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Can a Holocaust documentary have a happy ending? Should it?
(JTA) — Holocaust documentaries tend to sit along a scale from horrific to heartwarming. For every “Night Will Fall,” the rediscovered British film showing gruesome scenes from newly liberated Nazi concentration camps, there is a family-friendly film about a survivor, like “The Number on Great-Grandpa’s Arm.”
Some critics distrust Holocaust documentaries that have “happy” endings, or that focus on the second chance given to survivors, as if they betray the fate of the many more millions of Jews who died rather than survived. Raye Farr, the former director of the Steven Spielberg Film and Video Archive of the United States Holocaust Memorial Museum, once criticized Holocaust documentaries’ “increasing inclination to go for sentimentality.”
“How Saba Kept Singing,”a documentary airing on PBS on Tuesday in honor of Yom Hashoah, Holocaust Remembrance Day, is firmly on the side of uplift. It’s about Cantor David Wisnia, whose unlikely survival tale was told in a memorable New York Times article in 2019. The film’s redemptive message is clear from its first line — “I’m a lover of life,” says Wisnia — to one of its last: “You are really the proof that Hitler did not win,” he tells his grandson.
Wisnia was a Polish Jew who survived Auschwitz by literally singing for his captors. Defying the perverse and inexplicable odds of the Final Solution, the former cantorial prodigy managed to live close to three years at the death camp and slave labor complex.
Perhaps as remarkable was his relationship with a fellow inmate, Helen “Tzippi” Spitzer, a similarly “privileged” prisoner who managed to stay in the Nazis’ good graces thanks to her skills as a graphic artist. Her assignments took her to places beyond the women’s barracks, where she met Wisnia, eight years her junior. Soon the two were arranging trysts in a loft where prisoners’ uniforms were stored. Fellow prisoners kept a helpful watch for guards.
Their death camp romance ended on the eve of liberation, when the Germans began emptying the camps and forced the prisoners on a series of death marches. Although David and Tzippi made plans to meet in Warsaw, life had other ideas. Wisnia eventually made it to America after the war, where he became a cantor at synagogues in Levittown, Pennsylvania, and Trenton, New Jersey. As for Tzippi, Wisnia wasn’t sure if she survived the war — and when he discovered the truth it set in motion the next remarkable chapter in their story.
The documentary recalls the horrors of the Holocaust — David speaks movingly about the murders of his parents and brothers in the Warsaw Ghetto, and having to stack bodies on a work detail at Auschwitz — but maintains a cautious distance. Writer and director Sara Taksler keeps the archive footage to a minimum, and when Wisnia relates his story of survival — with the help of Avi Wisnia, a singer-songwriter who accompanies his grandfather on a trip to Poland — it is usually over scenes of the camp as it looks today or black and white animation.
Still, “How Saba Kept Singing” is hardly saccharine. Grandfather and grandson are clear-eyed chroniclers of stories David told often (in 2015, he published a memoir, “One Voice, Two Lives: From Auschwitz Prisoner to 101st Airborne Trooper”). And David never takes his good luck for granted — the film is organized around his suspicion that there is a missing piece to his story of survival and that, as Avi says, “He could not have done it alone.”
About his time with Tzippi, David is both honest and discreet. “It was physical,” he admits. “She taught me everything. I knew nothing. I was a kid.”
Avi recounts the family’s shock when they first learned of their patriarch’s relationship with another prisoner at Auschwitz. “Even in the hell of a concentration camp you can still find some kind of a human connection,” says Avi.
Wisnia arrived in the United States in 1946 and lived with an aunt in the Bronx. He met his wife – the appropriately named Hope — and got work as an encyclopedia salesman and, for over 50 years, as a cantor. The couple would go on to have two sons, two daughters and six grandchildren.
As for Tzippi — it’s not giving away too much to say that she also survived the war and got married, to a bioengineering professor who eventually taught at New York University. Per the Times, the couple “devoted years of their lives to humanitarian causes.” She and David would meet again, in a reunion described in that 2019 New York Times story and heard in the documentary on audiotape. Suffice to say that David got an answer to the mystery that long nagged him: “How come I stayed in Auschwitz two and half years and never moved? How the hell can you explain it?”
The film is also saved from sentimentality by the knowledge that David is among the last living witnesses to the Holocaust, which he and Avi sadly acknowledge when discussing whether David would return to Auschwitz for the 75th anniversary of its liberation in 2020. Cantor Wisnia died June 15, 2021, at the age of 94; Tzippi died in 2018 at age 100.
Rabbi Isaac Nissenbaum, another victim of the Warsaw Ghetto, purportedly gave permission for the Nazis’ prey — and perhaps future filmmakers — to see their survival as a sanctification of life, not an occasion for guilt. “Today when the enemy demands the body, it is the Jew’s obligation to defend himself, to preserve his life,” he is reported to have said.
Avi Wisnia picks up this theme during a performance with his saba, Hebrew for grandfather.
“I honor the past, and we sing for the future,” he tells the audience. “The greatest act of defiance is to live.”
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Palestinian Authority TV Denies Holocaust for Second Time in a Month
French President Emmanuel Macron welcomes Palestinian President Mahmoud Abbas at the Elysee Palace in Paris, France, Nov. 11, 2025. Photo: REUTERS/Benoit Tessier
Two weeks ago, Palestinian Media Watch exposed that Palestinian Authority (PA) television hosted a journalist who insisted the gas chambers “narrative” could be dismissed with “very simple evidence.”
Now, PA TV has done it again. This time, the channel invited a Syrian journalist who said the war in Gaza is the “real” holocaust while the history of the Nazi Holocaust of the Jews is a “game that Israel plays”:
Senior Syrian journalist Mustafa Al-Miqdad: “It is incumbent upon the Palestinians today and those who support them to show the extent of the holocaust and genocide that the Palestinians have experienced for two years and almost a month in the Gaza Strip …
[They] were subjected to this holocaust, the real one- Regarding the Holocaust of the Jews there are many question marks from the Westerners, and not from our side that we deny it. Even from the West in general there are many stories that refute the accuracy of the [Jewish] narrative even if they talk about part of it, they talk about this [lack of] accuracy. This is the game that Israel plays.” [emphasis added]
[Official PA TV, Capital of Capitals, Nov. 16, 2025]
Antisemitism and demonization of the Jews constitute a core ideology of the Palestinian Authority and pave the way for it to incite and justify terror against Israelis. A key PA strategy towards this end is to delegitimize the Jewish people and their history, while replacing it with a fabricated story.
Whether denying Jewish history in the Land of Israel to brand Jews as “colonialists” — or denying and appropriating the Holocaust — official PA TV consistently broadcasts content designed to cultivate hatred of Jews and Israel.
It is difficult to comprehend how any Western government, particularly France with all that it went through in World War II, can still speak of the Palestinian Authority as reformed or of its chairman as “charting a course toward a horizon of peace” when PA media continues to broadcast shocking forms of Holocaust denial and appropriation.
Yet French President Macron and others insist on rewarding the Palestinians with a state governed by this very PA. Instead of demanding the most basic moral prerequisite for statehood — ending institutional antisemitism — Western leaders turn a blind eye.
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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Norway Government Budget in Peril Over Oil, Wealth Fund’s Israel Investments
A general view shows Norway’s parliament in Oslo, Norway, Sept. 6, 2025. Photo: REUTERS/Tom Little
Norway‘s Labour government failed to win backing for its 2026 draft budget by an end-November deadline but talks will resume in parliament to find a compromise over oil drilling and the wealth fund’s Israeli investments, a negotiator said on Monday.
The Norwegian parliament is due to vote on the budget on Friday, and Prime Minister Jonas Gahr Stoere could be forced to call a vote of confidence if no agreement is reached by then, putting his minority government on the line.
The Labour Party narrowly won a second term in a September election, but the result left it reliant on four small left-wing parties to pass the budget, with only two of those, the agrarian Centre Party and the far-left Red Party, agreeing so far.
“It is surprising this is happening so soon after the election,” Jonas Stein, a political scientist at UiT the Arctic University of Norway, told Reuters.
“The Greens in particular had promised during the election that they would back Stoere as prime minister and now he could fall two-to-three months after the election.”
The climate-focused Green Party, which wants a gradual phaseout of the oil industry by 2040, walked out, as did the Socialist Left over its objections to investments by Norway‘s sovereign wealth fund in Israel.
“We must continue our work to secure a majority for this budget by Friday,” parliament’s finance committee Chair Tuva Moflag of Labour told public broadcaster NRK on Monday.
Stoere has said that Norway, Europe’s biggest supplier of gas and a major oil producer, should continue to explore for hydrocarbons to sustain the country’s biggest industry.
The government also objects to demands that Norway‘s $2 trillion sovereign wealth fund should divest from all Israeli firms, arguing that only companies involved in the alleged occupation of Palestinian territories should be excluded.
“Norwegian politics have become a bit more adversarial and a bit more polarized,” Johannes Bergh, a political scientist at the Oslo-based Institute for Social Research, told Reuters.
“It might be more comparable to what’s happening in countries like Belgium or the Netherlands, where the political landscape is very fragmented. It has become very fragmented here as well.”
Parliament is elected for a fixed four-year term, with the next vote due in 2029, making it difficult for parties on the right to challenge Stoere’s government. It is not possible to call early elections or dissolve parliament.
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South Koreans Arrested in Iran on Smuggling Charges, Seoul Says
People walk near a mural of Iran’s Supreme Leader, Ayatollah Ali Khamenei, amid the Iran-Israel conflict, in Tehran, Iran, June 23, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
South Korean nationals have been arrested in Iran on suspicion of smuggling, South Korea’s foreign ministry said in a statement on Monday, but declined to confirm the number of people arrested.
“Our diplomatic mission team in Iran has been communicating the matter with Iranian officials and will continue to provide necessary consular assistance to the Korean nationals,” the ministry said.
The ministry declined to confirm other details including their occupation or the exact nature of the charges.
Local Yonhap News separately reported two South Korean nationals were arrested, including one who works at a public institution.