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Anti-hate mural showcasing Jewish diversity goes up in L.A. neighborhood where antisemitic shootings took place
(JTA) — A massive mural of a Jewish mother lighting Shabbat candles has just gone up in a Jewish neighborhood of Los Angeles, the first in a series of anti-hate murals planned across the city.
Painted by the Iranian-Jewish artist Cloe Hakakian, “The Common Thread” was painted on the exterior of an event venue in Pico-Robertson, a heavily Jewish neighborhood known for its abundance of synagogues and kosher restaurants representing a range of Jewish traditions. In February, two Jewish men in Pico-Robertson were shot on two separate days by an individual whom officials said had “a history of animus towards the Jewish community.”
Flames painted on the mural take the form of the Hebrew words “l’dor v’dor,” a term meaning “from generation to generation” that describes how Judaism is passed down over time. She said she had drawn upon the insights that community members had been invited to offer in planning workshops.
“I’ve done a lot of community murals, but this one was special because the community and each individual contributed to it. They shared their experiences and struggles of being Jewish. Public art has a huge role in social change and in revolutions, past and present,” Hakakian told The Los Angeles Daily News ahead of the mural’s unveiling.
“So a mural out in public, where people are driving by, will hopefully reach folks even outside of this community, and encourage them to talk and ask questions. That’s a powerful first step in fighting both antisemitism and all hate crimes,” she added. “And I hope it makes Jews feel seen and know they’re not alone.”
In addition to the shootings in Pico-Robertson, which took place just blocks from the mural’s location, several other high-profile incidents have put Los Angeles Jews on high alert in recent years. A city councilman representing the historically Jewish Fairfax neighborhood said he saw antisemitism in the damage that occurred there during racial justice protests in 2020. Last October, members of the hate group Goyim Defense League held up signs above a Los Angeles freeway that read “Kanye is right about the Jews,” a reference to antisemitic comments by the rapper Kanye West. The Anti-Defamation League’s audit of antisemitic incidents identified 237 in Los Angeles last year — an overall increase of 30% from 2021 — including 143 incidents of harassment.
“At a time when we see antisemitism and hateful messaging on the rise, it’s more important now than ever to highlight the experience and contributions of Jews and other marginalized communities in our city,” Jeffrey Abrams, the ADL’s Los Angeles regional director, said in a statement. “We know that exposure to other cultures and experiences can reduce bias and hate and that is exactly what we hope this mural will accomplish.”
“The Common Thread” is the first of a series of murals to be released throughout the city as part of the “L.A. vs. Hate: Summer of Solidarity” campaign, organized by the Los Angeles County Commission on Human Relations. Other projects will similarly use the arts and community events throughout the city to tackle hate crimes and address social and political issues, and more murals honoring Black and LGBTQ+ communities will be unveiled later this summer.
“We are proud to help lead this unifying collaboration, which heightens our sense of awareness of the uniqueness of communities across Los Angeles,” Joanna Mendelson, senior vice president of community engagement of the Jewish Federation of Greater Los Angeles, said in a statement. “The Summer of Solidarity initiative provides an opportunity to reflect the diversity of our Jewish community, and provides a moment to capture the cultural, historical, and spiritual influences that embody the Jewish Angeleno experience. We are prioritizing efforts to build bridges with our neighbors across Los Angeles, and recognize art, such as this mural, is a powerful vehicle to unite.”
In her statement, Hakakian also pointed out details from her mural that “celebrate the diversity of Jews within our community and the cultural experiences shared across time and place.”
In the folds of the woman’s headscarf, Hakakian says, “there is a young child held in the arms of her mother as older generations stand behind her, each figure wearing a pattern from the diverse cultural diasporas in Los Angeles county. Footprints move through the desert toward a bright horizon, a metaphor for migration, healing, and resilience within the Jewish community. Silhouettes of culturally significant Los Angeles county landmarks sit on the horizon, reminding the viewer of the greater community within which the Jewish community thrives.”
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The post Anti-hate mural showcasing Jewish diversity goes up in L.A. neighborhood where antisemitic shootings took place appeared first on Jewish Telegraphic Agency.
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Pentagon Preparing for Weeks of Ground Operations in Iran
US Secretary of Defense Pete Hegseth holds a briefing with Chairman of the Joint Chiefs of Staff General Dan Caine, amid the US-Israeli war on Iran, at the Pentagon in Washington, DC, US, March 19, 2026. Photo: REUTERS/Evan Vucci
The Pentagon is preparing for weeks of ground operations in Iran, the Washington Post reported Saturday, citing US officials.
The plans could involve raids by Special Operations and conventional infantry troops, the Post reported. Whether President Donald Trump would approve any of those plans remains uncertain, according to the Post.
The Trump administration has deployed US Marines to the Middle East as the war in Iran stretches into its fifth week, and also has been planning to send thousands of soldiers from the US Army’s 82nd Airborne to the region.
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America’s oldest synagogue closed. Then an unlikely group tended its cemetery.
In 1833, Herald of the Times, a Newport, Rhode Island, newspaper, reported that the remains of Mrs. Rebecca Lopez had been brought from New York by steamboat and placed inside Touro Synagogue.
Dedicated in 1763, the building is now recognized as the nation’s oldest surviving synagogue. Newport had once been home to a thriving colonial Jewish community, but after the Revolutionary War and the city’s economic decline, that community had largely faded. The cemetery remained, and so did the synagogue. It was during that long interval of near-absence that Lopez’s funeral briefly reopened Jewish ritual life in Newport.
After prayers were read by Rabbi Isaac Seixas of New York, the body was carried to the cemetery on Touro Street, with “the clergy, town council, and a numerous concourse of spectators” joining the funeral procession. The paper noted that a Jewish ceremony had not been performed there “for the space of forty years.”
Newport’s Jewish burial ground dated to 1677. In 1822, Abraham Touro left money for the upkeep of the cemetery, the synagogue, and the street on which they stood. The fund was placed under trustees appointed by the Rhode Island legislature, and Newport’s Town Council was later authorized to use the interest for repairs.
While Newport’s Jewish population declined, the endowment ensured that the synagogue building and cemetery grounds continued to be maintained. In 1826, the Town Council reported that it had tried to repair the synagogue using the Touro fund, but could not proceed because it had not been able to obtain the keys from Shearith Israel in New York. Many of Newport’s former Jewish residents had relocated there, and the congregations had longstanding ties.
In 1842, the council contracted to enclose the synagogue lot with a substantial stone wall and an ornamental cast-iron fence, modeled on the fence around the Jewish cemetery. The work included a Quincy granite base and a gateway on Touro Street designed to correspond with the synagogue’s portico. The project cost $6,835.
The synagogue’s doors rarely opened, and often only for moments of mourning. In June 1854, Newport received the body of Judah Touro, one of the most prominent American Jews of his era, a native of the town and brother of Abraham Touro. The Herald of the Times reported that “the streets was [sic] crowded with people, the stores all closed, and the bells tolled.”
The City Council assembled at City Hall and marched in procession to the synagogue, where “thousands remained outside” during the service. At the funeral, Newport’s mayor, William C. Cozzens, spoke of the trust that had long existed between the city and local Jewish families, recalling that the synagogue and cemetery had been left in Newport’s care and maintained there “with ample means for their preservation.”
When Henry Wadsworth Longfellow visited Newport’s Jewish cemetery that same year, he wrote of the graves as “silent beside the never-silent waves.” He noticed, too, what endured there: “Gone are the living, but the dead remain,” he observed, “and not neglected.”
Newport’s preservation of Jewish sacred space was shared. Jews endowed these places and returned to bury their dead there. Christian officials repaired, protected, and publicly honored them. In this way, a Jewish inheritance was carried forward until communal life returned.
In 1883, Touro Synagogue was rededicated and a new Jewish community established in Newport. But even in the window of years when the congregation was gone, the dead were not abandoned.
The graves were kept.
The post America’s oldest synagogue closed. Then an unlikely group tended its cemetery. appeared first on The Forward.
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Milwaukee rabbi and son ordered to pay $1,000 to muralist who reportedly praised Hamas in court
(JTA) — A retired rabbi and his son were sentenced Wednesday in Milwaukee for having destroyed a local mural in 2024 that depicted the Star of David transforming into a swastika.
Rabbi Peter and Zechariah “Zee” Mehler were ordered to pay $1,000 total in restitution to Ihsan Atta, the property owner who had put up the mural. Peter, who pleaded no contest to a misdemeanor charge for criminal damage, was also fined $50, while Zee, who had pleaded guilty in December, was given a withheld sentence of 25 hours of community service.
The sentencing hearing took another turn when Atta, who is Palestinian, praised Hamas and walked out of the courtroom before being brought back in by deputies to finish the proceedings, according to local news reporters who were present. A transcript of the exchange could not immediately be obtained.
Zee Mehler told the Jewish Telegraphic Agency that, despite pleading guilty, he felt “vindicated.”
“What we did was illegal and needed to be answered for. But at the same time, what we saw was a very strong response from the city and the court that showed that they have no patience or time for this anti-Israel narrative,” he said. “They recognize the way that it has spread antisemitism, and they recognize the way that it’s caused so much global harm to the Jewish community.”
The case dates back to September 2024, when the Mehlers used a hammer and other tools to tear down Atta’s recently installed mural in full view of security cameras. They have long maintained that, while they understood it was illegal to destroy the mural, they did so out of concern for the safety of the local Jewish community.
Atta’s mural included the words “The irony of becoming what you once hated” surrounding a Star of David transforming into a swastika; the background of the mural appeared to depict scenes of destruction in Gaza. The Mehlers viewed the mural as incitement. At the time of their actions, it had already been condemned by local Jewish groups and the Milwaukee City Council.
In the courtroom, Zee, wearing long dreadlocks, escorted his father, who is 74 years old and has Guillain-Barre syndrome, in a wheelchair. Peter recently lost the ability to walk, his son said: “This has been a really rough few years for him.”
According to reports, circuit court judge Jack Dávila interrupted Atta when he began praising Hamas and instructed him not to make comments unrelated to the crime.
“We’re not going to solve the world’s problems with this hearing,” the judge reportedly told Atta, who apologized for his actions. In a video posted after the verdict, Atta called the proceedings a “kangaroo court” and stated, “We must have judges that are on the Epstein files, because we’ve got clowns running the courthouse.”
Atta’s actions in court, Zee Mehler said, meant “I didn’t really need to do much.”
“He was called to testify, and he absolutely buried himself,” Mehler said. “I can’t believe he said that he supports Hamas in a court, on the record. That’s a crazy thing to do.”
This article originally appeared on JTA.org.
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