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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87
(JTA) — Jane Yolen was already an award-winning author and illustrator of more than 100 titles for young readers when her editor suggested she write a Jewish children’s book.
At first, she resisted the idea. Sure, she was Jewish. But she didn’t grow up in a religiously observant family, and she insisted she didn’t know enough about Judaism to take on the project.
Finally, she relented. Drawing on a spark of an idea about a Holocaust time-travel fantasy, Yolen turned in the first draft of what would become “The Devil’s Arithmetic,” her 1988 young adult novel. “I thought, ‘OK, I’m going to try this,’” Yolen recalled to the Jewish Telegraphic Agency years later.
The book won immediate acclaim and garnered multiple awards. Today, it’s seen as a classic of the genre — and one that remains caught up in banned-book lists.
For Yolen, who died Thursday at 87 in her home in Western Massachusetts, “The Devil’s Arithmetic” became her signature title. Still in print, the book was also made into an Emmy Award-winning Showtime feature starring Kirsten Dunst. It was the cornerstone of a titanic legacy in children’s literature, her family said in a statement.
“It is with profound sadness that I, along with my brothers, Adam Stemple, and Jason Stemple, share the news of our mother, Jane Yolen’s passing,” her daughter Heidi Stemple wrote on Facebook, adding that Yolen had “passed gently with no pain or stress” and her family by her side, reading one of her books to her.
Yolen was born on Feb. 11, 1939, in New York City. Her father was a journalist and her mother was a psychiatric social worker until Yolen was born.
An alumna of Smith College, where she won poetry and journalism awards, she worked first as an editor in New York City, writing at her breaks and time off. Her first published book, “Pirates in Petticoats,” a nonfiction work about women on the high seas, was published when she was 22.
She soon pivoted to children’s literature, becoming one of the most prolific authors in the genre. She went on to publish 450 children’s books, including more Jewish titles, and was known as “the Hans Christian Andersen of America.” She won the prestigious Caldecott Medal for her 1987 picture book, “Owl Moon,” and her “How Do Dinosaurs …” series is a staple in many preschool classrooms. (It includes one Jewish title: “How Do Dinosaurs Say Happy Chanukah?” Her 450th title was published just this year, her children said.
But it was “The Devil’s Arithmetic,” scholars have said, that cemented her legacy as a leading author for young Jews. The novel was a trailblazer for its blending of time-travel with historical veracity, according to the late Norman H. Finkelstein, a National Jewish Book award winner who was a children’s librarian himself.
“It was a different Holocaust book,” Finkelstein told JTA in 2018, on the occasion of the title’s 30th anniversary. “It was not strictly factual, it was not a memoir. Jane did a superb job in taking the story of the Holocaust down to a level that ordinary American kids could understand. The characters were realistic, not paper cutouts.”
Other titles of hers included “Meet Me at the Well: The Girls and Women of the Bible,” with Barbara Diamond Goldin, and “Jewish Fairy Tale Feasts,” with her daughter Heidi, who developed and illustrated the hands-on recipes.
Yolen relished the collaborations with her daughter. They lived next door to each other, along with Stemple’s family, with two grandchildren who were taste-testers of Stemple’s recipes.
“Jane was a treasure, and it is difficult to think of the world of books — indeed the world itself – without her,” Richard Michelson, an award-winning author of Jewish children’s books and Yolen’s friend and neighbor, wrote on Facebook. Describing her as a cherished mentor of younger writers, he added, “Jane created classics as if it were as easy as breathing.”
While often assigned in schools as part of lessons on the Holocaust, Yolen’s titles are not without controversy. In 2025 a Texas school district, using artificial intelligence, flagged “The Devil’s Arithmetic” for removal as a title containing “DEI,” or diversity, equity and inclusion content. The book became one of several well known Holocaust titles to be pulled from schools in the last few years.
Though she had initially resisted the idea of being a Holocaust author, Yolen would go on to publish a trilogy of unconventional young-adult novels about the subject. She incorporated elements of “Sleeping Beauty” into 1992’s “Briar Rose.” “Mapping the Bones” followed in 2018 as a riff on “Hansel and Gretel.”
“Whenever we think of the Holocaust, we think of remembering,” Yolen told JTA in that same 2018 interview. “We think of never forgetting. Soon all we will have are the stories.”
In addition to her children, Yolen is survived by six grandchildren. Her husband, David Stemple, to whom she was married for 44 years, died in 2006.
This article originally appeared on JTA.org.
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Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights
(JTA) — The Reform movement’s central rabbinical seminary filed a motion to dismiss the state of Ohio’s lawsuit against the school Friday, claiming the suit violates “foundational Jewish religious doctrine.”
It was the latest escalation in a pitched battle between Hebrew Union College and the state attorney general’s office, which has accused HUC of violating nonprofit law by shuttering degree-granting programs on its historic Cincinnati campus.
The suit, HUC argues, “violates the First Amendment by entangling government and religion.”
The suit was originally filed in April by then-Ohio AG Dave Yost — his second against the college related to its controversial plan to wind down its Cincinnati operations in favor of its New York and Los Angeles campuses. Yost claimed HUC’s actions in Cincinnati misled its donors by leaving a city where they were actively fundraising to support operations, and also violated its charter, which states that the school would “permanently maintain” a residence there.
The state seeks to seize HUC’s assets in Ohio and redirect them to a new, yet-to-be-decided nonprofit with a similar mission; an upstart rabbinical school founded by HUC alums says it wants them.
Such a move “is an unconstitutional and illegal governmental assault upon religion,” HUC’s strongly worded motion reads.
It continues, “The Attorney General has no role in dictating the religious affairs of institutions like HUC. The Court should reject his overreach into religious matters and should dismiss the Complaint because it is unconstitutional and unlawful.”
HUC also argues its vote to shutter the Cincinnati campus was done in full compliance with the law, adding that it intends to maintain the campus’s other assets, including the Klau Library, the American Jewish Archives and the Skirball Museum. In addition, citing a passage in the Torah that states “God will come to his people wherever they welcome him,” the school argues that considering “Jewish demographic realities” is part of its religious mission.
“These decisions were made thoughtfully and responsibly to ensure the long-term success of the institution and our ability to continue graduating strong Jewish leaders,” HUC president Andrew Rehfeld said in a statement accompanying the motion. The lawsuit, he added, “improperly seeks to interfere in the decisions of a religious organization, and this cannot be allowed to go unchallenged.”
Yost himself resigned as AG this week to join the Alliance Defending Freedom, a conservative Christian legal group that, in 2022, represented a Tennessee adoption agency that refused to foster a child to a Jewish couple. The suit against HUC continues under the state AG’s office.
This article originally appeared on JTA.org.
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6 months after her father was killed at Bondi Beach, Sheina Gutnick has become a leading antisemitism advocate in Australia
(JTA) — MELBOURNE — Six months ago, Sheina Gutnick was a 31-year-old mother of three at the end of her maternity leave. She had degrees in social science and psychology, and several years of experience worked at a Jewish school. She was an average mother looking to get back into a 9-to-5 routine after her baby started daycare.
Then, on the first night of Hanukkah, everything in her life changed.
Gutnick was at a Hanukkah party in Melbourne, Australia, with her husband and three children when she crossed paths with a friend from Sydney. He looked ghostly white and told her there had been a shooting at a Hanukkah party in Bondi. Her parents, who were visiting Sydney from their home in Melbourne, had been planning to attend.
“I immediately called my dad, but he didn’t answer. Then I called my mum and she answered and I could hear shooting, and she was screaming and told me they are shooting people on the beach and that my dad is running after the terrorists,” said Gutnick.
Her father, Reuven Morrison, would be one of 15 people murdered on Bondi Beach that night. Before he was killed, Morrison was filmed throwing a brick at the terrorists, charging toward them with whatever he could find, trying to shield his community with his body. The footage of his bravery against the terrorists would be seen around the world within hours. After diverting the terrorist’s attention from others, Morrison bled out on the beach after being shot 11 times. He was 62.
“At 7:13 p.m. I found out that my dad is no longer alive, and my first reaction was to tell my husband to get me on a plane to Sydney,” she said. “As I was standing at the doorframe to leave the house before I went to the airport, I turned to my husband and said, ‘This is the day our lives have changed.’”
Gutnick boarded the last flight from Melbourne to Sydney that night. She couldn’t stop crying, and a flight attendant asked what was wrong. “I told her that my dad had just been killed in Bondi,” she recalled. “She didn’t really know what to say, but told me, if you need vodka let us know, we’ll sort you out.”
Six months after the attack, the deadliest antisemitic incident in Australia and one of the bloodiest anywhere in recent history, Australia is still reeling. A royal commission is unearthing searing allegations of antisemitism and accounts of Jewish fear, and has started rolling out recommendations designed to shore up public safety and cohesion.
Gutnick, meanwhile, has vaulted into public view not just at home but abroad. This week, Anti-Defamation League CEO Jonathan Greenblatt posted a picture of himself with Gutnick on social media.
“I was honored to meet with Sheina Gutnick, daughter of Bondi hero Reuven Morrison z”l,” Greenblatt wrote. “Since Sheina’s father and 14 others were murdered by terrorists on Bondi Beach during Hanukkah, Sheina has tirelessly and relentlessly demanded that Australia take action against antisemitism. She is an inspiration.”
After throwing herself into speaking about her father, her experience and the challenges facing Australian Jews, Gutnick has now joined an international coterie of advocates transformed by their proximity to historic antisemitic violence.
“I get people saying to me, ‘Aren’t you exhausted?’” she said. “But the truth is, I get energy from it. I’m not a person that can sit when something has happened to me.”
The path that made Gutnick who she is was forged first in the former USSR, which Reuven Morrison left at 14 for Australia. Like many Soviet Jewish emigres, he knew little about Judaism when he arrived and for a time did not have much connection to Jewish practice in his new country, either.
But he became more religiously observant later in life, affiliating with the Chabad-Lubavitch movement that emphasizes outreach to Jews of all levels of observance. He became heavily involved in building Chabad of Bondi, a synagogue and community center in Sydney’s iconic beachfront neighborhood, helping to fight several legal battles while getting the building permits approved.
More than a decade ago, he moved to Melbourne. But the Sydney Jewish community, and especially Chabad of Bondi, remained close to his heart and he visited regularly. Its Chanukah by the Sea celebration, he decided, was one he would not miss.
Gutnick arrived in Sydney at 10 p.m., just a few hours after two men opened fire on the celebration, killing 15. Her father’s body still lay on Bondi beach, covered by a sheet, unable to be released for burial until all evidence had been collected from the scene of the massacre by Australian homicide detectives. She made her way to her uncle and aunt’s home, where her traumatized mother was waiting.
That night, nobody slept — and stories began trickling in.
“When I got there, we began hearing that my dad threw a brick at the terrorists. A lot of people started messaging me that he saved their lives based on actions that he took that night,” Gutnick recalled. “My mum had been on the beach and saw him running, and she saw when he went down, and she saw no one was helping and he ran to step in, but she hadn’t seen what he had actually done.”
An Australian homicide detective arrived at 1:30 a.m. to formally advise Gutnick and her mother Leah that Reuven had been murdered, and to explain the process for releasing his body back to the family for burial. It was slightly complicated, the detective told them, because this was Australia’s first major terrorist attack. The protocol was still being clarified.
“At this point, pure adrenaline and pure rage was running through my body, that this had actually happened. The fact that it was Bondi and it was my dad,” Gutnick recalled.
Gutnick returned to the apartment her parents owned in Sydney, situated right behind the Chabad of Bondi building, to collect a few things her mother needed. Outside, members of the Sydney Jewish community stood on the footpath alongside news crews and photographers. People on the street were crying.
Inside, Gutnick found her parents’ dog Simba who had come to Sydney with them, hungry and bewildered that he had been left alone since the night before. According to Jewish law, a Hanukkah menorah must be lit by each person in the place where they are spending the night. Reuven Morrison had set his up before leaving for the beach. On the table, it sat exactly where he had placed it, ready, unlit.
All the while, Gutnick’s phone kept ringing, with journalists asking her for comment. She felt, she recalls, like she was floating outside her own body.
“My mum was completely broken. Her world was torn apart; she has been with my dad for 42 years,” she recalled. “Every semblance of normal life was gone, she’s all of a sudden alone, she’s impacted in this way that is not humanely possible to comprehend.”
With dozens of media requests already flooding her phone, Gutnick ignored all of them — until she spotted one that was framed very differently.
The message came through Facebook from a producer at CBS News in the United States on Monday night, more than a day after the massacre, and it changed her life.
“I still hadn’t spoken to any media. They prefaced their message and said that they needed to help tell the world about my dad’s bravery, that they had seen the footage of him throwing a brick at the terrorists and they wanted to publicise it, so everyone knew about him and what he had done,” Gutnick recalled.
She felt compelled to respond: “It hit me so crushingly hard there is no one else to tell my dad’s story but me, so if I don’t do this, no one will hear about him and his bravery.
She messaged back, saying they could come to interview her the next morning. But CBS suggested they come right over immediately, in the middle of the night, so her interview could be aired on American prime time news. At 1 a.m., a full media crew arrived and Gutnick sat in front of lights that made her room feel like it was the middle of the day.
In the hours that followed, she wrote a personal reflection about what she believed her father’s death represented: a direct result of an Australian government that had been weak on antisemitism. After she circulated it, a prominent local Jewish figure whom she did not then know, the former treasurer of Australia, Josh Frydenberg, shared it on X, and it was republished widely. More media requests started flooding in and Gutnick started speaking about her dad.
“I realized how much I have on me to carry on my father’s legacy,” she said.
In between the interviews, she and her husband were on the phone to the Australian coroner and the chevra kadisha, the Jewish burial society, demanding that Australian authorities release her father’s body. A family friend, not knowing when the body would be released, flew his private plane from Melbourne to Sydney, ready to accompany Morrison home the moment his body was released. When that finally happened, a special flyover was arranged with the air controllers in Sydney so that the private plane with Morrison’s body could circle over Bondi Beach, in a final farewell to the place where Morrison had met his wife 42 years earlier.
Nobody who knew Sheina Gutnick Dec. 14 would have predicted what she’s done since. She says wouldn’t have predicted it either.
When Australian Prime Minister Anthony Albanese initially declined to call a royal commission into the Bondi attack and the broader rise of antisemitism in Australia, Gutnick, alongside other victim families, went to the front page of all of Australia’s major newspapers and called on him to reconsider. After weeks of lobbying, the prime minister relented.
When the royal commission convened, Gutnick was the first witness called to testify.
She described hearing “Free Palestine” shouted on the streets of Melbourne, chants that she said “not political expression but is explicit, targeted hatred and is designed to intimidate.” She recalled fearing the treatment her child would receive while undergoing surgery at a hospital where nurses had been fired after posting a viral video saying they would not treat Israeli patients. And she recounted being called a “f—ing terrorist” by a man she said had pointed at her Star of David necklace.
It was only one of countless stops to share her story. In the last six months, Gutnick has taken dozens of flights to meet with parliaments and groups to speak about her father and about Australian antisemitism. She has written in major national and international newspapers about her father and spoke at the Sydney reception for Israeli President Isaac Herzog.
She and her mother received condolence letters from across Australia and beyond. The one from King Charles, she said, was especially comforting. “He has an excellent team around him clearly, because it was such a beautiful, personalized letter, the one we received,” she said.
Her advocacy has been noticed at some of the highest levels within Australia’s Jewish community. “Sheina Gutnick never sought the public spotlight. She was thrust into it by the horrific murder of her father, and has responded with remarkable courage, dignity and moral clarity,” Jeremy Leibler, the president of the Zionist Federation of Australia, told JTA. “Her advocacy has resonated because it is authentic.”
Alex Ryvchin, the co-chair of the Executive Council of Australian Jewry, the peak body for Australian Jews, knew Reuven Morrison for years before he was killed. “He was an outstanding human being and now Australia knows him as a hero who gave his life to save others,” he told JTA. “Sheina honours his memory and legacy and I’m proud to stand with her in the fight against antisemitism.”
Rabbi Yehoram Ulman, the rabbi of Chabad of Bondi, whose son in law Rabbi Eli Schlanger and many close friends and congregants were murdered Bondi Beach also has deep appreciation for Gutnick’s advocacy.
She “emerged as one of the most compelling and eloquent new voices in Australia’s fight against antisemitism, transforming personal tragedy into sustained public advocacy,” he said.
After booking dozens of engagements independently, Gutnick was offered a role as the first public affairs officer of the recently established Australian branch of the Combat Antisemitism Movement, an international advocacy organization.
The group’s supporters argue that CAM is responding to a genuine rise in antisemitism and see it as trying to address problems that existing Jewish groups have failed to solve. They also argue that the group’s efforts to push back against anti-Israel sentiment are justified because anti-Zionism is often used as a vehicle for anti-Jewish prejudice.
CAM has indeed attracted criticism from other Jewish groups and civil liberties advocates who argue that it takes an overly broad approach to antisemitism and too often conflates anti-Zionism or criticism of Israel with antisemitism.
In Australia, the organization has also faced scrutiny over its political alliances, including relationships with some conservative and right-wing groups, as well as criticism that it imports American culture-war politics into debates about antisemitism.
Gutnick is aware of some of this criticism but isn’t really bothered by it. “Every organization has its controversial moments, so this stuff — it doesn’t really concern me,” she said. “The work CAM is doing now is so relevant in our lives in a post Oct.-7 world and a post-Bondi world,” she said.
In fact, she is grateful for the many connections they have helped her with both in Australia and around the world as well as their extensive research into antisemitism. “They gave me the ability to tell my dad’s story in many public spaces,” she said. “I continuously say, as Jews, we need to know the facts and figures on the ground about antisemitism, and what resolutions and legislation we need to have in place, and as an international org, CAM has the ability to help me do this.”
The royal commission has presented its first recommendations, designed to improve the processes that left the Bondi Hanukkah celebration with inadequate police protection despite the known threats. Soon, it is expected to say more — with a backlash to follow from those who believe that antisemitism is getting outsized attention and who say that efforts to address it will likely inappropriately constraint anti-Israel protest.
Gutnick doesn’t know exactly what the future will hold for her, but she knows that she will never return to where she stood six months ago — a spot that, in retrospect, feels like it may have been on the sidelines of the fight for Jewish security.
“As Jews, we are being faced with so much darkness,” she said. “I have gone through the worst thing — my father was killed for antisemitism — so I have become stronger, wanting to spread the message that no matter what happens, as the Jewish people we are one people, part of one faith, and although it’s terrible, this is something we have faced before.”
This article originally appeared on JTA.org.
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