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Can a Holocaust documentary have a happy ending? Should it?
(JTA) — Holocaust documentaries tend to sit along a scale from horrific to heartwarming. For every “Night Will Fall,” the rediscovered British film showing gruesome scenes from newly liberated Nazi concentration camps, there is a family-friendly film about a survivor, like “The Number on Great-Grandpa’s Arm.”
Some critics distrust Holocaust documentaries that have “happy” endings, or that focus on the second chance given to survivors, as if they betray the fate of the many more millions of Jews who died rather than survived. Raye Farr, the former director of the Steven Spielberg Film and Video Archive of the United States Holocaust Memorial Museum, once criticized Holocaust documentaries’ “increasing inclination to go for sentimentality.”
“How Saba Kept Singing,”a documentary airing on PBS on Tuesday in honor of Yom Hashoah, Holocaust Remembrance Day, is firmly on the side of uplift. It’s about Cantor David Wisnia, whose unlikely survival tale was told in a memorable New York Times article in 2019. The film’s redemptive message is clear from its first line — “I’m a lover of life,” says Wisnia — to one of its last: “You are really the proof that Hitler did not win,” he tells his grandson.
Wisnia was a Polish Jew who survived Auschwitz by literally singing for his captors. Defying the perverse and inexplicable odds of the Final Solution, the former cantorial prodigy managed to live close to three years at the death camp and slave labor complex.
Perhaps as remarkable was his relationship with a fellow inmate, Helen “Tzippi” Spitzer, a similarly “privileged” prisoner who managed to stay in the Nazis’ good graces thanks to her skills as a graphic artist. Her assignments took her to places beyond the women’s barracks, where she met Wisnia, eight years her junior. Soon the two were arranging trysts in a loft where prisoners’ uniforms were stored. Fellow prisoners kept a helpful watch for guards.
Their death camp romance ended on the eve of liberation, when the Germans began emptying the camps and forced the prisoners on a series of death marches. Although David and Tzippi made plans to meet in Warsaw, life had other ideas. Wisnia eventually made it to America after the war, where he became a cantor at synagogues in Levittown, Pennsylvania, and Trenton, New Jersey. As for Tzippi, Wisnia wasn’t sure if she survived the war — and when he discovered the truth it set in motion the next remarkable chapter in their story.
The documentary recalls the horrors of the Holocaust — David speaks movingly about the murders of his parents and brothers in the Warsaw Ghetto, and having to stack bodies on a work detail at Auschwitz — but maintains a cautious distance. Writer and director Sara Taksler keeps the archive footage to a minimum, and when Wisnia relates his story of survival — with the help of Avi Wisnia, a singer-songwriter who accompanies his grandfather on a trip to Poland — it is usually over scenes of the camp as it looks today or black and white animation.
Still, “How Saba Kept Singing” is hardly saccharine. Grandfather and grandson are clear-eyed chroniclers of stories David told often (in 2015, he published a memoir, “One Voice, Two Lives: From Auschwitz Prisoner to 101st Airborne Trooper”). And David never takes his good luck for granted — the film is organized around his suspicion that there is a missing piece to his story of survival and that, as Avi says, “He could not have done it alone.”
About his time with Tzippi, David is both honest and discreet. “It was physical,” he admits. “She taught me everything. I knew nothing. I was a kid.”
Avi recounts the family’s shock when they first learned of their patriarch’s relationship with another prisoner at Auschwitz. “Even in the hell of a concentration camp you can still find some kind of a human connection,” says Avi.
Wisnia arrived in the United States in 1946 and lived with an aunt in the Bronx. He met his wife – the appropriately named Hope — and got work as an encyclopedia salesman and, for over 50 years, as a cantor. The couple would go on to have two sons, two daughters and six grandchildren.
As for Tzippi — it’s not giving away too much to say that she also survived the war and got married, to a bioengineering professor who eventually taught at New York University. Per the Times, the couple “devoted years of their lives to humanitarian causes.” She and David would meet again, in a reunion described in that 2019 New York Times story and heard in the documentary on audiotape. Suffice to say that David got an answer to the mystery that long nagged him: “How come I stayed in Auschwitz two and half years and never moved? How the hell can you explain it?”
The film is also saved from sentimentality by the knowledge that David is among the last living witnesses to the Holocaust, which he and Avi sadly acknowledge when discussing whether David would return to Auschwitz for the 75th anniversary of its liberation in 2020. Cantor Wisnia died June 15, 2021, at the age of 94; Tzippi died in 2018 at age 100.
Rabbi Isaac Nissenbaum, another victim of the Warsaw Ghetto, purportedly gave permission for the Nazis’ prey — and perhaps future filmmakers — to see their survival as a sanctification of life, not an occasion for guilt. “Today when the enemy demands the body, it is the Jew’s obligation to defend himself, to preserve his life,” he is reported to have said.
Avi Wisnia picks up this theme during a performance with his saba, Hebrew for grandfather.
“I honor the past, and we sing for the future,” he tells the audience. “The greatest act of defiance is to live.”
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The post Can a Holocaust documentary have a happy ending? Should it? appeared first on Jewish Telegraphic Agency.
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Israel Estimates US Blockade of Strait of Hormuz to Slash Iran Oil Exports by 80%
A vessel at the Strait of Hormuz, off the coast of Oman’s Musandam province, April 12, 2026. Photo: REUTERS
As Iran struggles to rebuild damaged military and energy infrastructure amid the current ceasefire, Israel estimates that a US naval blockade of Iranian ports will slash the regime’s oil exports by roughly 80 percent, nearly severing one of Tehran’s last remaining economic lifelines.
According to Israeli security assessments, the US closure of the Strait of Hormuz — a critical global energy chokepoint through which about one-fifth of the world’s oil supply passes — triggered an immediate and dramatic collapse in Iran’s revenue that will lead to a loss of more than $1 billion a month, Walla reported.
US President Donald Trump has claimed the regime is losing about $500 million a day as a result of the blockade. Some experts, such as Miad Maleki of the Foundation for Defense of Democracies think tank, have put the figure at roughly $450 million lost in daily economic activity for Iran.
Regardless of the specific amount, given that energy exports remain the backbone of the regime’s economy, what is left of oil revenues now amounts to little more than a fragile lifeline keeping Tehran temporarily afloat as financial pressure continues to mount.
Even with the naval blockade in place, Iranian authorities have managed to maintain a limited flow of exports by transporting oil from inland production fields to the Gulf of Oman through the multi-billion-dollar Gura–Jask pipeline, an overland route that moves roughly 300,000 barrels per day to global markets.
Israeli officials assess that the blockade and resultant shortfall for Tehran could set off a chain reaction of disruptions, including the shutdown of entire segments of the oil industry.
They also point to severe damage across Iran’s petrochemical and defense sectors, which together have cost an estimated 100,000 jobs at multiple levels, arguing that the cumulative impact is pushing the Iranian regime into a corner.
After repeated efforts to bring Iran back to the negotiating table, the Trump administration escalated pressure on Tehran earlier this month by imposing a naval blockade on vessels entering or leaving Iranian ports through the Strait of Hormuz, aiming to force a deal that would bring an end to the conflict.
Since the start of the war earlier this year, Iran has used control over the Strait of Hormuz as a major source of leverage, militarizing the waterway and sharply restricting maritime traffic through one of the world’s most critical shipping corridors.
Iran has also signaled it intends to maintain control over the strategic shipping lane even after the war ends, potentially imposing transit fees framed as compensation for wartime damage.
After Trump extended the ceasefire indefinitely on Tuesday to allow for renewed diplomatic efforts, it now remains to be seen whether Iran will agree to return to negotiations, as questions persist over whether both sides can bridge widening differences to restart talks.
According to The New York Times, US officials previously proposed a 20-year halt to Iranian uranium enrichment, which Iranian negotiators countered with a five-year suspension that Washington rejected. The White House has also reportedly insisted that Iran dismantle major enrichment sites and surrender more than 400 kilograms of highly enriched uranium.
Even as the regime faces one of its most severe economic crises in decades, Iranian authorities have continued pouring billions into rebuilding military and nuclear infrastructure and supporting regional proxy forces, prioritizing strategic confrontation with Israel over urgent domestic needs such as the country’s worsening water crisis.
The regime has spent billions of dollars supporting its terrorist proxies across the Middle East and operations abroad, with the Quds Force, Iran’s elite paramilitary unit, funneling funds to the Lebanese group Hezbollah, in defiance of international sanctions.
According to the US Treasury Department, Iran provided more than $100 million per month to Hezbollah in 2025, with $1 billion representing only a portion of Tehran’s overall support for the terrorist group, using a “shadow financial system” to transfer funds to Lebanon.
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VIDEO: A creative way to make Yiddish come alive in the classroom
לעסלי טערנער, אַ גראַדויִר־סטודענטקע אין פּראָפֿ׳ אַנאַ שטערנשיסעס קלאַס בײַם טאָראָנטאָ־אוניווערסיטעט, האַלט בײַם פֿאַרענדיקן אַ מאַגיסטער אין ייִדיש־לימודים. זי האַלט, אַז זי — און אַנדערע ייִדיש־סטודענטן — קענען העלפֿן אױפֿהאַלטן די ייִדישע שפּראַך דורכן שאַפֿן נײַע ווערק אין ייִדיש.
מיט פֿינף יאָר צוריק האָט זי אָנגעהױבן שרײַבן און אינסצענירן ליאַלקע־שפּילן אױף ייִדיש. דאָס איז געװען דער אָנהײב פֿון אַ סעריע אויפֿפֿירונגען, ניצנדיק צוויי ליאַלקעס: אַ הײַפֿיש וואָס הייסט הײַפֿישעלע, און אַ פּיפּערנאָטער. יעדן זומער פֿירט זי אויף אַ ליאַלקע־שפּיל אויף דער „ייִדיש־וואָך“, אין איינעם מיטן שיקאַגער ייִדישיסט אַבֿי פֿריד.
לעצטנס האָט טערנער און אַ צווייטער סטודענט, גריים מײַערס, אויפֿגעפֿירט אַ נײַ־געשאַפֿענע ליאַלקע־שפּיל אין שטערנשיסעס קלאַס, פֿילמירט דורך צוויי אַנדערע סטודענטקעס מרים באָרדען און אליזה אַוטען. די פֿאָרשטעלונג, „הײַפֿישעלע און פּיפּערנאָטער קומען קײן ניו יאָרק“, האָט אַזאַ סיפּור־המעשׂה:
הײַפֿישעלע און פּיפּערנאָטער פֿאַרלאָזן זײער שטעטעלע און פֿאָרן קײן ניו־יאָרק, כּדי פּיפּערנאָטער זאָל קענען ממשיך זײַן זײַן קאַריערע ווי אַן אַקטיאָר. דאָס יאָר איז 1916 און די באַרימטע אַקטריסע בעסי טאָמאַשעפֿסקי פֿירט אָן מיט איר אײגענער טעאַטער־טרופּע. זי האָט נאָר װאָס געהאַט אַרױסגעגעבן איר לעבנס געשיכטע.
בעסי מוז אָבער קאָנקורירן מיט איר אומגעטרײַען מאַן, דעם באַרימטן אַקטיאָר באָריס טאָמאַשעפֿסקי, וואָס האָט אויך אַ טעאַטער־טרופּע. באַשליסט זי צו געבן פּיפּערנאָטער אַ ראָלע אין אַ ייִדישער איבערזעצונג פֿון שייקספּירס פּיעסע „האַמלעט“, וווּ זי אַליין שפּילט די הויפּטראָלע.
דאָס וואָס טערנער שרײַבט און פֿירט אויף ליאַלקע־שפּילן ווי אַ טייל פֿונעם ייִדיש־קלאַס קאָן טאַקע דינען ווי אַ מוסטער פֿאַר לערער און סטודענטן פֿון ייִדיש־קורסן איבער דער וועלט. ערשטנס, העלפֿט עס פֿאַרבעסערן די שפּראַך־פֿעיִקייטן פֿונעם מחבר, די ליאַלקע־שפּילער און די צוקוקערס. צווייטנס, קען עס אַרײַנברענגען אַ היימישע, חבֿרישע שטימונג אינעם ייִדיש־קלאַס.
— שׂרה־רחל שעכטער
The post VIDEO: A creative way to make Yiddish come alive in the classroom appeared first on The Forward.
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Israel Competes in World Cheerleading Championships for First Time Ever
Israeli national flags flutter near office towers at a business park also housing high tech companies, at Ofer Park in Petah Tikva, Israel, Aug. 27, 2020. Photo: REUTERS/Ronen Zvulun
Israel is competing for the first time ever in the 2026 ICU World Cheerleading Championships.
The competition begins on Wednesday, which is also Israel’s Independence Day.
The ISCU, the official cheerleading organization in Israel that is supported by EL AL Airlines, made the announcement and posted footage on Instagram of the athletes and their final rehearsal before flying to the US for the competition, which will take place until Friday in Orlando, Florida. Ludmila Yasinskaya-Demari is the president of the Israel Cheer Union.
“Today, on Israel’s Independence Day, the Israeli cheerleading team has the honor of competing on the world stage,” the ISCU wrote in an Instagram post. “It’s a very moving and meaningful moment for us to represent Israel on such an important day — with pride, strength, and love for our country. Thank you to EL AL for supporting us in this way. There’s something symbolic and special about flying and competing with Israel’s national airline. From Israel to the world — the Israeli team is ready.”
The championship is being held at the ESPN Wide World of Sports complex at Disney World, and is organized by the International Cheer Union, the official world governing body for cheerleading. Israel is a member of the European Cheer Union and the International Cheer Union. It will compete in the POM category and in two doubles pairs competitions.
Team USA is after its ninth, consecutive co-ed premier world title at the World Cheerleading Championships. The US has won gold since 2021 and also won the competition from 2016 through 2019. The competition was not held in 2020 due to the COVID-19 pandemic.
In 2015, the US came in second place behind Team Chinese Taipei. The US is also the defending champion in the All Girl Premier category.