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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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The post ‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023 appeared first on Jewish Telegraphic Agency.
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Jewish groups defend European media monitors banned for what State Dept. calls ‘censorship’
Two major Jewish groups defended a digital hate-speech researcher who has been barred by President Donald Trump’s administration from entering the country.
Representatives for Jewish Federations of North America and the Jewish Council for Public Affairs responded after the U.S. State Department restricted the visas of five European digital speech activists. The banned activists include two who helped Jewish college students sue the social network X over the proliferation of antisemitic content on the platform, and another who has advised Jewish federations on social media hygiene. The government made the announcement late Tuesday.
Secretary of State Marco Rubio said he was taking these steps in order to combat “censorship.”
“For far too long, ideologues in Europe have led organized efforts to coerce American platforms to punish American viewpoints they oppose,” Rubio wrote on X. “The Trump Administration will no longer tolerate these egregious acts of extraterritorial censorship.”
But representatives for JFNA and the JCPA, two groups that have worked extensively with the British digital researcher Imran Ahmed, stood up for him in interviews with the Jewish Telegraphic Agency. Ahmed, the group leaders said, is an important ally in the fight against antisemitism.
“He is a valuable partner in providing accurate and detailed information on how the social media algorithms have created a bent toward antisemitism and anti-Zionism, and he will remain a valuable partner,” Dennis Bernard, head of government relations for JFNA, told JTA about Ahmed.
Ahmed’s research has helped inform the federation movement’s larger strategy to counter antisemitism on social media. Last month JFNA and Ahmed’s group, the Centre for Countering Digital Hate, jointly released a report detailing how Instagram’s algorithm promotes antisemitism.
Ahmed also presented his findings at JFNA’s recent General Assembly in Washington, as well as at a Jewish Funders Network convening, and has spoken at the Eradicate Hate Global Summit in Pittsburgh — which was founded in the aftermath of the 2018 Tree of Life shootings. Separately, he has researched the proliferation of antisemitic content across various social networks following the Oct. 7 Hamas attacks.
Bernard declined to comment on Rubio’s move to restrict Ahmed’s visa, but noted, “We will look into this.” Regarding Ahmed, Bernard said, “If there’s something there we don’t know about, of course we will terminate our relationship with him.”
JCPA CEO Amy Spitalnick also praised Ahmed’s work fighting antisemitism. She harshly criticized the State Department’s targeting of him.
“He’s dedicated his career to fighting online hate and extremism,” Spitalnick told JTA about Ahmed. She denounced his targeting as “all part of the broader weaponization of the federal government to go after perceived political enemies and advance an extremist agenda, which in this case is to push back against any regulation of tech.”
Ahmed and Spitalnick began working together in the aftermath of Spitalnick’s successful effort to prosecute the organizers of the “Unite the Right” march in Charlottesville, Virginia. They bonded over a shared interest in how online spaces were giving rise to hate activities like the rally. They have since partnered on a report about antisemitism on X. Shortly after Oct. 7, Ahmed appeared in a webinar with Spitalnick discussing how extremist groups were seizing on the attacks to spread antisemitism and anti-Muslim sentiments.
Ahmed wasn’t the only target on the State Department’s list with connections to Jewish groups.
In 2023 the European Union of Jewish Students, a group representing pro-Israel Jewish university students throughout Europe, sued X, then called Twitter, in German court over the proliferation of antisemitic content, including Holocaust denial, on the social network. Filing alongside them was HateAid, a German legal group that says it “advocates for human rights in the digital space.”
HateAid’s leaders, Josephine Ballon and Anna-Lena von Hodenberg, were also named on the State Department’s list of visa restrictions this week.
“Twitter has betrayed our trust. By allowing hateful content to spread, the company fails to protect users, and Jews in particular,” Avital Grinberg, then the head of the European Union of Jewish Students, said about her lawsuit at the time. “If Jews are forced out of the virtual space due to antisemitism and digital violence, Jewish life will become invisible in a place that is relevant to society.”
“Twitter owes us a communication platform where we can move freely and without fear of hatred and agitation,” Ballon, the head of HateAid’s legal team, said then.
Anna-Lena von Hodenberg, founder of HateAid, attends the ceremony for the presentation of the 2021 ifa Award for the Dialogue of Cultures, at Allianz Forum in Berlin, Sept, 14, 2021. (Adam Berry/Getty Images)
Reached for comment Wednesday, Grinberg said the Trump administration’s move against HateAid’s leaders was “dangerous for people like us.”
“For me personally, and I think for many young Jews who are exposed to antisemitism online, these organizations are crucial,” she said. “These are people who give us tools to respond to the hatred we experience online every day, across all the platforms.”
Today Grinberg is general manager of EU Watch, a watchdog group that critiques the European Union from a pro-Israel perspective.
The individuals were targeted as part of a larger battle on the right to fight what conservatives see as an effort by tech activists to silence conservative voices — an effort that is clashing with institutional Jewish groups’ longstanding push for tougher restrictions on tech platforms to limit the spread of antisemitism and Holocaust denial.
In a statement explaining the restrictions, the State Department said the five activists had run afoul of a visa law passed earlier this year aimed at “foreign nationals who censor Americans.”
On X, Rubio said the administration “will take steps to bar leading figures of the global censorship-industrial complex from entering the United States. We stand ready and willing to expand this list if others do not reverse course.”
The U.S. crackdown on tech activists comes as antisemitism and other kinds of hate content have proliferated on American tech platforms, whose leaders — including some Jews like Instagram and Facebook owner Mark Zuckerberg — have largely cultivated warm relationships with President Trump since he reassumed power.
Regulators in Europe, where laws around Holocaust denial and other forms of hate speech are stricter than in the U.S., have sought to impose a stronger hand on tech platforms that operate on the continent. European regulators have particularly expressed concern about X, where antisemitism and Holocaust denial have become a particularly acute problem.
X is run by billionaire Elon Musk, who is both the world’s richest man and a onetime key Trump ally who played a prominent role in the early months of his administration. Though Musk and Trump have since appeared to have a falling-out, Musk has continued to promote right-wing ideas and Republican causes on X, and has also endorsed European far-right parties. He has long flirted with antisemitic ideas on the platform himself, and has regularly feuded with the Anti-Defamation League.
Sarah Rogers, U.S. undersecretary of state for public diplomacy, gave a more extensive rundown of the reasons behind each visa restriction on X (itself reposted by Musk).
HateAid, Rogers claimed, “routinely demands access to propriety [sic] social media platform data to help it censor more.” Rogers also singled out a remark Ballon had given on a 60 Minutes episode that she said the government found objectionable: “Free speech needs boundaries.”
Ahmed, according to Rogers, was a “key collaborator with the Biden Administration’s effort to weaponize the government against U.S. citizens.” She particularly took offense with the Centre for Countering Digital Hate’s focus on anti-vaccine rhetoric, which had included calls to deplatform Robert F. Kennedy Jr., who, among other things, has spread conspiracy theories linking Jews to COVID-19.
Today Kennedy is Trump’s Secretary of Health and Human Services. He praised the news of the visa restrictions on X, writing, “Once again, the United States is the mecca for freedom of speech!”
Imran Ahmed, CEO of the Centre for Countering Digital Hate, speaks at the Eradicate Hate summit in Pittsburgh, Pennsylvania, Oct. 5, 2023. On Dec. 23, 2025, the US State Department barred Ahmed and four other European digital anti-hate advocates from entering the country. (Screenshot via YouTube)
Rogers, the State Department undersecretary, also invoked a term closely associated with antisemitism — the blood libel — in her justification for why another European figure, Clare Melford, also fell under the new visa restrictions.
Melford runs the Global Disinformation Index, a British nonprofit that says it seeks to counter online disinformation but has been accused by conservative groups of bias. The group has in the past spoken out about misinformation “linking Jews to the origins of the COVID-19 pandemic.”
“If you question Canadian blood libels about residential schools, you’re engaging in ‘hate speech’ according to Melford and GDI,” Rogers wrote on X. She highlighted a description, purportedly from the group, referring to “digital denialism around residential schools.”
The passage highlighted by Rogers references Canada’s infamous residential school system, an effort to force cultural assimilation on the country’s Indigenous populations that resulted in the deaths of thousands of children and persisted for generations. Canada has issued formal apologies for residential schools, with a truth-and-reconciliation commission report concluding that they amounted to cultural genocide.
Conservative parties in Canada have questioned, downplayed or rejected accepted historical accounts of abuses under Canada’s residential school system.
The other European activist barred from the U.S. on Wednesday is Thierry Breton, a former European Union commissioner.
In a statement to JTA, HateAid blasted the decision to bar its leaders from the US as “an act of repression by a government that is increasingly disregarding the rule of law and trying to silence its critics by any means necessary.”
The group added, “We will not be intimidated by a government that uses accusations of censorship to silence those who stand up for human rights and freedom of expression. Despite the significant strain and restrictions placed on us and our families by US government measures, we will continue our work with all our strength — now more than ever.”
Grinberg, the Jewish former student who had sued X along with HateAid, wound up losing her case in German court. But the State Department’s latest moves against her allies, she said, may not amount to much in the end.
“It’s just a statement. Like, OK, two people cannot enter the US. It sucks for them. It sucks for democratic values and for the debating culture. But ultimately, I don’t see how Musk is particularly benefitting from that,” she said. “For me, it’s more a performative act.”
In early 2023, when they first sued Musk’s platform, “we thought antisemitism had never been as bad as it is now,” she said. “Now we see that it is even worse. But that’s why you need counterforces. You need people like them.”
This article originally appeared on JTA.org.
The post Jewish groups defend European media monitors banned for what State Dept. calls ‘censorship’ appeared first on The Forward.
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British police drop case against Bob Vylan for ‘Death to the IDF’ chant, sparking outrage from Jewish groups
British police ended an investigation into the British punk band Bob Vylan, months after the rap duo led thousands of Glastonbury music festival attendees in chants of “Death, death to the IDF.”
“We have concluded, after reviewing all the evidence, that it does not meet the criminal threshold outlined by the CPS for any person to be prosecuted,” wrote Avon and Somerset Police in a statement Tuesday. “No further action will be taken on the basis there is insufficient evidence for there to be a realistic prospect of conviction.”
Following the rap duo’s incendiary chant at Glastonbury, the pair were condemned Jewish leaders in the United Kingdom, and had their U.S. visas revoked by the State Department. In October, one of the band’s members, Bobby Vylan, doubled down on the anti-Israel chant in an interview with documentarian Louis Theroux.
“Simply because there is a high threshold for criminal conviction should in no way minimise the concerns raised by many sectors of society around the nature of the comments made,” the police statement continued.
In a post on X following the ruling, Bob Vylan argued that the criminal investigation into the chant “was never warranted in the first place.”
“We hope this news inspires others in the UK and around the world to speak up, in support of the Palestinian people, without fear,” the band wrote. “We have had our shows cancelled, visas revoked, our names tarnished and our lives upended, but what we have lost in peace and security we have gained tenfold in spirit and camaraderie.”
Bob Vylan’s chant at Glastonbury in June came months after the Irish rap group Kneecap kicked off a string of anti-Israel stunts by British musicians at the Coachella music festival in April. In September, terrorism charges against one of the band members, Liam O’Hanna, were also dropped.
The decision to drop the investigation into Bob Vylan was lambasted by Jewish groups in the United Kingdom, including the Community Security Trust, which cited the recent antisemitic terror attacks in Manchester, England and Sydney, Australia.
“It is deeply disappointing that vile calls for violence, repeated openly and without remorse, continue to fall on deaf ears,” the Community Security Trust told The Guardian. “Especially in the wake of the terror attacks in Manchester and Bondi, when will such calls finally be recognised for what they are: a real and dangerous instigator of bloodshed?”
Last week, police in London and Manchester announced that they would begin to arrest pro-Palestinian protesters who chant the slogan “globalize the intifada,” citing the Sydney attack on a Hanukkah event that killed 15.
“It is incredibly disappointing that the police and CPS have decided not to charge in this case, particularly when police forces in London and Manchester are adopting a stronger approach to tackling hateful rhetoric,” wrote the Embassy of Israel in London in a post on X. “It sends completely the wrong message at the worst possible time.”
This article originally appeared on JTA.org.
The post British police drop case against Bob Vylan for ‘Death to the IDF’ chant, sparking outrage from Jewish groups appeared first on The Forward.
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A French Court Acquitted a Nanny Who Poisoned a Jewish Family of Antisemitism. Now Prosecutors Are Appealing.
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
Prosecutors in France have appealed a court ruling that convicted a nanny of poisoning the food of the Jewish family for whom she worked but cleared her of antisemitism charges, in the latest flashpoint as French authorities grapple with an ongoing nationwide surge in antisemitism.
On Tuesday, the public prosecutor’s office in Nanterre, just west of Paris, announced it had appealed a criminal court ruling that acquitted the family’s nanny of antisemitism-aggravated charges after she poisoned their food and drinks.
Last week, the 42-year-old Algerian woman was sentenced to two and a half years in prison for “administering a harmful substance that caused incapacitation for more than eight days.”
Residing illegally in France, the nanny had worked as a live-in caregiver for the family and their three children — aged two, five, and seven — since November 2023.
The French court declined to uphold any antisemitism charges against the defendant, noting that her incriminating statements were made several weeks after the incident and recorded by a police officer without a lawyer present
The family’s lawyers described the ruling as “incomprehensible,” insisting that “justice has not been served.”
The nanny, who has been living in France in violation of a deportation order issued in February 2024, was also convicted of using a forged document — a Belgian national identity card — and barred from entering France for five years.
First reported by Le Parisien, the shocking incident occurred in January last year, just two months after the caregiver was hired, when the mother discovered cleaning products in the wine she drank and suffered severe eye pain from using makeup remover contaminated with a toxic substance, prompting her to call the police.
After a series of forensic tests, investigators detected polyethylene glycol — a chemical commonly used in industrial and pharmaceutical products — along with other toxic substances in the food consumed by the family and their three children.
According to court documents, these chemicals were described as “harmful, even corrosive, and capable of causing serious injuries to the digestive tract.”
Even though the nanny initially denied the charges against her, she later confessed to police that she had poured a soapy lotion into the family’s food as a warning because “they were disrespecting her.”
“They have money and power, so I should never have worked for a Jewish woman — it only brought me trouble,” the nanny told the police. “I knew I could hurt them, but not enough to kill them.”
According to her lawyer, the nanny later withdrew her confession, arguing that jealousy and a perceived financial grievance were the main factors behind the attack.
At trial, the defendant described her statements as “hateful” but denied that her actions were driven by racism or antisemitism.
The appeal comes as France continues to face a steep rise in antisemitic incidents in the wake of the Palestinian terrorist group Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
In a disturbing new case, French authorities have also opened an investigation after a social media video went viral showing a man harassing a young Jewish child at a Paris airport, shouting “free Palestine” and calling him a “pig.”
Widely circulated online, the video shows a young boy playing a video game at Paris’s Charles de Gaulle Airport when a man approaches, grabs his toy, and begins verbally assaulting him.
“Are you gonna free Palestine, bro?” the man, who remains off-camera, yells at the boy.
“If you don’t free them, I’ll snatch your hat off, bro,” the assailant continues, referring to the child’s kippah.
ANTISEMITIC INCIDENT AT PARIS–CDG AIRPORT :
Wednesday, June 25, 2025, at around 7:00 a.m, in the PlayStation Zone
of Terminal 2B at Paris–Charles de Gaulle Airport, a man in his early 30s, speaking with a British accent
, verbally and physically targeted two… pic.twitter.com/8XY3ze0EYb
— SwordOfSalomon (@SwordOfSalomon) December 21, 2025
The man is also heard repeatedly telling the child, “Dance, pig,” while the confused and frightened boy is seen trying to comply
Local police confirmed that an investigation has been launched into the incident, classified as violence based on race, ethnicity, nationality, or religion, as authorities work to identify the individual and bring him to justice.
Paris police chief Patrice Faure expressed his “outrage at these unacceptable and intolerable remarks,” promising that the incident “will not go unpunished.”
Yonathan Arfi, president of the Representative Council of Jewish Institutions of France (CRIF) — the main representative body of French Jews — condemned the incident, calling it “yet another illustration of the climate of antisemitism that has prevailed in Europe” since the Hamas-led atrocities of Oct. 7, 2023.