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As ‘Parade’ opens on Broadway, star Ben Platt takes a trip to Leo Frank’s Brooklyn
(New York Jewish Week) — The singer and actor Ben Platt spends most of his time these days on West 45th Street in Manhattan, where he performs eight times a week as Leo Frank, a Jewish man who was lynched by a Georgia mob in 1915.
But he took a detour on a recent afternoon to Brooklyn, for visits to Frank’s childhood home and the Prospect Heights building where his body was briefly taken before his burial in Queens.
“It looks the same,” Platt said, according to the New Yorker writer who accompanied him on the sojourn and wrote up their walk in a pithy “Talk of the Town” vignette. “The door is the same, these railings are the same.”
The Broadway revival of the musical “Parade,” now in previews, follows a seven-performance run at City Center in November 2022 that garnered rave reviews; its official opening is Thursday.
The show, its first revival since it opened on Broadway in 1998, made headlines last month when a group of neo-Nazis protested outside the Bernard B. Jacobs Theatre on the first night of previews, roiling the Broadway community.
“Platt hadn’t expected Nazis, but he had expected some hate,” writes the New Yorker’s Zach Helfand. “He’d prepared for the show’s heaviness by painting his dressing room pink. ‘I figured it should be a brighter space,’ he said. ‘I also just love ‘The Wizard of Oz’ and Glinda.’”
Helfand notes that Platt is wearing a “North Face jacket and baggy jeans, with a Star of David necklace,” as they head first to Clinton Hill, where Frank lived at 368 Lafayette Ave. as a student attending the Pratt Institute (the art and design school briefly had a high school at the end of the 19th century).
Then, Platt walked to Frank’s parents’ home at 152 Underhill Ave. in Prospect Heights, where the family sat shiva and where Frank’s body was briefly brought from Georgia before he was buried in Mount Carmel Cemetery in Queens.
Along the way, Platt reflects on playing Frank, his own Jewish identity and, somewhat inexplicably, his hydration habits and bladder capacity. He notes that he is both trying to drink more water and also mindful that his role requires him to sit on stage throughout intermission, without the bathroom break that audience members can take.
“Parade” is Platt’s first Broadway role since he won the 2017 Tony Award for best lead actor in a musical, as the star of “Dear Evan Hansen.” Portraying Frank, Helfand writes, “is less taxing physically but more fraught personally.”
“The trauma involved in this one has a lot more to do with me,” said Platt, who is 29, the same age Frank was when he was accused of murder in 1913.
Frank had left Brooklyn for Atlanta as an adult — an unusual move at the time, but one that resonated with Platt. “My mom’s side ended up in Kansas,” Platt said. “They were one of very few Jewish families. There was a synagogue that’s now been renamed for my grandma.”
A manager of an Atlanta pencil factory, Frank was accused of murdering a girl whose body was found there in 1913. Despite little evidence, Frank was found guilty of killing Mary Phagan, who had worked at the factory, and was sentenced to death. In 1915, when Frank’s sentence was commuted to life in prison, he was kidnapped by an armed mob and lynched.
The case spurred both the creation of the Anti-Defamation League, the Jewish civil rights group whose activities include monitoring neo-Nazi activity, and the revival of the Ku Klux Klan white supremacist hate group. The consensus view is that Frank was innocent, but contemporary neo-Nazis reject that view and he has not been officially exonerated under the law.
Ben Platt and Micaela Diamond start in “Parade” at the Bernard B. Jacobs Theater. On Feb. 21, neo-Nazi protestors heckled ticket-holders outside the theater during the first preview of the show. (Julia Gergely)
After the neo-Nazi protest outside the theater last month, Platt spoke out on social media. “It was definitely very ugly and scary, but [also] a wonderful reminder of why we’re telling this particular story, and how special and powerful art and particularly theater can be,” he said in an Instagram video.
Platt’s foray into Jewish geography extends beyond Leo Frank to the present. He notes during his walk that the uncle of his fiance, Noah Galvin, is part of the Pratt family behind the Pratt Institute. He also reveals that the sister of his friend and collaborator, Jeff Levin, who released his studio albums on Atlantic Records, lives at Frank’s family’s Prospect Heights address. He’d learned that after a castmate visited the site and left a note.
“She had no idea,” Platt told the New Yorker about Levin’s sister. “I figured — based on Jewish geography, and, just, New York — maybe I’d find some connection to the person there. But it was like an hour later.”
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The post As ‘Parade’ opens on Broadway, star Ben Platt takes a trip to Leo Frank’s Brooklyn appeared first on Jewish Telegraphic Agency.
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Israel to Reopen Jordan Border Crossing for Passage of Aid, Goods After Terror Attack
Israeli police officers stand next to their cars at the scene of a fatal shooting at the Allenby Crossing between the West Bank and Jordan, Sept. 18, 2025. Photo: REUTERS/Oren Ben Hakoon
Israel is set to reopen the Allenby Crossing with Jordan to the passage of goods and aid on Wednesday, an Israeli security official said on Tuesday.
The border crossing has been closed to aid and goods since September, when a driver bringing humanitarian aid to Gaza opened fire and killed two Israeli military personnel before being killed by security forces.
The security official said the crossing would have tightened screening for Jordanian drivers and truck cargo, and that a dedicated security force had been assigned to the crossing.
The Allenby Bridge is a key route for trade between Jordan and Israel and the only gateway for more than 3 million Palestinians in the West Bank to reach Jordan.
The crossing reopened to passenger traffic shortly after the attack, but had remained closed to aid trucks. The UN says the crossing is a major route for bringing food, tents, and other goods into Gaza.
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US Imposes Sanctions on Network It Accuses of Fueling War in Sudan
A bronze seal for the Department of the Treasury is shown at the US Treasury building in Washington, US, Jan. 20, 2023. Photo: REUTERS/Kevin Lamarque
The US on Tuesday imposed sanctions on actors it accused of fueling the war in Sudan, taking aim at what it said was a transnational network that recruits former Colombian military personnel and trains soldiers, including children, to fight for the paramilitary Rapid Support Forces.
The US Treasury Department in a statement seen by Reuters said that it imposed sanctions on four individuals and four entities that were part of the network, which it said was largely comprised of Colombian nationals and companies.
The Treasury said that since at least 2024, hundreds of former Colombian military personnel have traveled to Sudan to fight alongside the RSF, which the US has accused of committing genocide.
The Colombians have provided the RSF with tactical and training expertise and served as infantry and artillerymen, drone pilots and instructors, among other roles, with some training children to fight for the paramilitary group, according to Treasury, which added that Colombian fighters have participated in battles across Sudan, including in the capital Khartoum and al-Fashir.
“The RSF has shown again and again that it is willing to target civilians — including infants and young children. Its brutality has deepened the conflict and destabilized the region, creating the conditions for terrorist groups to grow,” Treasury Under Secretary for Terrorism and Financial Intelligence, John Hurley, said in the statement.
Among those targeted was Alvaro Andres Quijano Becerra, who the Treasury said was a dual Colombian-Italian national and a retired Colombian military officer based in the United Arab Emirates. It accused him of playing a central role in recruiting and deploying former Colombian military personnel to Sudan.
The UAE has been widely accused of arming the RSF, an accusation it has denied.
“The United States again calls on external actors to cease providing financial and military support to the belligerents,” Treasury said in the statement.
The conflict between the Sudanese army and the RSF erupted in April 2023 out of a power struggle and has triggered famine, ethnic killings, and mass displacement. In November, US President Donald Trump said he would intervene to stop the conflict.
The United States, the United Arab Emirates, Egypt, and Saudi Arabia – known as the Quad – earlier in November proposed a plan for a three-month truce followed by peace talks. The RSF responded by saying it had accepted the plan, but soon after attacked army territory with a barrage of drone strikes.
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When Is a Wedding Too Extravagant?
A wedding ceremony, illustrative. Photo: Jason Hutchens via Wikimedia Commons.
It has been part of my life as a rabbi to attend weddings — more often than not, to “perform.” I reckon that I have attended approximately 100 weddings of various sizes, styles, numbers, and traditions. Some I have enjoyed, but I am finding it increasingly hard to feel comfortable about many of the religious weddings I have attended.
They are getting more and more protracted. People are forced to wait for hours. A wedding I once attended was so overcrowded by jostling relatives under the Chupah, that the father of the bride couldn’t get close enough to give his son in law a sip of the cup of wine.
One band plays for the reception, another for the Chupah, a third for Hasidic or Israeli dances, a fourth for ballroom dancing, and a fifth for a disco. One singer is for Ashkenazi cantorial style, one for Hasidic pop, one for Sephardi tunes, and another for Carlebach. As for food, a loaded reception is offered as people arrive, and sushi is a must. There are multiple servings and meals, and if there’s a Hasidic Mitzvah dance at the end, you’ll get a complete breakfast too.
It is fashionable in the Diaspora to fly in rabbis from Israel. An oligarch recently hired an airliner to ferry over musicians, artistes, and security alone. Consider the millions being spent each year on religious weddings. And then consider how much charitable and educational work could be accomplished instead of a one-night bash that disappears into photo albums a few hours after it is over, to be glanced at perhaps once a year thereafter. The cost and the waste is mind blowing.
Successful businessmen have to invite business contacts, flaunt their success to attract new capital, and invite gaggles of rabbis to prove their religious status and legitimacy. It is not just spoiled daughters who clamor for excess; it’s magnates, too.
Over the past 50 years of rising Jewish affluence, as well as continuing Jewish poverty, many religious leaders of all denominations have tried hard to limit excessive expenditures on weddings, to absolutely no avail. Desperate parents have offered apartments and cars instead of huge weddings. Occasionally, you hear of a couple who elope to Israel or just take a rabbi and two witnesses into Central Park, but the pressures are great — and in most Jewish circles, it is simply not an option.
Recently, I entertained a relatively humble Rosh Yeshiva from Israel with 10 children who has personal debts of $500,000 because of marrying off his five daughters. It was not just the cost of the wedding itself or all the celebrations. It was the need to buy an apartment for each that left him staggering under such a heavy load of debt. And at the same time, he must help and support his five sons who are also married but are studying full time. This is not atypical. A rented apartment is unacceptable nowadays. And the chances of someone with no serious secular education getting a good job are massively reduced in Israeli society, indeed in any society nowadays.
Judaism is expanding because of its families blessed with many children. And it is true that social welfare (incidentally a product of the secular culture they despise) enables this mindset. But eventually, at some point, social welfare will have to be cut back as fewer enter the workplace to fund all this with their taxes.
For our own good as a people, we must call a halt to throwing so much money away on pure self-indulgence. If we care for our future, we must give as much attention to supporting Jewish education as we do to celebrating occasions. And the place to start is weddings. Make your calculations. Then set budgets, be realistic, and divide the sum evenly between your needs and those of others.
It is a huge mitzvah to rejoice at weddings and to help couples get married. Every day in our prayers, we are reminded how important Hachnasat Kala is. But that doesn’t mean we should go overboard. There should be limits.
The author is a rabbi and writer based in New York.