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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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The post ‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023 appeared first on Jewish Telegraphic Agency.
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Jewish communities can help save trans lives — here’s how
In the 16 months since the 2024 election, the lives of hundreds of thousands of transgender, nonbinary and intersex people in the United States have been upended. A new survey shows that, during that time period, 9% of the country’s transgender population moved from one U.S. state to another over concerns for their personal safety. Andjust today, as we celebrate Transgender Day of Visibility, the Supreme Court released a decision that harms transgender people, as well as the entire LGBTQ+ community, by striking down a state law that protected LGBTQ+ youth and their families from so-called conversion therapy, a dangerous, disproven practice.
Jews have a religious obligation to protect transgender lives; a key tenet of our faith is the belief that to save a life is to save the whole world. Research shows that religious groups can play a particularly significant role in the lives of transgender youth. With the support of such groups, trans kids experience dramatically lower rates of depression and suicide. Conversely, when social support is stripped away, the risks rise.
That’s why more than 1,000 rabbis, cantors, and other spiritual leaders representing all major Jewish denominations — Orthodox, Conservative, Reform, Reconstructionist and Renewal — from 48 U.S. states and the District of Columbia recently signed an open letter publicly declaring that Jewish tradition compels us to support the full equality of transgender, nonbinary and intersex people.
The letter was spearheaded by Keshet, the leading national Jewish organization dedicated to LGBTQ+ equality, and the Religious Action Center for Reform Judaism — the organizations for which we respectively work. For us, the need for Jews to make a strong statement of support for the trans community was urgent.
In recent years, almost every state in the U.S. has proposed or passed legislation to take away the rights of transgender, nonbinary and intersex people. In the first quarter of 2026 alone, politicians in 42 state legislatures have introduced a staggering 740 laws targeting transgender people. At this horrifying rate, they’re on track to surpass last year’s 1,022 anti-trans bills, proposed in 49 states.
Only some of these bills will become law. But all of them aim to take away rights and erase transgender people from public spaces — by ending gender-affirming healthcare, restricting restroom use, forcibly outing students at school, banning books, and more. Kansas passed a particularly terrifying example of this sort of legislation in February, with a law that revoked the IDs of transgender people — passed in the dead of night, and put into effect the very next day.
Jewish communities are painfully aware of the dangers of policies and laws that try to legislate minority groups out of the public square. That clarity gives us a particular mandate to combat such efforts.
So many American Jews have ancestors whose lives were shaped by exclusionary laws, scapegoating, censorship and attempts to erase us from public life. So many of us who immigrated to this country have firsthand experience of that same torment. This strategy of disenfranchisement and persecution has appeared repeatedly throughout Jewish history, often preceding profound tragedy.
As Jewish leaders, we see echoes of those dangerous patterns today in rhetoric that portrays LGBTQ+ people as a threat to society. We know, from our own history, that these are not the actions of a functioning democracy.
Our congregants and community members have been asking us what they can do to support our trans youth in their circles. And LGBTQ+ Jews want to know how Jewish organizations are working to stand up for their existence, dignity and safety. We must answer both questions more vigorously and decisively.
Even as we work to protect and advance LGBTQ+ rights in the public square, we have the power — and the responsibility — to make our Jewish communities safe havens. We have a unique role to play.
There are things all of us can do to create Jewish communities of belonging and affirmation for our transgender, nonbinary and intersex community members:
- Commit to using the names and pronouns that LGBTQ+ members use for themselves.
- Push your Jewish community leaders to take proactive steps to turn your community into a safe and affirming space for all transgender and LGBTQ+ people.
- Establish gender-neutral restrooms. Then, create and post a policy that encourages people to use the restroom, locker room or other gendered facilities that align with their gender.
- Implement anti-harassment, anti-bullying and non-discrimination policies that affirm the dignity and safety of all community members.
The rights and lives of our neighbors are in our hands. As many of our political leaders fail to protect members of our community, we must lead by example to build a world of affirmation and belonging for all.
The post Jewish communities can help save trans lives — here’s how appeared first on The Forward.
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Why the ‘No Kings’ marches reminded me of Germany in 1933
Germany’s parliamentary election on March 5, 1933 was the most fateful in the nation’s history, securing Hitler’s hold on power and launching 12 years of despotic rule and, eventually, a world war.
Like Germany nearly a century ago, as the United States enters the campaign season for our midterm elections, we too stand at destiny’s threshold. The outcome will determine whether Donald Trump can continue his assaults on democratic institutions, or whether he is checked by a Congress he has rendered virtually powerless since beginning his second term.
The moods of Germans in the spring of 1933 and Americans in the spring of 2026 are strikingly similar — a shroud of foreboding hangs over defenders of democracy. Yet beneath the gloom runs a pulse of defiance. In the United States, that defiance took visible form this past Saturday, when millions joined anti-Trump No Kings marches and rallies across the country.
As impressive as the Saturday protest was, America’s protectors of the republic would do well to heed what happened in Germany in the run-up to the two parliamentary elections of 1932 and the Weimar Republic’s final parliamentary election in March 1933 — moments when democratic hopes briefly rose, only to be extinguished.
In America under Trump, Indivisible has emerged as the most visible national organization in the anti-Trump resistance. During the Weimar Republic, its counterpart was a broad pro-democracy coalition called the Reichsbanner, led by the Social Democrats. Over the past century, memory of the Reichsbanner has nearly vanished, which is a shame given its dauntless devotion to democracy in the face of constant danger.
During the Weimar Republic’s final election campaigns, multitudes of Germans — rank upon rank, singing and chanting — marched through Berlin and other cities and towns across the country, gathering at rallies where orators denounced the fascists and vowed to defend the republic.
“1932 will be our year, the year of final victory of the republic over its enemies,” declared Karl Höltermann, the Reichsbanner’s national leader.
As the Weimar Republic was attacked by extremists on the right and left in its early years, and after Hitler’s abortive Beer Hall Putsch in 1923, the Social Democrats, the German Democratic Party, and the Center Party joined forces in 1924 to create a pro-republic defense organization, which they called the Reichsbanner.
In 1931, the Nazis, the German National Peoples’ Party, the veterans’ association Stahlhelm, and other anti-democratic forces joined to form the Harzburg Front. The Reichsbanner and its allies countered by marshaling Germany’s democratic constituencies — workers, veterans, liberals, Catholics — into a coordinated force known as the Iron Front.
As the Great Depression threw millions out of work, street violence intensified, cracks widened, and fragile coalition governments collapsed. The ranks of the Nazi and Communist parties swelled. Votes for Nazi candidates in the July 1932 election more than doubled — from 6.4 million to 13.1 million — making Hitler’s party the largest in the Reichstag with 230 seats, about 100 more than the Social Democrats, although short of a majority.
Enthusiasm for Hitler waned as Germany’s economic crisis eased, reflected in the November 1932 election. The Nazi bloc fell from 230 to 196 seats. It was a blow, but they remained the largest party.
The Reichsbanner’s years of defending democracy hurtled toward an ignominious end as Hitler used the burning of the Reichstag as a pretext to suspend civil liberties, the Nazis won a slim majority of parliamentary seats in coalition with the Nationalists in the March 5, 1933 election, and the last nail was driven into the republic’s coffin 14 days later when the parliament voted to give Hitler complete power.
During these tumultuous months defenders of democracy were intimidated, beaten, murdered and tortured, and many wound up in concentration camps, including Reichsbanner members. Höltermann fled to Britain, where he lived out the rest of his life in exile, dying in 1955.
This past Saturday’s No Kings protests looked nothing like the anti-Hitler demonstrations led by the Reichsbanner nearly a century ago. But the posters carried by anti-Trump activists, their anti-fascist slogans, the frogs, unicorns and other creatures cavorting among the marchers, and above all, the dauntless defiance, all came from the same impulse that drove the defenders of the Weimar Republic.
As in communities across the nation, Saturday’s rally and march here in Portland, Ore. was truly impressive. There were so many people in the march that they simultaneously filled two bridges spanning the broad Willamette River dividing downtown from the east side.
A drum corps of anti-Trump activists was so precise in close-order drill that they might have surprised out-of-town visitors who think of Portland as a hipsters’ paradise. But the Portlandia stereotype was rescued by a guy on a unicycle riding in front of the drum corps — wearing a frog costume and juggling tennis balls.
Equally striking were three 13-foot puppets created by an Indivisible Oregon arts team and towed along the parade route — Donald Trump stuck in an oil barrel and holding a Boeing 747 in one of his tiny hands, Stephen Miller dressed as Dracula, and RFK Jr. as a mad scientist with a giant worm coming out of his head.
Although the Saturday nationwide protests appeared peaceful, confrontations broke out that night outside Portland’s ICE facility and at the Los Angeles Metropolitan Detention Center. Federal officers in Portland used tear gas to move protesters away from the gates, and in Los Angeles, authorities arrested dozens during a brief clash outside the detention center.
What’s next?
Indivisible co-founder Ezra Levin — sort of a Karl Höltermann of the 21st century — said plans are in the works for a general strike on May 1 to protest government policies that favor billionaires over workers. It is an idea inspired by a January 2026 general strike in Minneapolis, shuttering more than 700 businesses, to demand a halt to an escalation of federal immigration enforcement that led to the shooting deaths of two activists. Labor unions, religious organizations, community advocacy groups, teachers and students were among those involved.
“The next major national action of this movement is not just gonna be another protest. It is a tactical escalation,” Levin said at the No Kings rally in Saint Paul. “It is an economic show of force, inspired by Minnesota’s own day of truth and action,” .
I wish Levin well. But I worry.
General strikes are extremely rare in the United States. And there are reasons for that. Before Minneapolis, the last one occurred in Oakland, Calif., in 1946, when 100,000 workers staged a two-day walkout. Over the decades, as labor muscle has weakened, general strikes have become more difficult to organize. While workers have the right to strike, the Taft-Hartley Amendments of 1947 prohibit strikes organized for political purposes or directed at secondary targets..
A nationwide general strike in Germany in 1920 indicates some potential pitfalls.
In March 1920, when right-wing officers attempted to overthrow the republic in the far-right Kapp Putsch, the nation’s democratic forces responded with a general strike so vast that it quickly brought the coup to its knees. But the victory came at a steep price. Instead of unifying Germans around the defense of their republic, the strike widened the fissures already running through the nation.
As I was riding the bus to Portland’s protest on Saturday, I thought back to Karl Höltermann and the Reichsbanner. And I reflected on this fact: Germany’s anti-Hitler movements failed because not enough Germans thought democracy was worth preserving. Back then, democracy was not a historic tradition in Germany, unlike our 250 years of experience.
If we rescue our democracy, it will be because enough of us chose to.
The post Why the ‘No Kings’ marches reminded me of Germany in 1933 appeared first on The Forward.
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Outrage First, Facts Later: Jerusalem’s Palm Sunday Story
Pope Leo XIV delivers a homily during the Palm Sunday Mass in Saint Peter’s Square at the Vatican, March 29, 2026. REUTERS/Francesco Fotia
News that Israeli police had blocked Latin Patriarch Cardinal Pierbattista Pizzaballa from entering the Church of the Holy Sepulchre in Jerusalem on Palm Sunday spread rapidly across social media this week.
The reaction was swift and severe, with Israel accused of restricting Christian worship and violating religious freedom at one of Christianity’s holiest sites.
But much of the outrage was missing key facts.
Israeli police, along with the Prime Minister and President, said the measures were driven by security concerns at Jerusalem’s holy sites during wartime.
With Iranian missile fire ongoing and fragments already landing near religious locations, authorities cited the risk of mass casualties in an area with limited shelter and difficult emergency access.
The decision, they said, was about protecting both the cardinal and worshippers.
What was also largely overlooked is that the situation was quickly resolved.
Following coordination between Israeli authorities and the Catholic Patriarchate, an agreement was reached allowing prayer under agreed limitations, and access was restored.
There is room to criticize what was, at best, a clumsily handled situation that should have been resolved before escalating publicly. But there was no evidence of malice — only an attempt to enforce safety regulations under wartime conditions.
That context, however, was almost entirely absent from the viral narrative.
Pro-Palestinian accounts on X portrayed the incident as a deliberate act against Christians. Some framed it as persecution; others as proof of systematic religious discrimination.
One widely shared post by Quds News Network claimed Israel had prevented the cardinal from entering the church with no reason given, omitting any reference to security measures or crowd control, and reinforcing the perception of deliberate obstruction.
Israeli police just prevented Roman Catholic cardinal Pierbattista Pizzaballa from entering the Church of the Holy Sepulchre in occupied Jerusalem to hold the Palm Sunday service, which marks the beginning of the Catholic Easter observances. pic.twitter.com/WNvcGsLfh5
— Quds News Network (@QudsNen) March 29, 2026
In another post, Palestinian writer Mosab Abu Toha — previously criticized for disparaging Israeli hostages in Gaza — cast the incident as part of a broader pattern of restrictions on worship, again without mentioning the security rationale cited by Israeli authorities.
Israel is preventing Christians from celebrating one of the holiest days in Christianity for the first time in centuries.
Israel must realize that Jerusalem is not its city to decide who enters or leaves.
Al-Aqsa Mosque has been closed to Muslims for over a month, particularly… pic.twitter.com/m4CzE9V2YN
— Mosab Abu Toha (@MosabAbuToha) March 29, 2026
Susan Abulhawa went further, using the incident to promote inflammatory rhetoric about “parasitic Jewish supremacists,” falsely claiming that Jews were granted unrestricted access while Christians and Muslims were barred.
Israel closed the holiest sites to Muslims and Christians, but they’re allowing parasitic Jewish supremacists into the compounds to defile these sites.
Israel must be destroyed for humanity’s sake. https://t.co/PQn46UZ4Qd— susan abulhawa | سوزان ابو الهوى (@susanabulhawa) March 29, 2026
Other commentators, including Ethan Levins, Carrie Prejean, and longtime Israel critic Mehdi Hasan, echoed similar claims — all reinforcing the same stripped-down narrative: denial of access, devoid of context.
For the first time in centuries, Christians were blocked by the Israeli government from celebrating Palm Sunday at the Church of the Holy Sepulchre.
The Latin Patriarch of Jerusalem Cardinal Pierbattista Pizzaballa was prevented from entering Church by Israel Police.
The… pic.twitter.com/UJAyUg0Nqw
— Carrie Prejean Boller (@CarriePrejean1) March 29, 2026
Israel is the enemy of Christianity. https://t.co/2F1ubfqWaW
— Ethan Levins
(@EthanLevins2) March 29, 2026
Missing from much of the online reaction was the perspective of Cardinal Pizzaballa himself. He stated that he was treated with politeness and emphasized the importance of respectful dialogue moving forward.
Cardinal Pizzaballa: “It is true that the police had said that the orders from the internal command prevented any kind of gathering in places where there is no shelter, but we had not asked for anything public, just a brief and small private ceremony to preserve the idea of the… https://t.co/uGNwus8RAw
— Rich Raho (@RichRaho) March 29, 2026
In reality, Israel faced a difficult choice: allow unrestricted access during Holy Week amid an active war and credible security threats, or impose temporary limitations and face international backlash.
Either option carried consequences. Had a mass casualty event occurred, the criticism would likely have been far more severe.
This is the nature of a lose-lose scenario.
Events in Jerusalem, particularly around religious sites, do not unfold in a vacuum. They are shaped by security realities, historical sensitivities, and the challenge of balancing competing religious claims.
Reducing such incidents to a single viral image strips away that complexity.
The Palm Sunday episode is a case study in how quickly a misleading narrative can take hold when context is omitted, and how rarely subsequent clarifications receive the same attention as the initial outrage.
In the end, the situation was resolved not through outrage, but through dialogue.
That, too, is part of the story.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.