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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears

The image was vintage AI slopcraft: New York Mayor Zohran Mamdani in his trademark black suit, holding a sealed cardboard package labeled 9/11 MEMORIAL.

“Honey,” the cartoon Mamdani calls, “where’s my box cutter?”

The cartoon, shared Sunday on social media by the Orthodox Jewish comedy account Heimish Humor and referencing the weapon used in the 9/11 hijackings, reflected an increasingly caustic attitude toward Mamdani, Muslim elected officials and Islam itself in some Jewish spaces as the 25th anniversary of the attacks approaches — with much of the charged rhetoric tied to Sept. 11.

Jewish groups that staged an anti-Mamdani protest in downtown Manhattan Tuesday invoked the mayor’s religion on a flyer for the event, which was sponsored by the Lawfare Project, the Israeli-American Council and a slew of other Jewish groups. The flyer depicted Mamdani with his eyes blotted out and read, “Islamist ideology was not defeated. It was normalized. In 2001 they needed planes. Today the DSA hands them a platform.” One speaker at the event said Mamdani believed law enforcement was “haram,” Arabic for forbidden.

To some who saw it, the poster — and many of the Jewish attacks against Mamdani — contained anti-Muslim dog whistling, if not downright Islamophobia.

“This is coded language to smear all Muslim leaders as terrorists to hold them accountable for 9/11,” said Amy Spitalnick, chief executive of the Jewish Council for Public Affairs. “The same way that we as a community rightfully push back when we hear people using ‘Zionist’ as a pejorative — that’s what’s happening here. We should be calling it out if we expect people to call it out when it happens to us.”

The wave of antagonism in the Jewish community comes amid a broader Republican backlash to high-profile victories for Muslim elected leaders. Bruce Blakeman, the Republican nominee for New York governor, called incumbent Gov. Kathy Hochul, who is Catholic, “tone deaf” for wearing a hijab at a mosque so close to the 9/11 anniversary. Islamophobic posts targeting Michigan Senate candidate Abdul El-Sayed, surfaced by The Washington Post, found copious 9/11 references.

But no politician has attracted as much vitriol as Mamdani, New York’s first Muslim mayor. His antagonism toward the Israeli government and his leftist politics have made him a target for many pro-Israel New Yorkers. Some have used his religion as a cudgel in joining calls for him to skip Friday’s memorial service at Ground Zero.

Spitalnick said such rhetoric was coming from a small, non-representative portion of the Jewish world that wanted to advance a conservative political agenda — but that Jews “should be concerned that this is ostensibly being done in our name.”

“We can be concerned for multiple reasons,” she added. “One, bigotry is wrong regardless, and two, it actually makes our work to fight the real and rising antisemitism our community is facing that much harder.”

Yet posts like the cartoon also revealed the resistance to growing anti-Muslim sentiment in Jewish spaces. Heimish Humor’s post drew a number of critical replies from Jewish accounts. “Incredibly racist, you should delete this,” wrote one. “Not funny,” said another. As anti-Muslim rhetoric escalates, Jewish voices are among those fighting hardest to combat it.

Echoes of history

Twenty-five years after 9/11, the rise in Islamophobic rhetoric has resurfaced old memories of its aftermath.

The end of 2001 was a dangerous time for Muslim Americans, who faced being conflated with the Al Qaeda terrorists who perpetrated the hijackings. Despite President George W. Bush’s admonition that the attacks were committed by extremists who did not represent the religion, anti-Muslim violence spiked across the U.S. A number of mosques were burned in arson fires, and eight Arabs or Muslims were killed in the three months following 9/11 in what some believed to be Islamophobic murders.

Relations between Jewish and Muslim American communities, already strained by the Second Intifada, bottomed out in some places after 9/11. But in the ensuing years, Jewish-Muslim relations took a surprising turn. By 2006, news media were describing an “unprecedented swell of interfaith activities” — including dialogue groups, “peace walks” and joint Israel trips — even as agreement on Middle East politics remained elusive.

And while the 2010 proposal for a mosque and Muslim community center at Ground Zero reignited some old tensions — with the Anti-Defamation League headlining the opposition — broader trends of Muslim-Jewish mutual aid held: When a St. Louis Jewish cemetery was defaced in 2017, Muslim groups raised tens of thousands of dollars to repair it. Jewish groups anchored the opposition to President Donald Trump’s 2017 immigration ban targeting Muslim countries. And in 2021, the ADL apologized for its earlier stance on the mosque near Ground Zero.

The day everything changed

The Oct. 7, 2023, Hamas attacks, however, caused many Jewish-Muslim partnerships to collapse. Israel’s response in Gaza only deepened resentments, as opposition to the war on college campuses and in public protests coincided with an increase in antisemitic incidents.

Then in 2025, Mamdani rode into office on the back of the pro-Palestinian movement. Mamdani vowed to arrest Israeli Prime Minister Benjamin Netanyahu and was reluctant to disavow the slogan “globalize the intifada” — a phrase many see as calling for violence against Jews. Though Mamdani has repeatedly condemned antisemitic violence in the city, some Jewish New Yorkers say his anti-Israel invective has nevertheless exacerbated a dangerous environment for the city’s Jews.

“The DSA is a movement of hate, pro-terror anti-American and anti-minority ideology,” said Brooke Goldstein, the founding director of the Lawfare Project, which organized Tuesday’s anti-Mamdani protest. She said it was the DSA and the mayor who were promoting division, extremism and racism — not groups like hers, who were holding the mayor accountable.

The prominence of the Democratic Socialists of America is one key difference between today’s political environment and that of late 2001.

But the environment around Israel has also changed. “The response to 9/11, including from most Jewish organizations, was an American response,” said Jonathan Jacoby, president of the Nexus Project, a nonprofit that combats antisemitism — whereas the response to Mamdani today, he said, is “coming from a quote-unquote ‘pro-Israel’ space.”

Jacoby said Mamdani’s election in particular had elicited an unprecedented level of panic among some pro-Israel groups. He pointed to the ADL’s Mamdani Monitor as an example, saying that there was a throughline between the efforts to undermine his candidacy and the calls for him to not attend the 9/11 ceremony. (The ADL has not commented on whether Mamdani should participate, and declined to comment for this story.)

Some of the people who have pushed back against the anti-Mamdani rhetoric consider themselves among the mayor’s critics.

“I’m not happy with the atmosphere he’s brought into New York City since being elected,” Avital Levene, a Jewish influencer who called the Mamdani cartoon “not funny,” said in an interview. “However, he’s stood with the Jewish people since taking office. People literally call him a terrorist and use terms like ‘yemach shemo’ (may his name be erased). There’s a way to criticize someone’s political views without using racist slurs.”

Like Levene and Spitalnick, Jacoby said he disagreed with some of the mayor’s beliefs about Israel. But he said those disagreements “pale in the face of the danger of authoritarianism, neo-fascism and white nationalism in this country.”

The post Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears appeared first on The Forward.

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Argentine court orders return of Nazi-looted painting to Jewish collector’s heir

(JTA) — BUENOS AIRES – A Dutch journalist hunting for art treasures belonging to an Amsterdam Jewish art dealer spent years trying to get answers from Patricia Kadgien, the daughter of the Nazi financier who had made off with some of them, with no luck. So last year he went to her house in Mar del Plata, a resort city on Argentina’s Atlantic coast.

No one was home, but the journalist, Peter Schouten, noticed a “for sale” sign outside the property from Robles Casas & Campos, a local real estate agency.

Schoten went to the agency’s website, where the house was listed for $265,000. As he scrolled through the listing, he noticed something in a photograph of the living room. Schouten recognized the painting hanging above a sofa: “Portrait of a Lady,” most likely the work of the 18th-century northern Italian painter known as Il Pitocchetto.

On Friday, Argentine federal judge Santiago Inchausti authorized the restitution of “Portrait of a Lady,”  which belonged to the collection of Dutch Jewish art dealer Jacques Goudstikker, to his daughter-in-law and sole heir, Marei von Saher.

“The property had been listed for sale on a real estate agency’s website, and one of the photographs showed a painting in the living room that matched one of the works from Goudstikker’s collection that had been sought for years,” Inchausti wrote in his ruling.

Goudstikker was one of Holland’s most prominent Jewish art dealers before World War II. In 1940, he fled the Nazi-occupied Netherlands with his wife and son, carrying a black notebook listing some 1,400 artworks. After his death during the voyage, his widow preserved it, and the notebook later became key evidence in the family’s restitution efforts.

His gallery and collection fell under Nazi control. Hermann Goering, a powerful deputy to Adolf Hitler, acquired hundreds of paintings from Goudstikker’s collection in a forced sale that Dutch authorities later determined was directly linked to Nazi persecution.  

Herberto Robinson, von Saher’s lawyer who specializes in estate planning and asset protection, described what happened after Schoten’s sleuthing in an interview with the Jewish Telegraphic Agency.

“At that point, the journalist contacted attorney Yael Weitz in Freedman Normand Friedland of New York where she specializes in art and cultural property law,” he said “She then contacted us and asked us to take on the case. The family’s sole intention was to recover the painting. They were not interested in pursuing those who had possessed it or in seeking financial compensation, they wanted the artwork returned.”

Kadgien is the daughter of Friedrich Kadgien, a German financial official who worked for the Nazi regime and later escaped to South America. The elder Kadgien, who had close ties to Goering, fled Germany in 1945 to Switzerland, eventually making his way to Argentina, where he started a business and raised a family. He died in 1978.

Kadgien and her husband at first did not cooperate. The realtor’s listing was removed after the Dutch newspaper Algemeen Dagblad published its report. Argentine authorities then searched the property on Aug. 26, 2025, but the painting had been removed and replaced with another artwork, while an outline matching its dimensions remained visible on the wall.

Kadgien and her husband, Juan Carlos Cortegoso, were placed under house arrest for 72 hours while authorities searched the family’s other properties. They subsequently turned the artwork over to federal prosecutors and were charged with aggravated concealment.

Experts from Argentina’s National Academy of Fine Arts attributed the work to Giacomo Antonio Melchiorre Ceruti, known as Il Pitocchetto, and valued it at approximately €250,000.  The local and national Jewish communities took a keen interest in the case.

“We are very pleased and hope this marks the beginning of many more restitutions, as we know there are undoubtedly other works out there that rightfully belong to families who suffered this tragic fate,” Clauda Beatriz Malamud, the president of Sociedad Union Israelita Marplatense, the local Jewish community body, told JTA.

Under an agreement Inchausti approved, the criminal proceedings against the couple were suspended for two years, subject to a set of conditions. They irrevocably renounce any right or claim to the artwork, clearing the way for its restitution. The painting will remain in the custody of Argentina’s Supreme Court until the restitution is carried out. They also agreed to pay 4.8 million Argentine pesos — approximately $3,180 — in 24 monthly installments to the support association of Mar del Plata’s Interzonal Specialized Maternal and Child Hospital.

According to well-placed sources at the Buenos Aires Holocaust Museum, von Saher has expressed interest in lending the painting to the museum for a temporary exhibition, possibly for one or two years. The exhibition would help raise awareness of the systematic theft of Jewish-owned art under the Nazi regime and the continuing international effort to return such works to their rightful owners. No final agreement about this has been announced.

This article originally appeared on JTA.org.

The post Argentine court orders return of Nazi-looted painting to Jewish collector’s heir appeared first on The Forward.

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Germany takes a step back to its Nazi past — and Donald Trump is cheering them on

What a role reversal.

Since the start of his second term as president, Donald Trump has looked like he’s been following the playbook of Adolf Hitler and other despots. But now Germany is becoming like Trump’s America.

The Sunday election results in Saxony-Anhalt state were a victory not just for the Alternative for Germany, known as the AfD, but also for Trumpism. As Trump’s powers are cracking in the US because of high prices and the unpopular war against Iran, the American president’s brand has not only taken root in Germany’s former communist region, but is threatening to spread across the country.

“Wow! The Populist Party in Germany just had a really big night,” Trump wrote Tuesday on Truth Social. “They finally got tired of the absolutely horrible Immigration rules and regulations which have hurt Germany so badly.”

“MGGA!!!,” Trump wrote at the end of his post, apparently meaning “Make Germany Great Again.”

MAGA’s influence is plain to see on social media videos posted in the run-up to the Saxony-Anhalt election, in which the AfD came alarmingly close to winning enough votes to form a government on its own, which would have been the first time since the Nazi era that an extreme-right party has taken over the leadership of a German state. The videos show AfD followers saying racist things about immigrants and the superiority of white people, that there’s too much emphasis on the Nazi years and German history needs to be told more positively, and calling for an end to funding “anti-German art,” whatever that might mean, among a host of other stands that mirror those of MAGA.

Sally Lisa Starken, a freelance German journalist and bestselling author who has been chronicling the AfD, posted an Instagram video of an AfD “family festival” in Magdeburg, the capital of Saxony-Anhalt.

“The whole time I felt like I was at a Trump event. The AfD has quite consciously learned from the MAGA movement,” said Starken, who has also covered Trump rallies in the US.

AfD merchandise was everywhere, including t-shirts bearing the photo of Ulrich Siegmund, the AfD’s lead candidate in the Saxony-Anhalt election, and the man who would become leader of the state if the party is able to find a partner willing to join in a coalition government.

As is the case with Trump, there’s a cult of personality surrounding the 35-year-old Siegmund.  People at the family festival stood in line for two hours to have their picture taken with him. Just before the Saxony-Anhalt election, the cover of the newsmagazine Der Spiegel  called him “the most dangerous man in Germany.” Taking a page from Trump, Siegmund used the cover’s mug shot-style photo in his election campaign.

As with Trump, people of all shapes, sizes, ages and backgrounds attend these AfD gatherings, but they’re probably even whiter than at Trump’s rallies. And like Trump, Siegmund sounds like a huckster who knows how to grab the attention of people who feel like they’ve been left behind.

The AfD has become especially strong in former Communist East Germany at least partly due to German reunification, which occurred in 1990. The economy in the eastern region has never caught up with that of the wealthier west, unemployment is high, wages are comparatively low. There’s a feeling among many in eastern Germany that reunification hurt them, rather than helped them.

Reunification also triggered an explosion of neo-Nazi violence against foreigners, a scourge that continues to the present day. Resentment against foreigners soared in 2015, when then-Chancellor Angela Merkel opened Germany’s borders to waves of refugees fleeing war-torn Syria, a fateful decision that lifted the AfD from a fringe group of extremists to a party to be reckoned with — at first just in the eastern states like Saxony-Anhalt, but now across the country.

In last year’s federal elections, the AfD doubled its share of seats in the Bundestag, the German parliament. As a growing number of Germans have felt ignored by the mainstream parties — the Christian Democrats, the Social Democrats, the Greens and the Left — the AfD has surged ahead to become Germany’s largest opposition party.

Among those who attend AfD rallies are diehard neo-Nazis, many sporting tattoos with symbols and slogans banned by law because of their association with the Third Reich.  Instagram videos from party gatherings show AfD followers saying that Hitler was a great man and Germany could use another leader like him, and only people with pure German blood deserve to be citizens.

Last year, Germany’s domestic intelligence agency, the Federal Office for the Protection of the Constitution, classified the AfD as right-wing extremist.

“The ethnicity- and ancestry-based understanding of the people prevailing within the party is incompatible with the free democratic order,” the agency said in a statement at that time.

That judgment didn’t stop the AfD from seeking legitimacy abroad — or from finding it. Close links between the Trump administration and the AfD go back to the start of Trump’s second term.

It started with JD Vance’s address in February 2025 to the Munich Security Conference, an annual meeting of American government officials with our purported European allies. Vance shocked the conference by coming to the defense of extremist parties like the AfD. Since the defeat of the Nazis, Germany’s mainstream political parties have maintained a “firewall” that keeps them from cooperating with extremist parties. In his speech to the security conference, Vance essentially accused Germany’s mainstream parties of authoritarian behavior by shutting out the AfD.

“If you’re running in fear of your own voters, there is nothing America can do for you,” Vance told the European leaders.

On that same trip, Vance added insult to injury by meeting with the head of the AfD, Alice Weidel.

Olaf Scholz, who was chancellor at that time, defended the firewall against the AfD, saying the party trivializes Nazi atrocities. He basically told Vance to mind his own business.

“Where our democracy goes from here is for us to decide,” Scholz said.

At the center of the fraternal relationship between the AfD and MAGA is Elon Musk, the man who insists the stiff-arm gesture he gave at a rally celebrating Trump’s second inauguration was not the Hitler salute, although it sure looked like it. Just a few days later, Musk made a virtual appearance before a gathering of 4,000 at an AfD campaign rally in Halle.

“I think you really are the best hope for Germany,” Musk told the AfD followers. “It’s good to be proud of German culture and German values, and not to lose that in some sort of multiculturalism that dilutes everything.”

Musk added that there is “frankly too much of a focus on past guilt and we need to move beyond that.”

After the AfD’s success in the Saxony-Anhalt election, Musk wrote on X: “Well done!”

The AfD’s election shocker in Saxony-Anhalt has certainly caught the world’s attention — something that probably would not have happened were it not for Germany’s Nazi past.

Nonetheless, it feels like we have lost sight of a very important fact.

As we worry about the prospects of right-wing extremists increasing their power in Germany, politicians with virtually the same ideologies — xenophobes, white supremacists, racists and bigots — are already in the halls of power or positions of influence in Washington, D.C. and elsewhere in America.

And there’s something positive to be said about Germany.

Unlike the Trump administration, Germany investigates, prosecutes, and sends to prison far-right would-be insurrectionists, instead of freeing and rewarding them.

 

The post Germany takes a step back to its Nazi past — and Donald Trump is cheering them on appeared first on The Forward.

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