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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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As Trump officials cozy up to Germany’s far right, everything alt is neu again

In the 1930s, American Nazis looked to Berlin for inspiration. The German-American Bund held torchlit rallies in New York, slandered Jews, preached white supremacy, and sent their children to Hitler Youth-style summer camps for indoctrination — all in service of importing the Führer’s vision to U.S. soil.

Nine decades later, the current is flowing in reverse, as Germany’s far-right Alternative für Deutschland (Alternative for Germany) party makes pilgrimages to Washington, D.C. — at the invitation of Trump administration officials who see the German party as unfairly ostracized.

Protesters in Germany demonstrate against the AfD. Photo by Getty Images

This September, two top AfD figures met with staff from Vice President JD Vance’s office and with State Department employees. Later that month, more AfD parliamentarians arrived in D.C., where they conferred with Darren Beattie, a former Trump speechwriter now embedded in the State Department.

Over the past several months, the Trump administration has, in effect, taken the AfD under its wing. Trump’s MAGA movement and the AfD both cast themselves as defenders of a civilization threatened by nonwhite outsiders, and both have tolerated displays of antisemitism from operatives within their ranks.

At Trump’s Jan. 20 inauguration rally, Elon Musk made a gesture resembling a Nazi salute and declared, “My heart goes out to you. It is thanks to you that the future of civilization is assured.” Musk later denied any Nazi intent. But he raised eyebrows again when he appeared remotely at an AfD campaign rally in Halle, Germany, in February, where he praised the party as “the best hope for Germany” and urged citizens to “move beyond” their country’s Nazi past.

At the annual Munich Security Conference in mid-February, Vance rattled America’s European partners by saying democracy in Europe was threatened not by populist parties like the AfD, but by governments’ refusal to treat them like legitimate political actors. Vance added insult to injury by having a private meeting with Alice Weidel, co-leader of the AfD, before returning to the states.

This chummy relationship between the Trump administration and a German political party that has been designated an extremist organization by German intelligence presents a sort of reverse mirror image of the state of affairs between the two countries back in the 1930s.

Let’s set the time machine back to July 18, 1937, and the location to a summer camp in New Jersey — Camp Nordland. Operated by the German-American Bund, it wasn’t just a retreat; it was a staging ground for fascist pageantry. Swastika flags flanked the entrance. Uniformed men marched in formation. Children sang songs of Aryan pride. Politicians and Bund leaders gave speeches praising Hitler’s vision and denouncing Roosevelt’s “Jewish government.” It was America’s own slice of the Reich, nestled in the woods of Sussex County.

Camp Nordland was not an isolated hive of American-style Nazism. There were about 200 other camps like it, stretched across the nation.

The Bund’s rallies were near-perfect replicas of Nazi spectacles in Germany, none more brazen than the one held at Madison Square Garden on Feb. 20, 1939. More than 20,000 people packed the arena as uniformed men and women marched down the aisles in Nazi-style regalia. Swastikas flanked a towering portrait of George Washington. The crowd raised stiff-arm salutes as Bund leader Fritz Kuhn took the stage and declared, to roaring applause, that “the Jew is one thousand times more dangerous to us than all the others” and that the government must be “returned to the American people who founded it.”

The Bund’s dream of an American Reich collapsed soon after. Kuhn was convicted of embezzlement. The FBI cracked down. World War II made their allegiance to Hitler politically toxic. Camp Nordland was raided and shut down in 1941. But the ideology didn’t die — it went dormant, and it is resurfacing on both sides of the Atlantic.

Following the AfD’s September visits to Washington, Trump adviser Alex Bruesewitz traveled to Berlin in November, calling the AfD members of the Bundestag and party supporters “bold visionaries.”

“We are in this together,” said Bruesewitz, according to Politico. “The forces arrayed against us aren’t just ideological opponents, they’re manifestations of evil, seeking to extinguish the light of faith, family and freedom.”

“This spiritual battle isn’t confined to the United States,” he continued. “Oh, no. Germany and America may be separated by thousands of miles of ocean, but we face the same exact enemies, the same threats, the same insidious forces trying to tear us down.”

A month before Bruesewitz’s trip to Berlin, two AfD lawmakers were treated to a private reception in Manhattan, where an opera tenor serenaded them with the first stanza of “Deutschland über Alles” — a verse officially excluded from Germany’s national anthem and widely considered taboo for its Nazi associations, according to a Reuters report. The event was hosted by the New York Young Republican Club, a chapter of the national Young Republican Federation. Notably, a fall exposé by Politico revealed leaked Telegram messages from Young Republican leaders in multiple states, in which members praised Hitler, joked about gas chambers, slandered Jews and Black Americans, and fantasized about violence against political opponents.

All of this raises the question: Is there any danger in this transatlantic camaraderie between Trump’s MAGA movement and the AfD? Probably more so for Germans than for Americans.

The AfD has become a powerful player in German politics since its emergence just twelve years ago, rising from a fringe Euroskeptic movement to a dominant force — especially in the former East, where economic dislocation and cultural resentment have fueled its ascent. While Germany’s mainstream parties have steadily shed voters, the AfD has gained them. Of the Bundestag’s 630 seats, the AfD now holds 152, making it the second-largest delegation in the federal parliament. And yet, despite its electoral strength, the AfD remains politically isolated: Germany’s mainstream parties have refused to cooperate with the AfD on legislation or coalition-building.

The AfD hopes its courtship of Trump and his MAGA movement will increase pressure on Germany’s governing Christian Democrat–Social Democrat coalition to dismantle the firewall that has kept it politically isolated. Doing so wouldn’t just amplify the AfD’s influence — it could clear a path for the party to join a future governing coalition. To many Germans, this scenario evokes chilling memories of how Hitler rose to power: not by winning outright, but by exploiting the weakness and fragmentation of mainstream parties.

The AfD insists it is not a threat to democracy, despite being officially designated a “confirmed right-wing extremist” organization by Germany’s domestic intelligence agency in May. Party leaders call the label a smear, an attempt to silence dissent. That view has found defenders across the Atlantic. Secretary of State Marco Rubio condemned the designation as “tyranny in disguise.”

It could be argued that in some ways, what many Germans fear for their country has already happened here. In Germany, far-right ideologues are still waiting to enter government. In the U.S., they’re already inside — drafting policy, staffing agencies, shaping foreign alliances. What Germany still treats as a red line, America has already normalized.

 

The post As Trump officials cozy up to Germany’s far right, everything alt is neu again appeared first on The Forward.

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Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds

Growing up as a Black woman in the South with a Jewish father, Autumn Leonard often felt like “an outsider looking in” on Jewish communities. She wasn’t raised particularly Jewish, and her Black and Jewish identities felt disconnected from each other — as if she had to choose one.

But after she married a Jewish man and wanted to raise Jewish children, she sought out ways to engage more deeply with her Jewishness. She found groups that affirmed both of her identities, chairing the “Race Working Group” at the progressive Brooklyn synagogue Kolot Chayeinu and becoming a lead organizer with the Black Jewish Liberation Collective.

“That made me feel like, Oh, Jewish is something I can be — as opposed to something over there that comes from my ancestors,” Leonard said.

After the attacks of Oct. 7, however, Leonard said she began to notice a shift. Jewish communities seemed more inward-looking, she said, with a heightened focus on combating antisemitism and a retreat from commitments to racial justice. She began hearing stories from Black Jews who felt increasingly sidelined or isolated.

So she set out to gather empirical evidence to test her hunch.

The result was a survey conducted through the Black Jewish Liberation Collective, a progressive group that connects Black Jews for political organizing and cultural events. The group circulated the survey beyond its own membership and received 104 responses from a geographically diverse group — most from New York state, but also with respondents in Canada, Portugal and the United Kingdom. Participants were between 21 and 75 years old and reported a range of religious observance levels, from just ethnically Jewish to Orthodox. Responses were collected between October 2024 and January 2025.

The survey — which represents a tiny subset of the estimated 1% of U.S. Jews who identify as Black — found that 62% of respondents reported “increased marginalization” in a Jewish community or space after Oct. 7, 2023.

Those feelings of ostracization largely had to do with disagreements around Israel and Gaza, according to the survey. While survey participants generally identified as more left-leaning on the Israeli-Palestinian conflict, respondents on both sides of the political spectrum said they felt alienated.

In Jewish spaces, some respondents felt they were assumed to be more sympathetic to the Palestinian cause because of their race. Meanwhile, in progressive spaces, some Black Jews felt they were assumed to be Zionist because of their Jewishness.

“I do feel some kind of internalizing shame where I am more careful around the ways that I share my Jewishness in non-Jewish spaces,” one survey respondent wrote. “I resent the ways that Zionism is conflated with Jewishness, and the ways I have to extricate [or] preface that.”

According to Leo Ferguson, a member of the Black Jewish Liberation Collective’s steering committee, another troubling post–Oct. 7 trend is that people who voice criticism of Israel are increasingly labeled “fake Jews.” Black Jews often already face that accusation because of their race — and adding political litmus tests, he said, only intensifies the problem.

“What I have witnessed is more scrutiny of Black Jews. There is an ongoing question as to whether or not we will stand up and be ‘real Jews’ which means aligning with whoever’s politics is judging us,” one survey participant wrote.

Compounding these trends, some Jewish institutions have shifted away from the idea that advocating for a broad range of minority groups also benefits Jews, focusing instead on antisemitism linked to Israel. Just last month, the Anti-Defamation League entirely removed from the “What We Do” page of its website a section called “Protect Civil Rights” amid threats from the Trump administration. Although that change occurred after the survey was conducted, some respondents already saw the trend emerging.

“The way in which much of [the] Jewish community has turned from barely doing antiracism work wholly toward Israel and self-protection is so discouraging, especially as the racism within Jewish community is so severe,” one survey respondent wrote.

The survey offers recommendations based on the survey’s findings, including welcoming ideological diversity in Jewish spaces; having a time and place for Israel discourse, rather than letting it “bleed into all aspects of Jewish life”; and maintaining connections between Black and Jewish advocacy groups even if they disagree on issues surrounding conflict in Gaza.

“The discussion around Israel Palestine has taken up so much of the oxygen that it has made it impossible to then also talk about things like racial justice,” Ferguson said.

The post Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds appeared first on The Forward.

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Hasan Piker Bashed Gal Gadot in Villainous ‘Variety’ Feature

Hasan Piker. Photo: Wikimedia Commons

In case you missed it, The New York Times recently did a fawning profile on popular Twitch streamer Hasan Piker, in which it mentioned, only in passing, that he once said America deserved 9/11. The article didn’t mention that Piker said he supported Hezbollah or that he took every chance to vilify Israel. It didn’t mention that he interviewed someone who he said was a member of the Houthis, only to later say he wasn’t.

Now comes an article in Variety by Tatiana Siegel, who uncritically lets Piker says his statement about 9/11 was about “blowback” and doesn’t push any further, accepting this nonsense that his own words were “weaponized” against him.

Siegel is more interested in writing that Piker is 6’4″, muscular, and plays basketball, instead of writing about how he interviewed a Houthi and vibed with him. Why get into any of that stuff? It’s much more important for Siegel to repeat a line from the Times article, as if it was her own, that Piker could be a possible answer to when the left-wing will find its own Joe Rogan. Maybe if they repeat it, suddenly Piker will be the next Joe Rogan!

Siegel tries to cast Piker as a moderate, because he disagrees with the insane conspiracy theory that Israel killed Charlie Kirk.

Siegel also interviews Taylor Lorenz. Yes Lorenz, the fool who said she felt joy when she heard news of the murder of United Health Care CEO Brian Thompson. Lorenz, who in televised interviews has said she thinks Piker is hot, and says the entire Internet has been weaponized against him. I doubt she’d be so quick to say this if Piker was unattractive.

Of course, Siegel is uncritical of Piker for saying that Amy Schumer should be cancelled, though she at least points out he falsely attributes a statement to Schumer that she never made.

But the kicker is Piker’s disdain for Gal Gadot, who has been a very vocal supporter of Israel. Piker likes his Jews quiet and embarrassed. He calls Gadot a “dogs**t actress” and complains of her normalizing Israel. I don’t remember Piker being a film critic — and of course no one talks about how Piker normalizes antisemitism. Good thing they got a writer with a Jewish-sounding last name to write a puff piece.

As Norman Finkelstein said when speaking about what Zohran Mamdani needed to do to fight off charges of antisemitism (which of course Finkelstein thought were fake) — people like this need to find Jews to do the “dirty work.”

Jewish actress Natalie Portman is okay, according to Piker, because she never served in the IDF. The Jewish actor who plays Superman is fine, because he’s not pro-Israel from what he’s seen. Who’s the Jewish influencer who says which Muslim actors are okay to watch in movies or not?

Oh, that’s right, there is none, as that would be seen as Islamophobic. But Piker gets another free pass to spew his hatred.

The article could not be complete without a little “Jews control the media” implication, as Piker criticizes Bari Weiss because she represents everything he “despises about access journalism.” Of course, Siegel doesn’t bother to mention that Piker got his career from his uncle, Cenk Uygur, founder of the Young Turks, one of the most noteworthy left-wing YouTube channels, for which Piker used to work. And there’s no mention of Weiss’ courage to quit the New York Times to start The Free Press. Because when Jews succeed, it can’t have anything to do with merit — it must be that they all help each other!

The writer could have asked about the Piker controversy surrounding his dog for which he’s received immense criticism, but I wasn’t shocked she didn’t mention it. That might get in the way of him being the next Joe Rogan!

The article ends with Piker saying he doesn’t have bodyguards, citing Fidel Castro who claimed to have a moral vest.

The article is good for only one thing — pointing out how much the media hates the Jews.

The author is a writer based in New York.

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