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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?

(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.

The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.

But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?

The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.

That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.

Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.

“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”

Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.

Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.

“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”

Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.

“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.

Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.

“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”

Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.

Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)

Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.

“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.

Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”

Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.

The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.

“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.

Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.

“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”

Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”

However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.

“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”


The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.

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‘Iran Says School Massacre’ and the Media Repeats: How a Regime Claim Became a Viral Headline

An Iranian flag flutters, as Israel and the US launched strikes on Iran, in Tehran, Iran, February 28, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

On Saturday, February 28, Israel and the US launched a joint military operation against the Iranian regime, targeting senior leadership, including Supreme Leader Ali Hosseini Khamenei, and military commanders. The operation has also seen a significant targeting of military infrastructure, including air defense systems, missile launchers, and Islamic Revolutionary Guard Corps (IRGC) command centers.

The Iranian regime, like its terrorist proxies Hamas and Hezbollah, has embedded its infrastructure within civilian locations. As protests broke out at the beginning of 2026, the movement of weapons and military equipment into protected civilian locations, such as schools and hospitals, was widely observed. This prompted Iranian civilians to take protective measures and warn one another of the dual use of protected spaces.

When the IDF targeted an IRGC compound in Minab, southern Iran, Iran’s state broadcaster, the Islamic Republic of Iran Broadcasting (IRIB), immediately claimed that the US had purposefully targeted the Shajareh Tayyebeh school full of young girls.

Al Jazeera soon published the story, blaming Israel for the deaths of children.

The Western media, without questioning the credibility of the source, immediately reported on the strike and followed Al Jazeera’s lead by holding Israel responsible.

In doing so, the media further amplified and legitimized claims from the same regime that has spent the past two months executing its own civilians in the streets protesting for freedom.

The same outlets that included a caveat about their inability to independently verify the number of protesters killed by the regime were the same ones that published and continuously updated alleged casualty figures without any verification other than a regime source.

This is not to say that innocent civilians may not have died in the strike, but they were certainly not the target of Israel or the US. Moreover, a civilian building was purposefully exploited by the Iranian regime, putting civilians in immediate danger.

The school, reportedly intended to be for the children of military personnel, was built directly next to an IRGC naval base, according to anti-regime media.

Independent geolocation analysts further indicated that the Shajareh Tayyebeh school was located in the same premises as the Sayyid al-Shohada barracks of the IRGC Navy’s Asef Brigade. While it remains unclear whether many civilians were present in the area at the time of the strike, witnesses have reported that the school was not targeted but rather the adjacent IRGC buildings, where missiles were reportedly being stored.

This information was, of course, omitted from IRIB’s reporting of the strike. As a result, when Western outlets covered the story, the school’s proximity to — and apparent integration with — an IRGC military complex was missing from the coverage.

The Iranian Embassy in Austria continued with the disinformation campaign on behalf of the regime, sharing a now-viral image on X of a backpack that reportedly belongs to one of the schoolgirls killed in the strike.

However, research analysts have found the photo to be AI-generated, as a Google Gemini watermark was detected hidden in the image.

Adding to the uncertainty surrounding the already disputed casualty figures, basic questions remain unanswered, most notably who exactly was killed in the strike.

As of the time of writing, The Telegraph reported 165 casualties, including 81 pupils, citing Iranian sources. That leaves 84 individuals not identified in the public breakdown. And given that the school was located within an IRGC compound, it is legitimate to ask whether any of the remaining casualties were affiliated with the regime, a distinction that has not been clarified.

The disinformation does not stop at pro-regime sources. A widely-circulated photograph online purported to show a misfired IRGC missile that had fallen inside Iranian territory and struck the school, shifting the blame onto the Iranian regime.

However, independent analysts found that the school was located more than 1,000 kilometers from where the photo was taken. They also show that the structure in the photograph faced a direction inconsistent with the alleged missile trajectory, making it unlikely that the image depicted the Shajareh Tayyebeh school.

The Iranian regime has taken a page out of Hamas’ notebook. For the past two and a half years, Hamas has made exaggerated and false claims, which the media repeatedly amplified before doing their own due diligence. Corrections, when they came, rarely traveled as far as the original headlines. That same cycle of rapid accusation, viral spread, and delayed scrutiny is now playing out in Iran.

The nature of war between Israel and the Iranian regime means that vast amounts of information are released in real time, often before facts can be fully verified. When reporting omits key context or relies heavily on regime-affiliated sources, narratives can solidify before the truth has a chance to catch up, leaving the public with a distorted understanding of events.

In a time of instantaneous reporting and with clear evidence that narratives are being deliberately shaped for strategic purposes, rigorous scrutiny by the media is essential to ensure the truth prevails.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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History Is Not Over: From Cyrus to Today’s Iran

Protesters gathered on Jan. 24, 2026, at Joachimsthaler Platz in western Berlin, Germany, to rally in support of anti-regime demonstrations in Iran, calling for US military intervention. Photo: Michael Kuenne/PRESSCOV via ZUMA Press Wire via Reuters Connect

In 539 BCE, a Persian king made a decision that changed Jewish history.

Cyrus conquered Babylon and founded a nation in exile. The Jews had lost their Temple, their sovereignty, and their center. He could have absorbed them into his empire and tightened control. Instead, he allowed them to return to Jerusalem and rebuild. That decision altered the course of Jewish continuity. Our presence in the Land of Israel today traces back to that moment.

Jewish memory holds Cyrus in a rare place of honor. He was not Jewish. He did not belong to our covenant. Yet his choice shaped our destiny. History records his decree. Our tradition preserves it. That act still echoes through our prayers and our national life.

History does not disappear. It accumulates. One decision becomes a foundation for generations.

Today, the Iranian people live under a regime that governs through coercion. Protesters have filled the streets demanding dignity and paid for it with imprisonment and violence. Women have risked everything to challenge laws that strip them of agency. Families live under surveillance and fear. The regime’s ideology has isolated Iran from much of the world and directed hostility outward, including toward Israel.

The Iranian people are not synonymous with the regime that rules them. They carry a civilization older than the Islamic Republic. They carry the legacy of Persia, which once intersected with Jewish survival in a decisive way.

As Jews, we understand exile. We understand what it means when rulers decide the limits of your freedom. We also understand what it means when a ruler makes a different choice.

Jewish values are anchored in memory and responsibility. We are commanded to pursue justice. We are taught that every human being is created in the image of God. We are told to remember our own experience of oppression so that we do not become indifferent.

When I teach self-defense, I speak about responsibility in the present moment. If danger is forming, clarity matters. Early action changes outcomes. Waiting for harm to fully unfold reduces options and increases damage. Self-defense is rooted in awareness and accountability.

History functions in a similar way. Cyrus acted at a critical moment. His choice redirected a people’s future. That decision still shapes Jewish life more than 2,000 years later. A single act of leadership can move through centuries.

The regime in Tehran has chosen a path of repression and confrontation. That choice is shaping the lives of millions of Iranians today and influencing the security of the broader region. Regimes are temporary. The consequences of their choices are not.

Wishing for change in Iran is not an expression of hostility toward its people. It is a recognition that societies thrive when citizens are free to speak, build, and lead without fear of their own government. A different Iran would serve its citizens first. It would reduce instability across the region. It would allow the country’s ancient culture to reemerge from beneath layers of coercion.

Nothing in history stands alone. The decree of a Persian king continues to reverberate in Jewish life. The decisions made in Iran now will shape futures we cannot yet see. Jewish memory teaches that liberation can begin with one moment of moral clarity.

A Persian ruler once enabled Jewish restoration. The Iranian people today seek their own restoration. History is long. Memory is longer. The question for us is how we carry that memory forward and how we allow it to inform our understanding of freedom, responsibility, and the power of timely choices.

Do something amazing.

Tsahi Shemesh is an Israeli-American IDF veteran and the founder of Krav Maga Experts in NYC. A father and educator, he writes about Jewish identity, resilience, moral courage, and the ethics of strength in a time of rising antisemitism.

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Big Tents Need Moral Boundaries: The High Cost of Institutional Cowardice

New York City Mayor Zohran Mamdani delivers a speech during his inauguration ceremony in New York City, US, Jan. 1, 2026. Photo: REUTERS/Kylie Cooper

In the vocabulary of modern leadership, the “big tent” is a sacred cow — the hallmark of pluralism and the supposed proof of a movement’s vitality. But as we navigate the geopolitical shockwaves of early 2026, we are witnessing a fundamental law of institutional physics: a tent without a frame will eventually collapse under the weight of its own contradictions.

The recent joint military operations against Iran have provided fertile ground for a virulent strain of demagoguery. We are seeing a shift from legitimate foreign policy criticism to “vice-signaling” — the intentional, ostentatious breaking of moral taboos to prove one’s “authenticity” to a radicalized base. Equally dangerous is the growing unwillingness to shun those who egregiously violate these taboos.

When an institution stops enforcing its boundaries, it becomes a host for pathogens that eventually kill the original mission.

The Case of the Hollowed Right

Consider the recent trajectory of Tucker Carlson. What began as a debate over “America First” isolationism has curdled into something far more dangerous.

In recent weeks, Carlson has platformed “Khazar theory” genetic tropes — suggesting Jews should undergo DNA tests to prove their provenance — and hosted uncritical interviews with Holocaust revisionists under the guise of “just asking questions.”

This is not a policy debate; it is the systematic dismantling of the moral taboos that once kept overt bigotry out of the mainstream. When a leader uses a massive platform to single out the world’s only Jewish state as the sole source of domestic suffering, they aren’t making a fiscal argument; they are constructing a “permission structure” for hate.

By framing this as “skepticism,” Carlson avoids the social consequences that such rhetoric once commanded, even while he uncritically associates with avowed bigots like Nick Fuentes.

It is hard to imagine a pundit cozying up to David Duke without facing immediate social ostracization — a “moral guilt by association.” Yet today, the outrage often lasts only for a news cycle, leaving few lasting consequences for those who sanitize hate.

The Danger of Permission Structures

The real threat, however, isn’t just the demagogue; it’s the silence of the moderate. Since October 7, 2023, the boundaries have been trampled because those inside the tent refuse to act as the “immune system.”

When we fail to hold our own side accountable — whether it is the Left’s refusal to condemn the dehumanization of Israelis in the name of “resistance,” or the Right’s willingness to ignore antisemitic dog-whistles to preserve a voting bloc — we are complicit. This is true not only in political associations but also within religious institutions.

As I have written regarding the responsibility of the Christian faithful to denounce those who espouse bigotry in Christ’s name, all institutions must draw a clear moral boundary and shun those who cross it, while attempting to maintain the benefits of the affiliation. If the local pastor or the Vicar of Christ stays silent as the Cross is used as a bludgeon against the neighbor, the silence becomes permission.

The Democratic Vacuum and the “Mamdani Reversal”

This rot is cross-partisan. On the Left, the refusal to enforce boundaries against an illiberal fringe has led to the “Mamdani reversal.” In New York City and on elite campuses, we see a movement so focused on “intersectional solidarity” that it can no longer condemn the targeting of civilians if the perpetrators fit a certain ideological profile.

When a “human rights” organization cannot unequivocally condemn terror because it might offend a “coalition partner,” it has ceased to be a moral arbiter; it has become a hostage to its own “big tent” philosophy. While groups like the DSA may not fully control the Democratic Party, their hand is firmly on the wheel, steering it toward illiberalism and anti-Americanism, with only a brave few willing to call out these fundamental taboo violations.

A Principled Path Forward

To save our institutions, we must return to a disciplined moral order. This is not a call for the reactionary excesses of “cancel culture,” which often lacks objective standards. Instead, we must solve this in a principled way by restoring universal moral taboos.

As I’ve outlined in my work on the “Lawful but Awful” zone of social behavior, there are four essential principles for this restoration:

  1. The Red Line: Limit actionable taboos to overt bigotry, dehumanization, and the endorsement of violence.
  2. The Consensus Test: Distinguish between subjective offense (partisan) and a “Shared Moral Violation” (universal).
  3. The Private Mechanism: Enforce standards through civil society, never government coercion.
  4. The Open Door: Ensure the goal of consequence is correction and redemption, not permanent destruction.

Reclaiming the Obligation to Say “No”

True pluralism requires “definitional clarity” — the courage to say that while many are welcome, those who actively undermine the core tenets of the mission cannot be given the keys to the kingdom.

Leaders must stop treating moral boundaries as “divisive” and start seeing them as “protective.” The Left long ago ceded this ground by allowing reverse discrimination to be normalized within social justice “power dynamic” frameworks. Now we see a similar rise of illiberalism on the Right, rooted in distortions of theology or in foreign policy critiques that only hold up if their double standards against the Jewish state are ignored. If this parasitic fringe is not immediately exorcised, it will corrupt and destroy its host.

A positive vision for an organization can be broad, but we must reclaim the right to draw a clear moral boundary. We must say “no” to those who cross it. Only then will our “yes” mean anything at all.

Erez Levin is an advertising technologist trying to effect big pro-social changes in that industry and the world at large, currently focused on restoring society’s essential moral taboos against overt hatred. He writes on this topic at elevin11.substack.com.

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