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Candace Owens and the QAnonization of Anti-Israel Rhetoric
Right-wing political commentator Candace Owens speaks during an event held by national conservative political movement ‘Turning Point’, in Detroit, Michigan, US, June 14, 2024. Photo: REUTERS/Rebecca Cook
Candace Owens’ recent viral post conflating Israel, ISIS, the Star of David, paganism, and the abuse of children is not merely wrong or provocative. It is something more revealing — and more dangerous.
Owens claims that “despite Israel’s best efforts to destroy the ancient world in the Middle East — relics still remain and reveal the truth.” She asserts that “the Kiddush cup is the symbol of Judaism,” that the Star of David has “ALWAYS been associated with Canaanite cults and Baal worship,” and that Aleister Crowley and his “occult friends who abuse children utilize this symbol in their ceremonial magic.” She pairs these claims with an image she falsely identifies as a “2nd-century temple in Baalbek, Lebanon,” adds that ISIS “has a knack for destroying ancient Canaanite temples,” and ends with the insinuation: “Who do you think controls ISIS?”
This is not argument. It is an indictment assembled from fragments — misidentified images, decontextualized symbols, and recycled antisemitic tropes — designed to contaminate. The method is deliberate: connect enough charged elements and let the audience complete the accusation without ever having to state it openly.
Owens urges her audience to “wake up” to what she presents as a hidden truth: that Jewish symbols are not Jewish at all; that Judaism is secretly pagan or occult; that Jewish ritual objects are implicated in sinister practices; that Jews or Israel are responsible for the destruction of ancient history; and that shadowy forces tied to Jewish symbolism abuse children. The implications are unmistakable.
What is most striking is the absence of evidence. No archaeology. No primary sources. No theology. No peer-reviewed history. Just insinuation stacked on insinuation, sealed with the conspiratorial refrain to “wake up.”
This is not political criticism. It is ideological collapse.
In modern terms, this is the QAnonization of antisemitism.
There is a reason that Owens’ post contains no factual evidence: it doesn’t exist.
In its place appears the oldest components of conspiratorial antisemitism: secret knowledge reserved for the initiated; symbols stripped of historical context and recast as sinister codes; insinuations of ritual corruption; and the projection of vast, hidden power onto Jews.
This is not “thinking outside the box.” It is backwards thinking. Owens’ move is not modern. It is medieval.
The most revealing element of Owens’ post is not its historical illiteracy, but its moral destination: the insinuation of child abuse.
This is not incidental. It is the endpoint of the narrative. From medieval blood libels to modern conspiracy movements, antisemitism reliably converges on the same accusation. Jews are charged with violating what society holds most sacred because the charge is designed not to persuade, but to obliterate moral resistance.
Once Jews are framed as abusers of children, no counterargument matters. No evidence is sufficient. Debate becomes impossible.
Owens did not stumble into this trope. She arrived precisely where antisemitic narratives always arrive when they run unchecked.
Ancient Israel outlawed child sacrifice when it was widespread across the Near East. It denied divinity to kings, subordinated rulers to law, and insisted that power itself was morally accountable. Human beings were no longer fuel for the gods; every individual life was sacred. To accuse Jews of Baal worship is not confusion. It is inversion — the projection of pagan cruelty onto the civilization that dismantled it.
Furthermore, Owens’ claims about Jewish symbols collapse under even minimal scrutiny.
The Star of David is not an occult emblem. It appears as a Jewish symbol in late antiquity, with archaeological evidence from the synagogue at Capernaum dating to the second century CE, and it recurs throughout late antique and medieval Jewish life. Its adoption reflects Jewish continuity, not pagan borrowing.
The Kiddush cup is a sanctification vessel used to bless wine — on Shabbat and holidays — but it was never the “symbol of Judaism” as Owens’ claims. Its purpose is to mark sacred time, family gatherings, and restraint. There is no historical, textual, or anthropological evidence tying it to anything resembling Owens’ claims or insinuations.
The image Owens presents as a “2nd-century Canaanite temple” at Baalbek is fictitious. Baalbek’s monumental remains — the Temples of Jupiter, Bacchus, and Venus — are Roman imperial constructions from the first to third centuries CE. Baalbek was a Roman city, not a Canaanite cult center.
Owens’ follow-on post fares no better. She points to the historical appearance of a six-pointed star — often called the “Seal of Solomon” — in Moroccan iconography and on some flags and coins in the 19th and early 20th centuries as supposed proof that the symbol is not Jewish.
This is a classic example of conspiracy reasoning masquerading as historical insight.
Yes, the hexagram appeared in Moroccan art and occasionally on flags prior to 1915, when Sultan Yusef formally replaced it with a five-pointed star to distinguish the national flag and emphasize Islamic symbolism. But the hexagram’s presence there proves precisely nothing about Judaism. Geometric symbols migrate across cultures. Their use in Islamic or Christian contexts does not erase their meaning within Jewish civilization — just as the crescent’s appearance outside Islam does not make it non-Islamic.
Owens takes a very limited historical fact, strips it of context, and weaponizes it to imply occult continuity and Jewish corruption.That is not history. It is symbol scavenging in service of a predetermined conclusion.
Archaeology, linguistics, epigraphy, and historical memory all point in the same direction: Jewish civilization emerged in the land of Israel, maintained continuity there for millennia, preserved its language, law, and rituals through exile, and launched a moral revolution that shaped the ethical foundations of the Western and Islamic worlds alike.
When that evidence proves stubborn, opponents do not refine their claims. They abandon the field. Israel is no longer wrong — it is demonic. Jews are no longer mistaken — they are occult.
Antisemitism does not begin with expulsions, pogroms or gas chambers. It begins when lies are repackaged as insight, when conspiracy theories replace scholarship, and when hatred is disguised as revelation.
Candace Owens’ post is not mere controversy. Its popularity — over 1.4 million views as of this writing — is the symptom and proof of how far this intellectual rot has already spread.
And history is unforgiving to societies that mistake intellectual decay for courage — until the consequences arrive in forms no one can plausibly claim to have misunderstood.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, Zionism, antisemitism, and Jewish history. He serves on the board of Herut North America.
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
The post ‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards appeared first on The Forward.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.
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Pope Leo Decries ‘Atrocious Violence’ in Iran War, Urges Ceasefire
Pope Leo XIV leads the Angelus prayer from a window of the Apostolic Palace, at the Vatican, March 15, 2026. Photo: REUTERS/Matteo Minnella
Pope Leo made an impassioned plea on Sunday for an immediate ceasefire in the expanding Iran war, lamenting “atrocious violence” that he said had killed thousands of non-combatants and caused suffering across the region.
As the US-Israeli war on Iran enters its third week, the first US pope warned that violence would not bring the justice, stability and peace that the peoples of the region long for.
“For two weeks, the peoples of the Middle East have been suffering the atrocious violence of war,” the pope said at his weekly Angelus prayer in St. Peter’s Square.
“In the name of Christians in the Middle East and of all women and men of good will, I appeal to those responsible for this conflict: Cease fire!” Pope Leo said.
IDEA THAT WAR SOLVES PROBLEMS IS ‘ABSURD’
Leo added that the situation in Lebanon – ravaged by a war between Israel and the Iran-backed Lebanese group Hezbollah – was also a cause of “great concern.”
“I hope for paths of dialogue that can support the country’s authorities in implementing lasting solutions to the serious crisis currently underway, for the common good of all the Lebanese people,” the pope said.
During a visit to a Rome parish later, the pope said war could never resolve problems and hit out at people who invoke God to justify killings.
“Today many of our brothers and sisters in the world are suffering because of violent conflicts, caused by the absurd claim that problems and disagreements can be resolved through war, when instead we must engage in unceasing dialogue for peace,” he said during his homily.
“Some even go so far as to invoke the name of God to justify these choices of death, but God cannot be enlisted by darkness. Rather, He always comes to bring light, hope and peace to humanity.”