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Conservative rabbis just told interfaith couples they don’t count — again
Acting improv students learn a fundamental tool called “Yes. . . And.” As you step into a scene, you take what you are given, you don’t ignore it, you don’t try to change it. YES, this is what I have to work with. Then comes the AND: here’s how I build on it.
The guidance issued last week from the Conservative movement’s Rabbinical Assembly’s Committee on Jewish Law and Standards giving guidance on supporting interfaith families got as far as “Yes,” but dropped the ball on “And.”
The committee’s statement, known as an Omnibus Teshuvah, recommended measures that opened the doors for interfaith families to be included in many life-cycle, religious and communal events — but declined to endorse a measure called for by many families: permitting Conservative rabbis to marry a Jew to someone who is not Jewish.
Let’s start with the “Yes!” The Conservative movement has definitively acknowledged and accepted the reality that many Jewish families are interfaith families. While this has been so for decades, the stated position since 1989 sent them a harsh and strongly disapproving message: “The Conservative movement has been committed to discouraging both the idea and the act of intermarriage.”
The Rabbinical Assembly emphasized its commitment to Jewish law, but included a statement that tolerance might “‘encourage others who are so inclined to intermarry’ without consequence.”
Those consequences were in effect tocut the interfaith couple and family out of Jewish communal life, creating bitterness, pain, and family rupture on the one side, and effectively ensuring that Judaism was diminished on the other.
In fact, one of the anecdotes I often share about why I chose to work with interfaith families and support their decisions is the time that I witnessed a Bat Mitzvah — who was raised in a Jewish home, kept kosher, had respect for Shabbat, and had attended Hebrew School her whole life — stood alone at the Bimah, because her only surviving parent had never converted to Judaism. Instead of being the proud and joyous moment it should have been, she was isolated from her father, the man who had raised her Jewishly and brought her to this milestone. My heart broke for both of them, and my shame of being even partially complicit moved me to examine and change my perspective. In the fullness of time, the RA has realized that creating tsuris at a time of joy is unacceptable. The new guidance explicitly says that that father can stand on the bimah. Mazel tov..
Deserving of equal praise, if not more, is the decision to allow grieving families with Jewish connections avenues to Jewish practices in mourning that provide comfort, strength and faith. This too is progress: A family death is not a time to wag one’s finger and metaphorically tell the mourner that they have to sleep in the bed that they made.
And representing the other end of the life cycle, a rabbi may now congratulate an interfaith family for the birth of a child. Being able to celebrate the advent of a baby into the household should always have been an open avenue of clergy communication, and that it is now is nothing but a positive change.
This turnaround is no small feat and deserves its recognition. The Rabbinical Assembly has identified and addressed many of the strictures and attitudes that previously diminished the enjoyment of a joyous event or added pain for a grief-stricken individual. An interfaith family is no longer subject to “consequences,” to use a term as stated in the 1989 decision — mostly.
All the life-cycle events that interfaith families have struggled with are at long last within the welcome embrace of the Conservative movement, save one: The wedding itself. The fig leaf in the forms of a misheberach (a blessing) by the rabbi either before or after the wedding and the blessing of the home the couple is creating does nothing but call attention to the movement’s disparagement of the creation of interfaith families. The movement is in effect saying: “We are repulsed by your decision to marry outside the strictures of our interpretation of Judaism, but we will not exact revenge upon you for doing so.” Small comfort.
Here is where the “and” can still come in — and where the Conservative movement itself has paved the way for it to happen.
The religious law prohibition against interfaith marriages derives from a verse in Deuteronomy 7:3 “You shall not intermarry with them: do not give your daughters to their sons or take their daughters for your sons.”
This biblical statement has evolved from meaning marriage with the seven nations proscribed in the Torah to general intermarriage.
However, as recently as the 19th century, the renowned scholar Rabbi Samson Raphael Hirsch noted that the prohibition was based on the presumption that the resulting family would be estranged from the Jewish community. That presumption was based on a self-fulfilling prophecy that an interfaith family would be shunned, and therefore not engage with their community.
The committee of the Rabbinical Assembly fulfills this prophecy as it concludes the new guidance with this hurtful assertion: “The role of Conservative/Masorti clergy on the wedding day remains limited, but that specific day is only one small aspect of the establishment and growth of a family.” Relegating a wedding to be a small aspect to the ‘establishment and growth of a family’ is patently untrue, as evidenced by the great importance society at large, and Jewish society in particular place on this event.
The RA, by sticking with the prohibition against interfaith marriage, is perpetuating the very estrangement that Rav Hirsch posits is the entire motivation for opposing interfaith marriage. Nevertheless, that very foundation, the estrangement from the community, is no longer a barrier unless we want it to be. The Omnibus Teshuvah maps out how an interfaith family can be welcomed into the community and how they can engage in almost every other Jewish life cycle event and communal engagement.
Why then, does the RA persist in condemning the act of interfaith marriage?
The movement itself already has the religious law tools they can use to find a way forward. The arguments the RA used to pave the way for LGTBQ individuals, couples and families to be integrated into Jewish society are equally valid here. The first principle they used was that of Dor dor V’doroshav, that every generation is obligated to interpret the Torah in their terms — in effect, that the accumulated knowledge and experience of Judaism over time has bearing on rabbinical decisions. In terms of interfaith marriage, the accumulated knowledge and experience is demonstrating that interfaith families retain a Jewish identity and desire to remain a part of the community. Intentional interfaith families show dedication and great consideration to incorporating Judaism into their lives, and that this is not a new phenomenon.
In a decision two decades ago embracing LGBTQ Jews, Rabbi Elliot Dorff and colleagues leaned on the concept of human dignity, kavod ha briot, quoting the Talmudic stricture: “So great is human dignity that it supersedes a negative commandment of the Torah.” They point out that living in humiliation violates this idea.
Perhaps most powerfully, we read that homosexual marriage is “understood to be a profound desire by gay and lesbian Jews to sanctify their lives and establish faithful families guided by the light of Torah.” Should that “profound desire” within an interfaith marriage not carry equal weight?
Today, by continuing to deny legitimacy to an interfaith marriage, the RA relegates the couple to a lesser status, belittling them for following their emotional guidance, and denying them their full humanity.
The RA has issued some remarkable guidance in this Omnibus Responsum. YES! The many parents and grandparents who will receive with gratitude the congratulations on the birth of their children, the families who will be allowed to be united at the bimah at a B’Mitzvah, the mourners who will find strength and comfort from clergy during their time of grief — they will all be positively affected by the new permissions and guidance. These are concessions, but important ones.
In spite of the limits of this guidance I hold out hope for the “AND” that is to come. Not just the recognition that interfaith marriages happen, but the inherent truth that they can be a joyful part of the Jewish experience and a positive force in their community.
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Justice Department pledges action on antisemitic hate crimes in New York as it recognizes Ari Halberstam murder as civil rights case
More than 30 years after Ari Halberstam was killed in one of New York’s deadliest antisemitic attacks, the U.S. Justice Department has formally acknowledged that if his murder had happened today, it would be investigated as a federal hate crime and civil rights violation.
At the same time, the Justice Department also pledged that it would be devoting resources to investigating and prosecuting hate crimes across New York as antisemitic attacks continue to climb in New York City.
NYPD statistics released this week show that in the first seven months of 2026, anti-Jewish incidents rose 8.5%, and 57% of the reported hate crimes in the city involved Jewish victims. In addition, anti-Jewish incidents increased 53% in July compared with the same month last year.
Halberstam was 16 when he was murdered in 1994 when Rashid Baz, a Lebanese-born cab driver, opened fire on a van carrying Lubavitcher yeshiva students across the Brooklyn Bridge. Baz was convicted of murder and sentenced to 141 years in prison, where he died in 2023.
Because the attack was not immediately recognized as an act of terrorism and later rejected as part of a conspiracy, Ari’s mother, Devorah Halberstam, for decades fought to have her son’s killing recognized as an antisemitic hate crime and a federal civil rights matter.
“There is no question that if the murder of your son, Ari Halberstam, had occurred today, we would investigate it and seek to prosecute it as a federal hate crime,” wrote former U.S. Attorney Jay Clayton in a letter dated July 23, one of his final acts before becoming director of national intelligence on Monday. The acknowledgment came weeks after Clayton met with Devorah Halberstam, who co-founded the Jewish Children’s Museum in Brooklyn. It expands on remarks Clayton delivered in June at an NYU Law School conference on combating hate crimes. “I have discussed these matters with my successor, Jamie McDonald, and we are fully aligned,” Clayton wrote.
A spokesperson for the U.S. Attorney’s Office did not immediately respond to questions about what specific steps the office is taking under McDonald’s leadership to address the recent increase in antisemitic hate crimes across the city.
Halberstam, who is credited with helping draft New York state’s first anti-terrorism laws and has spent decades facilitating the training of law enforcement officers on combating terrorism and hate crimes, said the letter gives her hope that the federal government remains committed to confronting antisemitic violence.
“With hatred on the rise nationally and internationally, I am deeply concerned about the safety of Jewish New Yorkers,” she said in a statement. “I will continue to fight to ensure that no other mother has to bury her child because of hatred, as I did.”
Earlier this year, Halberstam hosted Mayor Zohran Mamdani at the Jewish Children’s Museum in Brooklyn. Since taking office, Mamdani has come under scrutiny from Jewish leaders over his handling of antisemitism and anti-Israel protests. Some Israeli officials have accused the mayor of fueling antisemitism through his sharp criticism of Israel.
In a statement on Monday, Mamdani called the rise in antisemitic hate crimes “unacceptable” and pointed to an 800% increase in funding for the city’s Office for the Prevention of Hate Crimes. “The work to uproot antisemitism out of this city is one that will continue,” Mamdani said, “ until we see hate crimes come to an end in the city.”
JTA contributed to this report
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Lawn signs for Abdul, door knocking for Haley: Michigan Jews split in Senate Democratic primary
(JTA) — OAK PARK, Michigan – Karen Bick has spent the days leading up to Michigan’s Democratic Senate primary fielding calls from Jewish friends urging her to vote for U.S. Rep. Haley Stevens.
Despite the pressure, Bick, 69, said she plans to sit out the race altogether. As much as she is compelled by the campaign of Stevens’ progressive opponent, Abdul El-Sayed, his accusations that Israel has committed genocide in Gaza have kept her from voting for him. Stevens’ campaign, she said, hasn’t given her enough reason to vote for her instead.
“I am very pro-Israel. I’m not pro-Netanyahu, which is part of the whole thing. A lot of my friends who are Jewish have been calling me, trying to get Haley, but it’s like they’re looking at one issue,” said Bick, a Jewish resident of Oak Park, a suburb of Detroit. “I don’t think that Israel should take precedence over all the other issues just because somebody’s pro-Israel.”
Bick’s ambivalence reflects a divide among Michigan Jews in a primary where Israel has emerged as one of the sharpest contrasts between the candidates. Stevens has served in the House since 2019 as a reliable supporter of Israel, while El-Sayed, a former county health official, has made opposition to U.S. support for Israel and AIPAC’s spending in the race a hallmark of his campaign.
That doesn’t mean El-Sayed is without Jewish supporters.
Barbara Weinberg Barefield, a longtime Detroit resident who helped found the city’s Jewish Voice for Peace chapter, has been campaigning for El-Sayed since the beginning of the race, including organizing fundraisers, phone banking and canvassing. She also helped organize “Jews for Abdul,” a group of Jewish supporters working to elect him.
Weinberg Barefield, 76, said that El-Sayed’s use of the term “genocide” to describe Israel’s actions in Gaza was an essential component of her support for him.
“We are trying to let people know that there are many Jewish people that support Abdul and support his objectives and support his voice,” Weinberg Barefield said. “Justice, equality, and freedom are part of the fabric of me being a Jew and the message that we put forth for ‘Jews for Abdul:’ that he is a candidate that represents our morality, our ethics, and frankly, I think these are the things that most people in this country want.”
Suzanne Levin, an 83-year-old Jewish Michigander, initially supported Michigan state senator Mallory McMorrow, whose withdrawal from the race left progressive Jews in the state facing a political dilemma.
For Levin, the choice quickly became clear. She got an El-Sayed lawn sign and “Jews for Abdul” t-shirt and threw her support behind his campaign.
In doing so, Levin has rejected accusations from Stevens and some Jewish Democratic leaders in the state that El-Sayed’s rhetoric and associations have crossed the line into antisemitism.
“They believe all this crap about El-Sayed, that he’s antisemitic, and I have listened to so many of his talks, and when they ask him ‘should there be an Israel,’ he says there should be a place where people could all be safe and and people should be okay,” Levin said.
Other Jewish Democrats have reached a starkly different conclusion about El-Sayed, who has said the Israeli government is as “evil” as Hamas and often accuses Israel of committing “genocide” in Gaza while advocating that U.S. aid to Israel be diverted to domestic priorities.
Halie Soifer, the CEO of the Jewish Democratic Council of America, which has endorsed Stevens, said that she had been “concerned” by El-Sayed’s response following the March attack on Temple Israel in West Bloomfield, Michigan.
At the time, El-Sayed sparked outcry by putting out a statement that discussed Israel’s war in Lebanon, where the attacker’s brother was killed. Soifer said she believed El-Sayed “equivocated and provided a justification for a situation, which there was no justification.”
“If he wants to be senator of a state that has such a large Jewish population, he must demonstrate an ability to stand with that community as we face the rise of antisemitism,” Soifer said. “On that issue in particular, Haley has been a leader in Congress.” The state has close to 130,000 Jews.
Soifer said her group’s volunteers had put out close to 10,000 calls to Michigan voters urging them to back Stevens.
Zach Nessel, a 23-year-old Michigan State University graduate and the secretary of the Michigan Democratic Jewish Caucus, shared many of Soifer’s concerns as he knocked on doors for Stevens in Oak Park Monday.
“I’m absolutely concerned about his rhetoric,” said Nessel, whose mother is Michigan Attorney General Dana Nessel. “I think he’s spending more of his time trying to ostracize pro-Israel Democrats than he is looking to fight Trump, and that’s what I see amongst a lot of his allies.”
Nessel said he had been especially concerned by El-Sayed’s campaign event at his alma mater in April alongside Hasan Piker, an anti-Israel streamer whose rhetoric has been called antisemitic by many Jewish groups and leaders.
“The fact that my former Dem Club is hosting an antisemite that has positive things to say about Hezbollah, a U.S. designated terrorist organization that has killed Americans, that’s horrifying,” Nessel said. “And the fact that you know Abdul is campaigning with someone like that is insane.”
Nessel said that he had visited over 500 homes across the Detroit area to champion Stevens. During his visits, he said voters rarely brought up Israel or AIPAC on their own.
But Nessel said he worried that a potential El-Sayed victory Tuesday could encourage other candidates to adopt similar tactics, with consequences for Jewish participation in the Democratic Party.
“Most people, they want to fight Trump and they want to make things more affordable,” Nessel said. “And if this sort of commotion is successful, then they’ll keep on doing it, and that’ll make it hard for members of the Jewish community to continue to participate in our party.”
This article originally appeared on JTA.org.
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In a world of AI run amok, Yiddish folktales are making these theater wizards ‘cranky’
A unique theatrical performance inspired by Yiddish folk tales features dead Jews dancing at a cemetery, a prophet appearing in the form of a bunny rabbit and a stone-munching worm named Shamir. It all takes place within the confines of a 2’ X 4’ box known as a cranky and it’s coming to New York later this month as part of the International Puppet Fringe Festival.
For those unfamiliar with the decidedly low-tech medium, crankies are portable stages through which a panorama is scrolled by cranking a pair of wooden dowels. The characters and scenery on the scroll are usually accompanied by narration and music, in this case a live klezmer trio. In backlit crankies, shadow puppets can also be used for characters.
The cranky performance of Shterna and the Lost Voice was created by the Magid Ensemble, a far-flung interdisciplinary collective that includes a storyteller, a graphic artist and three former members of the Boston klezmer band Mamaliga. The members met when they were all living in Northampton, MA, which was described in one review of the ensemble as a “queer Yiddish diasporic hub.”
The decision to create a cranky grew out of the group’s frustration when they tried to keep performing a silent Yiddish film score they had composed. The score was played at a Toronto Jewish Film Festival screening in 2023. The cost for the rights to subsequent screenings of the silent film was prohibitively expensive, so the ensemble decided to create its own show. Accordion player Mattias Kaufmann said they really wanted to do a multimedia project that combined a concert, storytelling and visuals. Kaufmann had worked on some crankies years earlier and saw them as an exciting way to tell a story.
“I feel like they’re really powerful, especially the backlit crankies,” said Kaufmann, who composed the music for Shterna. “It’s not really full-fledged theater, but in many ways it is. It’s a cool in-between space of performance.”
Artist Kiah Raymond had done several crankies and violinist Rachel Leader had seen some.
“I just loved their portability,” Leader told me. “They’re quite small and we can travel with them.”
And travel they have. Shterna and the Lost Voice has been performed more than 50 times around the U.S. and Canada since April 2024. Many of the shows have been sold-out.
Into the cranky-verse
Painted moving panoramas date back many centuries but emerged as a popular form of entertainment in the 1800’s. They were constantly on tour in the U.S. and a number of European countries. The cranky is a smaller scale version of the panoramas and its revival in America is traced back to the mid-2010’s. Vermont’s Bread and Puppet Theater is widely credited with sparking the resurrection of the cranky.
Jenny Romaine, a Bread and Puppet alumnus who works with the Great Small Works theater collective in New York, praised the work of the Magid Ensemble.
“They’re taking the crafts of performance and visual theater and puppetry to new heights,” Romaine said. “I love their work.”
To consider how the cranky craze has spread in recent years, consider the Seattle-based cranky maker Sue Truman’s experience joining a Facebook group devoted to crankies in 2014. There were 30 people in the group at the time. It now has 4,500 members worldwide. Truman, who teaches people how to make crankies and runs the Crankie Factory website, estimates there are currently between 15 and 20 cranky festivals in the U.S. every year.
“It’s incredible how it has exploded,” she told me. “I get emails every week from people all over the world.”
As if to illustrate how quirky the cranky universe is, Truman is collaborating with a couple of Seattle’s old-timey musicians on a piece about a meteor storm in 1833 and its impact on quilters in the Pacific Northwest.
Or there’s Katherine Fahey, one half of the Baltimore cranky team known as The Lantern Sisters. which did a show about Baltimore’s horse-drawn street peddlers known as Arabbers.
Fahey ran into the Magid Ensemble at a cranky festival in New Jersey where each performer had ten minutes to strut their stuff. She was impressed with the excerpt of Shterna they presented.
“Their narrator was such a good storyteller,” Fahey told me in a phone interview after returning from a performance in Ohio. “And I liked how they kept the artwork simple. Just did paper cuts, all one color on the scroll. They told the story in this straightforward, beautiful way. I thought it was really lovely.”
A talent for cranking
Kiah Raymond, a Portland, Oregon-based tattoo artist and muralist, made the cranky for Shterna and the Lost Voice on a long roll of 24” wide butcher paper. It took them between four and six months to cut the characters and scenery into the paper and laminate the finished cuts with clear packing tape. Raymond pulled designs and patterns from a book about traditional Jewish paper cuts and used them as borders and backgrounds. Additional inspiration came from ketubas.
Raymond operates the cranky during the performance, which involves a lot more than just mindlessly cranking the two scrolls.
“You’re holding it taut but turning it at the same time,” Raymond explained. “You turn it faster or slower, depending on what’s happening in the story.”
There’s another quirk to cranking: At times you’ll be turning one hand considerably faster than the other, depending on where in the scroll the story is.
The lost voice in the Shterna story belongs to a man whose beautiful davening is cherished in his shtetl. After he loses the ability to daven, a woman named Shterna goes on a quest to retrieve it. Her sojourn takes her through the physical world, the underworld and the heavens.
A.C. Weaver, a scenic carpenter and Yiddish translator based in Northampton, came up with the story in collaboration with the ensemble’s members. Weaver narrates the show.
Weaver said their connection to traditional Jewish storytelling is thanks to their childhood rabbi, Steve Sager, at Beth El Synagogue in Durham, NC. Weaver said the late rabbi was an “incredible extemporaneous storyteller.”
The story line for the cranky emerged, Weaver said, during the COVID pandemic’s dark days when a lot of friends and neighbors were becoming sick or disabled.
“I felt motivated to make up a story having to do with disability and what it means to lose something around which a lot of your identity is based,” Weaver told me.
Storytellers and teachers
The word magid can mean storyteller, itinerant teacher or preacher. The role of the magid has been documented as far back as the 16th Century and there have been some major magids, including the Dubner Maggid of the late 18th Century and the Kelmer Maggid, who was a big macher in Musar, a spiritual practice focused on living a meaningful and ethical life.
The Magid Ensemble likes to define the word magid as “storyteller,” but the group also serves as a teacher and preacher to some degree.
Though not overtly political, Shterna does project values with a distinct world view: a woman as the hero and a nod to compassion for the disabled. The ensemble has also raised funds for a family from Gaza.
The production was created with start-up funding from the Combined Jewish Philanthropies of Boston and local cultural councils in Massachusetts. Leader said that altogether around $15,000 came in, including a $3,000 New England States Touring grant.
Analog in a digital world
Many in the cranky scene say one of the medium’s appeals is its analog nature at a time when so much of our entertainment is digital — and increasingly AI-generated.
More than one practitioner has likened cranky performances to “telling stories around a fire.” It’s an immersive experience, said Raffi Boden, a Brooklyn-based cellist in the ensemble.
“I think that there’s something really beautiful about seeing everything happening before your eyes’” he told me. “I think people are moved by witnessing something that comes together created in front of them in this beautiful, complete way.”
The immersion that audiences experience is likely why children as young as preschoolers have sat and watched the entire 50-minute show without interruption.
“I was a little worried going in because I was wondering, what if everybody starts screaming after 10 minutes because they’re bored?” Boden said.
Despite the embrace of the crankies’ intrinsic analog nature, more and more cranky festivals are providing live video projection if the performance is taking place in a big hall. It’s counterintuitive, concedes Truman, but on the other hand, “If you can’t see it, that’s not good. In the festivals where I’ve performed, nobody is complaining about them providing live video projection.”
Shterna and the Lost Voice will be performed during the International Puppet Fringe Festival August 13, 15 and 16 at Teatro LATEA on Manhattan’s Lower East Side.
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