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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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New York City Council pushes action on antisemitism without Mamdani

The announcement Thursday by New York City Council Speaker Julie Menin of a new task force dedicated to combating antisemitism — co-chaired by a critic of Mayor Zohran Mamdani — is setting up potential tension between the City Council and the mayor’s office over how to respond to the rise in antisemitism.

So is the introduction of a measure that could limit protests outside synagogues, part of a package of new Council bills aimed at antisemitism.

Councilmember Eric Dinowitz, a Democrat from the Bronx, who was selected along with Brooklyn Councilmember Inna Vernikov, a Republican, as co-chair of the seven-member working group, said they intend to take a more assertive legislative role in addressing rising concerns among Jewish New Yorkers “in a way that may be different than what the mayor wants to do.”

That includes weighing the adoption of the International Holocaust Remembrance Alliance definition of antisemitism, which considers most forms of anti-Zionism as antisemitic, as a framework for investigating hate crimes — a position Mamdani opposes. “I believe that IHRA has a good structure for defining antisemitism,” Vernikov said in an interview. In 2023, Vernikov passed a resolution to create an annual day to “end Jew-hatred.”

On his first day in office earlier this month, Mamdani drew criticism from mainstream Jewish organizations for revoking an executive order by former Mayor Eric Adams that adopted the IHRA definition of antisemitism. Liberal Jewish groups oppose that framework. Some support the Nexus Document, which states that most criticism of Israel and Zionism is not antisemitic. The mayor has declined to say how his administration will define antisemitism when determining which cases to investigate or pursue.

Mamdani has kept open the recently created Mayor’s Office to Combat Antisemitism, which he said will pursue his vision to address rising acts of hate against Jews. Mamdani said on Thursday that he’s in the final stages of selecting an executive director for that office.

Dinowitz, who also chairs the council’s Jewish Caucus, said it was important to move forward in parallel with the mayor’s efforts. “We are a separate, co-equal branch of government that has our own ideas and initiatives that we need to pursue to keep Jewish New Yorkers safe,” he said. Dinowitz, who represents the heavily Jewish neighborhood of Riverdale, added that most members of the task force are not Jewish, underscoring that antisemitism is not solely a Jewish issue.

Antisemitic incidents accounted for 57% of reported hate crimes in 2025, according to the NYPD. The new year started with a rash of antisemitic incidents across the city. On Thursday, a 36-year-old man was charged with attempted assault as hate crimes after repeatedly crashing into the entrance of the Chabad-Lubavitch world headquarters in Brooklyn the night before. On Tuesday, a rabbi was verbally harassed and assaulted in Forest Hills, Queens, and last week, a playground frequented by Orthodox families in the Borough Park neighborhood in Brooklyn was graffitied with swastikas two days in a row. In both incidents, the suspects have been arrested.

Vernikov’s past remarks draw scrutiny

Thursday’s announcement also drew controversy.

Vernikov has faced criticism for incendiary remarks on social media and has been a vocal critic of the Democratic Party’s approach to antisemitism. During the mayoral election, she warned that “Jihad is coming to NYC” if Mamdani wins, and called him a “terrorist-lover.” In response to a Yiddish-language campaign flyer, she wrote that Mamdani wants Jews “to burn in an oven.” She called the Jewish liaison for State Attorney General Letitia James a “Kapo Sell Out” for praising Mamdani’s outreach. In 2023, Vernikov was arrested after being pictured with a gun at her waist as she attended a pro-Israel counter-protest near a pro-Palestinian rally at Brooklyn College. A judge later dismissed the charges against her.

The progressive Jews For Racial & Economic Justice, which endorsed Mamdani through its affiliated political arm, The Jewish Vote, called Vernikov’s appointment unacceptable. Sophie Ellman-Golan, a JFREJ spokesperson, said Vernikov “regularly diminishes the seriousness of antisemitism by reducing it to a political cudgel.”

Menin, who some see as a check on the mayor and a potential guardrail on his actions, defended the appointment. “The Jewish Caucus voted to have this task force,” Menin told reporters. “Obviously, I don’t agree with the comments that she made in the past, and I’ve made that known to her.” Menin, the first Jewish speaker of the City Council, has pointed to the symbolism of her elevation alongside Mamdani, the city’s first Muslim mayor, as an opportunity to “take the temperature and the rhetoric down.”

Vernikov confirmed that the Jewish Caucus approved her selection, but insisted the speaker was involved in the initiative.

In the interview, Vernikov noted that Mamdani “has said things and done things that make the Jewish community very fearful.” She added that she hopes the mayor will translate his pledge to fight antisemitism into concrete action, “but until then, we have a trust issue with him.”

Mamdani addressed Vernikov’s attacks in an interview with Bloomberg TV on Thursday. “I know that there are so many in this city who have to deal with similar kinds of smears,” he said. “But what I know that New Yorkers want to see, what I want to see, is a humanity embodied in our politics, not the language of darkness that has taken hold.”

Menin’s legislative package to counter antisemitism

Also on Thursday, Menin introduced a legislative package as part of her five-point plan to combat antisemitism, including a proposal to ban protests near the entrances and exits of houses of worship, $1.25 million in funding for the Museum of Jewish Heritage, and the creation of a city hotline to report antisemitic incidents.

Mamdani said he broadly supports the package but expressed reservations about the proposed 100-foot buffer zone around synagogues and other houses of worship. “I wouldn’t sign any legislation that we find to be outside of the bounds of the law,” he said.

At a press conference, Menin said the measure was designed not to restrict protest but to prevent confrontations. “Enforcement is not based on speech or viewpoint,” she said. “It is based on conduct that endangers others.”

The Council will vote on the measures at its next meeting in February.

The post New York City Council pushes action on antisemitism without Mamdani appeared first on The Forward.

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Here’s exactly why it’s dangerous to compare ICE to Nazis

It may feel morally clarifying to compare ICE to Nazis in moments of outrage. But those comparisons are also historically inaccurate, and politically counterproductive.

Nazism remains historically singular, both because of its eliminationist antisemitism and its state-driven project of industrial genocide. No other political movement has so entirely organized its worldview around the idea that a specific people constitutes a cosmic threat. The Nazis were driven by the belief that the mere existence of Jews endangered humanity, and that Jews therefore had to be physically annihilated everywhere.

A clear understanding of this truth has been absent amid renewed controversy over federal immigration enforcement and protests in Minneapolis. Minnesota Gov. Tim Walz compared children hiding in fear from ICE raids to Anne Frank hiding in Amsterdam, in terror of capture by Nazi Germany. Former Secretary of Labor Robert Reich compared ICE operations under President Donald Trump’s administration to the tactics of Hitler’s Brownshirts. They have been joined by many others, including in this publication.

Comparison is a central tool of historical and political analysis, and Nazism can and should be compared to other ideologies. But flattening the particular contours of Nazism strips it of its distinctive genocidal logic, and risks pushing us to take the wrong messages from its horrors. ​

When Nazism becomes a general synonym for “bad politics,” the Holocaust becomes a moral prop rather than a historically specific catastrophe. This is especially painful for Jews, but it also distorts the memory of the regime’s many other victims: Roma and Sinti, people with disabilities, prisoners of war, queer people and political dissidents, among others. ​

Part of what drives these comparisons is cultural familiarity. The Holocaust and the Gestapo are widely understood shorthand for the worst imaginable abuses of state power. Invoking Nazi metaphors often says more about present anxieties — foremost among them the fear that the United States may be sliding toward authoritarianism — than about historical reality.

Those anxieties are profound, and legitimate, especially when it comes to the concerns about injustice toward immigrants. Federal immigration enforcement has long prompted alarm about the abuse of civil liberties, including concerns about racial profiling, excessive force, family separation and opaque chains of accountability.

These problems span multiple U.S. administrations, showing that vigilance and legal challenge are always necessary. Calling them “Gestapo tactics,” however, as some national leaders have, obscures rather than clarifies the issue.

It conflates a flawed system operating within a still-robust framework of legal challenges and public scrutiny with a secret police apparatus designed for totalitarian control and genocide. For instance, in Minnesota, a federal judge threatened to hold the acting director of Immigration and Customs Enforcement in contempt for repeatedly defying court orders requiring bond hearings, prompting the agency to release a detainee. The fact that judges can and do continue to compel compliance, even amid sharp disputes over enforcement, shows that the U.S. remains a democracy rather than a secret police state.

There are countries today in which opposition parties are banned, protest is routinely criminalized, courts are fully captured by the regime, and independent media are systematically dismantled — such as Russia, Iran, or Venezuela. In those contexts, the language of secret police, one-party rule, and total state control describes concrete institutional realities.

It does not do so here. Yes, the U.S., like many countries today, is experiencing measurable democratic backsliding. But it remains far from an authoritarian regime. Much of the press remains free, despite significant pressure from the White House as well as structural pressures from corporate ownership, and continues to report extensively on immigration enforcement controversies. Independent courts have ruled against unlawful revocations of immigration protections. Protests in places like Minneapolis have mobilized large numbers of participants and, rather than being criminalized, are showing efficacy in getting the administration to change its course.

​Learning from the Holocaust does not require declaring that everything is Nazism. Collapsing the distinction between democratic backsliding and full-fledged authoritarianism weakens our ability to diagnose what kind of political danger we are actually confronting. It might even weaken resistance: Mistaking slow erosion for a finished catastrophe can breed despair instead of motivating strategic action.

Nazi parallels also corrode political discourse itself. If ICE is the Gestapo, and Trump is Hitler, then Republican voters become Nazis by implication. This forecloses the possibility of democratic repair.

While far-right extremist currents undeniably exist within the MAGA movement, it is also a broad political camp that includes voters motivated by a variety of factors, including economic anxiety, distrust of elites and religious identity. Collapsing all of this into “Nazism” is analytically lazy and politically disastrous.

All that on top of the risk of historical whitewashing that comes with this rhetoric. If every abuse is Nazism, then nothing is Nazism, and the lessons of the Holocaust — foremost among them the necessity of vigorously combatting antisemitism in our society — are lost.

Of course, supporters of Trump also engage in similar rhetoric, calling their own opponents Nazis. Ending this cycle of mutual Nazi-labeling is essential if the country hopes to move forward. Historical memory is a tool, not a weapon. We can confront injustice without exaggeration. And the best way to defend democracy is not to demonize our opponents, but rather to speak clearly, act responsibly, and work to build a political culture that can actually heal.

The post Here’s exactly why it’s dangerous to compare ICE to Nazis appeared first on The Forward.

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Italian rapper Ghali’s planned Winter Olympics set draws backlash over his Gaza advocacy

(JTA) — Italian rapper Ghali’s slated performance at the opening ceremony for this year’s Winter Olympics in Milan has drawn criticism from Italian leaders over his past activism against Israel.

Ghali Amdouni, a prominent Milan-born rapper of Tunisian parents, will be joined by a host of performers including Andrea Bocelli and Mariah Carey during the opening ceremony on Feb. 6. This year, nine Israelis will compete, including the national bobsled team for the first time.

The selection of Ghali drew criticism from members of Italy’s right-wing League party.

“It is truly incredible to find a hater of Israel and the centre-right, already the protagonist of embarrassing and vulgar scenes, at the opening ceremony,” a source from the party told the Italian outlet La Presse. “Italy and the games deserve an artist, not a pro-Pal fanatic.”

In early 2024, Ghali drew criticism from Italian Jewish leaders and Israel’s former ambassador to Italy, Alon Bar, after he called to “stop genocide” during his performance at the Sanremo Italian song festival. The spat later spurred protests outside the office of the Italian public broadcaster RAI.

On X, the rapper has also criticized other artists for not using their platforms for pro-Palestinian activism and appeared to refer to the war in Gaza as a “new Holocaust.”

Ghali’s selection comes as Italy has become an epicenter of pro-Palestinian activism that has been sustained even as such activism has receded in other places. In October, over 2 million Italians took part in a one-day general strike in support of Palestinians and the Global Sumud Flotilla. The previous month, a separate general strike was organized in response to call from the country’s unions to “denounce the genocide in Gaza.”

According to a study of global antisemitism published in April by Tel Aviv University, Italy was one of two countries that saw a spike in antisemitic incidents from 2023 to 2024. A September survey from the pollster SWG found that roughly 15% of Italians believe that physical attacks on Jewish people are “entirely or fairly justifiable.”

Italian Sports Minister Andrea Abodi said he does not believe Ghali will make a political statement on stage.

“It doesn’t embarrass me at all to disagree with Ghali’s views and the messages he sent,” said Abodi, according to the Italian outlet La Repubblica. “But I believe that a country should be able to withstand the impact of an artist expressing an opinion that we don’t share. And that opinion will not, in any case, be expressed on that stage.”

Noemi Di Segni, the president of the Union of the Italian Jewish Community, told Italian media that she was hopeful Ghali would receive instructions ahead of his performance.

“It is clear that I hope Ghali has received instructions or guidelines on the ‘role’ he is expected to play. So I hope he will understand what he needs to do in that context and at that moment,” Di Segni told the Italian outlet La Milano. “I am confident that he will understand what he is called upon to do in that context and at that moment.”

The post Italian rapper Ghali’s planned Winter Olympics set draws backlash over his Gaza advocacy appeared first on The Forward.

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