Uncategorized
As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
—
The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
Uncategorized
Forverts podcast, episode 8: Subway stories
דער פֿאָרווערטס האָט שוין אַרויסגעלאָזט דעם אַכטן קאַפּיטל פֿונעם ייִדישן פּאָדקאַסט, Yiddish With Rukhl. דאָס מאָל איז די טעמע „די אונטערבאַן“.
אין דעם קאַפּיטל וועט איר הערן צוויי אַרטיקלען: משהלע אַלפֿאָנסאָס פּערזענלעכן עסיי „און אַלץ צוליב אַ יאַרמלקע!“ וואָס איר קענט אַליין לייענען דאָ, און אַ צווייטן אַרטיקל פֿון שׂרה־רחל שעכטער, „זכרונות פֿון אַן אונטערבאַן־פּאַסאַזשיר“, וואָס איר קענט לייענען דאָ.
צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
The post Forverts podcast, episode 8: Subway stories appeared first on The Forward.
Uncategorized
New York City Police Investigate Antisemitic Subway Assault
New York City Police Department (NYPD) vehicles are seen in Brooklyn, New York, United States. Photo: Kyle Mazza via Reuters Connect
The New York City Police Department (NYPD) is investigating an antisemitic incident in which an African American male assaulted a Jewish public transit commuter on the subway, according to local reports.
The victim, Jeremy Garrett, told an ABC affiliate that he was reading a psalm on Monday morning when the assailant struck him on the head, knocking off his kippah in the process. Garrett later received treatment at a local hospital, WABC-TV reported.
“I thought the window of the subway fell on me,” Garrett recalled. “We tussled a bit, I was trying to hold him on the train, and then the doors closed, and they opened the doors again, and he ran off … it’s horrible because it happened on Purim, you know, right before the holiday.”
Garret added, “I still want justice, but I do forgive the man … They keep coming for us. We still keep living, so we’re not going to stop.”
New York City has seen similar incidents in recent months. In January, a woman was punched in the face while riding the New York City subway for wearing a hat that said “F—k Antisemitism,” according to a local report.
“F—k Jews,” the suspect, described as a “Black man in his 40s,” allegedly said to her before striking the blow, the New York Daily News reported, citing local law enforcement.
The victim then “fled” the railcar at the 116th St. – Columbia University subway station in Morningside Heights, Manhattan, while the assailant remained on board, the News added. She was reportedly not seriously injured, as medics did not treat her following the incident’s being reported to law enforcement.
Just last month, a 17-year-old student who attended the Renaissance Charter School in the Jackson Heights section of the Queens borough called on his classmates to “rise up and kill the Jews.”
Antisemitic hate crimes in New York City have seen a dramatic rise in recent years. The latest NYPD hate crime statistics show a 182 percent increase in January 2026, Mayor Zohran Mamdani’s first month in office, compared to the same period last year.
Mamdani, a far-left democratic socialist who has made anti-Israel activism a cornerstone of his political career, has repeatedly accused Israel of “apartheid” and refused to recognize its right to exist as a Jewish state.
Such positions have raised alarm bells among not only New York’s Jewish community but also Israeli business owners and investors, who fear a hostile climate under Mamdani’s leadership.
Jews were targeted in the majority (54 percent) of all hate crimes perpetrated in New York City in 2024, according to other data issued by the NYPD.
A recent report released in December by the Mayor’s Office to Combat Antisemitism noted that figure rose to a staggering 62 percent in the first quarter of 2025, despite Jewish New Yorkers comprising a small minority of the city’s population.
As The Algemeiner has previously reported, antisemitism in New York City has eroded the quality of life of the city’s Orthodox Jewish community, which is the target in many antisemitic incidents.
In just eight days between the end of October and the beginning of November 2024, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.
In 2025, New Yorkers have seen organized antisemitic harassment. In November, hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.
“The Jewish community is filled with anxiety and trepidation. We know that it’s open season,” Rabbi Mark Schneier, president of the Foundation for Ethnic Understanding, said in a statement to NY1 in February. “We’ve encountered these kinds of threats for the last 2,500 years, but if anything, there’s never been a greater time to be alive as a Jew than today.”
Follow Dion J. Pierre @DionJPierre.
Uncategorized
Gavin Newsom just confirmed the demise of the Democratic party’s support for Israel
“Let no American imagine that Zionism is inconsistent with patriotism,” said Louis Brandeis, American Jewish leader and Supreme Court justice, in 1915. “To be good Americans, we must be better Jews, and to be better Jews, we must become Zionists.”
For much of the next century, most American Jews stacked their liberalism on top of their patriotism on top of their Zionism. They overwhelmingly voted for the Democratic Party, and overwhelmingly supported both Israel and the United States-Israel alliance.
In recent years, however, many have found it increasingly difficult to deny is that support for Israel is, at present, hard to square with liberalism. And a statement this week by California Gov. Gavin Newsom, the probable 2028 Democratic candidate for president, made clear exactly how profoundly that shift has changed the Democratic party.
Israel is discussed by some “appropriately as sort of an apartheid state,” Newsom said on a podcast, adding that the U.S. would likely have no choice but to reconsider its military aid to the Jewish state.
Given that Newsom is broadly a centrist, his words made a clear statement: Politicians understand that uncritical support for Israel is no longer compatible with the Democratic mainstream. Democratic voters are pushing politicians to, if not abandon Israel entirely, then at least condition their support for it. And the future of American Jews and the Democratic Party is now not only up to Democratic politicians who decide how much to give Israel and under what conditions.
It is also up to American Jews, who have to decide whether those politicians, in doing so, are moving away from their values, or bringing them back into alignment.
Shifting sympathies
A Gallup poll released last month found that Americans’ sympathies now lie more with Palestinians than with Israelis. Up until last year, the opposite had held true. For Democrats, whose sympathies already “flipped strongly” — per Gallup — to Palestinians in 2025, the difference is more stark: 65% said they sympathize more with Palestinians, while just 17% say they sympathize more with Israelis.
Those tempted to write the change off as the result of a party captured by a young far-left should consider that, last year, Pew found that 66% of Democrats over the age of 50 have an unfavorable view of Israel, up from just 43% in 2022. (For those ages 18 to 49, the number was 71%.) A full 73% of Democrats over 50 said they had “none at all” or “not too much” confidence in Israeli Prime Minister Benjamin Netanyahu.
I have no doubt that some will say that the change is because people don’t understand the complexity of the situation in the Middle East; because they have forgotten the lessons of history; or because the Democratic Party is comfortable embracing antisemitism.
These claims ignore a simpler explanation: That the voters who are registered with the one major U.S. political party that still claims to care about liberalism, democracy, and human rights watched as Israel, by its own admission, killed some 70,000 Palestinians in Gaza.
They saw Israel’s leaders make it next to impossible for civilians in the Strip to receive necessary food and humanitarian aid. They see settler violence rising in the West Bank, including against American citizens, amid increased talk of annexation. They hear Netanyhau continue to insist that there can be no Palestinian state, and understand that the alternative he foresees is not one state with equal rights, but either a future of endless wars, or an undemocratic state in which Palestinians live under Israeli control without the rights of citizens.
In that context, many voters see that unflinching support for Israel is no longer in line with the values that drew them to their party. And since they cannot change Israel, they are trying to change their party.
No more cognitive dissonance
Democratic voters, in insisting that their politicians not walk in lockstep with Israel, are insisting that the party break its cognitive dissonance around Israel. Which means that the future of American Jews in the Democratic Party depends not only on how sensitively Democratic politicians navigate criticizing and checking Israel without elevating antisemitism. It also depends on whether American Jews are willing to admit this dissonance to ourselves.
For some, this is not an open question. There are American Jews who have no relationship to Israel, or whose relationship is an overwhelmingly critical one. Per last year’s Jewish Federations of North America National Survey, a combined 32% of American Jews aged 18-34 identify as either anti-Zionist or non-Zionist.
(Only 7% of American Jews overall consider themselves to be anti-Zionist, and just 8% say non-Zionist,. But most don’t subscribe to the label “Zionist,” either, with just 37% describing themselves as such).
In 2021, one poll of American Jews found that a quarter deemed Israel an apartheid state, well before Newsom likened it to one.
There’s also the reality that the vast majority of American Jews do not name Israel as their top issue when they go to the voting booth, and that the Republican Party is undergoing its own schism over Israel.
Still, that same JFNA poll found that most American Jews — 71% — do say that they feel emotionally attached to Israel. And 60% say that Israel makes them proud to be Jewish, even as 69% say that they “sometimes find it hard to support the actions taken by Israel or its government.”
What this means: For many American Jewish Democrats, encouraging politicians to break with Israel — or accepting that break is already in process — is likely more emotionally challenging than it is for American Democrats generally.
What Newsom’s comments show is that this is an emotional problem American Jewish voters will need to face sooner rather than later. Democratic voters are forcing Democratic politicians to resolve a disconnect, and they want it resolved quickly. The year is no longer 1915. Democratic American Jews are going to need to decide what it means to be “good Americans and better Jews.” If it can no longer involve being both liberal and staunchly pro-Israel, we will need to decide which of those items we find most important.
The post Gavin Newsom just confirmed the demise of the Democratic party’s support for Israel appeared first on The Forward.