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Before ‘SNL,’ there was Sid Caesar — and a roomful of Jewish writers
(JTA) — Sid Caesar once dominated American television so completely that it was hard to imagine Saturday nights without him. In the early 1950s, his live sketch-comedy program “Your Show of Shows” drew tens of millions of viewers. That show and its other iterations — “The Admiral Broadway Revue,” “Caesar’s Hour” and “Sid Caesar Invites You” — launched the careers of Mel Brooks, Neil Simon and Woody Allen, and helped invent television comedy as we know it.
Caesar and an ensemble cast that included Carl Reiner and Imogene Coca performed movie and musical parodies, domestic skits featuring warring suburbanites and bits highlighting Caesar’s knack for “speaking” foreign languages in convincing gibberish. A parody of the hit show “This Is Your Life” has often been called the funniest sketch in the history of the form. Caesar and Reiner’s “Professor” routine — featuring Caesar as a German-accented know-it-all who knows very little — is the often uncredited precursor to Brooks and Reiner’s more enduring “2000-Year-Old Man.”
And yet, as David Margolick recounts in his new biography, “When Caesar Was King: How Sid Caesar Reinvented American Comedy,” Caesar’s fame proved surprisingly fleeting. Caesar died in 2014 at 91. But well before then, his name had faded, even as his influence endured.
In a recent public conversation held as part of New York Jewish Week’s “Folio” series, Margolick — a longtime journalist and author — reflected on Caesar’s rise, his Jewish sensibility, the brutal pressures of early television, and why the man who changed comedy so profoundly all but vanished from popular memory.
The interview was edited for length and clarity.
For people who may not even know the name Sid Caesar, why is he worthy of a biography?
That’s the problem Mel Brooks raised when I interviewed him, and it actually became the epigraph of my book. He said to me, “People are going to say, ‘Gee, this is really good and really interesting. Just one question, David: Who’s Sid Caesar?’”
For people who lived in the 1950s, American television comedy really started with him. There were vaudeville leftovers and radio shows early on, but Sid Caesar was the first true television comic — someone whose skills were suited to television itself. There was an intimacy to his comedy that wouldn’t have worked in a big theater but worked on a small screen.
And the influence is enormous. Mel Brooks wrote for him. Larry Gelbart [creator of the TV series “M*A*S*H”] wrote for him. Neil Simon wrote for him. Woody Allen wrote for him. Carl Reiner worked with him and went on to create “The Dick Van Dyke Show” [based on his experience on the Caesar shows]. The tendrils of Sid Caesar’s comedy reach into sitcoms, “Saturday Night Live,” Broadway and film.
One challenge of the book was to explain how momentous he was — and the other was to explain how someone so influential could fall into such obscurity.
Caesar is often associated with the Catskills, the upstate New York Jewish vacationland that was a proving ground for any number of Jewish comedians. How did his early life shape his comedy?
The Poconos [in Pennsylvania] were actually just as important as the Catskills in Sid’s case. The producer who really shaped his programs, Max Liebman, came out of Camp Tamiment in the Poconos, not the Catskills. That mattered.
Sid wasn’t a stand-up comic. He started as a musician. People noticed he was funny while horsing around during musical routines. His comedy was more sophisticated than wiseguy stand-up — it was sketch comedy, with music, dance and character work.
And then there’s Yonkers [Caesar’s hometown just north of New York City]. His family ran a restaurant where the workers sat by ethnicity — Germans at one table, Slavs at another. Sid bused tables and absorbed the sound of all those languages. He said he could listen to a language for 15 minutes and imitate its musicality.
He didn’t really speak them. He’d sprinkle in a few words — ‘like chocolate chips in cookie batter,’ he said — but it sounded convincing. Ironically, the languages he avoided were Yiddish and Hebrew, the ones closest to home.
What was happening in television when Caesar arrived in 1949?
Television was empty. It was the electronic corollary of the American frontier. They had hours to fill and no idea how to do it. That’s why people remember watching wrestling. Comedy was going to be central, but nobody knew what kind. Caesar’s early shows weren’t pure comedy — they were variety shows with comedy at the center. Television comedy was still gestating.
And like Hollywood earlier, television became an opening for Jews. The people running the country didn’t quite know what to do with it, and there was a void desperate for talent.
The shows weren’t overtly Jewish — yet they clearly resonated with Jewish audiences. Why?
They were very careful not to be explicit. The word “Jew” was never mentioned. Max Liebman bragged there was no Yiddish on “Your Show of Shows.” They wanted to lie low. But Jewish viewers recognized something. The irreverence. The skepticism toward authority. Rooting for underdogs. Making fun of pomposity and power.
As Sid Caesar said to me, “The Jews knew. The Jews knew what we were doing.” They were winking — communicating without saying it outright.
Food seems to be a recurring theme. I love a later skit when a famous bullfighter is on his deathbed and he and his entourage are putting in their deli orders.
Food is a leitmotif in Caesar’s comedy. There are sketches about wanting food, not getting food, getting less than the other guy, struggling with unfamiliar food. I wrote that his humor was Jewish “in its obsession, born of privation, with food in all its forms.” And they treated food with respect. No food fights. The food was always real.
I asked [food writer] Mimi Sheraton what distinguishes Jews and Italians around food. She said the Italians care about food every bit as much as Jews do — only without the panic. That captured it perfectly.
“Your Show of Shows” ended in June 1954, after five seasons and at the height of its success. Why?
Sid wanted control. He was making $25,000 a week in 1953 — roughly $300,000 a week today — but he was working under Max Liebman. He wanted to emphasize comedy, resented losing time to singers and dancers, and wanted to be the sole star. He was also competitive with [his co-star] Imogene Coca.
The pressure was enormous. Ninety minutes live every week, no margin for error. That stress began to eat him alive.
The legendary writers’ room, especially the one for “Caesar’s Hour,” where all seven writers were Jews, is often romanticized, in films like “My Favorite Year” and Neil Simon’s play “Laughter on the 23rd Floor.” What was it really like?
It was not a picnic. It was a room of incredible tension. These writers were fighting for their lives. They were working in the shadow of the garment district. Entertainment was an escape from a life pushing a cart on Seventh Avenue. They were desperate to survive.
Frank Rich once tried to write a book about them — his version of “The Boys of Summer” [Roger Kahn’s book about the great Brooklyn Dodgers teams of the 1950s]. He abandoned it and told me, “Instead of the boys of summer, I found the angry Jews of winter.”
What led to Caesar’s fall from the center of television and American popular culture?
As television spread into the hinterlands, the audience changed. Sid didn’t play well in Peoria. People thought he was elitist, talking down to them. Lawrence Welk [host of a variety show featuring anodyne pop music] crushed him. Caesar did devastating parodies of Welk — brilliant but futile. Television tastes were shifting.
At the same time, the pressure destroyed him. Drinking, pills, exhaustion. You can see it on screen — the faltering diction, the loss of confidence.
Your book shows a star who was often aloof, difficult to work with, and often addled by booze and drugs. What was Caesar like when you met him?
I interviewed him in 2008. He was very frail, confined to home, but mentally sharper than he’d been in years. One thing he told me stuck with me. He talked about success — that moment when he realized he could have anything he wanted: “Even sturgeon at Barney Greengrass, even if it was $5 a pound.”
That was success to him: never having to hold back. It came back, once again, to food.
What does comedy today owe Sid Caesar?
Larry Gelbart once said, “You want to know what’s missing from comedy today? Jews.” There are still Jewish comedy writers, of course. But in Caesar’s day, it was seven Jews working together, “working our brains out,” as Gelbart put it.
There was an unabashed Jewish essence to that comedy — a shared sensibility — that doesn’t quite exist anymore. Comedy is more variegated now. Something essential was diluted.
And yet, it all started with Sid Caesar.
The post Before ‘SNL,’ there was Sid Caesar — and a roomful of Jewish writers appeared first on The Forward.
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A poet’s reaction to this summer’s terrorist attack in Berlin
דעם 25סטן יולי איז דער פּאָעט דזשײק שנײַדער געפֿאָרן קײן װײַמאַר כּדי צו מאָדערירן אַ כּמו־טעלעװיזיע־פּראָגראַם אױף ייִדיש מיט דער אַקטריסע עלענאָר ריסאַ, אַן אונטערנעמונג אין משך פֿונעם פֿעסטיװאַל „ייִדיש־זומער װײַמאַר“. אױף מאָרגן איז ער אַהײמגעפֿאָרן קײן בערלין, װוּ ער האָט מאַרשירט אינעם יערלעכן שטאָלץ־פּאַראַד – אײדער אַ טעראָריסט האָט אַטאַקירט דעם פּאַראַד, דערמאָרדעט אײן פֿרױ און פֿאַרװוּנדיקט מער װי 30 מענטשן. אָט דער „פּאָעטישער באַריכט“ דאָקומענטירט כראָנאָלאָגיש זײַנע פֿראַגמענטאַרישע געדאַנקען און אײַנדרוקן פֿון דעם דאָזיקן מעת־לעת.
װאָס איז טײַטש „לײַװ“?
פֿון דזשייק שנײַדער
פֿאַרבײַגעגאַנגענע רעקלאַמעס׃
פֿאַרטאָפּלט אײַער עקראַנצײַט!
װערט אַ זעלנערין פֿאַר דײַטשלאַנד!
אײַער דירה־געלט איז צו טײַער!
איך דאַרף נאָך מסרן מײַן ראָװער־גנבֿ.
כאַפּן די פֿאַרלאָזלעך פֿאַרשפּעטיקטע באַן.
שױן זיצט מײַן סטודיאָ־עולם און װאַרט.
פּונקט אַזױ װי די װערטער פֿון דער װאָך.
אונטערװאַרטן, אָפּװאַרטן, צוּװאַרטן.
פּונקט אַזױ װי יאַנקלס נײַער װערטער־װידעאָ.
עס װאַרט אַ שיסל מיט ברױנע עם־ען־עמס.
איך האָב שױן אײן מאָל פּראָבירט דעם קלאַנג.
אַ שמועס־שעה אױף פֿאַרשטומטן ייִדיש.
אַ טעלעװיזיע־פּראָגראַם אָן טעלעװיזיעס.
אַ לעבעדיקע לאַכטאַשמע, דאַנקען גאָט.
„אונדזער עולם“ איז דאָך דאָ אין װײַמאַר.
איך דאַרף נישט איבערחזרן אױף כינעזיש.
פּאָסטקאַרטלעך פֿון װאַרשע, סאַו־פּאַולו.
אַכט מדינות… אָבער נישט דײַטשלאַנד.
עלענאָר באַװױנט אונדזער נישט־טעלעװיזיע.
ליבע־בריװ פֿונעם אונטערװעש־שופֿלאָד.
דאָס טײַערסטע קלײד פֿון אַ גאַנץ לעבן.
אַז מען דערמאָנט פֿראַנק לאָנדאָנען…
כּדי צו שטראָמען באַדאַרף מען נײַעס.
אַזאַ מין איצט באַדאַרף אַן איצטיקײט.
אַנישט קומט דער נעטפֿליקס־עפֿעקט.
אָן־סופֿיקע אַפֿישן אַדורכצובלעטערן.
בײַ ממשותדיקע נײַעס קומען שטױס־מעלדונגען.
די מאָבילקעס, טאַבלעטן און זײגערלעך װיברירן.
און שױן איז אונדזער שמועס־שעה פֿאַרבײַ.
שױן האָבן מיר געבענטשט עלעקרטישע ליכט.
געריסן די חלות, געגעסן די אוגערקעס.
אֵין כּל, אֵין כּל, אֵין כּל…. „טײַ“.
נישטאָ קײן צײַט פֿאַר אַ חצות בײַם טײַך.
די באַן פֿאָרט אומהײמלעך איצטיקיסטיש.
אינסטאַגראַם האָט פֿאַרגעסן זײַן ייִדיש.
שױן אַהײמגעפֿאָרן מיטן דינג־ראָװער.
שױן געגלעט מײַן הינטלס קאָנוס־קאָפּ.
שױן אָנגעטאָן מײַן בער־קאָסטיום.
שױן געפֿאָרן צום פּרײַד־לחײם.
שױן געקװעטשט אױפֿן נײַנטן קנעפּל.
שױן איבערגעקערט אַ טעלער מיט נאַשן.
שױן געהערט מעשׂיות פֿון נעכטן בײַ נאַכט.
שױן פּאָזירט אינעם יערלעכן באַלקאָנבילד.
אַלע טראָגן װי תּמיד די סאַמע מאָדישע זאָקן.
אַ פֿרײלעכן פּרײַד. פֿרײלעך צו זײַן פֿרײלעך.
אַראָפּ און אַרױס מיט די אַנדערע פֿײגעלעך.
אַן אַנדער שׂימחה־גרופּע װאַרט שױן אין דרױסן.
איך טאָר נישט קװעטשן דאָס פֿרײלעך־קנעפּל.
איך טאָר נישט נאַשן קײן שװאַמעלע־שאָקאָלאַד.
מיר יאָגן זיך נאָך די אַנטלאָפֿענע פּאַראַד־װאָגנס.
הײַיאָר פּראָקלאַמירט מען כּמו־פּאָליטישע לאָזונגען.
דעות זענען רײצנדיק. די „גוטע גבֿירים“ בלײַבן.
מיר מאַרשירן טאַנצעװדיק, טאַנצן מאַרשירעװדיק.
ס׳איז דער הױפּטשטראָם־פּרײַד, דער באַנאַלער.
נישט דער לעסבישער, נישט דער פּאַלעסטינישער.
מיר פֿאַרלירן אַ חבֿר אַלע פֿינף מינוט.
מיר װאַרטן אױפֿן קלאָזעט־הײַזעלע.
מיר האַלטן זיך אָפּ בײַ נאָלנדאָרף־פּלאַץ.
דאָרט אױבן אַרבעט מײַן צײנדאָקטער!
דאָרט װוּ עס הענגען די נחת־פֿענער!
אַ ביר פֿון אָרגאַנישן סופּערמאַרק.
כּדי אַרײַנצוגײן דאַרף מען זיך אָנטאָן.
איך דאַרף נאָך ענדיקן דאָס „לײַװ“-ליד.
איך דאַרף שפּאַצירן מיטן קאָנוס־קעפּל.
איך דאַרף נאָך שרײַבן עטלעכע רשימות.
קודם־כּל, פֿאַר װאָס נישט אַ שניצל?
די קיך פֿאַרמאַכט זיך צען אַ זײגער.
מיר באַשטעלן אין דער לעצטער מינוט.
מיר עסן דאָס אױסגעפּלאַטשיקטן פֿלײש.
מיר שפּאַצירן אַהײם דורך די געסלעך.
צװײ פֿײגעלעך פֿון אַ גאַנץ יאָר מיט אַ הינטל.
שױן קומען די שטױס־מעלדונגען.
שױן שטײען מיר אױף דער שװעל.
איך דאַרף זיך שױן „מעלדן בשלום“.
איך דאַרף נאָך מעלדן מײַן ראָװער.
איך דאַרף נאָך ענטפֿערן אױף די בריװלעך.
צי בין איך בשלום? װער איז בלשום?
די מלחמה קעגן מלחמות איז אױס.
עס בלײַבן אונדז בלױז מײנונגען.
יעדער אײנער האָט זײַן אָפּרוף.
יעדער אײנער האָט זײַנע דעות.
יעדער אײנער האָט קלוגע פּירושים.
װער זשע װיל זײַן אין די נײַעס?
בערלין קײן װײַמאַר קײן בערלין, 26-25 יולי
The post A poet’s reaction to this summer’s terrorist attack in Berlin appeared first on The Forward.
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These Bundist pioneers were heroes in their time. Would they be in ours?
Academic stars in high school, Abrasha Blum and Luba Bielecka shared a slow burn romance and fervor for radical change. That hardly set them apart amid the ferment after the tsarist empire crumbled in 1919. No one would have predicted that Bielecka would go on to be awarded global nursing’s highest honor and Blum Poland’s equivalent of the Congressional Medal of Honor.
But their story poses a provocation in today’s hyper-polarized politics: Blum and Bielecka were devoted Bundists, and as such, they were not only socialists but anti-Zionists.
That combination can get you labeled today as anti-Israel and antisemitic, and even anti-American. Yet at the time they were Jewish heroes.
Bielecka repeatedly risked her life smuggling children out the Warsaw ghetto under Nazi occupation while directing the sole Jewish nursing school, sustaining its rigorous professional standards even as it was squashed into oblivion. Blum, a physically frail man, was dubbed the “ideological father of armed resistance” in the Bund; he led his band of militants into joining forces with the detested Zionists in the historic Warsaw Ghetto Uprising. When the insurgency was crushed — as all the combatants knew it would be — Blum, an engineer by training, led the surviving remnant through the cavernous sewer system to safety. But soon thereafter, in fleeing the police, he plummeted three stories from an apartment building. Badly injured, he was taken to Gestapo headquarters and never seen again.
Blum and Bielecka engaged the world as they found it and fought for justice for Jews and humanity. Blum’s photo is on display at Yad Vashem, Jerusalem’s Holocaust museum.
A lot has changed in 85 years. In 1939, most Americans Jews opposed Zionism and feared it would be misused by antisemites to justify allegations of dual loyalty. At the time, twice as many Jews lived in Warsaw as in all of British Palestine. The Bund swept 17 of 20 Jewish-designated seats on city council (Blum held one of them), far outdistancing all the Zionists parties together. Socialism made sense to Jewish voters, who were overwhelmingly “blue collar.” And so did doikayt (“hereness”), the doctrine that Poland’s three million Jews belonged there, not in a far-off desert, as the Zionists maintained.
The Holocaust radically and irrevocably changed the landscape. Ninety percent of Polish Jewry was exterminated. Even after the Nazis were vanquished, Jews continued to endure pogroms and were largely purged from Poland’s ruling communist party. By then, Israel was the sole destination in the world that welcomed large numbers of Jews.
Blum and Bielecka’s daughter, 17-year-old Aviva (née Victoria), was among the pioneers who migrated to a kibbutz in the new State of Israel. Zionism offered her the promise of milk and honey in a sanctuary free of antisemitism.
For years, her younger brother, Olek, held fast to his parents’ politics. But he too ultimately exited Poland, not for Israel but for the US, saddened that his father’s dream of “a prosperous Jewish minority inside Poland was impossible to realize.”
Like their parents, Aviva and Olek too engaged the post-WWII world as they found it and sought a better world.
Today, socialism and anti-Zionism are each experiencing something of a revival in the U.S. Self-described socialists have won mayoral elections in New York, Seattle and Washington, D.C. DSA-supported candidates won the Senate Democratic primary in Florida and narrowly lost Wisconsin’s gubernatorial primary. A recent CBS News poll found that 58% of Democrats now hold a favorable view of socialism, whereas only 32% view capitalism positively. The gap is even wider among young people. Jews, despite their relative affluence, remain among the most liberal voters in the U.S., although their current views on socialism have not been scientifically surveyed.
Anti-Zionism looks quite different in 2026 than in 1939, at least to Jews. Israel, approaching its 80th anniversary, is far from the desert mirage ridiculed by pre-war Bundists. While only a minority of American Jews self-describe as Zionists, an overwhelming majority support Israel as a Jewish and democratic state. Yet they are deeply troubled by Israel’s direction: Polls show that Zohran Mamdani, a socialist and anti-Zionist, is more popular among American Jews than Israeli Prime Minister Benjamin Netanyahu.
We’re left with this thought experiment: What if Abrasha and Luba resided in America today? What would they view as justice and how would they engage to achieve it? What if they resided in Israel?
And finally, a question about the rest of us: Would we recognize them as heroes?
The post These Bundist pioneers were heroes in their time. Would they be in ours? appeared first on The Forward.
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AIPAC couldn’t stop Michigan’s El-Sayed in the primary. Now it’s trying again.
AIPAC’s super PAC has re-entered Michigan’s closely watched U.S. Senate race less than a month before the general election, spending nearly $100,000 on mailers attacking Abdul El-Sayed, despite earlier concerns by allies of his Republican opponent, Mike Rogers, that it would boost the Democratic nominee.
The spending of $94,620 by United Democracy Project (UDP) on direct mailers was disclosed in a Friday campaign finance filing. It comes after Rogers publicly welcomed AIPAC’s support during a televised debate last week, reversing the position initially taken by people close to his campaign who worried the pro-Israel group’s involvement could hurt his chances.
A spokesperson for the group told Jewish Insider that the mailers target 130,000 identified Jewish voters in the swing state. It focuses on El-Sayed’s response to an attack on Temple Israel in West Bloomfield earlier this year. El-Sayed drew criticism for saying “hurt people hurt people” when discussing the attacker, whose brother was reportedly a Hezbollah commander killed in an airstrike on Lebanon. El-Sayed later apologized, saying he had been trying to provide broader context for the attack.
UDP spent more than $30 million trying to defeat El-Sayed in the Democratic primary this summer and in support of Rep. Haley Stevens, who lost by about one percentage point.
Following the primary, allies of the Republican nominee reportedly asked AIPAC not to run ads to boost him, fearing that the group’s involvement would give El-Sayed the same political foil that helped him overcome its massive spending in the primary. Axios reported that AIPAC officials didn’t take that rejection easily.
But Rogers appeared to change course last Thursday when asked whether he’d welcome AIPAC’s support.
“Anybody that wants to help my campaign stop a guy who can’t condemn terrorism in our own country because he’s so close to the people who are supporting the Muslim Brotherhood, again, I’ll take all of that help,” Rogers said at Thursday’s televised debate. El-Sayed interrupted to say he had condemned terrorism.
A new super PAC, Together for Michigan, aired an ad during the debate featuring Taylor Weintraub, whose child attends the Temple Israel preschool that was attacked in March.
Rogers went further on Friday at a campaign event with Sen. John Kennedy of Louisiana, accusing El-Sayed of being “so anti-Jewish” that a single mailer had upset him. Rogers said he welcomed help from Jewish supporters seeking to defeat his opponent. Kennedy also attacked El-Sayed, saying AIPAC would not be involved in the race if the Democrat did not “sleep in a Bin Laden jersey.”
El-Sayed, an Israel critic who has made opposition to AIPAC a central part of his campaign, responded by accusing Rogers of desperation. “You know Mike Rogers is in trouble when he begs AIPAC to start spending against me,” he wrote on X.
Some Jewish Democrats are publicly supporting Rogers, saying El-Sayed has failed to assuage concerns in his outreach to Jewish voters and in campaign appearances in recent months. If elected, El-Sayed would become the first Muslim member of the U.S. Senate.
Recent polls show El-Sayed with a narrow lead in the race to replace retiring Democratic Sen. Gary Peters. Recent elections in Michigan have been decided by narrow margins. Trump won the swing state in 2024 by about 80,000 votes, while Democratic incumbent Elissa Slotkin defeated Rogers in the Senate race that year by fewer than 20,000 votes. Four years earlier, Joe Biden won Michigan by about 2.8 percentage points.
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