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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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When New York and Public Institutions Decide Which Hate Matters

A man walks a subway platform in New York City, United States, on Oct/ 25, 2022. Photo: Jakub Porzycki/NurPhoto via Reuters Connect

New York City is home to the largest Jewish population outside of Israel. For generations, Jews here have built schools, businesses, synagogues, and civic institutions with the assumption that this city, whatever its flaws, understands the cost of antisemitism.

That assumption feels less stable today.

The NYPD’s numbers are unambiguous. Jews remain the most targeted group in reported hate crimes in New York City. The volume is not symbolic. It is disproportionate and sustained. Yet beyond the statistics, there is a quieter shift taking place inside schools and workplaces. Antisemitism is not always denied. It is deprioritized.

I saw this pattern unfold inside my son’s school over the past two academic years.

On the night of October 7, 2023, as Israelis were still counting their dead after 1,200 people were murdered and more than 200 were kidnapped by Hamas, the school principal sent a message to families. The email expressed sorrow over the situation in Gaza. It did not mention the massacre in Israel. It did not acknowledge the Jewish families in the community who were grieving in real time.

That omission was not technical. It was moral. At a moment when Jews across the world were processing the largest slaughter of Jews since the Holocaust, the institutional expression of sympathy pointed elsewhere.

Throughout that same school year, a music teacher regularly wore a keffiyeh in class. In isolation, one could argue that clothing is personal expression. But context matters. This was happening in the immediate aftermath of October 7, when Jewish students were experiencing rising hostility across the city. During curriculum nights, parents had been told that students would learn songs connected to Jewish holidays as part of the music program. Those commitments were not fulfilled. Jewish content quietly disappeared while visible political symbolism remained present.

Concerns were raised. The response was to remain calm and avoid escalation.

Later that year, a fifth-grade student arrived at school with a swastika drawn on his arm. That symbol of genocide was present inside a New York City classroom. The matter was handled privately. There was no schoolwide reaffirmation of values, no public condemnation of the symbol, no communication to families explaining what had occurred and how it would be addressed. It was resolved behind closed doors.

Then came another incident. My son returned home disturbed by a flag displayed in class that closely resembled a Nazi symbol. I sent an urgent email requesting clarification. The following day, I was told it was an ancient Indian symbol. That explanation may have been historically accurate. But the issue was not intent. The issue was impact.

In a school community that includes descendants of Holocaust survivors, imagery resembling a swastika carries emotional weight. Children react before they research. I asked that the school address the matter openly and provide context to students so that confusion and hurt would not linger. The image was removed. There was no broader communication.

Weeks later, a racist remark targeting another minority group during a public meeting triggered an immediate and forceful response from leadership. Families received a strong statement. The language was clear. The commitment to accountability was public.

That response was appropriate. Racism demands clarity.

The contrast between responses is the issue.

When swastikas are handled quietly, when Jewish curriculum promises fade, when the murder of 1,200 Israelis is omitted from expressions of institutional sympathy, and when Jewish concerns receive polite acknowledgment without operational follow-through, a message accumulates. Antisemitism becomes something to manage discreetly rather than confront directly.

This pattern is not isolated to one school. Across New York, Jews who speak openly in support of Israel report professional and social consequences. Anti-Zionist rhetoric has become normalized in many institutional spaces. The distinction between anti-Zionism and antisemitism is often presented as clean and obvious. In practice, it rarely is.

When Jewish students see authority figures signaling affiliation with movements that openly question the legitimacy of the Jewish state, while Jewish identity is treated as politically sensitive or secondary, the environment shifts. Jewish belonging becomes conditional.

I say this not as an activist seeking attention, but as someone whose professional life is rooted in safety and resilience. I am the founder of Krav Maga Experts in New York City. I work daily with civilians, executives, and families on preparedness, threat awareness, and responsible self-defense. Over the past year, I have heard the same concern repeatedly: Jews feel that institutional standards are uneven.

Some advise restraint. They argue that raising Jewish concerns risks appearing divisive. They note the historical suffering of other communities and suggest that Jewish worries should be measured against broader narratives of oppression.

Equal standards do not require comparison. They require consistency.

If a racist act demands public condemnation in one instance, it demands the same in every instance. If a symbol that evokes trauma for one group requires explanation and restorative action, the same principle applies universally. Institutional credibility depends on even enforcement of values.

Antisemitism rarely announces itself with clarity. It adapts. It embeds itself in prevailing political language. It thrives in environments where moral hesitation replaces moral steadiness.

The solution is not complicated. Schools and workplaces should explicitly include antisemitism in their bias and inclusion frameworks. Crisis communications should acknowledge Jewish trauma when it occurs. Symbols with genocidal associations should be addressed transparently. Curriculum commitments should be honored without selective erosion.

New York’s Jewish community does not require special treatment. It requires principled treatment. Safety is not built on selective outrage. It is built on consistent standards applied without fear or favor.

The city that holds the largest Jewish population outside Israel should lead in moral clarity. That clarity begins with a simple rule: hate is hate, regardless of who it targets. When institutions decide which hate merits urgency and which can be handled quietly, they weaken the trust that holds diverse communities together.

Consistency is not a political position. It is a test of integrity.

Tsahi Shemesh is an Israeli-American IDF veteran and the founder of Krav Maga Experts in NYC. A father and educator, he writes about Jewish identity, resilience, moral courage, and the ethics of strength in a time of rising antisemitism.

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US Pulling Non-Essential Staff From Embassy in Beirut Amid Iran Tensions

A general view of a US State Department sign outside the US State Department building in Washington, DC, US, July 11, 2025. Photo: REUTERS/Annabelle Gordon

The State Department is pulling out nonessential government personnel and their eligible family members from the US embassy in Beirut, a senior State Department official said on Monday, amid growing concerns about the risk of a military conflict with Iran.

“We continuously assess the security environment, and based on our latest review, we determined it prudent to reduce our footprint to essential personnel,” said a senior State Department official, speaking on condition of anonymity.

“The Embassy remains operational with core staff in place. This is a temporary measure intended to ensure the safety of our personnel while maintaining our ability to operate and assist US citizens,” the official said.

A source at the US embassy said 50 people had been evacuated, while an official at Beirut airport said 32 embassy staff, along with family members, had flown out of Beirut airport on Monday.

The US has built up one of its biggest military deployments in the Middle East, with President Donald Trump warning on Thursday that “really bad things will happen” if no deal is reached to solve a longstanding dispute over Tehran’s nuclear program. Iran has threatened to strike American bases in the region if it is attacked.

“Should employees occupying emergency positions wish to depart post, please review alternative arrangements to fill the emergency position and consult with your regional bureau Executive Office as necessary,” said an internal State Department cable on the pullout, which was seen by Reuters.

The State Department on Monday updated its travel advisory for Lebanon, repeating its warning that US citizens should not travel to the country. Remaining embassy personnel are restricted from personal travel without advance permission and additional travel restrictions may be imposed “with little to no notice due to increased security issues or threats,” the advisory said.

American interests were repeatedly targeted in Lebanon in the 1980s during the 1975-90 civil war, during which the US held the Iran-backed Hezbollah responsible for attacks including the 1983 suicide bombing against the US Marines headquarters in Beirut, which killed 241 servicemen, and a 1983 suicide attack on the US embassy in Beirut that killed 49 embassy staff.

TALKS ON THURSDAY, DIVISIONS REMAIN

Meanwhile, US Secretary of State Marco Rubio, who is scheduled to travel to Israel on Saturday and meet with Prime Minister Benjamin Netanyahu, was still planning to do that, but “the schedule remains subject to change,” the US official said.

The United States wants Iran to give up its nuclear program, but Iran has adamantly refused and denied it is trying to develop an atomic weapon. Washington views enrichment inside Iran as a potential pathway to nuclear weapons.

Iranian Foreign Minister Abbas Araqchi said on Sunday that he expects to meet with Trump’s special envoy Steve Witkoff in Geneva on Thursday, adding that there was still “a good chance” of a diplomatic solution.

Both sides remain sharply divided – even over the scope and sequencing of relief from crippling US sanctions – following two rounds of talks, a senior Iranian official told Reuters.

Citing officials on both sides and diplomats across the Gulf and Europe, Reuters reported on Friday that Tehran and Washington are sliding rapidly toward military conflict as hopes fade for a diplomatic settlement.

On Sunday, Witkoff said the president was curious as to why Iran has not yet “capitulated” and agreed to curb its nuclear program.

It would be the second time the US and Israel have attacked Iran in less than a year, following US and Israeli airstrikes against military and nuclear facilities last June.

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Iranian Students Protest for Third Day as US Pressure Mounts

Protesters chant, 'We'll fight, we'll die, we'll reclaim Iran,' at Al-Zahra University in Tehran, Feb. 23, 2026, as they mark the 42nd day of mourning for those killed by the Iranian regime in recent anti-government protests. Photo: Screenshot from social media video via Reuters Connect

Protesters chant, ‘We’ll fight, we’ll die, we’ll reclaim Iran,’ at Al-Zahra University in Tehran, as they mark the 42nd day of mourning for those killed by the Iranian regime in recent anti-government protests. Photo: Screenshot taken Feb. 23, 2026, from social media video via Reuters Connect

Iranian students defied authorities with protests for a third day on Monday, weeks after security forces crushed mass unrest with thousands killed and as the United States weighs possible air strikes against the Islamic Republic.

State media outlets reported students chanting anti-government slogans at Tehran University, burning flags at the all-women al-Zahra University, and scuffles at Amir Kabir University, all located in the capital.

Reuters also verified video showing students at al-Zahra University chanting slogans including “we’ll reclaim Iran,” but was not able to confirm when it was recorded.

In a new sign of the mounting tension in the Middle East, the United States began pulling non-essential personnel and family members from the embassy in Beirut, a senior State Department official said.

US President Donald Trump has repeatedly threatened Iran since major nationwide protests across the country in January, saying on Thursday that “really bad things will happen” if talks between the countries fail to produce a deal.

Washington wants Iran to give up much of its nuclear program, which it believes is aimed at building a bomb, limit the range of its missiles to short distances, and stop supporting terrorist groups it backs in the Middle East.

It has built up forces across the Middle East, putting increased pressure on Iran as it weighs its response to US demands amid ongoing talks.

Iranian Supreme Leader Ayatollah Ali Khamenei already faces the gravest crisis of his 36-year tenure, with an economy struggling under the weight of international sanctions and growing unrest that broke out into major protests in January.

On Sunday Iranian President Masoud Pezeshkian said negotiations with the US had “yielded encouraging signals” even as a second US aircraft carrier headed towards the Middle East.

Trump has not laid out in detail his thinking on any possible Iran strike. A senior White House official told Reuters last week there was still no “unified support” within the administration to go ahead with an attack.

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