highest ideals. Martin Luther King Jr. made reference to that same mountaintop as Bradford in the civil rights leader’s final speech on April 3, 1968 in Memphis. He rousingly reassured his audience that:
We’ve got some difficult days ahead. But it really doesn’t matter with me now, because I’ve been to the mountaintop… I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the Promised Land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land!
Citing (and mis-citing) scripture, then, is a longstanding and worthy American tradition.
Some Jews might feel excluded by Jesus and New Testament texts being invoked in a nonsectarian context by public leaders, and verses can be abused as opposed to correctly interpreted. Nevertheless, the phenomenon of looking to the Bible to shape the soul of America has served a largely positive purpose. A religious civic space is full of happier, healthier people who give more charity, have more children and forge a strong sense of community.
Regardless of one’s party or views on those in power today, then, quoting the Bible in the American public sphere has long characterized the American experiment. On the whole, it has been largely good for the American collective character and good for the Jews. Occasionally, these quotes might be imperfect, but they reflect a worthy national will: the desire to see through the long march towards liberty and justice for all.
This article originally appeared on JTA.org.
The post What it means for Jews when Trump administration officials misquote the Bible appeared first on The Forward.
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Recalling Yeva Beider, devoted widow of the writer Chaim Beider
דעם 6טן אַפּריל 2026 האָט אין ברוקלין זיך געפֿעלט יעוואַ לאָזדערניק־ביידער ע״ה אין עלטער פון 103 יאָר. זי איז צום בעסטן באַקאַנט אין דער ייִדיש־וועלט צוליב איר אָפּגעגעבנקייט איר מאַן, דעם פֿאַרשטאָבענעם שרײַבער, פּאָעט און רעדאַקטאָר חיים ביידער ע״ה.
זינט חיים ביידערס טויט אין 2003 האָט יעוואַ זיך אָפּגעגעבן מיטן אָפּהיטן זײַן ליטעראַרישע ירושה ובפֿרט דורכן העלפֿן אַרויסגעבן זײַן לעקסיקאָן פֿון די ייִדישע שרײַבער אין ראַטן־פֿאַרבאַנד, רעדאַקטירט דורך באָריס סאַנדלער און גענאַדי עסטרײַך. דאָס איז אַ וויכטיקער צוגאָב צום לעקסיקאָן פֿון דער מאָדערנער ייִדישער ליטעראַטור, ווי אויך צו דער ייִדישער ליטעראַטור־פֿאָרשונג בכלל.
דורך אַ שמועס מיט איר זון מאַטוויי, האָב איך זיך דערוווּסט אַז יעוואַ לאָזדערניק איז געבוירן געוואָרן דעם 27סטן נאָוועמבער 1922 אין שטעטל וואָלאָטשיסק, מערבֿ־אוקראַיִנע, בײַם טײַך זברוטש. די צווייטע וועלט־מלחמה האָט זי איבערגעלעבט אין סאָוועטן־רוסלאַנד און אין 1946 האָט זי חתונה געהאַט מיט באָריס שפּיזעלן, וואָס האָט אָנגעפֿירט מיטן פֿינאַנץ־אָפּטייל פון דער גובערניע. יעווא האָט אויך געאַרבעט פֿאַר דער גובערניע־רעגירונג.
מיט שפּיזעלן האָט זי געהאַט צוויי זין, מאַטוויי און איסאַק. ווען דער עלטערער זון, מאַטוויי, איז געבוירן געוואָרן, האָבן זיי אים געמאַכט א ברית און צוליב דעם האָבן ביידע אָנגעוווירן זייערע שטעלעס בײַ דער רעגירונג, ווי אויך זייער דירה. שפּיזעל האָט באַקומען אַרבעט אין אַ כעמיע־פֿאַבריק. אין 1967 איז ער אַוועק אין דער אייביקייט.
אין 1978 האָט יעוואַ חתונה געהאַט מיט חיים ביידערן און צוזאַמען האָבן זיי עולה געווען אין 1996. אין זעלביקן יאָר האָט דער פֿאָרווערטס, צוזאַמען מיט אַנדערע ייִדישע קולטור־אָרגאַניזאַציעס, זיי פֿאַרבעטן אין די פֿאַראייניקטע שטאַטן, וווּ זיי זענען פֿאַרבליבן. ביידער איז נפֿטר געוואָרן אין 2003.
ווען איך האָב באַקומען די טרויעריקע בשׂורה וועגן יעוואַס פּטירה זענען מיר געקומען אויפֿן געדאַנק אַ שלל מיט זכרונות. ווער ס׳האָט זיך פֿאַרנומען מיט ייִדיש אין שטאָט ניו־יאָרק במשך פֿון די שפּעט-90ער יאָרן פֿונעם פֿאָריקן יאָרהונדערט, און פֿרי אינעם ערשטן יאָרצענדלינג פֿון איצטיקן, וועט קיין מאָל ניט פֿאַרגעסן אָט דאָס פּאָרל ייִדישיסטן: ער, דער שטילער, מיט די דיקע ברילן און ווײַסע, צעשויבערטע האָר פֿון אַן אינטעלעקטואַל, און זי — לעבעדיק און באַרעדעוודיק.
זי איז געווען זײַן פֿאַרוואַלטערין, קען מען זאָגן. זי האָט געפֿירט זײַן צײַטפּלאַן, געזען אַז ער זאָל עסן באַצײַטנס, און תּמיד מיטגעבראַכט עסן מיט זיך, כּדי מיטצוטיילן מיט אַנדערע: אַ פּעקל זיסוואַרג, אַ האָניק־לעקעך אַ מתּנה אויף יום־טובֿ, צי וואָס ניט איז. זי האָט געקענט גוט דערציילן אַ וויץ און האָט שיין געפֿירט די שטוב.
איין מאָל בין איך געווען בײַ איר אָפּנעמען אַרכיוואַלע מאַטעריאַלן ביידערס און זי האָט מיר דערלאַנגט אַ פּסחדיקן מיטאָג: איר ספּעציעלן טאָג־טעגלעכן סאַלאַט ֹ— שאַלאַטן מיט פּאָמידאָר און אוגערקע, אַלץ צעשניטן און באַשאָטן מיט אַ ביסל זאַלץ און געלאָזן שטיין אַ נאַכט אין פֿרידזשידעיר. ס׳האָט געהאַט אַזאַ פֿרישן טעם… און דערצו איבערגעוואַרעמטע כרעמזלעך אַליין־געמאַכטע.
אַז איך האָב דאָס איין מאָל דערציילט דער ייִדיש־ליטעראַטור־פֿאָשערין שבֿע צוקער האָט זי מיר גלײַך איבערגעגעבן אייגענע זכרונות — וועגן יעוואַ ביידערס יויך. זי און דער היסטאָריקער דוד פֿישמאַן זענען ביידע געווען בײַ די ביידערס אין שטוב אין מאָסקווע, האָט יעוואַ זיי דערלאַנגט אַ יויך צום טיש וואָס, זאָגט שבֿע, „איז געווען איינס אויף דער וועלט.“ איין מאָל איז שבֿע געפֿאָרן אין אַן אויטאָ מיטן ייִדישן קולטור־טוער גרשון ווײַנער ז״ל און אַנדערע, ווען עמעצער האָט דערמאָנט דעם נאָמען „יעוואַ ביידער“. אַלע האָבן תּיכּף געלויבט איר יויך און מסכּים געווען אַז ס׳איז טעם גן־עדן.
יעוואַ האָט אויך געהאַט אויסערגעוויינטלעכע זכרונות צו דערציילן פֿון איר לעבן. זי איז למשל אַ מאָל געווען אויף אַ חתונה, וואָס מע האָט געפּראַוועט אויף ביידע זײַטן פֿון טײַך זברוטש: די מחותּנים און גוטע־פֿרײַנד האָבן געוואָרפֿן מיט „מזל־טובֿס“ און פּעקלעך עסנוואַרג איבערן טײַך. אין 2012 האָט דער ניו־יאָרקער רוסיש־שפּראַכיקער פֿאַרלאַג „ליבערטי פּאָבלישינג האַוס“ פֿאַרעפֿנטלעכט אירע זכרונות אונטערן טיטל „אימענאַ נעזאַבוועניע“ (אומפֿאַרגעסלעכע נעמען).
יעוואַ איז געווען אַ ליבער מענטש און ליב געהאַט די ייִדישע קולטור. זי וועט אונדז שטאַרק אויספֿעלן.
The post Recalling Yeva Beider, devoted widow of the writer Chaim Beider appeared first on The Forward.
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2 Jewish men stabbed in London, in attack British PM Keir Starmer calls ‘utterly appalling’
(JTA) — Two Jewish men were stabbed on the street in a heavily Orthodox neighborhood of London on Wednesday, escalating anxieties amid ongoing incidents targeting local Jews that police say reflect Iranian involvement.
A man was arrested at the scene in Golders Green after being apprehended first by members of the Shomrim, a Jewish security force that operates in parts of London. Hatzola, the Jewish-operated nonprofit emergency service whose ambulances were recently burned in an arson, treated the two victims.
“One male was seen running along Golders Green Road armed with a knife and attempting to stab Jewish members of the public. Shomrim responded immediately and detained the suspect. Police attended and deployed a taser,” Shomrim said in a post to social media.
Both men who were stabbed — one in his 70s and the other in his 30s — are hospitalized in stable condition, according to the Metropolitan Police.
Prime Minister Keir Starmer condemned the attack, calling it antisemitic and praising the nonprofit services that responded.
“The antisemitic attack in Golders Green is utterly appalling. Attacks on our Jewish community are attacks on Britain,” he said on X. “Thank you to Shomrim, Hatzola and the police for acting swiftly. Those responsible will be brought to justice.”
The incident comes amid a series of attacks on Jewish institutions, and arrests of people who allegedly staged them or otherwise are accused of posing threats to the London Jewish community. No one had previously been injured in the incidents, which have included multiple arson attacks on local synagogues and, on Tuesday, a fire at a memorial in Golders Green for those murdered by the Iranian regime. Police have arrested dozens of people in recent weeks and have said they see evidence that Iran may be paying locals to stoke violence against Jews.
The Metropolitan Police said they were working to identify the nationality and background of the attacker in Golders Green, who they said was 45 and had attempted to stab officers to responded to the scene. They also acknowledged that the current situation is alarming to Jews in London.
“We are aware of the significant distress and concern this incident is likely to cause in the face of a number of incidents in the local area,” Deputy Chief Superintendent Luke Williams, who leads policing in the area, said in a statement. “A suspect is in custody, and investigators are considering all possible motives.”
This article originally appeared on JTA.org.
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