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At a live event with Netflix’s ‘Jewish Matchmaking,’ fans of the show find their people

(New York Jewish Week) — Aleeza Ben Shalom, star of the Netflix hit “Jewish Matchmaking,” stood in the middle of a tight circle of fans — both men and women, young and old —  doling out dating advice. Maintaining the same warmth she displays on her TV show, Ben Shalom spoke to as many people as she could as mothers pushed their daughters to the front of the line, single women hung on her every word and superfans asked for hugs and selfies.

Ben Shalom, who lives in Israel, was in New York on Wednesday night to make an appearance at a promotional, sold-out event for the series as well as her book, “Get Real, Get Married.” Some 200 people filled the auditorium at The Town School on the Upper East Side, having paid $54 for a ticket (or $72 if they wanted to attend the VIP meet-and-greet beforehand). 

“Thanks everybody for watching the show — you watched the show right? We can’t get a season two unless you watched all the episodes,” Ben Shalom quipped as she greeted the crowd from the auditorium’s stage.

A dating reality show, “Jewish Matchmaking” premiered on Netflix on May 3 to much fanfare. Created by the same team behind the streaming service’s hit “Indian Matchmaking,” “Jewish Matchmaking” spotlights a diverse group of Jews who are looking for love in Israel and across the United States. Viewers watch as Ben Shalom tries to set folks up with their bashert — soulmate — and explains Yiddish/Hebrew words and Jewish customs while doling out gentle, sensible dating advice.

In a short time, the eight-episode series has developed a loyal fan base, while reviewers have called “Jewish Matchmaking” “smart and sweet.”

 As for the reason for the show’s success, “There’s everything from the girl that doesn’t want to marry someone that eats bacon, to someone like me who wants someone that prays three times a day in shul,” Brooklynite Fay Brezel, one of the show’s Orthodox stars, told the New York Jewish Week. “I think that’s what people really love about the show: It makes everybody proud to be Jewish no matter where you are with it.”

On Wednesday, Ben Shalom and Brezel were joined onstage by several other members of the cast, including Shaya Rosenberg, whom Brezel briefly dated on the show, as well as Miami resident and eyebrow expert Dani Bergman; Sephardic event organizer David Behar of Miami; Los Angeles-based “unicorn” Harmonie Krieger; outdoorsy Noah Dreyfus of Denver (and Jackson Hole) and Chicago musician Stuart Chaseman.

Aleeza Ben Shalom, fifth from left, with cast members from her hit Netflix show “Jewish Matchmaking,” on stage at The Town School, May 17, 2023. (Julia Gergely)

As for the audience, it skewed female — though like the cast of the show, they represented a diverse cross-section of Jews, including Sephardic, Israeli and Ashkenazi, as well as Reform, haredi Orthodox and everything in between. 

Attendees’ reasons for buying a ticket to the event were just as varied. One woman, who wished to remain anonymous, said she came to the event because the show moved her so much. “I am not a reality TV person at all,” she said. “I just felt so inspired by the show. Aleeza was such a warm, positive presence to see on Netflix, and she gave me so much hope for myself that I’ll be able to find someone and so much hope for the Jewish people.” 

And yet the woman, who lives in New York, said she also hoped to ask Ben Shalom for dating advice. 

Others came to meet and praise their favorite cast members. “I have never felt more validated in my life,” one viewer gushed to Bergman. (Bergman, for her part, told the New York Jewish Week that hearing such sentiments has been the best and most unexpected part of the show.)

More than a few single women were sent to the event at the behest of their worried Jewish parents. “I’m young, I’m 24, I have a lot of great things going on in my life,” said Yael Chanukov, a Manhattan-based actress who recently appeared in two episodes of “The Marvelous Mrs. Maisel. “But my parents are so concerned about me finding someone. They bought me the ticket, sent me the email confirmation and said I had to ask Aleeza for advice.” 

Chanukov came solo, though she said she would have brought her roommate if she had been in town. “I really loved the show, so I am happy to be here regardless,” she added. 

Another woman who wished to remain anonymous said that her parents in Long Island watched the show and immediately bought her tickets to the event, telling her she had to talk to Ben Shalom about her dating life. “I had nothing going on tonight and I live nearby. I’m single, so I figured, why not?” she shrugged. “Anything could help.” 

As for the advice Ben Shalom gave her? “She told me to stay open and stay hopeful,” the woman said. 

Sacha-Aviva Sellam, 30, came because she was inspired by the diversity of Jewish experiences on the show. “I loved the show and found it very relatable,” Selam, who is of North African descent, told the New York Jewish Week. “[Ben Shalom] had a sensibility for all Jews, and Netflix was careful to include and uplift everyone — not just the ultra-Orthodox or the stereotypical ‘bagels and lox’ Jewish experience, which is not me.”

“I’m not here specifically because I’m single, but would I like it very much if I happened to meet someone here somehow? Of course,” she joked. 

During the event, guests got to hear from the cast about their favorite parts of the show — for Brezel, it has been messages to her that people have become more observant after watching. “When was the last time that you heard somebody say that they are going to be more careful with mitzvot after watching something on Netflix?” she said. “I don’t think that’s ever happened.” 

Behind-the-scenes details that weren’t filmed or didn’t make the final cut were also shared — like Krieger’s vulnerable, late-night calls with Ben Shalom; Dreyfus taking Ben Shalom on a six-mile hike in Jackson Hole; Brezel’s mother baking the production team cookies in Brooklyn, and Ben Shalom helping Bergman hang a mezuzah on the doorpost of her Miami home. 

During a Q&A session, everything was on the table. One man jokingly asked Bergman to rate his eyebrows — she gave him a solid 7.5. A young woman of Orthodox background asked Brezel how to be more vulnerable with matchmakers. The answer? It’s not necessary, Brezel responded, unless they are someone with whom you have a genuine connection — like Ben Shalom.

Of course, Ben Shalom delivered on what had brought so many there that evening: She shared her best dating tips, including that connection starts the moment you walk in the room — so present your best self inside and outside. She even brought some audience members on the stage for live matchmaking. Four volunteers from the audience — all women — were invited on stage; other audience members asked questions about their lives and dating preferences. After a few rounds of questions, Ben Shalom asked if anyone in the room knew of a good match — and, Jewish geography being what it is, four women headed into the evening with the contact information of three or four potential dates. 

“I didn’t think I’d have so much fun during this experience — I feel like I’m more of like a type-A personality but [“Jewish Matchmaking”] really brought out my fun side,” Brezel, who brought friends and family friends to the event, told the New York Jewish Week. “Everywhere I go people are stopping me and asking for selfies. It’s such a crazy experience.”


The post At a live event with Netflix’s ‘Jewish Matchmaking,’ fans of the show find their people appeared first on Jewish Telegraphic Agency.

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Spike Lee says his pro-Palestinian NBA All-Star Game fit wasn’t meant as a dig against Deni Avdija

(JTA) — The director Spike Lee says he was not targeting the first Israeli NBA All-Star when he wore a pro-Palestinian outfit to the All-Star Game on Sunday.

Lee’s outfit which featured a keffiyeh-patterned sweater and flag-themed bag strap. Some of his critics charged that he had chosen the outfit especially because Deni Avdija, the Israeli star of the Portland Trail Blazers, was taking the court.

Lee put that idea to rest in a post on Instagram late Tuesday, saying that he had not known Avdija was Israeli because the Trail Blazers are a West Coast team. (Lee is a New York Knicks superfan.)

“There has been some conjecture about what I wore to the games on Saturday and Sunday. The clothes I wore are symbols of my concern for the Palestinian children and civilians, and my utmost belief in human dignity for all humankind,” Lee wrote. “What I wore was not intended as a gesture of hostility to Jewish people or to support violence against anyone, nor was it intended as a comment on the significance of Deni being an an All-Star.”

About his lack of familiarity with Avdija, whose World Team fell short in the round-robin contest featuring 28 NBA stars, Lee added, “He can BALL. NOW I DO KNOW.”

 

The post Spike Lee says his pro-Palestinian NBA All-Star Game fit wasn’t meant as a dig against Deni Avdija appeared first on The Forward.

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Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year

(JTA) — Eli Sharabi’s memoir “Hostage,” recounting his experience in Hamas captivity after the Oct. 7, 2023 attack, has been named Book of the Year by the National Jewish Book Awards, organizers announced Wednesday.

The awards, presented by the Jewish Book Council and considered among the most prestigious honors in Jewish literature, recognize outstanding English-language books of Jewish interest across dozens of categories. Founded in 1950, the program is the longest-running North American awards initiative devoted to Jewish books.

Sharabi’s memoir, which details his abduction from Kibbutz Be’eri and the more than year he spent in captivity, became a bestseller in Israel and was later released in English in the United States.

“This recognition means so much to me, not only personally, but for the memory of my family and all those we lost,” Sharabi said in a statement. “’Hostage’ is my testimony, a story of my survival, written so others could bear witness. I hope it helps ensure that what happened is never forgotten.”

Other major winners reflect the breadth of contemporary Jewish writing, spanning scholarship, fiction, memoir and children’s literature.

In American Jewish studies, Pamela S. Nadell won for “Antisemitism, an American Tradition,” a look at the forms antisemitism took in the country from the early Dutch settlers to the present day. The Russian-born journalist Julia Ioffe took the autobiography and memoir prize for “Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy.” The book blends memoir, journalism and history to examine modern Russia through the lens of women’s experiences.

Jack Fairweather’s “The Prosecutor: One Man’s Battle to Bring Nazis to Justice,” the story of a Jewish judge and Holocaust survivor from Stuttgart who pursued Nazi perpetrators in post-war Germany, won the biography award.

Fiction honors went to Allison Epstein for “Fagin the Thief,” a retelling of the Dickens novel “Oliver Twist” from the perspective of its Jewish antihero, and Zeeva Bukai received the debut fiction prize for “The Anatomy of Exile,” about the multigenerational echoes of a secret love affair between an Israeli Jewish woman and a Pales­tin­ian poet.

The Hebrew fiction in translation category recognized “Dog,” by Yishay Ishi Ron, translated by Yardenne Greenspan, which also earned a selection in the book club category. The novella’s protagonist is an Israeli combat veteran haunted by his service in one of the Gaza campaigns prior to Oct. 7.

This year’s awards arrive as the Jewish discourse has been reshaped by the aftermath of Oct. 7, a global surge in antisemitism and the polarizing debate over Israel that followed. Last year’s winner for book of the year, “10/7: 100 Human Stories” by Lee Yaron, was also an account of the attacks and their aftermath.

Jewish anxieties in light of Oct. 7 are the subject of Sarah Hurwitz’s “As A Jew: Reclaiming Our Story From Those Who Blame, Shame, and Try to Erase Us,” which won in the contemporary Jewish life and practice category. Hurwitz, a speechwriter in the Obama administration, provides a primer on Jewish history, texts and practices in order to counter what she calls misinformation among Jews, their allies and their critics.

“Especially amid rising antisemitism and Jewish authors facing increased scrutiny, Jewish books have the power to create and sustain community,” said Naomi Firestone-Teeter, CEO of Jewish Book Council, in a statement announcing the winners.

In “Hostage,” Sharabi writes about the terror of his abduction and the daily struggle to survive after Hamas fighters stormed Kibbutz Be’eri. He would spend 491 days in captivity, much of it in tunnels beneath Gaza, before being released on Feb. 8,  2025, as part of a negotiated deal. Throughout the ordeal, Sharabi clung to the hope of rescue, writing: ‘I refuse to let myself drown in pain. I am surviving. I am a hostage. In the heart of Gaza. A stranger in a strange land. In the home of a Hamas-supporting family. And I’m getting out of here. I have to. I’m getting out of here. I’m coming home.”

Other nonfiction winners included Elissa Bemporad’s “Jews in the Soviet Union: A History: Revolution, Civil War, and New Ways of Life, 1917–1930, Volume 1,” which won in history; Anna Hájková’s “People Without History are Dust: Queer Desire in the Holocaust,” honored in Holocaust studies alongside translator William Ross Jones; and Tobias Schiff’s “Return to the Place I Never Left,” which won the Holocaust memoir award, with Dani James recognized for translation.

Awards recognizing contemporary Jewish thought and scholarship included Lawrence Grossman’s “Living in Both Worlds: Modern Orthodox Judaism in the United States, 1945–2025,” and Debra Kaplan and Elisheva Carlebach’s “A Woman Is Responsible for Everything: Jewish Women in Early Modern Europe,” which won multiple prizes, including scholarship and women’s studies.

In children’s and young readers’ categories, Alison Goldberg’s “The Remembering Candle,” illustrated by Selina Alko, won for children’s picture book; Janice Shapiro’s “Honoria: A Fortuitous Friendship” took the prize for middle grade literature; and Eugene Yelchin’s graphic memoir “I Wish I Didn’t Have to Tell You This” won in young adult literature.

Other winners include Miriam Udel’s “Modern Jewish Worldmaking Through Yiddish Children’s Literature,” which won in education and Jewish identity; Raegan Steinberg, Alexandre Cohen and Evelyne Eng’s “Arthurs: Home of the Nosh,” honored in food writing and cookbooks; Ariella Aïsha Azoulay’s “Golden Threads,” which won for Sephardic culture; Elizabeth E. Imber’s “Uncertain Empire,” for writing based on archival material; and Aharon Shabtai’s “Requiem & Other Poems,” translated by Peter Cole, which won the poetry award.

The winners will be honored at an awards ceremony in New York next month hoisted by the entertainer Jonah Platt. At the ceremony, journalist Sam Feedman will be presented with the council’s Mentorship Award, named in honor of Carolyn Starman Hessel, longtime former director of the JBC. Freedman, a former New York Times reporter and professor at the Columbia Journalism School, taught a popular course that helped over 100 students turn their ideas into books, including “When They Come for Us, We’ll Be Gone: The Epic Struggle to Save Soviet Jewry,” Gal Beckerman’s 2010 history of the Soviet Jewry movement.

“Sam Freedman changed my life as a writer,” Beckerman said in a statement. “He believed in me before I believed in myself, pushed me to take my work seriously, and opened doors I didn’t even know existed. With tough love and deep generosity, he guided me through the daunting process of writing a book as if it were his own. What he did for me, he did for dozens of writers.”

The post Eli Sharabi’s ‘Hostage’ memoir named Jewish book of the year appeared first on The Forward.

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Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy

(JTA) — An annual festival in Andorra drew condemnation from the country’s small Jewish community after an effigy bearing the Israeli flag was staged in a mock trial and then hung and shot.

The incident was part of the traditional Catalan festival Carnestoltes, which occurs yearly before Lent, the 40-day period that precedes Easter. At Monday’s festival in Andorra, where a mock king is typically tried and burned, organizers instead used an effigy wearing blue with the Israeli flag painted on its face.

During the festivities, the Israeli effigy was symbolically tried, hung, shot and burned, according to social media posts and a report in the Israeli outlet YNet.

The incident drew outcry from the microstate’s tiny Jewish community, which only just got its first full-time rabbi, a Chabad emissary, in the last two years.

“This is a ritual they perform every year as part of carnival, where they mock many things,” Jewish Andorra resident Esther Pujol told YNet. “This time they dressed the effigy in the colors of the Israeli flag, with a Star of David on its face. They put it on trial, sentenced it to death and carried out the sentence by shooting and burning it. It is completely unacceptable.”

Pujol told the outlet that it was the first time she had seen the festival include anti-Israel or antisemitic elements, and that she had contacted Andorran lawmakers to express her outrage. The mayor of Encamp, the city where the incident took place, and local politicians took part in the ceremony, according to YNet.

The European Jewish Congress also decried the display in a post on X, writing that the mock-execution was a “deeply disturbing act that risks normalizing antisemitism and incitement.”

“This incident requires unequivocal condemnation, full clarification of responsibilities and concrete measures to ensure that antisemitism is never tolerated in public celebrations or institutions in Andorra or anywhere in Europe,” the post continued.

Other Lent festivities have also been the site of antisemitism in recent years, with Belgian celebrations in 2019 featuring antisemitic caricatures and a Spanish parade in 2020 featuring a Holocaust-themed display.

The incident marks a rare instance of open turmoil for Jews in Andorra, which is nestled between France and Spain in the Pyrenees mountains. While France and Spain have seen widespread pro-Palestinian protests and antisemitic incidents in recent years, Andorra has largely avoided similar tensions.

In September, Andorra formally announced its recognition of Palestinian statehood alongside a host of other European nations during the United Nations General Assembly in New York City.

But local Jews have also sought to remain under the radar, considering that Andorra officially prohibits non-Catholic houses of worship. The Jewish community calls their gathering place a community center rather than a synagogue. In 2023, Andorra’s parliament elected a Jewish lawmaker for the first time.

The post Andorra’s tiny Jewish community reels after local carnival features mock execution of Israeli effigy appeared first on The Forward.

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