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Anti-hate mural showcasing Jewish diversity goes up in L.A. neighborhood where antisemitic shootings took place
(JTA) — A massive mural of a Jewish mother lighting Shabbat candles has just gone up in a Jewish neighborhood of Los Angeles, the first in a series of anti-hate murals planned across the city.
Painted by the Iranian-Jewish artist Cloe Hakakian, “The Common Thread” was painted on the exterior of an event venue in Pico-Robertson, a heavily Jewish neighborhood known for its abundance of synagogues and kosher restaurants representing a range of Jewish traditions. In February, two Jewish men in Pico-Robertson were shot on two separate days by an individual whom officials said had “a history of animus towards the Jewish community.”
Flames painted on the mural take the form of the Hebrew words “l’dor v’dor,” a term meaning “from generation to generation” that describes how Judaism is passed down over time. She said she had drawn upon the insights that community members had been invited to offer in planning workshops.
“I’ve done a lot of community murals, but this one was special because the community and each individual contributed to it. They shared their experiences and struggles of being Jewish. Public art has a huge role in social change and in revolutions, past and present,” Hakakian told The Los Angeles Daily News ahead of the mural’s unveiling.
“So a mural out in public, where people are driving by, will hopefully reach folks even outside of this community, and encourage them to talk and ask questions. That’s a powerful first step in fighting both antisemitism and all hate crimes,” she added. “And I hope it makes Jews feel seen and know they’re not alone.”
In addition to the shootings in Pico-Robertson, which took place just blocks from the mural’s location, several other high-profile incidents have put Los Angeles Jews on high alert in recent years. A city councilman representing the historically Jewish Fairfax neighborhood said he saw antisemitism in the damage that occurred there during racial justice protests in 2020. Last October, members of the hate group Goyim Defense League held up signs above a Los Angeles freeway that read “Kanye is right about the Jews,” a reference to antisemitic comments by the rapper Kanye West. The Anti-Defamation League’s audit of antisemitic incidents identified 237 in Los Angeles last year — an overall increase of 30% from 2021 — including 143 incidents of harassment.
“At a time when we see antisemitism and hateful messaging on the rise, it’s more important now than ever to highlight the experience and contributions of Jews and other marginalized communities in our city,” Jeffrey Abrams, the ADL’s Los Angeles regional director, said in a statement. “We know that exposure to other cultures and experiences can reduce bias and hate and that is exactly what we hope this mural will accomplish.”
“The Common Thread” is the first of a series of murals to be released throughout the city as part of the “L.A. vs. Hate: Summer of Solidarity” campaign, organized by the Los Angeles County Commission on Human Relations. Other projects will similarly use the arts and community events throughout the city to tackle hate crimes and address social and political issues, and more murals honoring Black and LGBTQ+ communities will be unveiled later this summer.
“We are proud to help lead this unifying collaboration, which heightens our sense of awareness of the uniqueness of communities across Los Angeles,” Joanna Mendelson, senior vice president of community engagement of the Jewish Federation of Greater Los Angeles, said in a statement. “The Summer of Solidarity initiative provides an opportunity to reflect the diversity of our Jewish community, and provides a moment to capture the cultural, historical, and spiritual influences that embody the Jewish Angeleno experience. We are prioritizing efforts to build bridges with our neighbors across Los Angeles, and recognize art, such as this mural, is a powerful vehicle to unite.”
In her statement, Hakakian also pointed out details from her mural that “celebrate the diversity of Jews within our community and the cultural experiences shared across time and place.”
In the folds of the woman’s headscarf, Hakakian says, “there is a young child held in the arms of her mother as older generations stand behind her, each figure wearing a pattern from the diverse cultural diasporas in Los Angeles county. Footprints move through the desert toward a bright horizon, a metaphor for migration, healing, and resilience within the Jewish community. Silhouettes of culturally significant Los Angeles county landmarks sit on the horizon, reminding the viewer of the greater community within which the Jewish community thrives.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
