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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon
(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.
“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.”
In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person.
The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career.
“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.”
As is often the case with documentaries, the film evolved a bit from its original purpose.
The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)
“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.”
The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization.
The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)
In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.”
“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.”
“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA.
The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.)
The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine.
“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.”
The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand.
“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.”
Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)
“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”.
“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary.
“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.”
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Poland Returns Jewish Religious Objects to Greece Stolen by Nazis During WWII
A Torah scroll. Photo: Wikimedia Commons.
Poland on Wednesday returned 91 Jewish religious objects to Greece that were stolen by the Nazis from Greek synagogues and Jewish families during World War II.
The handover took place at a ceremony in Warsaw and marked the first time that Poland has repatriated cultural items illegally taken from their country of origin. The returned items included Torah scrolls, hanging ornaments, and fabrics.
The objects were stolen by the Einsatzstab Reichsleiter Rosenberg, a Nazi organization that focused on looting Jewish cultural items throughout Nazi-occupied Europe. The items were discovered in Poland after the war, and in 1951, the Polish Ministry of Culture transferred the Greek-Jewish artifacts to the Jewish Historical Institute in Warsaw, where they were stored until this week.
“These relics, which were removed from synagogues throughout Greece during the Second World War, are today on their way back to their homeland,” said Greece’s Minister of Culture Lina Mendoni. “These relics do not only have historical or artistic value. They are part of the memory of my country and of the Jewish Greeks. They are intertwined with narratives passed down by parents and grandparents. They connected with the memory of relatives who never returned from the camps, victims of the Holocaust … Their emotional weight is great and the desire of all of us for their return has been particularly intense.”
“In order to demand the return of what rightfully belongs to one, one must be ready to return what rightfully belongs to others, when there is a clear legal and moral obligation,” Mendoni added.
The Greek government officially requested the restitution of the Greek-Jewish artifacts in December 2024, and the World Jewish Restitution Organization worked with Greek and Polish authorities to organize the return of the items. The objects will now be transferred to the Jewish Museum of Greece in Athens.
“We have been waiting for this moment for many years,” said Poland’s Minister of Culture Marta Cieńkowska. “Today, we are living a historic moment. Thanks to the close and determined cooperation of our two ministries, to the systematic engagement of experts and researchers, in less than two years, we can deliver today this remarkable piece of history.”
Before World War II, approximately 77,000 Jews lived in Greece, according to Yad Vashem, Israel’s national memorial to the Holocaust. After Nazi Germany and its allies occupied the country, Greek Jews were deported to Nazi extermination camps and a total of 60,000 of the country’s Jewish population died in the Holocaust.
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Trump Seeks Kurdish Allies Against Tehran, but Analysts Say Plan Is Risky, Could Take Years
Iranian Kurdish fighters from the Kurdistan Freedom Party (PAK) take part in a training session at a base on the outskirts of Erbil, Iraq, Feb. 12, 2026. Photo: REUTERS/Thaier Al-Sudani
The Trump administration, weighing whether the war with Iran could eventually require US troops on the ground, has begun reaching out to Kurdish opposition leaders in Iran with an offer of “extensive US aircover” as it looks for ways to destabilize the regime while the American-Israeli campaign intensifies, an idea one analyst told The Algemeiner would be very difficult to translate into action.
The outreach comes amid reports from Iran that it had preemptively attacked Kurdish forces in Iraqi Kurdistan, claiming the strikes caused heavy losses.
According to The Washington Post, which cited people familiar with the matter, US President Donald Trump held calls with Kurdish minority leaders in Iraq, including Masoud Barzani and Bafel Talabani, as well as anti-regime Iranian Kurdish groups about taking control of areas in western Iran.
A senior official from the Patriotic Union of Kurdistan said Washington asked Iraqi Kurdish authorities to “open the way and not obstruct” and to “provid[e] logistical support” to Iranian Kurdish groups mobilizing in Iraq.
“He told us the Kurds must choose a side in this battle — either with America and Israel or with Iran,” the anonymous official told the paper.
Trump himself on Thursday encouraged Iranian Kurdish forces to go on the offensive but did not indicate whether the US has been coordinating with them.
“I think it’s wonderful that they want to do that; I’d be all for it,” the president told Reuters in an interview.
When asked if the US would provide air cover, Trump responded, “I can’t tell you that,” but noted that the Kurds’ objective would be “to win.”
“If they’re going to do that, that’s good,” he added.
Iran’s intelligence ministry said it had information that “separatist groups” intended to breach its western borders for an attack.
“We targeted the headquarters of Kurdish groups opposed to the revolution in Iraqi Kurdistan with three missiles,” the ministry said, according to a statement published by the state-run IRNA news agency.
Accounts diverged Wednesday night over whether an Iranian Kurdish ground invasion had begun. Fox News said Kurdish militias based in Iraq had crossed into Iran, but Tasnim, Iran’s semi-official outlet, reported via Reuters that its journalists in three border provinces found no evidence of an incursion. Israeli journalist Barak Ravid, who initially cited a US official as confirming the operation, later said reports were “conflicting,” adding that a senior official in one Iranian Kurdish faction also denied that any offensive was underway.
Peshawar Hawramani, a spokesperson for the government in the federated Kurdistan region of Iraq, known as the Kurdistan Region of Northern Iraq, has released a statement denying involvement in any incursions or armament.
“[A]llegations claiming that we are part of a plan to arm and send Kurdish opposition parties into Iranian territory are completely unfounded,” Hawramani said, calling the reports “malicious.”
Reports that speak about a role of the Kurdistan Region and the allegations claiming that we are part of a plan to arm and send Kurdish opposition parties into Iranian territory are completely unfounded. We categorically deny them and affirm that they are being published…
— Peshawa Hawramani (@PHawraman) March 5, 2026
The London-based Asharq Al-Awsat outlet reported that Iranian Foreign Minister Abbas Araghchi and Ali Bagheri Kani, deputy secretary of Iran’s Supreme National Security Council, have pressed Iraqi officials for details about the phone calls between Trump, Barzani, and Talabani.
Iran also told Iraq’s federal authorities in Baghdad that it “must provide sufficient guarantees and take the necessary measures” to prevent Iraqi Kurdish groups from aiding Iranian opposition groups, the report said, citing unnamed sources.
Iran’s Kurdish population — estimated at roughly 8 million to 12 million people — lives largely in mountainous western provinces along the Iraqi border, where several armed opposition factions have long operated and where some Iranian Kurdish groups maintain bases across the frontier in northern Iraq.
The country’s Kurdish minority has a long history of political activism based on decades of rebellion against central rule, a dynamic that predates the Islamic Republic. Kurdish forces briefly established their own state in northwestern Iran, the Republic of Mahabad in 1946, before it was crushed, and Kurdish groups have periodically clashed with successive governments in Tehran ever since.
A day earlier, CNN reported that the CIA has been working for months with Iranian Kurdish groups to foment an uprising.
US Defense Secretary Pete Hegseth told reporters Wednesday: “None of our objectives are premised on the support or the arming of any particular force. So, what other entities may be doing, we’re aware of, but our objectives aren’t centered on that.”
Northern Iraq’s Kurdistan region has long served as a rear base for Iranian Kurdish dissident groups, but only so long as local leaders kept them from launching attacks into Iran. That delicate arrangement could unravel if fighters mobilize across the border as part of the wider war effort, said Seth Frantzman, a regional analyst who has studied Kurdish militant groups.
If Iranian Kurdish factions begin operating from Iraqi territory and the broader US-Israeli campaign fails to decisively weaken Tehran, Kurdish authorities in Erbil and Sulaymaniyah could find themselves exposed to retaliation from Iran, Frantzman said. Leaders in Iraqi Kurdistan “have tried for years to keep the balance” hosting Iranian Kurdish opposition groups while maintaining a working relationship with Tehran, he said.
Even if Washington were prepared to support Kurdish factions, turning them into an effective anti-regime force would take far longer than the current conflict timeline suggests.
Frantzman said any outside backing would take time to put in place, requiring logistics channels and training. “These types of programs, advising and assisting groups, or arming them, takes time,” he said, pointing to past US experiences from Afghanistan to Syria as examples.
Frantzman said Kurdish factions would be looking for assurances that outside support would last, wary of being pulled into an uprising only to be left exposed if backing fades and Tehran reasserts control.
“They would be very wary and skeptical of taking chances today, having already lost lives and lost territory,” he told The Algemeiner.
He pointed to several examples, most notably the US-backed Kurdish campaign against the Islamic State terrorist group in Syria, when Washington trained and equipped Kurdish fighters to form the backbone of the Syrian Democratic Forces in 2015. The campaign, which took more than four years, required sustained support and came at a heavy cost, with about 11,000 fighters killed.
Even that effort, he noted, which targeted a terrorist group in a limited area rather than an established state, took over four years to complete. Any comparable attempt inside Iran — a country of roughly 90 million people with a far larger military and security apparatus — would be far more difficult.
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Redeeming the Time, Rabbinically
Reading from a Torah scroll in accordance with Sephardi tradition. Photo: Sagie Maoz via Wikimedia Commons.
We live in a culture that is very good at avoiding ultimate questions. Death is kept offstage. Time is treated as infinite. The modern self is trained to strive, consume, showcase, curate, and distract, but not often to reckon. The deepest matters are postponed, not necessarily out of malice, but out of habit: there is always another headline, another obligation, another performance of busyness.
That is why Ben Sasse’s recent conversation with Peter Robinson at the Hoover Institution lands with unusual force. On its surface, it is an interview with a former senator and university president. In reality, it is something rarer in modern elite discourse: an unsparing confrontation with mortality.
Sasse has been diagnosed with stage-four pancreatic cancer. The question hovering over the exchange is not legislative strategy or partisan maneuvering, but what remains when the usual distractions and ambitions are stripped of their power. He speaks candidly about regret, forgiveness, prayer, and what he calls “redeeming the time”: learning, as life narrows, to hold ambition lightly and to love more deliberately.
It is a moving reflection. But it is also, in a deeper sense, an ancient one.
Judaism has long insisted that the awareness of death is not a morbid fixation but a form of moral clarity. Kohelet – the book of Ecclesiastes – offers the sober verdict that modern life works so hard to avoid: “Vanity of vanities; all is vanity.” Not because nothing matters, but because so much of what we chase is mist: acclaim, accumulation, the restless display of importance.
The rabbis sharpen the point further. “Repent one day before your death,” the Talmud teaches. The student, understandably, asks: But how can a person know the day of death? And the answer is the point: Precisely because no one knows, one must repent today.
In other words, the moral task is not postponed until the final crisis. The human condition is already one of finitude. The question is whether we live as if we remember it.
This is what the Jewish tradition calls cheshbon hanefesh — an accounting of the soul. Not an exercise in self-obsession, but in proportion. What matters? What endures? What have we mistaken for ultimate that is, in truth, only temporary?
Judaism’s most piercing liturgical moment, recited each year on Rosh Hashanah and Yom Kippur, makes the matter unavoidable: “Who shall live and who shall die … Who by water and who by fire…”
Unetaneh Tokef does not offer comfort through denial. It offers clarity through truth: life is fragile, time is borrowed, and our pretensions are thin.
What mortality does, what Sasse’s diagnosis forces into view, is the stripping away of the false absolutisms that so often govern modern life. Reputation becomes less urgent. The metrics of elite success begin to look strangely weightless. And what remains, if we are fortunate, is relationship: family, forgiveness, obligation, love, and the hope that one’s days have been oriented toward something beyond the self.
Sasse, in his own Christian idiom, is showcasing ideas that Judaism has long institutionalized: the urgency of finitude, the moral demand of time, the necessity of living now as if the horizon is real.
His reflections are poignant precisely because modern America is, in so many respects, a culture of evasion. We have constructed entire systems – technological, professional, political – designed to keep first things at bay. Attention is scattered. Status becomes performative. The self becomes a brand. Seriousness is treated as optional.
And nowhere is this evasion more concentrated than among the people who govern our institutions. Our ruling class speaks endlessly in the language of urgency – power, justice, crisis – while quietly building lives organized around careerism, self-protection, and distraction. We have created a secular priesthood of ambition that cannot speak honestly about death, judgment, or the limits of human control.
The rabbis would recognize the spiritual danger immediately. They were never sentimental about public striving. Honor, they warned, is intoxicating. Recognition is fleeting. The pursuit of status can become a kind of idolatry; not because achievement is evil, but because the modern temptation is to treat achievement as ultimate.
“It is not your duty to finish the work,” Pirkei Avot teaches, “but neither are you free to desist from it.” The line captures Judaism’s balance: responsibility without grandiosity, obligation without self-worship. The work matters, but the work is not God.
That balance is precisely what our age lacks. We live amid unprecedented technological abundance, yet also amid unprecedented distraction. The self is curated. Attention is monetized. Institutions are hollowed out not only by ideology, but by exhaustion and drift.
Nowhere is this more visible than in higher education itself. Our most credentialed institutions often train young people to speak endlessly about justice and power, while offering them remarkably little formation in humility, duty, or the permanent things. They produce graduates fluent in moral performance, yet increasingly incapable of moral seriousness.
Even politics, which once demanded sacrifice, is increasingly consumed as spectacle: another theater of resentment, branding, and noise.
And yet a republic cannot survive on noise. Democracies depend on citizens capable of restraint, gratitude, seriousness, and moral perspective. They require people who can locate politics within a larger horizon of obligation – family, faith, community, the inheritance of civilization itself. A nation that cannot distinguish the urgent from the ultimate will not remain healthy or free for long.
Sasse’s conversation is powerful not because it offers a novel insight, but because it forces an old truth back into view: time is not infinite, ambition is not redemption, and the ultimate questions cannot be deferred forever.
The High Holy Day liturgy does not ask whether we will die. It assumes it. It asks instead what we will do with the time we are given: “Who shall live and who shall die…”
Death is the one fact no algorithm can curate and no institution can evade. It strips away our distractions and reveals what is real. The question is not whether life is short. The question is whether we will go on pretending otherwise – until we no longer have the luxury.
“Teach us to number our days,” we regularly pray, “that we may gain a heart of wisdom.”
And wisdom begins when we stop confusing busyness for meaning, ambition for redemption, and noise for life.
Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.
