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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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Somaliland already operates as a de facto state. So why is Israel’s recognition of it so controversial?
Last week, Israel became the first nation in the world to recognize Somaliland as a country, prompting global outcry and an emergency meeting of the United Nations.
The de facto state on the northern coast of the Horn of Africa has long operated independent of Somalia, but before Israel’s announcement, its sovereignty had not been officially recognized by any UN members.
After the collapse of Siad Barre’s regime in Somalia in 1991, Somaliland declared independence. The breakaway region has its own democratically elected government, military, currency, license plates and passports. It is often lauded for bringing relative stability to the region, with a record of peaceful transfers of power, though it is still only rated “partly free” by Freedom House amid crackdowns on journalists.
Somaliland also benefits from relative social cohesion, with the Isaaq clan comprising the majority of the population— a factor which has contributed to its stability in a clan-based society, according to Seth Kaplan, a lecturer at Johns Hopkins School of Advanced International Studies who has researched Somaliland.
Somalia, however, considers Somaliland to be part of its territory, and slammed Israel’s recognition as an “illegal act” that undermines the region’s stability.
Is the recognition illegal?
There is no international law that bars countries from unilaterally recognizing a state. But countries generally consider international norms, including deference to the preservation of existing borders so as to prevent cascading secessionist conflicts.
The African Union has been especially committed to this principle, adamant that post-colonial borders remain intact to avoid instability and ever-changing lines.
“Any attempt to undermine the unity, sovereignty, and territorial integrity of Somalia runs counter to the fundamental principles of the African Union and risks setting a dangerous precedent with far-reaching implications for peace and stability across the continent,” Nuur Mohamud Sheekh, spokesperson for the African Union, wrote in a statement.
In Somalia’s case, its border disputes trace to the late 19th century, when the north was governed by Britain as British Somaliland, the south by Italy as Italian Somaliland, and the area that is now Djibouti by France as French Somaliland. In 1960, the British and Italian territories gained independence and united to form the Somali Republic.
In Somalia, tens of thousands of people protested against the recognition, many waving Somali flags. Turkey’s president, Recep Tayyip Erdoğan, also called Israel’s move to recognize Somaliland illegal.
At the same time, there is no blanket ban on recognizing breakaway states that challenge existing borders: Kosovo declared independence from Serbia in 2008, and more than 100 UN member states, including the United States, recognize it. Serbia does not, nor do five European Union countries, which have cited concerns that recognition could embolden separatist movements within their own countries.
Meanwhile, U.S. ambassador to the UN Tammy Bruce accused the international body of applying double standards when it comes to unilateral recognition, noting that several countries have independently recognized Palestine as a state without triggering emergency UN meetings.
Somaliland’s bid for recognition is bolstered by the fact that it already functionally operates as a relatively stable, autonomous state, according to Kaplan. It meets many of the widely cited criteria for statehood, including a permanent population, a defined territory, and an independent government.
“In general, I support those norms of not recognizing breakaway states,” Kaplan said. “But if there’s one country or one state in the world that deserves it, this would be the one place.”
Israel’s goals
For others, resistance to Somaliland’s independence appears less driven by objections to Somaliland’s sovereignty than by opposition to Israel’s goals in the region.
While Israel’s exact motivations remain unclear, Kaplan said the move seems intended to secure a strategically important foothold in the Horn of Africa. As part of the recognition, Somaliland has agreed to join the Abraham Accords, a series of normalization agreements between Israel and Muslim-majority nations.
“From the Israeli perspective, this is going to be a base that it can leverage to get a better handle on Yemen, as well as anything that Iran or other rivals of Israel might be doing in the Red Sea,” Kaplan said.
There is also fear about ulterior Israeli motives, with Israel having reportedly contacted Somaliland about sending Palestinians forcibly displaced from Gaza to the region. Somaliland denied that such a discussion took place.
Even in Somaliland, some residents expressed disappointment that the long-awaited recognition came from Israel of all countries, though most coverage has depicted scenes of celebration.
“It would be less controversial if Ethiopia or the UAE had done it,” Kaplan said. “But for the people of Somaliland, you can understand why they might be happy with this decision by the Israeli government.”
The post Somaliland already operates as a de facto state. So why is Israel’s recognition of it so controversial? appeared first on The Forward.
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‘Call for Division’: Australian Muslim Council Sparks Outrage Over Push to Block Israeli President’s Visit
People stand near flowers laid as a tribute at Bondi Beach to honor the victims of a mass shooting that targeted a Hanukkah celebration at Bondi Beach on Sunday, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Flavio Brancaleone
The Australian National Imams Council (ANIC) has come under widespread scrutiny after seeking to block Israeli President Isaac Herzog’s visit to Australia to commemorate the victims of the Bondi Beach massacre, a move that Jewish leaders have denounced as a “call for division.”
In a press release, ANIC called on Australian Prime Minister Anthony Albanese to revoke next month’s invitation for the Israeli leader to visit Sydney, where he intends to honor the victims of the deadly attack on a Hanukkah celebration that killed 15 people and injured at least 40 others.
ANIC accused Herzog of being “implicated in widespread war crimes and breaches of international law” amid Israel’s defensive war against the Palestinian terrorist group Hamas in Gaza, adding he should not be “welcomed or afforded legitimacy” in Australia.
“The president is directly implicated in grave war crimes and acts of genocide against the Palestinian people, including the mass killing of civilians, the destruction of Gaza, and the expansion of illegal settlements,” the Islamic body wrote in a post on X.
“While ANIC stands in solidarity with the Jewish community and mourns the victims of the horrific Bondi terrorist attack, accountability and justice must not be compromised,” the statement read.
ANIC Statement on NSW Protest Legislation and Invitation to the President of Israel
The Australian National Imams Council (ANIC) is extremely disappointed and expresses serious concern over the NSW Government’s new legislation introduced following the Bondi terrorist attack,… pic.twitter.com/ZW6MhVnIDc
— Australian National Imams Council (@ImamsCouncil) December 26, 2025
With Herzog having already accepted the invitation, Albanese is now facing growing pressure and criticism from politicians and Jewish leaders to oppose ANIC’s call to block the Israeli leader’s visit, planned for early next year in a show of solidarity with the Jewish community.
David Ossip, president of the New South Wales (NSW) Jewish Board of Deputies, condemned ANIC’s latest statement.
“It’s so disappointing to hear calls for division just as Australians want this to be a time for unity,” Ossip said in a statement.
“Australia has been attacked, and its citizens have been slaughtered on the beach. Many countries, quite rightly, want to show their solidarity with us at this time. Let them,” he continued.
In its statement, ANIC also denounced the NSW government’s new laws that expand police powers and curb protests in the wake of the Bondi Beach massacre, describing the demonstrations under scrutiny as “an act of solidarity for Palestinians.”
“There is no evidence to suggest that peaceful protest … has any connection to the Bondi terrorist attack,” the statement read.
“ANIC is concerned that the legislation conflates lawful, peaceful protest with terrorism and acts of violence … increases social division rather than strengthening cohesion, and threatens fundamental democratic freedoms and rights,” it continued.
As the local Jewish community continues to grapple with a shocking surge in violence and targeted attacks, the Australian government has been pursuing a series of firearm reforms, including a national gun buyback and limits on the number of firearms an individual can own.
Last week, NSW passed its own legislation further restricting firearm ownership, granting local police greater powers to limit protests for up to three months, and outlawing the public display of flags and symbols associated with designated terrorist organizations such as Hamas.
In the aftermath of the Bondi beach attack, Australia’s rabbis urged Albanese to establish a federal Royal Commission into antisemitism — a formal public inquiry empowered to investigate, make recommendations, and propose legislative measures to also address the issue.
“We have sat with grieving families. We have visited the injured. We have stood with children who no longer feel safe walking to school. We have watched members of our communities withdraw from public spaces, universities, and civic life out of fear,” the Rabbinical Association of Australia wrote in a letter.
“We are demanding nothing less than the banning of [anti-Israel] marches and demonstrations, and the criminalization of the phrases ‘death to the IDF,’ ‘globalize the intifada,’ and ‘from the river to the sea, Palestine will be free.’ This is not an abstract concern. It is a lived reality,” the letter added, referencing three popular chants among anti-Israel activists that have been widely interpreted as a call for violence against both Jews and Israelis.
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Iran Protests Escalate as Pressure Mounts on Regime
Protesters march in downtown Tehran, Iran, Dec. 29, 2025. Photo: Screenshot
Iran is again in motion. Four days of strikes and protests have unfolded across the country, from Tehran to Mashhad, from Isfahan to Kermanshah, from Shiraz to Arak, since Sunday.
In Fasa, in Fars province, protesters broke through the gates of the governor’s office on Wednesday and attacked a government building, an act that carries weight in a system built on the choreography of fear. Each day has brought new reports, new cities, new confrontations. Each day has also revived the familiar, painful question: Could this finally be the moment when the Islamic Republic loses its grip?
The protests did not begin as a single ideological uprising. They emerged from economic pressure and daily suffocation. Bazaar merchants, money changers, workers, and ordinary residents reacted to a currency in freefall, to inflation that devours salaries, to a state that extracts obedience while offering little in return. Students have since joined. Chants have hardened. Anger has spread geographically and socially.
These details matter. In Iran, unrest confined to campuses can be isolated. Unrest that reaches bazaars, provincial towns, and state offices strains a different set of nerves.
Even figures within the system acknowledge this fragility. Fatemeh Maghsoudi, a spokesperson for the Economic Committee of the Iranian Parliament, said last week that the collapse of the rial owed less to any concrete economic development than to an atmosphere of fear driven by the prospect of conflict, remarking that when US President Donald Trump so much as tells Israeli Prime Minister Benjamin Netanyahu “let’s go and have a coffee,” the exchange rate suddenly collapses. And when Netanyahu makes any statement, Maghsoudi added, prices in the market immediately rise, despite the fact that nothing substantive had changed in Iran’s economy.
Yet the regime, too, is moving. According to the Iran specialist Kasra Aarabi, sources inside the Islamic Revolutionary Guard Corps (IRGC) indicate that the state has raised its internal threat posture to a “yellow” level, defined as an abnormal situation within a four-tier (white, yellow, orange, and red) national security system. That architecture, built methodically since 2007, reaches into every province, city, district, and neighborhood.
Under higher threat levels, layers of security are activated: checkpoints, patrols, phone searches, internet restrictions, Basij deployments down to the street and apartment block. When a “red” level is declared, infantry units fold into domestic suppression, and the IRGC’s operational security headquarters assume sweeping authority over provincial life. This apparatus exists for one purpose. It has been used before. It has not yet fractured.
History teaches restraint in moments like this. The 1979 revolution did not triumph because crowds filled streets for a few dramatic days. It succeeded because strikes paralyzed oil production, administrative systems failed, and elite loyalty dissolved under sustained pressure. Today’s thresholds have not yet been crossed. There is no confirmed nationwide shutdown of core industries. There is no evidence of defection within the IRGC or the regular military. There is no alternative authority capable of coordinating power. These absences do not negate the tremendous courage of those protesting. They define the uncertainty of what comes next.
The international environment sharpens that uncertainty. Speaking in Florida alongside Netanyahu this week, Trump warned that Iran may be attempting to rebuild its nuclear program after US strikes in June damaged three nuclear facilities. His language was characteristically blunt. Any renewed nuclear buildup would invite rapid eradication. Missile production, too, was placed under explicit threat. The message was typically blunt. Negotiations remain open. Deadlines, Trump reminded his audience, have consequences.
The last time Trump issued a deadline to Iran, he gave Tehran 60 days to reach an agreement over its nuclear program. When that deadline expired, Israeli strikes followed the very next day, with clear US permission.
Strikingly, this convergence of internal unrest and external pressure has received only limited attention in much of the international media, treated as background noise rather than as a meaningful shift. The result is a failure to register how significant it could be for economic protest, regional spread, and explicit great-power deadlines to coincide in Iran like this.
For Tehran, this external pressure intersects dangerously with internal unrest. The regime faces a population increasingly willing to test red lines and a strategic environment in which miscalculation could invite devastating force. It is within this context that documented evidence from IRGC-linked academic institutions should be noted with great concern: the development of incapacitating chemical agents, including medetomidine and fentanyl derivatives, appear to have been adapted for crowd control munitions. During the “Woman, Life, Freedom” protests of 2022, demonstrators described effects inconsistent with standard CS gas. The implication is grim: The state has invested not only in batons and bullets, but in yet more insidious, chemical tools of repression.
And still, hope persists. It persists among Iranians chanting on rooftops and in streets. It persists among families who have buried the dead and returned anyway. It persists across the Iranian diaspora, for whom memory and longing blur into expectation. Each cycle of protest carries the belief that this time the accumulation of anger, courage, and exhaustion might finally converge. Each cycle also carries the memory of how brutally that belief has been punished before.
Prediction is a temptation best resisted. Revolutions are legible only in retrospect. While they unfold, they present as disorder, hesitation, advance, and retreat. What can be said is narrower and more honest. The protests of these four days show breadth, persistence, and a willingness to confront symbols of authority. The regime’s response shows preparedness, experience, and an arsenal refined over decades. Between these forces lies a struggle whose outcome remains unwritten.
The future of Iran will be decided neither by foreign speeches nor by analytical frameworks alone. It will be decided by whether pressure can move from streets into the systems that allow the state to function, by whether fear can be transferred from society back to those who govern it, by whether the machinery of repression can be strained beyond its capacity. Those conditions may yet emerge. They may also recede.
For now, Iran stands in that familiar, aching space between possibility and reprisal. The chants rise. The checkpoints loom. The world watches, hoping, doubting, fearing. The question remains suspended, unanswered and unavoidable: How many times can a people rise before rising becomes irreversible?
Jonathan Sacerdoti, a writer and broadcaster, is now a contributor to The Algemeiner.