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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?

(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.

The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.

But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?

The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.

That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.

Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.

“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”

Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.

Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.

“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”

Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.

“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.

Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.

“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”

Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.

Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)

Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.

“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.

Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”

Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.

The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.

“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.

Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.

“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”

Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”

However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.

“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”

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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.

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‘It’s a whole ‘nother level of hate’: Pro-Palestinian groups target Oregon Hillel director

The fall semester at Oregon Hillel started with a stolen sukkah. Days later, the director found his face plastered on flyers around University of Oregon’s campus, branding him “Enemy of the People.”

Then came the Oct. 7 anniversary, when pro-Palestinian demonstrators marched to the Hillel House and set fire to an American-Israeli flag on the sidewalk outside.

“It’s a whole ‘nother level of hate and protesting,” said Oregon Hillel Director Lenny Steinberg. “These intimidation factors are starting to grow.”

A tense start

Oregon Hillel serves the University of Oregon in Eugene along with Oregon State University in Corvallis, where the sukkah was stolen. After being up for only a few days, the entire structure, its decorations and everything in it disappeared. The theft is still under investigation and it’s unclear if it was hate motivated.

For Steinberg, who has led Oregon Hillel since 2024, the incidents marked a tense start to the school year — but not an entirely unexpected one. Tensions in Eugene have run high since the Hamas attacks on Israel in 2023 and the subsequent war in Gaza. The university saw an encampment, protests that sometimes offered support for Hamas, the tearing down of Israeli hostage posters and a drawing of a swastika on a dorm bulletin board.

During the spring semester, Oregon Hillel scheduled an event with the 2021 Miss Israel title holder Noa Cochva. She planned to speak with students and answer questions about her home country, but decided to cancel the event due to protests and safety concerns. Instead, she spoke with Hillel students off campus.

While anti-Israel protests are now commonplace across American campuses, protesters’ demands in Oregon have gone beyond simply calling for their university to cut ties with Israel, they want their university to cut ties with Hillel.

“The director of Oregon Hillel supports the continuation of Zionism and genocide in Palestine,”  the flyers state. “Hillel off Campus!!!”

A QR code on the posters links to an article about how students in the academic senate at the New School voted to defund and cut ties with Hillel. The New School did not ban Hillel, as the students had no authority to make such a decision.

Steinberg said campus security footage captured two masked individuals wearing sunglasses and all-black clothing putting up the flyers. Four campus activist groups posted an online statement defending the flyers but didn’t explicitly claim to be responsible for them.

“The poster says nothing about Judaism,” the statement reads in all caps. “The reality of the situation is that Oregon Hillel, a staunchly Zionist group, and the administration create a dangerous space for Jews by synchronizing a Zionist agenda with Judaic practice on campus.”

The statement was shared on Instagram by the local chapters of Jewish Voice for Peace, Revolutionary Women’s Committee, Young Democratic Socialists of America and the Eugene Revolutionary Study Group. None of the organizations responded to the Forward’s request for comment.

Steinberg said that, when he saw the flyers, his first thoughts were about the safety of his family, himself and the Jewish community. While he was directly targeted in the posters, he said many Jews reached out to him with their own safety concerns.

Steinberg took offense at the poster, saying it was spreading lies about him and that he in no way supports genocide. As for the accusation of being a Zionist, he said those who distributed the poster have a different definition of the term than he does. He believes that to them, Zionism means Jewish supremacy in Israel, full support of the Israeli government, support for settlers in the West Bank and denial of Palestinians’ right to self-determination.

To him, Zionism means having an ancestral home and self-determination alongside Arabs.

“Zionism doesn’t necessarily, to me, mean everything has to be Jewish,” he said. “It doesn’t mean that the State of Israel gets everything right. They don’t. We don’t get everything right here, but it’s my home, and I love it for all of its amazing beauties and even its flaws.”

Oregon’s Hillel is not unique. It fosters Jewish community through events and offers a space for students to gather, and like many Hillels, funds trips to Israel via both the Birthright and Perspectives programs. Birthright is the free 10-day trip to Israel offered to young adults with one Jewish parent, while Perspectives is a trip offered to students of Jewish and non-Jewish backgrounds to experience both Israel and parts of the West Bank.

Throughout his professional career, Steinberg, 38, has worked for numerous Jewish organizations including the Jewish Federation, the Jewish Community Center in Portland and most recently the Jewish fraternity Alpha Epsilon Pi. Given his line of work he was well aware of the “encampments, and political climates and what hostilities there might be” brewing on campuses before he took the Hillel position in 2024.

“Still, I don’t think any of that truly prepared me for what’s really transpired and happened over these last few weeks,” he said.

While the pro-Palestine groups that shared a statement on the flyer insist it is not antisemitic, Steinberg disagrees. He argues the posters are intended to make Jews feel uncomfortable, while calling for the removal of one of the only Jewish groups on campus.

“That to me is antisemitism masked heavily in anti-Zionism,” he said.

While these events have strained the Jewish community, Steinberg said students have displayed “resilience.” Dozens of people donated to the Corvallis’s new sukkah, the University of Oregon and multiple politicians made statements supporting the Jewish community, and many attended Hillel’s recent unity shabbat.

“Students came, and for the first time in almost two weeks, you could see the weight lifted off their shoulders,” Steinberg said. “You could see that they felt like they belonged and they actually mattered at a time when so many other people are telling them ‘you don’t.’”

The post ‘It’s a whole ‘nother level of hate’: Pro-Palestinian groups target Oregon Hillel director appeared first on The Forward.

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NYC Comptroller breaks campaign promise to Jewish voters to buy Israel Bonds, drawing praise from Mamdani

New York City Comptroller Mark Levine’s decision not to resume the city’s investments in Israel Bonds, breaking a campaign promise he made to Jewish voters last year, drew mixed reactions Wednesday from supporters of Israel and advocates for the Palestinian cause. It also marked another symbolic shift in the city’s relationship with Israel under Mayor Zohran Mamdani.

The decision, first reported by The New York Times, is a significant reversal for Levine, the city’s highest-ranking Jewish elected official, who repeatedly promised last year to restore the investments after his predecessor ended a nearly 50-year practice of buying Israeli government debt.

The city’s pension funds previously held $39 million in Israel Bonds, which returned roughly 5%. Former Comptroller Brad Lander, who is also Jewish, decided not to purchase new bonds when the holdings matured in 2023, citing the city’s policy against investing in foreign government debt.

In an interview with the Times, Levine cited financial concerns and technical challenges, including those related to the war in Gaza and Israel’s political instability, in explaining why Israel Bonds are “not an investment that we can make right now.”

He insisted the decision was not driven by political pressure or a shift in his personal support for Israel, and left open the possibility of purchasing Israel Bonds in the future. The pension funds still hold $285 million in Israel-related assets, including common stocks and more than $1 million in Israeli real estate investment trusts.

The move was nonetheless a political victory for Mamdani, a longtime supporter of boycotts of Israel, who opposed the bond purchases and has sought to reshape New York City’s relationship with Israel, politically, emotionally and economically.

“I welcome the comptroller’s decision,” Mamdani told the Forward on Wednesday. “It is something that I’ve said in the past … I don’t believe that our city should purchase Israel bonds. We don’t purchase the bonds of any other sovereign nation. I don’t think that we should make an exception when it comes to Israel.” The mayor can neither prevent the investment nor overrule it.

Lander, now a congressional candidate, also voiced his approval via text message. “The pension funds are not invested in the bonds of other foreign countries,” Lander said, “and previous comptrollers’ decisions to buy Israel bonds nonetheless were a political move, not a fiduciary one.”

Why Levine changed his mind

For Jewish voters who supported Levine’s campaign, the reversal raises questions about a promise he made while seeking the office of the city’s chief financial officer.

“This has been a rock-solid investment for decades,” he said during the campaign. “Israel has never missed a bond payment, and a good, balanced portfolio should have global diversity.”

When Mamdani suggested Lander’s move should become permanent, Levine pushed back. “Israel bonds have never missed a payment in 70 years, ever, not once,” he said in April. “They pay excellent interest.”

He also called out critics who had been protesting outside his office. “We have had no protesting about our investments in Saudi Arabia, our investments in Pakistan or China, only this one little, tiny sliver,” Levine said.

A spokesperson for Levine’s office said the decision was strictly financial, not political, and noted that the decision applies only to the city’s short-term investments, where concerns about regional instability and financial risks make Israel Bonds “less attractive than other options.” Though the office did acknowledge that it invests in some bonds with lower returns.

Levine conceded that when he made the campaign promise, he did not have a complete understanding of the city’s financial options. “Perhaps a year and a half ago,” Levine told the Times, “I would have expected that the ratings would have been improved by now and/or that the interest rate would have gone up.”

Jewish leaders, who criticized Lander’s decision when it was revealed last year, remained largely silent on Wednesday.

Former comptroller warns of consequences

Scott Stringer, who served as comptroller from 2013 to 2021 and also ran for mayor last year, warned that Levine’s decision could have broader political and social consequences. ”This is a major victory for BDS, and it’s going to have long-term ramifications,” Stringer told the Forward. “This indecision will, unfortunately, spark more BDS calls that could cause further antisemitism.”

Stringer and his predecessors — John Liu and Bill Thompson — purchased tens of millions of dollars in bonds during their time in office. Stringer called Israel Bonds a “sound long-term investment” and argued that the city should not base its decisions on short-term developments.

“It’s a sound investment today, and it’s a sound investment for the future,” he said, adding that it also sends an important symbolic message, especially “because of the politics of the moment.”

When Landers ended the investment in 2023, former Mayor Eric Adams protested but couldn’t stop it. Moshe Davis, who was Adams’ Jewish liaison and worked with then-First Deputy Mayor Randy Mastro, drafted a letter to Lander, saying the decision called into question his “fiduciary duty to the city’s pensioners.” On Wednesday, Davis suggested Levine was “feeding the BDS lie” just like his predecessor.

“Our city deserves a comptroller who stands up to anti-Israel propaganda,” Davis said, “the way he promised on the campaign trail.”

An Israel Bonds spokesperson criticized Levine’s reversal, pointing to his repeated campaign promises. Nate Miller, a spokesperson for Israel Bonds, pointed to the strength of Israel’s economy and said investors have purchased more than $8.5 billion in Israel Bonds since the Oct. 7, 2023 attack on Israel and the Gaza war. Despite Levine’s decision, Miller said, “We look forward to sitting down with him and his team.”

Levine’s spokesperson said the comptroller’s office “continues to evaluate investment opportunities based on their financial merits and our fiduciary responsibilities.”

The post NYC Comptroller breaks campaign promise to Jewish voters to buy Israel Bonds, drawing praise from Mamdani appeared first on The Forward.

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A town in the Alps that rescued Jews from the Nazis

Read the original Yiddish article here.

During a trip to the French Alps this year, I discovered a village with a fascinating Jewish history.

Saint-Martin-Vésubie sprawls across a mountain in southern France near the Italian border, its slopes dotted with colorful houses. A river runs through the center of town, lined with pine trees and ripening grapes.

On my first day there, the town’s tour guide, Anne Sivirine, told us that for a year during World War II, Saint-Martin-Vésubie actually served as a city of refuge for more than 1,200 Jews.

Among those refugees were Jews from Germany, Poland, Holland and Belgium, who had escaped to the zone libre, the French term referring to the territory in southern France, which, during the first two years of the war, was not yet occupied by the Nazis. My grandmother Feyge and her family had tried to flee Belgium for southern France, but due to various circumstances, didn’t manage and remained in the Belgian city of Antwerp.

In November 1942, the Nazis entered the zone libre, while their allies, the Italians, occupied the southeast region of France. Although the Italians administered their own “race laws,” the Jews in Italy, and for a while in southern France, weren’t in danger, and that was no small thing towards the end of 1942, when most Jews in Europe had already been murdered by the Germans.

Thanks to the efforts of Angelo Donati, an Italian Jew living in Nice at the time, the Italians agreed to establish a center for Jewish refugees in Saint-Martin-Vésubie where they could live a relatively normal life. Although prior to the war, only one Jewish family — the Levin-Drisdos — lived there, it soon became a fully Jewish shtetl.

At the beginning of 1943, in the middle of the war, Jews learned, prayed, worked, founded youth and sports organizations, and even married. The French residents, for the most part, were friendly to the Jews, and many provided food and other means of support. Such kindness towards Jewish refugees was rare then.

Those halcyon days ended in September when the Italians surrendered. The Germans occupied Italy, and within a few days — Saint-Martin-Vésubie too. When the Jews heard the news, local residents helped them escape to the mountains, where they aimed to sneak over the border into Italy. The days were cold and rainy, and the exodus from Saint-Martin-Vésubie became immeasurably difficult. (Even I, a tourist during peacetime, found climbing those hills very difficult.)

In Italy, hundreds of Jews found hiding places, but the Germans caught many of them. They, and those Jews who stayed in the village, especially the elderly and children, were deported to Drancy, the detention center near Paris, and from there to Auschwitz.

Even then, dozens of Jews remained in Saint-Martin-Vésubie, and local people continued to hide them. Not everyone in the village lent a hand, but most of them knew what was going on and kept silent. Only one Jew was actually handed over to the authorities: Gregoire Dridso, the patriarch of the Levin-Dridso family, who had lived there before the war began.

Years later, Yad VaShem designated 10 of the locals as Righteous Gentiles.

If you’ve never heard of this heroic, humble village, you aren’t alone. Even in Saint-Martin-Vésubie, the events of World War II weren’t publicly mentioned for years.

The reason for the silence was a practical one, Sivirine explained. “There were those who helped the Jews, and those who collaborated with the Nazis, and everyone needed to live together after the war. But one day a young woman overheard the old folks talking about ‘the hidden Jews’, and that opened up a Pandora’s box.”

Since then, the residents of Saint-Martin-Vésubie openly acknowledge what their town did to save the Jews. Aside from the main memorial in Saint-Martin-Vésubie, the village now has three others: one for the Jews who perished; a second one in honor of the Righteous Gentiles, and a third that describes how the townspeople risked their lives to help the Jews under the Nazis.

Since Saint-Martin-Vésubie began sharing this chapter of its history, several books have been published on the subject. The town itself released a book in French, called The Jews and the Righteous Ones of Saint-Martin-Vésubie. Later, historian Susan Ziccotti penned a book in English, Holocaust Odysseys: The Jews of Saint-Martin-Vésubie and their Flight through France and Italy. There were also three novels inspired by this chapter in the town’s history, including Wandering Star by French Nobel laureate writer J. M. G. Le Clézio.

Saint-Martin-Vésubie takes pride in something else, too. The town’s main church has a wooden statue of the Madonna that dates back to the Middle Ages, and is revered by its residents. Each year the townspeople carry it in a procession into the mountains, believing that the statue was created there.

About 10 years ago, the residents of Saint-Martin-Vésubie established a new tradition: Each year on Sept. 3, in memory of the Jews who escaped to the mountains, they march to the mountain pass at the border with Italy. There, at a marker honoring the Jews, they memorialize those who died and those who survived, thanks to the Saint-Martin-Vésubie residents at the time. Occasionally, the children or grandchildren of the rescued Jews participate.

In Italian and in French, the inscription says: “Through this mountain pass, in September 1943, hundreds of Jews from all over Europe passed through, seeking ways to save themselves from antisemitic predators.”

Then, movingly, the text adopts a different tone: “You, who’ve arrived here as a free person, need to remember that this is what could happen when equal rights aren’t extended to all.”

The post A town in the Alps that rescued Jews from the Nazis appeared first on The Forward.

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