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Could poetry revive Yitzhak Rabin’s legacy among young American Jews?

Perhaps the most enduring phrase from the period following Yitzhak Rabin’s assassination, 30 years ago this week, was then-President Bill Clinton’s valediction for his slain friend: “Shalom, haver” — goodbye, friend. It exemplified not just the genuine kinship between Clinton and Rabin, one amiable and telegenic, the other awkward and camera-shy, but also the ironclad bond between Israel and the United States.

Today, however, the so-called special relationship is under considerable duress — not least because generations of younger American Jews are increasingly suspicious of Zionism. And Rabin? He’s at risk of being forgotten altogether in the US, said Barak Sella, editor of Class of 95, a new English translation of an Israeli poetry anthology about Rabin’s murder and legacy.

Sella, who was born in Texas but came to Israel in 1994 when he was 10, was part of a generation of Israeli schoolchildren for whom Rabin’s death in November 1995 loomed impossibly large. “It was my moment of political awakening,” he said. “The first event I went to at my youth movement was a Rabin memorial ceremony. So for me, the assassination ran parallel to my socialization into Israeli society.”

In 2013, Dror L’Nefesh, the printing press of the Habonim Dror Youth movement to which Sella belonged — he was by this point also a well-established activist and community organizer — published the anthology in Hebrew under the title ‘Machzor 95’. Its publication was something of a happy accident: The movement had wanted to do something literary to mark the 18th anniversary of Rabin’s passing, Sella recalled, “but we couldn’t find any poetry or literature about it — only op-eds and articles.” When they put out an open call for contributors, the response was so overwhelming they had enough material to produce Israel’s first poetry anthology dedicated to Rabin’s passing.

The title, Machzor 95,  was a pun of sorts, for in Hebrew Machzor has both a colloquial meaning — class, or generation — and a liturgical one: a Machzor is a prayer book for Jewish holidays. The aim was “to create a tradition of memory that was cyclical,” Sella said, “to create an artifact you can return to year after year.”

By 2022, when a second Hebrew-language edition was published, Sella was already toying with the idea of putting together an English version, as he’d always seen Rabin’s assassination “not as an Israeli event, but as a Jewish event.” Indeed, in 1995, much of American Jewry had mourned Rabin intensely. “It was everything American Jews talked about,” Sella said. “One of the largest ever Jewish gatherings was for Rabin’s shloshim in Madison Square Garden.” (On Dec. 11, 1995, a crowd of more than 15,000 packed the New York arena to mark thirty days, shloshim in Hebrew, since Rabin’s death.)

But Rabin’s legacy faded from view, Sella believed, because Israel itself could not agree on what he represented. “Israel is still so deeply divided about this,” he said. “So it’s very hard to expect American Jews to create some kind of shared culture around Rabin’s memory.”

That’s where the translated anthology comes in, which Sella hopes will serve “as an education tool,” something “teachers and rabbis who want to talk to their community about the assassination can pick up, choose a poem or two, and invite people into a conversation.”

The anthology is at once a guide to the assassination and a window into how Israeli society responded. One poem, Shachar-Mario Mordechai’s ‘Before the Government of Israel Announces With Astonishment’, invokes the official announcement of Rabin’s death. Another, ‘Blank’, by Raanan Ben Tovim, explores the claim, never substantiated, that immediately after the shots rang out somebody shouted “srak, srak” (in English, blank) a phrase that, among Israelis, has become a shorthand for Rabin’s murder — and has fueled conspiracy theories ever since.

Sella’s vision for the anthology is decidedly long-term. “This translation is not only for the thirty-year anniversary,” he said. “I’m thinking about, you know, in 50 years, in 100 years, what are the artifacts of our time that will assist not only the current generation, but also future ones, to build a story, to understand, and to reflect?”

The translation is therefore aimed especially at younger American Jews. “The people who will carry this memory forward are not going to be those who were at the square,” Sella said. He still firmly believes Rabin can be a “symbol for overcoming our differences, for shared destiny and democracy.” In short, American Jews would do well to recall not simply that Yitzhak Rabin was killed, but, no less important, the ideals he died for.

The post Could poetry revive Yitzhak Rabin’s legacy among young American Jews? appeared first on The Forward.

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Mamdani’s first statement on antisemitism as mayor-elect got some weird pushback

The morning after Zohran Mamdani won New York’s mayoral election, someone spraypainted swastikas on a Syrian Jewish yeshiva’s windows and walls.

“This is a disgusting and heartbreaking act of antisemitism, and it has no place in our beautiful city,” Mamdani wrote on X that morning. “As Mayor, I will always stand steadfast with our Jewish neighbors to root the scourge of antisemitism out of our city.”

It seemed like a perfect moment for Mamdani, whose campaign was dogged by assertions that he would be soft on antisemitism to reassure the city’s Jewish population that he will have their back — perhaps too perfect.

But immediately after Mamdani made that statement, conspirac y theories began to swirl around the graffiti alleging that it was a “false flag” — an incident that is not, in fact, carried out by the apparently responsible party. In this case, the conspiracy theory implied that the swastikas were painted by pro-Israel supporters trying to prove that Mamdani will encourage violence against Jews.

“Don’t fall for it until you find out who did it. They’re famous for these false flags,” argued one viral reply. “Anything to keep the victim spotlight on them to keep Israel’s stranglehold on the West.”

Others criticized Mamdani’s statement — for overemphasizing the gravity of the incident, and being too friendly to Jews. Some posted that Mamdani had already betrayed his voters. Others urged him to focus instead on Islamophobia.

“There’s no ‘scourge of antisemitism’ in NYC. Acts like these, while reprehensible, are often weaponized to justify Zionist narratives and repression of Palestine solidarity,” wrote Nerdeen Kiswani, the founder of pro-Palestinian activist group Within Our Lifetime. “Mamdani shouldn’t be validating this framing.”

Many people also lauded Mamdani’s statement as reassuring and necessary. But the immediate uproar over what seemed to be a very basic condemnation of Nazi imagery — a condemnation that did not name or blame any particular group for the act, whether pro-Palestinian activists, neo-Nazis or false flag attackers — encapsulates the tricky position the new mayor-elect occupies, particularly when addressing antisemitism.

Part of Mamdani’s new constituency is desperately nervous that he won’t hear them or protect them; the other is worried he will overcompensate by emphasizing Jewish concerns over their own. And judging by the conspiratorial tenor to the response, some feel emboldened to lean into their own antisemitism, even when he is speaking out against it.

But Mamdani’s statement did not rank antisemitism above — or below — other priorities. The controversy around his words calls to mind a famous post from the old days of Twitter, which is still regularly passed around in meme form. It calls the site “the only place where well-articulated sentences get misinterpreted. You can say ‘I like pancakes’ and someone will say ‘So you hate waffles?’”

The post Mamdani’s first statement on antisemitism as mayor-elect got some weird pushback appeared first on The Forward.

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On the trail of a priceless dove, a group of Palestinians and Israelis find that peace is for the birds

When Yaki, a struggling Israeli musician, learns his late father’s beloved dove is worth tens of thousands of dollars, he knows he’s found the key to supporting his fledgling career. There’s just one problem: Yaki has given the dove away.

Bella, co-directed by Israeli filmmakers Jamal Khalaily and Zohar Shachar, chronicles the tumultuous road trip Yaki embarks on to retrieve the prized bird, with the assistance of his girlfriend Limor, and a Palestinian couple, Bilal and Najris. Although the conflict over the ownership of the dove occasionally feels like a heavy-handed metaphor for the struggle for peace in the region, the story balances funny and heartfelt moments.

It’s virtually impossible for a film about Israel to avoid mentioning Israeli-Palestinian relations, but at first, the tensions are only acknowledged in offhand ways. A representative of the Israeli Pigeon Fanciers’ Administration casually tells Yaki that Bilal can’t have the bird because “Arabs eat them.” But as the group encounters military checkpoints and ethnic profiling along their journey, the disparities in Israeli society become impossible to ignore.

The film refutes a popular misconception of Israeli-Palestinian relations that has not been addressed much in other media: that the dynamics can be understood as operating exactly the same as white-Black racism in America.

A narrative common among the American left is that Israeli society is white and Palestinians are brown, therefore the system of oppression can be approached using the same analytical and political tools of racial justice movements in America. But it would not be appropriate to categorize Israelis and Palestinians into the American racial framework, as both of these ethnic groups are incredibly racially diverse. There also aren’t definite phenotypical distinctions between the two groups. When Limor tells the Israeli soldiers guarding a checkpoint that Bilal and Najris are Israeli, they don’t argue with her.

The film exposes the fact that the prejudices have less to do with appearance or actions, and more with the assumptions made about specific ethnic groups.

At one point, the group has to travel to Area A of the West Bank for a wedding. A sign warns that it is illegal and dangerous for Israelis to be there, but Bilal tells the Palestinian Authority guards that Yaki and Limor are from Brussels. He brings them to the wedding where they are greeted warmly. The wedding singer even includes them in his song praising the various guests.

But when Bilal’s son Omar accidentally exposes their true identities, the mood sours, despite the fact that Yaki and Limor haven’t acted in any way that would warrant criticism. Bilal and Najris rush the couple out of the wedding for their safety, as Bilal’s brother in law berates him for “bringing Jews to the wedding.”

From what the film shows, peace among Israeli and Palestinians should seemingly be easy. Without the labels and preconceived notions, these two groups of people would be able to enjoy life together.  But reality is never that simple and peace, like the dove, seems way out of reach.

Bella is having its United States debut at the Other Israel Film Festival at the Marlene Meyerson JCC on Thursday, November 13.

The post On the trail of a priceless dove, a group of Palestinians and Israelis find that peace is for the birds appeared first on The Forward.

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Eleven Arrested Amid Heavy UK Police Presence at Soccer Match Between Maccabi Tel Aviv and Aston Villa

Soccer Football – UEFA Europa League – Aston Villa v Maccabi Tel Aviv – Villa Park, Birmingham, Britain – Nov. 6, 2025, Aston Villa’s Ian Maatsen scores their first goal. Photo: Action Images via Reuters

British police said 11 men were arrested during protests outside Maccabi Tel Aviv’s UEFA Europa League game on Thursday night against Aston Villa in the United Kingdom, a match in which the Israeli team lost and also had its fans banned from attending.

West Midlands Police said a 63-year-old man was arrested for a racially aggravated public order offense after he was heard shouting a racist remark during a road rage incident near Villa Park, the arena where the match was taking place. A 21-year-old man was arrested for failing to comply with an order to remove a face mask, and a 17-year-old boy was arrested for failing to comply with a dispersal order.

Three other people were arrested on suspicion of racially aggravated public order offenses, including a 34-year-old and 29-year-old who both shouted abuse toward pro-Israel demonstrators. The latter was also arrested for possession of an illegal drug, and a 67-year-old was arrested for shouting racist abuse at a police officer.

A 32-year-old man was arrested on suspicion of a racially aggravated public order offense after shouting racist abuse toward a pro-Palestinian group. Meanwhile, a 21-year-old man was arrested after trying to throw fireworks on the ground, and another was arrested on suspicion of possession with intent to supply drugs.

West Midlands Police maintained a “high-visibility police presence” around Villa Park throughout the night, the police department said.  Roughly 700 officers were dispatched to keep order outside the arena amid planned protests by pro-Palestinian and pro-Israeli groups. There were also police horses, police dogs, a drone unit, roads policing unit, and protest liaison officers.

“This has definitely been one of the most contentious and controversial matches we’ve hosted for some time, but our priority, really clearly, is public safety,” said Birmingham Police Commander and Chief Superintendent Tom Joyce. “It’s about protecting the communities that live in and around Aston Villa, and reassuring those communities who are potentially affected by the match tonight.”

Aston Villa beat Maccabi Tel Aviv 2-0 in the league phase match taking place at Villa Park, which located in the city of Birmingham in central England. At the end of the match, lines of police officers made sure soccer fans leaving the stadium were separated from the anti-Israel protesters who remained outside the area and there were no confrontations, according to The Independent. Police officers also pushed back protestors outside Villa Park during the game.

Before the start of the game, hundreds attended a protest outside of Villa Park, organized by the group Palestine Solidarity Campaign, to demand Israel be excluded from all international soccer competitions. Attendees held signs with anti-Israel messages and Palestinian flags, and chanted “Free, free Palestine.” A smaller counter-protest took place in solidarity with the Israeli club and its fans, who had been banned from attending the game.

Maccabi Tel Aviv fan and Arab-Christian activist Yoseph Haddad traveled from Israel to express support for Maccabi Tel Aviv at the venue and protest the ban against the club’s supporters.

“You have a problem with us and not the fact that people cannot come to Britain and watch a football game because you have extremists here who don’t want certain people to be here? You should check yourself,” he said in a video shared on X. “We’re not in Nazi Germany. This is not the 1940s. And I promise you we will not be silent. We will be here, and show the truth of the Israeli society, and we will scream it and shout it as loud as possible. Stop the hate.”

The ban against Maccabi Tel Aviv fans was imposed by Birmingham’s Safety Advisory Group and police, which deemed the match as “high risk” and said the ban was necessary “to mitigate risks to public safety.” Government officials in Israel and the UK, including British Prime Minister Keir Starmer, condemned the decision. The UK government said it was taking steps to try to reverse the move, but Maccabi Tel Aviv then announced it would decline to accept any allocated tickets for its fans due to its own safety concerns.

Joyce told Sky News that “significant levels of hooliganism” among Maccabi Tel Aviv fans is the reason they were banned from Thursday’s match.

“We are simply trying to make decisions based on community safety, driven by the intelligence that was available to us and our assessment of the risk that was coming from admitting traveling fans,” Joyce said ahead of the match. “I’m aware there’s a lot of commentary around the threat to the [Maccabi] fans being the reason for the decision. To be clear, that was not the primary driver. That was a consideration. We have intelligence and information that says that there is a section of Maccabi fans, not all Maccabi fans, but a section who engage in quite significant levels of hooliganism.”

Maccabi Tel Aviv’s Chief Executive Jack Angelide criticized the “blatant falsehoods” about the club’s supporters.

“We have not been given a clear reason,” he told Sky News. “I have seen people coming up with all sorts of stories about our fans, especially in Amsterdam, where there was, what the Amsterdam authorities themselves classified as “a Jew hunt,” being portrayed as organized fighters, soldiers, etc., etc. It’s just blatant falsehoods, and people who say those things know that they’re false and shame on them.”

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