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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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Jewish communities can help save trans lives — here’s how

In the 16 months since the 2024 election, the lives of hundreds of thousands of transgender, nonbinary and intersex people in the United States have been upended. A new survey shows that, during that time period, 9% of the country’s transgender population moved from one U.S. state to another over concerns for their personal safety. Andjust today, as we celebrate Transgender Day of Visibility, the Supreme Court released a decision that harms transgender people, as well as the entire LGBTQ+ community, by striking down a state law that protected LGBTQ+ youth and their families from so-called conversion therapy, a dangerous, disproven practice.

Jews have a religious obligation to protect transgender lives; a key tenet of our faith is the belief that to save a life is to save the whole world. Research shows that religious groups can play a particularly significant role in the lives of transgender youth. With the support of such groups, trans kids experience dramatically lower rates of depression and suicide. Conversely, when social support is stripped away, the risks rise.

That’s why more than 1,000 rabbis, cantors, and other spiritual leaders representing all major Jewish denominations — Orthodox, Conservative, Reform, Reconstructionist and Renewal — from 48 U.S. states and the District of Columbia recently signed an open letter publicly declaring that Jewish tradition compels us to support the full equality of transgender, nonbinary and intersex people.

The letter was spearheaded by Keshet, the leading national Jewish organization dedicated to LGBTQ+ equality, and the Religious Action Center for Reform Judaism — the organizations for which we respectively work. For us, the need for Jews to make a strong statement of support for the trans community was urgent.

In recent years, almost every state in the U.S. has proposed or passed legislation to take away the rights of transgender, nonbinary and intersex people. In the first quarter of 2026 alone, politicians in 42 state legislatures have introduced a staggering 740 laws targeting transgender people. At this horrifying rate, they’re on track to surpass last year’s 1,022 anti-trans bills, proposed in 49 states.

Only some of these bills will become law. But all of them aim to take away rights and erase transgender people from public spaces — by ending gender-affirming healthcare, restricting restroom use, forcibly outing students at school, banning books, and more. Kansas passed a particularly terrifying example of this sort of legislation in February, with a law that revoked the IDs of transgender people — passed in the dead of night, and put into effect the very next day.

Jewish communities are painfully aware of the dangers of policies and laws that try to legislate minority groups out of the public square. That clarity gives us a particular mandate to combat such efforts.

So many American Jews have ancestors whose lives were shaped by exclusionary laws, scapegoating, censorship and attempts to erase us from public life. So many of us who immigrated to this country have firsthand experience of that same torment. This strategy of disenfranchisement and persecution has appeared repeatedly throughout Jewish history, often preceding profound tragedy.

As Jewish leaders, we see echoes of those dangerous patterns today in rhetoric that portrays LGBTQ+ people as a threat to society. We know, from our own history, that these are not the actions of a functioning democracy.

Our congregants and community members have been asking us what they can do to support our trans youth in their circles. And LGBTQ+ Jews want to know how Jewish organizations are working to stand up for their existence, dignity and safety. We must answer both questions more vigorously and decisively.

Even as we work to protect and advance LGBTQ+ rights in the public square, we have the power — and the responsibility — to make our Jewish communities safe havens. We have a unique role to play.

There are things all of us can do to create Jewish communities of belonging and affirmation for our transgender, nonbinary and intersex community members:

  • Commit to using the names and pronouns that LGBTQ+ members use for themselves.
  • Push your Jewish community leaders to take proactive steps to turn your community into a safe and affirming space for all transgender and LGBTQ+ people.
  • Establish gender-neutral restrooms. Then, create and post a policy that encourages people to use the restroom, locker room or other gendered facilities that align with their gender.
  • Implement anti-harassment, anti-bullying and non-discrimination policies that affirm the dignity and safety of all community members.

The rights and lives of our neighbors are in our hands. As many of our political leaders fail to protect members of our community, we must lead by example to build a world of affirmation and belonging for all.

The post Jewish communities can help save trans lives — here’s how appeared first on The Forward.

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Why the ‘No Kings’ marches reminded me of Germany in 1933

Germany’s parliamentary election on March 5, 1933 was the most fateful in the nation’s history, securing Hitler’s hold on power and launching 12 years of despotic rule and, eventually, a world war.

Like Germany nearly a century ago, as the United States enters the campaign season for our midterm elections, we too stand at destiny’s threshold. The outcome will determine whether Donald Trump can continue his assaults on democratic institutions, or whether he is checked by a Congress he has rendered virtually powerless since beginning his second term.

The moods of Germans in the spring of 1933 and Americans in the spring of 2026 are strikingly similar — a shroud of foreboding hangs over defenders of democracy. Yet beneath the gloom runs a pulse of defiance. In the United States, that defiance took visible form this past Saturday, when millions joined anti-Trump No Kings marches and rallies across the country.

As impressive as the Saturday protest was, America’s protectors of the republic would do well to heed what happened in Germany in the run-up to the two parliamentary elections of 1932 and the Weimar Republic’s final parliamentary election in March 1933 — moments when democratic hopes briefly rose, only to be extinguished.

In America under Trump, Indivisible has emerged as the most visible national organization in the anti-Trump resistance. During the Weimar Republic, its counterpart was a broad pro-democracy coalition called the Reichsbanner, led by the Social Democrats. Over the past century, memory of the Reichsbanner has nearly vanished, which is a shame given its dauntless devotion to democracy in the face of constant danger.

During the Weimar Republic’s final election campaigns, multitudes of Germans — rank upon rank, singing and chanting — marched through Berlin and other cities and towns across the country, gathering at rallies where orators denounced the fascists and vowed to defend the republic.

“1932 will be our year, the year of final victory of the republic over its enemies,” declared Karl Höltermann, the Reichsbanner’s national leader.

As the Weimar Republic was attacked by extremists on the right and left in its early years, and after Hitler’s abortive Beer Hall Putsch in 1923, the Social Democrats, the German Democratic Party, and the Center Party joined forces in 1924 to create a pro-republic defense organization, which they called the Reichsbanner.

In 1931, the Nazis, the German National Peoples’ Party, the veterans’ association Stahlhelm, and other anti-democratic forces joined to form the Harzburg Front. The Reichsbanner and its allies countered by marshaling Germany’s democratic constituencies — workers, veterans, liberals, Catholics — into a coordinated force known as the Iron Front.

As the Great Depression threw millions out of work, street violence intensified, cracks widened, and fragile coalition governments collapsed. The ranks of the Nazi and Communist parties swelled. Votes for Nazi candidates in the July 1932 election more than doubled — from 6.4 million to 13.1 million — making Hitler’s party the largest in the Reichstag with 230 seats, about 100 more than the Social Democrats, although short of a majority.

Enthusiasm for Hitler waned as Germany’s economic crisis eased, reflected in the November 1932 election. The Nazi bloc fell from 230 to 196 seats. It was a blow, but they remained the largest party.

The Reichsbanner’s years of defending democracy hurtled toward an ignominious end as Hitler used the burning of the Reichstag as a pretext to suspend civil liberties, the Nazis won a slim majority of parliamentary seats in coalition with the Nationalists in the March 5, 1933 election, and the last nail was driven into the republic’s coffin 14 days later when the parliament voted to give Hitler complete power.

During these tumultuous months defenders of democracy were intimidated, beaten, murdered and tortured, and many wound up in concentration camps, including Reichsbanner members. Höltermann fled to Britain, where he lived out the rest of his life in exile, dying in 1955.

In Portland at the No Kings rally, marchers simultaneously filled two bridges spanning the broad Willamette River dividing downtown from the east side. Photo by Terrence Petty

This past Saturday’s No Kings protests looked nothing like the anti-Hitler demonstrations led by the Reichsbanner nearly a century ago. But the posters carried by anti-Trump activists, their anti-fascist slogans, the frogs, unicorns and other creatures cavorting among the marchers, and above all, the dauntless defiance, all came from the same impulse that drove the defenders of the Weimar Republic.

As in communities across the nation, Saturday’s rally and march here in Portland, Ore. was truly impressive. There were so many people in the march that they simultaneously filled two bridges spanning the broad Willamette River dividing downtown from the east side.

A drum corps of anti-Trump activists was so precise in close-order drill that they might have surprised out-of-town visitors who think of Portland as a hipsters’ paradise. But the Portlandia stereotype was rescued by a guy on a unicycle riding in front of the drum corps — wearing a frog costume and juggling tennis balls.

Equally striking were three 13-foot puppets created by an Indivisible Oregon arts team and towed along the parade route — Donald Trump stuck in an oil barrel and holding a Boeing 747 in one of his tiny hands, Stephen Miller dressed as Dracula, and RFK Jr. as a mad scientist with a giant worm coming out of his head.

Although the Saturday nationwide protests appeared peaceful, confrontations broke out that night outside Portland’s ICE facility and at the Los Angeles Metropolitan Detention Center. Federal officers in Portland used tear gas to move protesters away from the gates, and in Los Angeles, authorities arrested dozens during a brief clash outside the detention center.

What’s next?

Indivisible co-founder Ezra Levin — sort of a Karl Höltermann of the 21st century — said plans are in the works for a general strike on May 1 to protest government policies that favor billionaires over workers. It is an idea inspired by a January 2026 general strike in Minneapolis, shuttering more than 700 businesses, to demand a halt to an escalation of federal immigration enforcement that led to the shooting deaths of two activists. Labor unions, religious organizations, community advocacy groups, teachers and students were among those involved.

“The next major national action of this movement is not just gonna be another protest. It is a tactical escalation,” Levin said at the No Kings rally in Saint Paul. “It is an economic show of force, inspired by Minnesota’s own day of truth and action,” .

I wish Levin well. But I worry.

General strikes are extremely rare in the United States. And there are reasons for that. Before Minneapolis, the last one occurred in Oakland, Calif., in 1946, when 100,000 workers staged a two-day walkout. Over the decades, as labor muscle has weakened, general strikes have become more difficult to organize. While workers have the right to strike, the Taft-Hartley Amendments of 1947 prohibit strikes organized for political purposes or directed at secondary targets..

A nationwide general strike in Germany in 1920 indicates some potential pitfalls.

In March 1920, when right-wing officers attempted to overthrow the republic in the far-right Kapp Putsch, the nation’s democratic forces responded with a general strike so vast that it quickly brought the coup to its knees. But the victory came at a steep price. Instead of unifying Germans around the defense of their republic, the strike widened the fissures already running through the nation.

As I was riding the bus to Portland’s protest on Saturday, I thought back to Karl Höltermann and the Reichsbanner. And I reflected on this fact: Germany’s anti-Hitler movements failed because not enough Germans thought democracy was worth preserving. Back then, democracy was not a historic tradition in Germany, unlike our 250 years of experience.

If we rescue our democracy, it will be because enough of us chose to.

 

The post Why the ‘No Kings’ marches reminded me of Germany in 1933 appeared first on The Forward.

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Outrage First, Facts Later: Jerusalem’s Palm Sunday Story

Pope Leo XIV delivers a homily during the Palm Sunday Mass in Saint Peter’s Square at the Vatican, March 29, 2026. REUTERS/Francesco Fotia

News that Israeli police had blocked Latin Patriarch Cardinal Pierbattista Pizzaballa from entering the Church of the Holy Sepulchre in Jerusalem on Palm Sunday spread rapidly across social media this week.

The reaction was swift and severe, with Israel accused of restricting Christian worship and violating religious freedom at one of Christianity’s holiest sites.

But much of the outrage was missing key facts.

Israeli police, along with the Prime Minister and President, said the measures were driven by security concerns at Jerusalem’s holy sites during wartime.

With Iranian missile fire ongoing and fragments already landing near religious locations, authorities cited the risk of mass casualties in an area with limited shelter and difficult emergency access.

The decision, they said, was about protecting both the cardinal and worshippers.

What was also largely overlooked is that the situation was quickly resolved.

Following coordination between Israeli authorities and the Catholic Patriarchate, an agreement was reached allowing prayer under agreed limitations, and access was restored.

There is room to criticize what was, at best, a clumsily handled situation that should have been resolved before escalating publicly. But there was no evidence of malice — only an attempt to enforce safety regulations under wartime conditions.

That context, however, was almost entirely absent from the viral narrative.

Pro-Palestinian accounts on X portrayed the incident as a deliberate act against Christians. Some framed it as persecution; others as proof of systematic religious discrimination.

One widely shared post by Quds News Network claimed Israel had prevented the cardinal from entering the church with no reason given, omitting any reference to security measures or crowd control, and reinforcing the perception of deliberate obstruction.

In another post, Palestinian writer Mosab Abu Toha — previously criticized for disparaging Israeli hostages in Gaza — cast the incident as part of a broader pattern of restrictions on worship, again without mentioning the security rationale cited by Israeli authorities.

Susan Abulhawa went further, using the incident to promote inflammatory rhetoric about “parasitic Jewish supremacists,” falsely claiming that Jews were granted unrestricted access while Christians and Muslims were barred.

Other commentators, including Ethan LevinsCarrie Prejean, and longtime Israel critic Mehdi Hasan, echoed similar claims — all reinforcing the same stripped-down narrative: denial of access, devoid of context.

Missing from much of the online reaction was the perspective of Cardinal Pizzaballa himself. He stated that he was treated with politeness and emphasized the importance of respectful dialogue moving forward.

In reality, Israel faced a difficult choice: allow unrestricted access during Holy Week amid an active war and credible security threats, or impose temporary limitations and face international backlash.

Either option carried consequences. Had a mass casualty event occurred, the criticism would likely have been far more severe.

This is the nature of a lose-lose scenario.

Events in Jerusalem, particularly around religious sites, do not unfold in a vacuum. They are shaped by security realities, historical sensitivities, and the challenge of balancing competing religious claims.

Reducing such incidents to a single viral image strips away that complexity.

The Palm Sunday episode is a case study in how quickly a misleading narrative can take hold when context is omitted, and how rarely subsequent clarifications receive the same attention as the initial outrage.

In the end, the situation was resolved not through outrage, but through dialogue.

That, too, is part of the story.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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