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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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There Are No ‘Moderates’: Most of the Democratic Party Is Turning Against Israel
Former Wayne County Health Director Abdul El-Sayed, a Democrat now running for US Senate in Michigan, speaks at a “Hands Off” protest at the state Capitol in Lansing, Michigan, on April 5, 2025. Photo: Andrew Roth/Sipa USA via Reuters Connect
Americans are bracing for a politically charged summer as momentum builds for radical Democrats in key races across the country.
In what is emerging as a clarifying moment for just how far the Democratic Party is willing to swing, current polls depict a competitive race among the three candidates running for US Senate in Michigan’s August Democratic primary.
Some of the latest numbers show Abdul El-Sayed, the Bernie Sanders-endorsed physician, holding a slight lead over the other two Democratic challengers, Michigan State Senator Mallory McMorrow and Congresswoman Haley Stevens.
In a page pulled out of New York City Mayor Zohran Mamdani’s playbook, El-Sayed, who blamed Israel for the attempted terrorist attack in March that targeted preschoolers at Temple Israel in Detroit, often cloaks his radicalism in rhetoric that focuses on affordability and universal healthcare.
He displays open contempt for Israel, and has called the Jewish State “just as evil” as the genocidal terrorist group Hamas.
El-Sayed campaigns with people who justified the 9/11 attacks, and refused to take a position on the death of former Supreme Leader Khamenei for fear of offending the Islamist sensibilities of Michigan’s Dearborn residents.
For many Jewish Americans, the ascendance of El-Sayed, Mamdani, and Graham Platner, the Democratic Senate Candidate from Maine who has praised Hamas’ military tactics (and had an SS symbol tattooed on his body), reflects a new moment — a shifting of the Overton window that not only propels dangerous candidates to prominence, but paves a paradigm in which politicians whose views would have been disqualifying just a decade ago are rebranded as moderates.
Campaigning as a suburban mom trying to capture the votes of centrists and peel off some left-wing voters from El-Sayed’s camp, the present political landscape is planting the 39-year-old Mallory McMorrow firmly in the center of the Democrats’ electoral path in Michigan, with El-Sayed to her left, and the Congresswoman Haley Stevens, who has pro-Israel views, to her right.
Yet when it comes to the state senator’s platform regarding Israel, McMorrow engages with many of the same anti-Zionist ideas espoused by her challenger, El-Sayed.
She traffics in similar language falsely accusing Israel of committing genocide in Gaza with a deft talent for fashioning her far-left views in a palatable package: a Christian wife and relatable mother, whose husband also happens to be Jewish.
McMorrow satisfies the Democrats’ defined virtuous, big-tent philosophy with competing statements insisting that she would not meet with Israeli Prime Minister Benjamin Netanyahu but also believes that Democrats’ affinity for Hasan Piker is a step too far into the realm of radicalism.
Should McMorrow be elected to the US Senate, would she vote any differently than El-Sayed when it comes to supporting the US-Israel alliance and providing Israel with the critical weapons it needs for its self-defense? It seems highly unlikely.
Much of the public discourse surrounds the surge of left-wing Democrats such as El-Sayed, Platner, and Mamdani, but the larger story to consider lies with politicians like McMorrow, who are using the atmospheric conditions to claim the mantle of moderation, but adopting the exact far-left positions of the candidates who hate Israel, and spread libels about Israel committing “genocide” and practicing “apartheid.”
If McMorrow is victorious in Michigan’s Democratic primary, her win would certainly be used by the Democratic establishment and its media allies to uphold a false narrative that the election was a defeat for the far left.
Yet there is perhaps no better example that illustrates just how successful leftists have been in dragging the center down than last month’s vote in the United States Senate, when nearly 80 percent of Democrats voted in favor of two anti-Israel measures introduced by Vermont Senator Bernie Sanders (I-VT) that, if passed, would have blocked approximately $450 million in weapons transfers to Israel.
The retreat from previously held pro-Israel leanings is reverberating beyond Congress, as “moderates” like Pennsylvania Governor Josh Shapiro (D) and Rahm Emanuel showcase their willingness to create daylight between the US and Israel.
For its part, AIPAC has been historically quick to praise and bolster the candidacies of politicians like New Jersey Senator Cory Booker, only to have the lawmaker court his state’s growing Muslim and Arab constituencies by announcing that he will no longer accept money from AIPAC. Senator Booker also backed both Senate resolutions halting military aid to Israel.
If there are legitimate debates about AIPAC’s policies to be had, Democrats aren’t engaging in it. They’re instead using AIPAC as a bogeyman to jump on the “Israel is evil bandwagon,” and perpetuate the libel that Jews control American politics with money.
Progressive populists and Muslim Socialists may differ in their ideological appeal, but both brands of candidates use their gaining leverage as a vehicle to inject their morally blind politics into the American ecosystem and generate a new standard of what constitutes a moderate in today’s Democratic Party.
There’s very little that separates El-Sayed and McMorrow’s foreign policy vision, just as there would be scant differences in how a Shapiro or a Kamala Harris White House would approach America’s relationship with Israel.
When it comes to supporting Israel’s right to exist and defend itself, the party appears nearly united in intensifying its hostility and moving the Democratic coalition onward — and firmly against Israel.
Irit Tratt is a writer residing in New York. Follow her on X @Irit_Tratt.
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Abraham Foxman, Former ADL Head and Advocate for American Jews, Dies at 86
Abraham Foxman, a Holocaust survivor and member of the US Holocaust Memorial Council, speaks at the US Holocaust Memorial Museum’s Annual Days of Remembrance Commemoration in the Emancipation Hall of the US Capitol on April 23, 2025. Photo: Mattie Neretin/Sipa USA via Reuters Connect
Abraham H. Foxman, who was the national director of the Anti-Defamation League for nearly three decades, has died at the age of 86, the ADL announced in a statement on Sunday.
The organization said it “deeply mourns the loss of our longtime national director,” but did not provide details about where, when, and how Foxman died. He is survived by his wife Golda, children Michelle and Ariel, son-in-law Brandon Cardet-Hernandez, and grandchildren, Cielo, Leila, Gideon, and Amirit.
Foxman retired in 2015 after spending his entire 50-year career with the ADL. He was “one of the world’s foremost voices against antisemitism and hate,” as well as an “outspoken, passionate, and tireless advocate for the Jewish people and Israel,” according to the advocacy organization.
Foxman graduated from City College of New York and NYU School of Law. He joined the ADL immediately after graduating from law school and served in various roles in the organization, including assistant director of legal affairs, before being becoming its national director in 1987. When Foxman announced his retirement from the ADL, then-US President Barack Obama said the long-time civil rights activist was “irreplaceable.”
Jonathan Greenblatt, the current CEO of the ADL, described Foxman as “an iconic Jewish leader who embraced the ideal of an America free from antisemitism and hate and who strongly believed that these scourges could be defeated if good people opposed it.”
“America and the Jewish people have lost a moral voice, a passionate advocate for the Jewish people and the state of Israel, and a remarkable leader,” Greenblatt said in a released statement. “In his storied career, Abe transformed ADL while confronting antisemitism and hate (from both left and right), opposing the global rise in antisemitism, holding world leaders accountable and working to ensure that Israel was Jewish, secure and democratic. Abe’s voice was heard – and listened to – by popes, presidents, and prime ministers, a voice he used wherever Jews were at risk. Abe Foxman spoke on the global stage with moral authority and clarity and was relentlessly dedicated to his pursuit of a world without hate.”
“Abe Foxman helped build the modern liberal era of America,” ADL Board Chair Nicole Munchnik added in a separate statement. “He was recognized across the globe as a great leader and passionate advocate for tolerance, a voice of the generation rebuilding in the shadow of the Shoah, and longtime advisor to American presidents and world leaders. To those of us who knew him, Abe was a warm friend, advisor, spirited antagonist and hugger – all over lunch.”
The American Jewish Committee praised Foxman as a “towering figure in the fight against antisemitism and hatred” and someone who “brought moral clarity, courage, and unwavering conviction to generations of advocacy and leadership.” The AJC said his advocacy “helped shape the American Jewish experience and strengthened the global fight against bigotry in all its forms.”
Born in 1940 to Polish Jews in what is now Belarus, Foxman survived the Holocaust under the care of his Polish Catholic nanny Bronislawa Kurpi, who baptized him and raised him as a Catholic to hide his Jewish identity. He lost 14 family members in the Holocaust but was reunited with his parents after the war. Together they immigrated to the United States, where Foxman attended the Yeshiva of Flatbush as a teenager. He later served as vice chairman of the Museum of Jewish Heritage in New York City and was a member of the United States Holocaust Memorial Council, to which he was appointed by President Ronald Reagan in 1987 and reappointed by Presidents George H.W. Bush, Bill Clinton, and Joe Biden.
The Auschwitz Jewish Center Foundation (AJCF) called Foxman “one of the most consequential Jewish leaders of the postwar era” and a Holocaust survivor who “devoted his life to confronting antisemitism and defending the Jewish people.”
“Abe Foxman belonged to a generation that carried the weight of history personally and transformed it into public service,” said AJCF Chairman Simon Bergson in a statement. “He dedicated his life to ensuring that the lessons of the Holocaust were applied to the defense of democratic values, human dignity, and the Jewish people. His legacy will endure for generations.”
Following the news of Foxman’s death, Israeli President Isaac Herzog praised him as a “legendary leader of the Jewish people, a champion of justice and equality, and a longtime, dear friend of mine.”
“Coming into a world at war, the Holocaust shaped Abe’s character and defined his mission: Combating antisemitism and hypocrisy, calling out racism and bias, speaking up for the Jewish people and the Jewish democratic Israel,” Herzog shared in a post on X. “His story, of rising from the ashes, is our story, the story of our people.”
Israel’s president also described Foxman as “a prominent, distinguished force in the American Jewish community, and a bridge between Israel and the Diaspora” as well as a “passionate Zionist, a humanist, and an outspoken, wise friend.”
“The affection and the respect we had for one another enabled us to openly discuss every challenge and every obstacle,” added Herzog. “I am so grateful for the profound conversations we shared over the years, and for the brave leadership he exemplified. I will miss Abe’s counsel and voice, and I know that his legacy and his message will live on.”
Foxman was a board member of the Met Council on Jewish Poverty, America’s largest organization combating Jewish poverty. Its CEO and Executive Director David G. Greenfield said he was “heartbroken” by the passing of his “dear friend and mentor.”
“At Met Council, we were privileged to have Abe as a board member, adviser, and friend,” Greenfield explained. “He brought wisdom, compassion, and deep commitment to everything he did. Even near the end of his life, Abe continued showing up for the community. Just a few weeks ago, he joined us with his granddaughters at Met Council’s Passover Day of Service at the Spitzer Fulfillment Center, helping ensure that New Yorkers in need could celebrate Pesach with dignity.”
“Public leaders do not always match their public reputations in private,” Greenfield added. “Abe was the rare person whose private kindness, humility, and generosity were even greater than his public stature. All who knew him loved him … His voice, his courage, his friendship, and his leadership will be deeply missed.”
Foxman also served as vice chairman of the Museum of Jewish Heritage in New York City.
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George Washington University Says Substance Dropped Near Israel Fest Was ‘Stink Bomb’
Anti-Zionist protesters at George Washington University in May 2024. Photo: Candice Tang via Reuters Connect
George Washington University confirmed on Friday that the substance which injured a Jewish student after being dropped in “vials” near an “Israel Fest” event on campus last month was contained in “stink bombs.”
“We want to reassure members of our community that the vials that were dropped were commonly available ‘stink bombs’ and did not pose a serious health risk to those nearby,” the university’s media relations office said in statement shared with The Algemeiner. “While our ability to provide additional information at this time is limited, we will continue to keep the community informed as appropriate and in accordance with university policies and applicable laws.”
As previously reported by The Algemeiner, Geroge Washington University (GW) Professor Jonathan Turley said on Wednesday that Israel Fest is a “celebration of Israeli food, music, and culture” which “often draws protesters.” Jewish students have been fearing attending the gathering “for weeks,” Turley added, noting that anti-Zionists told everyone it was “supporting genocide.” The anecdote suggests that activists could have set in motion their plan to sabotage “Israel Fest” several weeks ago.
This latest threat against the Jewish community comes amid an epidemic of antisemitic violence in the US. According to the Anti-Defamation League’s (ADL) latest annual audit of US antisemitic incidents, assaults against Jews increased 4 percent in 2025, and perpetrators are more often resorting to using “deadly weapons” in the commission of their crimes. That raises the likelihood that their actions result in severe injury or death.
The advocacy group noted that the upward shift was reflected in the shocking murders of Jews in antisemitic attacks in the US for the first time since 2019. Two Israeli embassy staffers — a young couple set be engaged — were shot dead in Washington, DC last May, and weeks later a firebombing in Colorado claimed the life of an octogenarian. In both crimes, the alleged killers cited anti-Zionism as their motivating ideology.
Other incidents which stopped short of the worst possible outcome continue to create a sense of insecurity for American Jews. Over the past year, for example, The Algemeiner has reported on a public-school principal’s inveighing against “Jew money,” an attempted arson at the Hillel International chapter in San Francisco, California, and the movement of some conservative students into the far-right ecosystem of antisemitism — a path cleared by Nicholas Fuentes, Candace Owens, Kanye West, and troops of social media influencers.
The American Jewish community has been the target of several hateful acts in recent days. Last week, Jewish residents of the Queens borough of New York City awoke to the carnage left by a spree of vandalism which left at least four Jewish properties — private homes and synagogues — marked with the swastika and other antisemitic graffiti. The perpetrators struck the Rego Park Jewish Center, the Congregation Machane Chodosh, as well as two private homes late Sunday night, according to local lawmakers and Jewish leaders.
The graffiti left a scourge on the buildings — appearing in one case next to a memorial to German Jews who survived Kristallnacht, a November 1938 pogrom when Nazi paramilitary forces launched a coordinated nationwide attack on the German Jewish community. The vandals left no doubt regarding their allusion to that period, graffitiing “Heil Hitler” at the Rego Park location.
At GW, Jewish students have claimed that the problem of widespread antisemitism has persisted there for years.
One ongoing lawsuit alleges that the university enabled an eruption of antisemitic discrimination on campus by declining to intervene in a slew of incidents in which anti-Zionists threw rocks at Jewish students, vandalized the campus office of Hillel International, and uttered slurs such as “filthy k—ke.” Meanwhile, The Algemeiner has reported extensively on the activities of its Students for Justice in Palestine (SJP) chapter, which once threatened a Jewish professor and continues to spread antisemitic tropes about Israel.
Responding to a phenomenon that is common to the point that is a prosaic facet of campus life, George Washington University’s Hillel International chapter said on Wednesday the Israel Fest incident “will not deter our community.”
It added, “GW Hillel will continue to support our students so they can proudly be Jewish.”
Follow Dion J. Pierre @DionJPierre.