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As author Martin Amis died, a movie of his Holocaust novel ‘Zone of Interest’ wowed at Cannes

(JTA) – The death of Martin Amis, the prolific British author, came just as a film adaptation of one of his Holocaust novels premiered to rave reviews at the Cannes Film Festival.

Amis, who died on Friday of esophageal cancer at the age of 73, was not primarily known for his Holocaust fiction. But that aspect of his career may soon loom large, as “The Zone of Interest,” an adaptation of his penultimate novel, has become an early favorite to win this year’s Palme d’Or, the top prize at Cannes. 

If the film comes away from the festival with an award, it could serve as an honor of sorts at the end of a largely celebrated but at times controversial career. In addition to his writing, Amis was known for his tabloid-fodder romances and derogatory comments about Muslims. The son of British literary titan Kingsley Amis, his most well-regarded work included the so-called London Trilogy of novels, published in the 1980s and 1990s, and a 2000 memoir.

Published in 2014, “The Zone of Interest” was Amis’ second-to-last novel and concerned itself, as many of his works did, with the mechanisms of genocide and the dark theme of societal collapse. The book centers around a figure loosely inspired by Auschwitz death camp commandant Rudolph Hoess. It dissects the mentality of Nazi officers and their families as they attempt to construct compartmentalized personal lives while committing atrocities against Jews. Amis’ novel also includes the perspective of a Jewish sonderkommando — a concentration camp prisoner who disposed of the dead bodies of fellow Jews after they had been gassed.

In the movie version, directed by the acclaimed British Jewish filmmaker Jonathan Glazer, the protagonist is explicitly Hoess himself. Glazer told reporters that he hoped the film adaptation would “talk to the capacity within each of us for violence, wherever you’re from.” It was important, he said, to depict Nazis not as “monsters,” but rather to show that “the great crime and tragedy is that human beings did this to other human beings.” The movie was filmed in Auschwitz and is scheduled to be released later this year.

“The Zone of Interest” was Amis’ second novel about the Holocaust. In 1991, he published “Time’s Arrow: or The Nature of the Offense,” an experimental narrative about a Nazi doctor in Auschwitz. Told in reverse chronology, the novel begins with the doctor’s “retirement” in America, before rewinding to show him brutalizing people in the camps. Critics celebrated the book for its depiction of the absurdity underpinning the Holocaust.

Amis was known more broadly for his mixture of satirical novels and fierce polemics, and he took on everything from the Stalinist regime to modern-day feminism to Islam in the post-9/11 world. That last topic earned him particular condemnation in 2006 when he asserted, among other things, “The Muslim community will have to suffer until it gets its house in order.” He apologized for that comment and denied being an Islamophobe, though soon afterward, according to The New York Times, he identified as an “anti-Islamist” and told the British newspaper The Independent: “Anti-Islamism is not like antisemitism. There is a reason for it.”

If “The Zone of Interest” wins the top prize at Cannes, it will come amid a wave of other premieres at the festival this year that also grapple with historical antisemitism. “Occupied City,” a new four-hour documentary from Oscar-winning director Steve McQueen, juxtaposes modern-day Amsterdam with descriptions of its citizens’ lives under Nazi occupation. “The Goldman Case,” a courtroom drama, is based on the real-life 1975 trial of left-wing French Jewish radical Pierre Goldman, who claimed he was a victim of antisemitic targeting by police and who was later murdered. “Kidnapped,” which will premiere Tuesday, is an Italian historical drama about the Catholic Church’s 19th-century kidnapping of Jewish child Edgardo Mortara.


The post As author Martin Amis died, a movie of his Holocaust novel ‘Zone of Interest’ wowed at Cannes appeared first on Jewish Telegraphic Agency.

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For many queer Jews, Pride has lost its joy

I noticed something during last year’s Pride that I could not stop thinking about afterward: silence.

Not total silence. Pride events still filled city streets in San Francisco, where I live. Rainbow flags still hung from windows. But many queer Jews I knew had become quieter in subtle, almost imperceptible ways. Some had stopped posting online. Some had withdrawn from political conversations altogether. Others no longer mentioned being Jewish in spaces where that identity had once felt unremarkable.

A few quietly disappeared from communities they had helped build. Invitations were declined. Group chats went unanswered. One friend told me they hesitated before wearing a Star of David necklace to Pride for the first time in years.

At first, I told myself I was imagining it. Then I began hearing the same thing in private conversations: people calculating whether it was safe to say certain things out loud. Wondering whether expressing ongoing grief over the Hamas attack of Oct. 7, 2023 would cost them friendships, belonging or community. Deciding it was easier to remain silent than risk becoming a problem to manage.

I recognized that instinct, because I felt it too.

As a psychologist and psychoanalyst practicing in San Francisco who has facilitated support groups for queer Jews since Oct. 7, I’ve perceived a clear phenomenon: While for years, many queer Jews experienced queer spaces as a refuge, after Oct. 7, that sense of refuge became less certain.

The spaces where we built chosen family, recovered from shame, fell in love, and constructed identities used to be shaped by the belief that vulnerability should not have to be hidden in order to belong.

Now, in some of those spaces, it feels like certain forms of Jewish grief have become socially suspect.

In some spaces, expressing horror at the massacre of Israeli civilians has felt permissible only when immediately qualified or contextualized.

In conversations over the past year, I have repeatedly encountered the same pattern: queer Jews becoming more cautious and less certain about what they could safely say in response to pressure to express grief only in publicly acceptable ways.

Silence can be a form of self-protection. People grow quiet when they sense that emotional honesty may carry steep social costs inside communities they still want to belong to.

Some queer Jews no longer attend events they once loved. Others still attend, but carefully. They edit themselves in real time, measuring how much grief they can express before it becomes unintelligible to others.

None of this is unilaterally true about queer communities, which are not monoliths. And many LGBTQ people feel profound anguish over Palestinian suffering, as do many Jews.

But queer Jews are exhausted. The strain of constant self-translation; the effort of proving that mourning one people does not entail hatred of another; and the vigilance required to navigate belonging that feels increasingly conditional have taken their toll.

The loss of a place where you were supposed to exist without negotiation feels existential. And as each Pride passes, certain griefs intensify as they remain unspoken.

This Pride, I’m thinking less about who will show up than about who will remain quiet once they arrive.

What kinds of silence do communities require in exchange for belonging?

Joshua Simmons is a psychologist and psychoanalyst who serves on the American Psychological Association’s Collaborative of Jewish Psychologists.

The post For many queer Jews, Pride has lost its joy appeared first on The Forward.

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Thomas Massie calls for USS Liberty probe, elevating anti-Israel conspiracy theory to House floor

(JTA) — Republican Rep. Thomas Massie took to the House floor Monday to call for an investigation into Israel’s 1967 attack on an American spy ship, giving new prominence to a decades-old conspiracy theory that has become a touchstone for critics of Israel.

“It’s my great honor, maybe one of the biggest honors of my lifetime, to stand here on the floor and do something that’s 59 years overdue, to recognize the survivors and those who gave their lives on the USS Liberty,” Massie said. “Fifty-nine years ago today when they were viciously attacked by IDF jets and also after that by torpedo boats.”

The attack on the USS Liberty occurred on June 8, 1967, in the midst of Israel’s Six-Day War. The intelligence-gathering ship was stationed off the shore of the Sinai Peninsula during the conflict when it came under attack by Israeli forces, killing 34 crew members and injuring 171 more.

Israel later apologized for the attack, explaining it had mistaken the boat as Egyptian, and paid damages to the United States and the families of the victims. Multiple U.S. investigations, including by the CIA, have since determined that the attack was a mistake.

Still, the incident has become a rallying point for critics of Israel who claim the attack was deliberate and gained more adherents lately as anti-Israel sentiment has swelled. On Friday, Massie cited a host of U.S. military and intelligence officials he said had cast doubt on the outcomes of the U.S. investigations.

“None of these distinguished men think this was an accident,” Massie continued. “They think it was intentional murder by the country of Israel, either as a false flag operation or because they simply didn’t want anybody observing what they were doing that day.”

Massie, who will be departing Congress next year after losing his primary in Kentucky, used the anniversary of the incident to call for Congress to pass a resolution honoring the victims of the attack and for a new investigation into the circumstances surrounding it.

The USS Liberty Veterans Association praised Massie’s remarks in a post on X, writing that it was a story that “NO other member of Congress will even listen to.”

Massie is far from the only critic of Israel to use the attack as broader evidence of Israeli misconduct.

Last year, the far-right influencer Candace Owens interviewed a survivor of the attack and tweeted that there was “perhaps no story that can more enlighten you to the deceitful and despicable nature of the modern state of Israel — and its stranglehold on the American government.”

Florida gubernatorial candidate James Fishback has called for the attack to be taught in schools, and the antisemitic streamer Nick Fuentes has claimed that Israel initiated the attack to “conceal their troop movements.”

During his speech at Amfest in December, conservative pundit Tucker Carlson, who devoted part of his podcast last year to elevating the conspiracy theory that the attack was a false flag operation on the part of Israel, told attendees that asking “why a foreign government tried to sink one of our ships in 1967” does not “make you an antisemite.”

Oren Segal, the ADL’s vice president of counterextremism and intelligence, told the Jewish Telegraphic Agency that his organization had been concerned about the “normalization” of Carlson’s views, including his rhetoric on the USS Liberty attack.

“No one’s been a bigger boon to the USS Liberty conspiracy of late than Tucker Carlson,” Segal said.

Following Carlson’s remarks at Amfest, the annual conference of the right-wing group Turning Point USA’s, the ADL denounced conspiracy theories about the attack that it said had swirled for decades.

“Despite official findings that the attack was a tragic case of mistaken identity, these narratives continue to be amplified by actors seeking to inflame distrust and undermine U.S.-Israel relations,” the ADL said in a post on X.

At the conference, the Jewish pundit Ben Shapiro was also asked about the attack by an audience member, and responded that “the vast majority of people who bring this up are doing so to suggest that Israel deliberately attacked an American ship because Israel deliberately wants to harm America.”

Some of Massie’s fellow critics of Israel praised him for bringing up the incident on the floor of Congress on Monday.

“Thank you Thomas Massie for recognizing the heroic members of the USS Liberty, which was attacked by Israel, where 34 crew members were killed and 174 were wounded,” tweeted Marjorie Taylor Greene, the former member of Congress. “Why did our ‘greatest ally’ attack us??”

Other right-wing figures, including at least one member of Congress, criticized Massie’s gambit.

Rep. Dan Crenshaw of Texas tweeted that he had previously believed that Massie was “standing on heartfelt principles and had intellectual backing” even as they did not always agree.

“But comments like this make me question his authenticity,” Crenshaw wrote. “The USS Liberty incident is a tragic one, but it’s an incident with a clear conclusion if one uses any objective analysis of the facts. … Perhaps we are simply witnessing another example of the irresistible incentive to jump on the bandwagon of grifters that guarantee you a specific kind of social media audience and attention that ultimately results in profits.”

Adam Mossoff, a former legal fellow of the right-wing Heritage Foundation, took aim at Massie’s address in a post on X, writing that the Kentucky Republican had “fully gone down the rabbit hole of antsemitism and Jewish conspiracy theories — via the modern American antisemite’s favorite boogeyman, Israel.”

“For the American woke left and woke right, the USS Liberty is the equivalent of the Dreyfuss Affair in France,” Mossoff wrote. “It’s the cause celebres of nationalism and bigotry in which history’s greatest villains — the Jews — can be smeared again with nefarious and evil motives.”

This article originally appeared on JTA.org.

The post Thomas Massie calls for USS Liberty probe, elevating anti-Israel conspiracy theory to House floor appeared first on The Forward.

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Tribeca Festival denounces pro-Israel celebrities’ red-carpet jokes about Israeli dog rape allegations

(JTA) — The Tribeca Festival has denounced jokes alluding to allegations of rape against Israeli prison guards made on the red carpet by the comedian and actor Elon Gold and pro-Israel influencer Lizzy Savetsky.

The two Jewish figures made the jokes at the world premiere of Gold’s new film “The Wedding Entertainer (The Tale of Moishe Badhan)” on Thursday, and Savetsky included them in a highlights reel that she posted to Instagram on Friday.

In the reel, Gold notes that it’s significant that the Tribeca Festival, one of the most prestigious film festivals in the world, included a movie that was made in Israel. The implication was that at a time of surging anti-Israel sentiment, he would not have expected films with an Israeli connection to be admitted.

Then he joked about his time in Israel: “I was only raped by two Israeli dogs.”

Savetsky responded, “I thought they only raped Palestinians.”

“No,” Gold answered, laughing. “I got also a dog.”

The pair were alluding to allegations of sexual abuse by Israeli prison guards against  Palestinian prisoners that The New York Times columnist Nicholas Kristof surfaced in an opinion column last month. One of the most sensational claims, which Israel rejected along with all the others, was that Israeli prison guards use dogs to rape prisoners.

After the comments drew criticism online, the Tribeca Festival said in a statement Saturday that it “unequivocally condemns the offensive and unacceptable remarks” made by Savetsky and Gold.

“Sexual violence and human suffering should never be mocked or minimized,” the festival said. “The comments do not reflect the Tribeca Festival’s values, and we regret the hurt and offense they have caused. We have not been able to reach the filmmakers.”

Pro-Israel activists have condemned the column, Kristof and the newspaper for airing the allegations against Israel, and Israeli Prime Minister Benjamin Netanyahu threatened to sue the newspaper over the claims.

In an Instagram video response to a New York Times reporter asking for comment over email, Savetsky compared the allegations made in Kristof’s column to an antisemitic blood libel.

In a comment to the Jewish Telegraphic Agency, Savetsky denied that the jokes she made on the red carpet were “about rape” as the festival alleged.

“It was a joke mocking the NYT story with a horrific blood libel,” she said in a message to JTA. “Any other interpretation is ridiculous and a deflection from the actual issue here which is irresponsible journalism meant to villainize Zionists. Comedy and the arts have always been used to address real issues—the issue here should not be dog rape, which is biologically impossible, it should be the blood libel spread by the NYT.”

She added, “I stand by it with no regrets. The outrage only exposes how the press and those poisoned by anti-Israel propaganda will twist anything to blame the Jews … even when it means justifying a story with zero evidence about something biologically impossible.”

Gold, who also served as executive producer on the film, did not respond to JTA’s request for comment.

“The Wedding Entertainer (The Tale of Moishe Badhan)” is an Israeli comedy about a Hasidic ex-comedian who re-enters the comedy world after a battle with addiction to earn enough money to marry off his daughter.

This article originally appeared on JTA.org.

The post Tribeca Festival denounces pro-Israel celebrities’ red-carpet jokes about Israeli dog rape allegations appeared first on The Forward.

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