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Did you hear the one about the Jewish comedians who set out to explain Israel?
(New York Jewish Week) — There’s an old joke about Israel (we’ll spare you the too-long set up) that ends, “Before you were a tourist — now you’ve made aliyah.” In other words, whatever preconceptions you had about Israel, they will be shattered once you make the decision to live there.
Joel Chasnoff and Benji Lovitt are two Americans who live in Israel, and they understand the gap between perception and reality. They’ve rewritten what they consider an insider’s guide to the Jewish state, “Israel 201,” which sets out to explain the Israeli psyche when it comes to everything from vocabulary and cuisine to religion and military service. They don’t ignore the Israeli-Palestinian conflict, but write that “as impactful, significant and tragic as the conflict is, Israel is so much more that.”
They also understand jokes. Chasnoff, originally from Chicago, and Lovitt, who grew up in Dallas, both make their livings as professional comedians, mostly for Jewish audiences. But while often lighthearted, the book is a serious attempt to get past the cliches, good and bad, about a country that is both demonized and idealized, but too seldom seen as the real country it is.
Over email, the pair answered our questions on Yom Haatzmaut, during which Israel’s 75th year of independence was being celebrated amid national anxiety over the country’s far-right government. On Thursday evening, April 27, the two will appear at an “Israel 75” Comedy Night at the Stephen Wise Free Synagogue in Manhattan (30 West 68th Street, 7:00 p.m. Get tickets here).
New York Jewish Week: I hate to say “too soon” after 75 years, but do you think readers are ready to laugh with Israel? What do two Jewish comics bring to readers’ understanding of the country?
Chasnoff and Lovitt: Absolutely! Comedy is all about finding the overlooked contradiction and this book, and Israel, are full of them. Throughout our comedy/book tour, we have found crowds who are eager to laugh at and with Israel, even during the current news cycle. Per the book itself, readers especially have told us that they like the 10-question quiz, “How Israeli are You?”, that kicks off the book. That said, there are plenty of serious sections of the book with no laughs at all, such as the power of Yom Hazikaron [Israel’s Memorial Day, marked this past Tuesday]. Comedy is a great tool for introducing complicated topics into a conversation, and it’s definitely an important one in our arsenal.
What’s the single biggest thing people get wrong about Israel?
For one thing, many assume that daily life is consumed by the Arab-Israeli conflict, worries of a nuclear Iran and other threats. One thing we tried to make clear is that daily life continues, even in the most difficult of times. For example, a standup comedian will take the stage just hours after a terror attack a few miles away, and acknowledge in a clever way the tragedy the country has just endured.
In addition to what they get wrong, there are also the aspects of life that people simply don’t know about but are hugely impactful on how Israelis think and live. In “Israel 201,” we wanted to show how Israeliness infuses every angle of daily life, from children who create their own recess games because their school lacks a playground to the Academy of the Hebrew Language, which debates and creates new words to the Israeli lexicon based on current trends of the country.
“Israel 201” includes interviews from Israelis from all walks of life. (Geffen Publishing House)
Books of Israel advocacy bring to mind the old joke, “Other than that, Mrs. Lincoln, how was the show?” — in the sense that no matter how Israel’s supporters attempt to “normalize” the country, the outside world will always associate the country with conflict, religious strife and the Israeli-Palestinian dispute. Who is the intended audience for your book, and were you expecting to change any minds?
Anyone in Israel advocacy knows to target the supporters and undecideds, not the “haters” who you’ll never convince. Though we don’t see this book as advocacy, most of our readers are Jewish. What makes “Israel 201” special however is that it’s equally entertaining for someone who’s only visited for a 10-day trip as for someone who made aliyah 30 years ago. It’s precisely because it’s a “next-level guide” that people of varying levels of Israel experience can learn from it. That said, we’ve heard from readers who’ve never visited that this was a great entry point due to its focus on daily life and what they might see firsthand.
I think your book came out too late to deal with or anticipate the current “constitutional” crisis in Israel, and the protests over the government’s judicial reforms. But what understandings does your book bring to the current showdown? Are you optimistic about Israel’s future?
Actually, despite the book’s release in March, we feel that the book is filled with examples of these existential questions that Israel grapples with. In the final chapter, we interviewed David Passig, a futurist who foresaw past world events such as 9/11 and the 2008 financial crash. We were actually surprised by how optimistic he was about the country’s future. He noted that it’s hard to have perspective or see the bigger picture when you’re smack in the middle of it. This isn’t the first time Israel has feared for its future. On the eve of the Six-Day War, the Jewish world believed that we were literally on the brink of extinction. All countries go through tremendous growing pains, but if the Zionist pioneers had been able to see what we’ve achieved in the last 75 years, they wouldn’t have believed it. During our five years of writing the book, we repeatedly encountered incredible resilience, from advocates for women’s rights to the rise of LGBTQ activism in the IDF. It is this resilience which makes us optimistic.
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The post Did you hear the one about the Jewish comedians who set out to explain Israel? appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”