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Burt Bacharach, sophisticated Jewish hitmaker of the ‘60s and ‘70s, dies at 94

(JTA) — Songwriter Burt Bacharach,  who with his longtime lyricist Hal David turned out a  string of hits in the 1960s and ’70s — including “Alfie” and “Raindrops Keep Fallin’ On My Head” — died on Wednesday at his home in Los Angeles. He was 94.

Bacharach and David, both Jewish New Yorkers, also wrote a host of songs that made Dionne Warwick a megastar, such as “Walk on By,” “Do You Know the Way to San Jose” and “I Say a Little Prayer.” 

The duo came to fame while working in the Brill Building — a Midtown Manhattan mecca for music publishing that housed a slew of Jewish songwriters, including the teams of Carole King and Gerry Goffin and Barry Mann and Cynthia Weil. But unlike their peers, who wrote for the burgeoning teen market, their songs were marked by a certain elegance and romance that drew more on the Great American Songbook and Broadway than rock ‘n’ roll. 

Fittingly, the pair collaborated with Broadway producer David Merrick on the 1968 musical “Promises, Promises,” which yielded two hits, including the title tune and “I’ll Never Fall in Love Again.” That show too had a strong Jewish pedigree: The book by the legendary playwright Neil Simon was based on the 1960 film “The Apartment,” written by Billy Wilder and I. A. L. Diamond.

Bacharach grew up in Forest Hills, Queens; his father was a journalist and his mother an amateur musician. He recalled in his 2013 autobiography, “Anyone Who Had a Heart,” written with Robert Greenfield, that “no one in my family ever went to synagogue or paid much attention to being Jewish.” 

And yet Jonathan Freedman, author of “Klezmer America: Jewishness, Ethnicity, Modernity,” told the New York Jewish Week in 2013 that what made Bacharach’s music Jewish was his “wild play with time signatures; he is to time signatures what [George] Gershwin is to chord changes.” He called Bacharach “really audacious and experimental,” an example of what he sees Jewish artists doing as they “enter popular forms and make them their own.”

Bacharach was also the first composer to be featured in the experimental jazz musician John Zorn’s late-1990s “Great Jewish Music” series; in the CD’s jacket notes, Zorn thanks him for not changing his name and points out that Bacharach is “one of the great geniuses of American popular music — and he’s a Jew.”

In the 1970s Bacharach split with David and Warwick and entered into a new collaboration – and third of four marriages – with lyricist Carole Bayer Sager, another Jewish New Yorker. Their best-known song was the AIDS fund-raising anthem “That’s What Friends Are For.” 

Bacharach remained busy nearly to the end of his life, with his later activity including collaborations with the rock star Elvis Costello. He won seven Grammy awards in all, the latest in 2006 for his pop instrumental album “At This Time.” In 1983, at the height of the British “New Wave” in rock, a synth-pop version of the then 20-year-old Bacharach-David song “(There’s) Always Something There to Remind Me” by Naked Eyes climbed into the Billboard Top Ten.

Bacharach would eventually reunite with Warwick and with David. In 2012, 40 years after they were inducted into the Songwriters Hall of Fame and shortly before David died at age 91, Bacharach and David received the Library of Congress’ Gershwin Prize for Popular Song — named for the Jewish composer to whom Bacharach had long been compared.


The post Burt Bacharach, sophisticated Jewish hitmaker of the ‘60s and ‘70s, dies at 94 appeared first on Jewish Telegraphic Agency.

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Report: Hamas Terrorists Freed Under Ceasefire Deal Luxuriating in a 5-Star Cairo Resort

Hamas terrorists carry grenade launchers at the funeral of Marwan Issa, a senior Hamas deputy military commander who was killed in an Israeli airstrike during the conflict between Israel and Hamas, amid a ceasefire between Israel and Hamas, in the central Gaza Strip, Feb. 7, 2025. Photo: REUTERS/Ramadan Abed

i24 NewsUpward of 150 convicted Hamas terrorists released by Israel in exchange for hostages under a US-brokered ceasefire deal are staying in a luxury hotel in Cairo alongside unsuspecting Western tourists, the Daily Mail reported Saturday.

The group was among some 250 prisoners serving life sentences for deadly attacks against Israelis. Israel agreed to the swap to secure the return of the last 20 living hostages. The move was met with some opposition in Israel, including from those whose loved one were murdered by the terrorists.

The Daily Mail reported that 154 of the released terrorists are staying at the five-star Renaissance Cairo Mirage City Hotel, whose guests are booking rooms without being forewarned that convicted terrorists are also staying on the premises.

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Leonard Bernstein wrote a love song to the White House; now it’s an elegy

In 2017, Cynthia Erivo, clad in white like a bride, took the stage at Washington, D.C.’s Kennedy Center to perform “Take Care of This House.” It was opening night of the National Symphony Orchestra’s season, and Erivo was singing First Lady Abigail Adams’ solo from the little-known Leonard Bernstein and Alan Jay Lerner musical 1600 Pennsylvania Avenue.

That show, an ode to the first century of the White House’s existence, premiered in 1976, and has a rocky history: It closed on Broadway after only 20 performances, including previews. But the musical, while imperfect, was daring — a recounting of American history that featured a series of presidents, their first ladies, and their Black servants. Erivo sang in the first year of President Donald Trump’s first term. Then, having a Black actor on the Capitol’s most prominent stage sing the part of a white first lady — in a song that promises a Black servant he has a part in the American dream — felt like resistance.

Yes, the political tide might have been turning away from the heartfelt messaging of 1600 Pennsylvania Avenue, which suggested women and people of color were as central to American history as any white, male president. But in the world of culture, Erivo’s performance proclaimed, that kind of equal respect was still the true American dream.

Is it still?

Where Jacqueline Kennedy’s Garden, also known as the First Lady’s Garden, once bloomed, there is an expanse of yellow-brown dirt. The First Lady’s Office, shaped by Eleanor Roosevelt and Rosalynn Carter, is a heap of twisted metal. Where the corridors of power once linked the presidential operations of the West Wing to the visitor’s office — the point of public access to the public’s house — there is an expanse of scarred, dusty red brick, the innards of the house exposed.

Amid Trump’s demolition of the White House’s East Wing, the rubble where part of the most familiar facade in the country used to stand feels like a rebuttal to the simple exhortation Adams’ character expresses in “Take Care of this House.” “Keep it so clean,” she sings, “The glow can be seen / All over the land.”

Bernstein held a troubled but profound attachment to the vision of a United States that lived up to its founding promise of liberty and justice for all. That oft-broken pledge was a theme of West Side Story: “America,” with lyrics by Stephen Sondheim, is an unusually effective, and entertaining, argument both for and against maintaining hope in this country. Bernstein’s support for the civil rights movement was so well-known that it occasionally backfired, with Tom Wolfe famously asking if the composer’s activism was just a way of accenting his own glamour.

But the picture of a better country — a country that was true to its professed ideals — has rarely sounded as unglamorous, or as meaningful, as it does in “Take Care of This House.” Adams coaches her servant carefully: Make sure the doors are locked and the surfaces are shined, and be ever alert to anything even mildly amiss.

Whatever Bernstein’s failings as an activist, he understood something essential about what the White House means. It is an example of the best of the U.S. because it is humble: Not a palace, but a place that successive generations — especially First Ladies, and their unsung servants — have strived to make beautiful. Some people may visit the White House to gawk at the extravagance, or to feel the rumbles of the machinery of power. I suspect more do because they are drawn to their own sense of ownership of it — the idea that they, too, could have a small part in making it great.

Will Trump’s new ballroom make it greater than the First Lady’s Garden did? Greater than the quiet energy that came from standing between walls that had witnessed the making of history?

It’s true that luxury and ease are also manifestations of a kind of American dream — a different one than that which Bernstein and Lerner articulated. But today, watching Erivo sing Adams’ paean to the beauty of a carefully kept home, my heart aches. All that work, over all those decades, and the end is a landscape of desolate rubbish, with the suggestion of gaudiness to follow.

When I think back to my own visit to the East Wing of the White House in 2015, I think about the last lines of Bernstein and Lerner’s song: “Take care of this house / Be always on call/ For this house / Is the hope of us all.”

I felt a sort of soft awe back then. I wonder if that feeling is one I’ll ever have again.

The post Leonard Bernstein wrote a love song to the White House; now it’s an elegy appeared first on The Forward.

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As 1000+ rabbis sign anti-Mamdani letter, others decry mounting ‘red lines’ in Jewish communities

(JTA) — Two days after Rabbi Elliot Cosgrove delivered a sermon urging congregants to vote against Zohran Mamdani, rabbis across the country were asked to sign a letter quoting him.

By the time it was published Wednesday, 650 rabbis and cantors had done so, adding their names calling out the “political normalization” of anti-Zionism among figures like Mamdani, the New York City mayoral frontrunner.

By Friday, the letter had more than 1,000 signatories, making it one of the most-signed rabbinic letters in U.S. history.

But Cosgrove, the senior rabbi of Park Avenue Synagogue on the Upper East Side, was not one of them.

“As a policy, I do not sign group letters,” he said in an interview. 

“My fear of such letters is they can flatten subjects and reduce complex issues to ‘Who’s on a letter and who’s not on a letter?’” he added. “There are other platforms that rabbis can give expression to their leadership.”

As the letter has ricocheted across the country and escaped from rabbis’ inboxes to their congregants’ social media feeds, it has ignited a wave of scrutiny, plaudits and recriminations. Some people have voiced relief or disappointment in seeing their rabbi’s name on the list — or on not seeing it. 

“Jewish communities are circulating spreadsheets of who signed and who didn’t,” wrote Rabbi Shira Koch Epstein in an essay describing what she said was “a painful public reckoning” taking place both publicly and privately.

“I am not sleeping. These red lines are so dangerous,” responded Rabbi Lauren Grabelle Hermann, of Manhattan’s Society for the Advancement of Judaism, in one of dozens of comments representing a wide range of views. Hermann devoted her Yom Kippur sermon earlier this month to calling on her community to “become an antidote to the polarization and fragmentation in our broader Jewish community and society.”

Now, facing renewed pressure from their congregants over the letter, some New York City rabbis are articulating alternative strategies for responding to a political moment that many Jews are experiencing as fraught and high-stakes.

Rabbi Angela Buchdahl wrote to all members of Central Synagogue, the Manhattan Reform congregation where she is senior rabbi, to explain why they would not find her among the letter’s signatories.

“As a Central clergy team, we have spoken from the pulpit in multiple past sermons and will continue to take a clear, unambiguous position on antisemitism, on anti-Zionist rhetoric, and on sharing our deep support for Israel,” she wrote.

But, citing the importance of “separation of church and state,” Buchdahl wrote that “it is up to each of us to vote our conscience.”

“There are political organizations, including Jewish ones, where electoral politics is the core mission. Get involved,” she wrote. “Central Synagogue, however, is a Jewish spiritual home and we want to keep it that way. It remains our conviction that political endorsements of candidates are not in the best interest of our congregation, community, or country.”

Rabbi Jeremy Kalmanofsky of the Conservative synagogue Congregation Ansche Chesed on the Upper West Side sent out a letter of his own to congregants. He said he would not be voting for Mamdani but did not believe it was his role to tell them how to vote. And he raised concerns about what he said was the “shearing off of liberal from conservative liberal communities,” saying that Jews of all political outlooks should be able to pray and act together. 

“The Torah commands lo titgodedu, traditionally interpreted to mean, don’t fragment yourselves into factions,” Kalmanofsky wrote. “I fear this happening to Jews. Frankly, I fear it more than I fear an anti-Zionist mayor.”

Rabbi Adam Mintz, who leads the recently rebranded Modern Orthodox congregation Shtiebel @ JCC, said he’d signed a smaller letter from Manhattan Orthodox rabbis urging the importance of voting. But Mintz felt this letter was outside his role.

“I’m a rabbi. I don’t want to take a political stand,” he said. “I understand that some people feel strongly and they want to take a political stand. I think that’s OK, but that’s not my role.”

Rabbi Michelle Dardashti of Kane Street Synagogue, an egalitarian Conservative synagogue in Brooklyn, did not sign the letter, either. She instead took a different approach to addressing her congregants in the lead-up to the election, hosting about 80 of them Tuesday night for an evening of dialogue. 

Members representing a spectrum of views took turns sharing questions and concerns ahead of the election. Dardashti said congregants, despite conflicting views, were “deeply engaged and passionate, and spoke beautifully and respectfully.”

“I understand my rabbinic role to be one that creates space for people to learn from each other’s different experiences, and therefore perspectives,” she said.

Some Jewish leaders and groups outright opposed the letter and its message, rather than considering it an ill-advised strategy. Bend the Arc, a progressive Jewish organization that endorsed Mamdani, released a statement excoriating the letter and its signatories for distracting from what it said was the real issue: Donald Trump.

“These Jewish leaders are doing Trump and the MAGA movement’s work for them: dividing our pro-democracy movement at a time when we need to be united to beat back fascism,” the statement read.

Josh Whinston, a rabbi in Ann Arbor, Michigan, expressed skepticism on social media about the letter’s origin and intentions, and noted that he did not sign it.

“This was not a call for moral clarity; it was a political move aimed at influencing a local race in New York City,” he wrote.

Upon first reading it, Whinston wrote that he “agreed with parts of what it said,” and that he “considered signing.” But, hoping to learn more about the Jewish Majority, the group behind the letter, Whinston wrote, “The site offered no substance. There was no mission, no vision, no leadership, no staff.” 

The Jewish Majority’s goal, as stated on its website, is to counterbalance left-wing “fringe groups” like Jewish Voice for Peace and Jews for Racial and Economic Justice, which they say “weaponize the Jewish identity of some of their members to call for policy recommendations that are rejected by the overwhelming majority of the Jewish community.” 

The executive director of the Jewish Majority, Jonathan Schulman, is a former longtime AIPAC staffer. In an interview, Schulman said he wrote the letter’s first draft before it underwent rounds of edits from about 40 rabbis of different denominations. 

The inspiration came when “Rabbi Cosgrove’s sermon started making the rounds,” he said, adding, “By Sunday morning, rabbis were reaching out to me saying, ‘This is the kind of sentiment we’re feeling all over the country.’”

Unlike Cosgrove’s sermon, which included an endorsement of Andrew Cuomo, the letter does not mention either of Mamdani’s opponents. It does, however, say that political figures like “Zohran Mamdani refuse to condemn violent slogans, deny Israel’s legitimacy, and accuse the Jewish state of genocide,” and calls on Americans to “stand up for candidates who reject antisemitic and anti-Zionist rhetoric, and who affirm Israel’s right to exist in peace and security.” 

Schulman recalled being told, “‘There’s the issue of Zohran Mamdani and calls to globalize the intifada and all this, but there’s anti-Zionist candidates running for mayor in Somerville, Massachusetts, in Minneapolis, Seattle — this is becoming normalized, this is becoming mainstream.’”

Rabbi Mark Miller of Temple Beth El in Bloomfield Hills, Michigan, is one of the rabbis who helped edit the letter. He said part of his goal was to help clarify its nature as being national rather than local. 

“This was not an attempt for the rest of us to get involved in New York politics,” Miller said. “It’s highlighting it, but the issue is that everywhere we are, this is a concern.”

Signatories on the letter include rabbis from across the United States, and even outside the country. 

Rabbi Brigitte Rosenberg, the senior rabbi of a Reform congregation in St. Louis, signed the letter, and said the message about anti-Zionism resonated with her on a national level.

“Mamdani was the big race that was talked about in this, but it’s come up in other races, right?” Rosenberg said, pointing to the comeback bid of “Squad” member Cori Bush to represent St. Louis in Congress.

Rabbi Jeremy Barras from Miami said a number of his congregants have residences in New York, and “they’re just terrified.”

“But I would’ve signed it if it was the same issue in any city in America,” Barras said. “It just happens to be true that we’re a little more sensitive because so many of our families have connections in New York.”

Both Barras and Rosenberg said they couldn’t remember an open letter signed by this many rabbis. There have in fact been examples of open letters being signed by 1,000-plus rabbis, including an appeal to open Palestine to Jews in 1945; a 2017 letter calling on Trump to support refugees and a letter from earlier this year demanding Israel stop “using starvation as a weapon of war.”

Yehuda Kurtzer, co-president of the Shalom Hartman Institute, affirmed that open letters like the one distributed by the Jewish Majority are nothing new, and said there is “definitely a tension that emerges” for those expected to sign. Endorsements from the pulpit, on the other hand, are “new terrain,” he said, noting the Trump administration’s decision to stop enforcement of an IRS rule barring political endorsements from religious institutions.

“We felt pretty strongly that rabbis should not generally do this, and there’s a whole variety of reasons,” Kurtzer said. “It’s a plausible scenario that politicians will start doing quid pro quos with religious leaders around their needs. Once you do it once there’s an expectation that you’ll do it all the time.”

Some of the rabbis who signed say they weren’t making a partisan political statement. Ammiel Hirsch, senior rabbi of Stephen Wise Free Synagogue on the Upper West Side and the leader of a Zionist organization within the Reform movement, acknowledged “worries” about alienating some congregants. But, like others who’ve come out against Mamdani, Hirsch said it was non-partisan to speak out against someone whose rhetoric could compromise Jewish safety.

“There’s always the risk that people will understand you in a partisan way, especially since we’re living in such a hyper-partisan atmosphere now,” Hirsch said. “But it’s a risk that we have to take because the stakes are so high.”

Rabbi Joshua Davidson of Manhattan’s Temple Emanu-El made a similar point. “I’m not going to tell people who they ought to vote for. But I do think it’s important for me to let them know what I think they ought to be thinking about when they vote,” he said, pointing to issues like “the well-being of the State of Israel and the safety of the Jewish community.”

For Cosgrove, whose synagogue is located 20 blocks from Davidson’s, the division that’s arisen since his sermon is something to grieve.

“It deeply saddens me that, in a moment where the Jewish community should be thinking about the external threats that our community faces, that we should be spending an iota of energy on that which exacerbates any fault lines,” Cosgrove said.

The post As 1000+ rabbis sign anti-Mamdani letter, others decry mounting ‘red lines’ in Jewish communities appeared first on The Forward.

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