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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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The exceptional translator Barbara Harshav has died

פֿון אַבֿיה קושנער און שחר פּינסקער

באַרבאַראַ הרשבֿ, פֿאַררעכנט פֿאַר איינעם פֿון די וויכטיקסטע איבערזעצערס פֿון דער העברעיִשער און ייִדישער ליטעראַטור, איז אַוועק אין דער אייביקייט צו 85 יאָר.

הרשבֿ, באַקאַנט ווי באָבי בײַ אירע פֿרײַנד און קאָלעגעס, האָט איבערגעזעצט און אַרויסגעגעבן מער ווי 40 ביכער פּאָעזיע, דראַמע, בעלעטריסטיק, פֿילאָסאָפֿיע, עקאָנאָמיק, סאָציאָלאָגיע און געשיכטע. צווישן אירע איבערזעצונגען זענען געווען די ווערק פֿונעם נאָבעל־לאָרעאַט שמואל יוסף עגנון און די פּאָעטן אַבֿרהם סוצקעווער, מענקע קאַץ און יהודה עמיחי.

אַחוץ דעם וואָס זי איז געווען אַן ערשט-ראַנגיקע איבערזעצערין איז זי אויך געווען שטאַרק באַליבט בײַ אַנדערע אַקאַדעמיקער און איבערזעצער איבער דער וועלט, סײַ ווי אַ וועגווײַזערין אינעם געביט פֿון איבערזעצערײַ סײַ צוליב איר מענטשלעכקייט און ברייטהאַרציקער שטיצע פֿאַר אירע קאָלעגעס.

אַ צענטראַלער אַספּעקט פֿון איר קאַריערע איז געווען איר ברייטע און פֿרוכפּערדיקע צוזאַמענאַרבעט מיט איר מאַן, בנימין הרשבֿ (אַ העברעיִזירונג פֿונעם נאָמען הרושובסקי). צוזאַמען האָבן זיי איבערגעזעצט און רעדאַקטירט אויף ענגליש אַ ריי וויכטיקע טעקסט־זאַמלונגען ווי למשל דעם אייגנאַרטיקן באַנד „אַמעריקאַנער ייִדישע פּאָעזיע: אַ צוויישפּראַכיקע אַנטאָלאָגיע“ (1986), וואָס האָט אַרײַנגענומען סײַ דעם אָריגינעלן ייִדישן טעקסט סײַ די פּרעכטיקע ענגלישע איבערזעצונגען. אַזוי אַרום האָט דער לייענער געקענט אָפּשאַצן די קוואַליטעט פֿון די ווערק אויף ביידע שפּראַכן.

איינער פֿון הרשבֿס גרעסטע אויפֿטוען איז געווען דאָס וואָס זי האָט נישט פֿאָרגעשטעלט די ייִדישע פּאָעזיע סתּם ווי נאָסטאַלגישן פֿאָלקלאָר, נאָר האָט זי געשילדערט אינעם קאָנטעקסט פֿונעם גלאָבאַלן מאָדערניזם. דער באַנד האָט אַרײַנגענומען סײַ אַוואַנגאַרדישע עקספּערימענטן סײַ שטאָטישע טעמעס, צוזאַמען מיט די וויזועלע קונסטווערק פֿון בען שאַהן און ראַפֿאַעל סויער, וואָס האָבן געהאַט אַן ענלעכן הינטערגרונט ווי די פּאָעטן.

מיט איר מאַן האָט זי אויך אַרויסגעגעבן דאָס בוך, „זינג, פֿרעמדער: הונדערט יאָר פֿון אַמעריקאַנער ייִדישער פּאָעזיע“, וואָס האָט אַרײַנגענומען ווערק פֿון די „סוועטשאַפּ“־פּאָעטן מאָריס ראָזענפֿעלד און דוד עדעלשטאַדט, ווי אויך „אינזיכיסטן“ ווי ציליע דראָבקין.

הרשבֿ איז געבוירן געוואָרן אין דעטרויט, מישיגען, אין 1940. זי איז נישט געווען קיין נאַטירלעכע רעדערין פֿון העברעיִש אָדער ייִדיש. „איך בין געווען 34 יאָר אַלט ווען איך האָב אָנגעהויבן זיך לערנען העברעיִש און איך האָב זיך ממש פֿאַרליבט אין דער שפּראַך,“ האָט זי דערציילט בעת אַן אינטערוויו אין 2012. מיט דער צײַט האָט זי אָנגעהויבן איבערזעצן די וויכטיקסטע העברעיִשע ווערק.

דערנאָך האָט זי זיך גענומען צו ייִדיש. „ייִדיש איז די לעצטע שפּראַך וואָס איך האָב זיך אויסגעלערנט. צוליב דעם וואָס איך האָב שוין געקענט דײַטש און העברעיִש, האָב איך שוין פֿאַרשטאַנען אַרום 90% פֿון ייִדיש.“ כאָטש אירע טאַטע־מאַמע האָבן געקענט ייִדיש האָבן זיי עס בלויז געניצט צווישן זיך ווען זיי האָבן נישט געוואָלט אַז די קינדער זאָלן פֿאַרשטיין. „דערצו בין איך סײַ ווי נישט געווען אַזוי פֿאַראינטערעסירט אין וואָס זיי זאָגן,“ האָט זי געזאָגט.

איין סיבה פֿאַר וואָס זי איז געוואָרן אַן איבערזעצער — האָט זי דערקלערט — איז „ווײַל די איבערזעצונגען וואָס איך האָב געלייענט זענען געווען אַזוי שלעכט. כ׳האָב דעמאָלט געוווינט אין ירושלים און כ׳האָב זיך באַקענט מיט אַ שרײַבער וואָס האָט זיך באַקלאָגט פֿאַר מיר, און טאַקע מיט רעכט, וועגן די אומגעלומפּערטע איבערזעצונגען וואָס מע האָט געמאַכט פֿון זײַנע ווערק. האָב איך אָנגעהויבן לייענען יענע איבערזעצונגען און דערפֿילט אַז איך קען דאָס טאָן בעסער. ס׳איז מיר אָבער געווען אַ חידוש, ווען מײַן ערשטער פּרוּוו איז טאַקע פּובליקירט געוואָרן אין אַן אַקאַדעמישן זשורנאַל.“

אַחוץ איר אַרבעט ווי אַן איבערזעצער האָט הרשבֿ אויך געדינט ווי די פּרעזידענטין פֿון דער אַמעריקאַנער אַסאָציאַציע פֿון ליטעראַרישע איבערזעצער, און האָט געפֿירט איבערזעצונג־וואַרשטאַטן אינעם דעפּאַרטמענט פֿון פֿאַרגלײַכיקער ליטעראַטור אין יעל־אוניווערסיטעט, דערבײַ שטיצנדיק יונגע איבערזעצער זיך צו פֿאַרנעמען מיט דער ייִדישער און העברעיִשער ליטעראַטור. זי האָט זיך אויך איבערגעגעבן צום קאַמף פֿאַר געשלעכט־גלײַכקייט און פֿאַר שלום און גערעכטיקייט אין ישׂראל/פּאַלעסטינע.

אין 2018 איז הרשבֿ געוואָרן די ערשטע העברעיִשע און ייִדישע איבערזעצערין צו באַקומען די „פּען/מאַנהײַם מעדאַל פֿאַר איבערזעצונג“.

פֿאַר אונדז וואָס האָבן זי געקענט, איז באָבי געווען אַ בריליאַנטענע, ברייטהאַרציקע פֿרײַנדינע און קאָלעגע, שטענדיק גרייט צו העלפֿן אַנדערע מיט עצות און הדרכה.

The post The exceptional translator Barbara Harshav has died appeared first on The Forward.

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Rahm Emanuel: Pursuit of Greater Israel as ‘fanatical’ as the chant ‘from the river to the sea’

(JTA) — The pursuit of Greater Israel is a corrosive fantasy, veteran Democratic politician Rahm Emanuel is expected to tell a Tel Aviv audience on Wednesday, calling it as “destructive and fanatical” as the chant “from the river to the sea.”

Emanuel, who has held multiple top roles in the Democratic Party, in Congress and in the Obama White House, is a potential 2028 presidential candidate.

He will warn that Prime Minister Benjamin Netanyahu is leading the country to a “dead-end” that has turned the country into a “pariah” and is threatening Israel’s historic alliance with the United States, according to an advance copy of his speech shared with the Jewish Telegraphic Agency on Tuesday.

He blamed as “our mistake” America’s assumption that “the best thing Washington could do for Jerusalem was to blindly and silently stand behind your government, without conditions, without demands, and without consequences.” That path has led to policies including Israeli extremists terrorizing West Bank Palestinians and Gazans suffering from a lack of food that means “Israel has never been so isolated,” a situation that he terms “a countdown clock” for Israel’s security.

Instead, his remarks state, “we need a fundamentally new and different approach to the alliance.”

At the same time, he criticized the Palestinians for what he said were mistakes and obstacles to  peace over the years. He lambasted their supporters in the United States who support replacing Israel with a Palestinian state stretching from the Jordan River to the Mediterranean Sea.

“Those chanting ‘from the river to the sea’ need to hear this loud and clear: they will never have their way,” he declares in his prepared remarks. “But those calling for a greater Israel must also hear this loud and clear: you’re never going to have your way, either. Both are fantasies chanted by fanatics.”

Emanuel, who is a former U.S. congressman from Illinois as well as a former Chicago Mayor and served as White House Chief of Staff under President Barack Obama, is considering a presidential run in 2028. His trip has garnered media attention given that his ideas on Israel could signal the direction of his party on the issue, particularly as they come from a Jewish politician with close ties to the country. Emanuel once volunteered as a civilian with the Israeli army and his father was an Israeli citizen.

His trip to Israel to underscore the importance of the Israeli-U.S. alliance and to advocate for a new regional diplomatic initiative comes at a time when politicians in his Democratic Party are increasingly disavowing Israel to gain an edge in upcoming elections as the country’s reputation plummets.

A Pew Research Center Poll published in April found that 60% of Americans had an unfavorable view of Israel, but its standing was worse among Democrats and Democratic-leaning Independents, where 8 out of 10 had negative views about Israel.

According to his prepared speech, Emanuel is set to highlight his deep connection to the Jewish state and his family’s sacrifice in bringing about its creation, noting that his uncle, who was a member of the pre-state underground, is buried on Jerusalem’s Mt. of Olives. His father, Benjamin, was born in Jerusalem in 1927 and fought in Israel’s 1948 War of Independence before immigrating to the United States, where he raised his family in Chicago.

Emanuel plans to recount Israel’s history of overtures in the name of peace and in the face of Palestinian violence during the second intifada and the Oct. 7, 2023, Hamas-led attack on southern Israel. He will explain that he understands Israel’s cynicism regarding any future arrangement with the Palestinians since Israel’s past offers of Palestinian sovereignty in exchange for security were frequently met with violence.

“I understand why, even if you oppose the Netanyahu government, you’re so prone to dismiss criticism from the outside world,” Emanuel wrote, underscoring that a “corrupt Palestinian leadership has never lived up to the Palestinian people’s legitimate aspirations for sovereignty and self-determination.”

Still, he wrote, Israel’s future can’t be “held hostage to a past defined exclusively by recriminations,” warning that such a stance will endanger its “historic alliance with the U.S.,” which is now “at a crossroads.” Israel must embark on a path that pairs military and diplomatic efforts, rather than relying solely on military prowess, he wrote.

“Israel will be alone if its leaders choose to attempt to annex the West Bank and pursue the fantasy of a greater Israel,” Emanuel plans to say.

“America will not and cannot be complicit or complacent in that endeavor,” he wrote, explaining that it has erred in the past by “blindly and silently” supporting Netanyahu’s government.

The speech calls for an end to the “American taxpayer’s subsidy of Israel’s defense budget,” maintaining that Israel should buy U.S. arms with the same financial terms and restrictions as every other ally “that abides by our laws.”

The speech laid out a broad-based policy with regard to a two-state resolution to the Israeli-Palestinian conflict that rejects extremist Israeli violence against Palestinian civilians and illegal West Bank settlement building but does not spell out prescriptions for divisive issues such as the future of Jerusalem or using the pre-1967 lines for determining the borders of a Palestinian state.

Emanuel does not mention the U.S.-based political advocacy group J Street in his speech, but the text picks up on the 23-state policy idea that J Street put forward last year, involving 21 Arab states, alongside Israeli and Palestinian ones, that would include recognition of Israel by the Arab League.

Such a regional integration would allow for Israel and the larger Middle East to become a technological and transit hub for trade between Europe and India, he plans to say.

To achieve this regional peace, Emanuel continues, the Arab states would have to support a Palestinian governing entity that would accept the Jewish historic connection to Israel, stop teaching its children to hate Israel and end the “heinous practice” of financially rewarding terrorists who kill Jews.

Israel, he wrote, would have to halt unilateral actions in the West Bank, stop nurturing harmful organizations and support “real partners in pursuit of peace.”

This scenario rests on a three-part U.S. policy in the region that would leverage the Arab world’s desire for stability, Israel’s need for security, and Palestinian demands for sovereignty.

“The political benefits for all parties would be far greater than a two-state solution could ever offer. But to get there, everyone would need to make good on their piece of the bargain,” he wrote in his speech.

The alternative path, he wrote, is one that has seen Israel isolated and turned it into a pariah state.

“Israel has failed to convert its military wins into strategic advantages,” Emanuel is expected to say, noting that the country has “lost Europe” and its support in the U.S. is plummeting. U.S. unconditional support for Israel without demands and consequences has been a mistake, he added in his speech, in which he blamed Israel’s poor global standing on Netanyahu’s policies.

A centrist Jewish Democrat embracing a policy promulgated by J Street, a group founded in 2008 to counter the influence of what was then the mainstream pro-Israel lobby AIPAC, illustrates the degree to which the American Israel Public Affairs Committee and its credo of creating a bipartisan consensus of support for Israel has eroded.

Emanuel plans to recall his own tensions with Netanyahu, who during his time as White House Chief of Staff labeled him a “self-loathing” Jew for opposing West Bank settlement construction.

Netanyahu, he wrote in his prepared remarks, “cannot fight indefinitely against a world that has stopped believing you have the right to fight. You must instead find a new sustainable path to peace, security, and prosperity.”

Alternatively, he wrote, the United States would stand “shoulder-to-shoulder” with Israel as it pursued peace and security.

The post Rahm Emanuel: Pursuit of Greater Israel as ‘fanatical’ as the chant ‘from the river to the sea’ appeared first on The Forward.

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US launches ‘powerful strikes’ against Iran

(JTA) — The U.S. military announced that it had launched strikes against Iran Tuesday evening, marking the latest exchange of blows between the countries amid a fragile ceasefire.

In a post on X, U.S. Central Command announced that American forces had begun launching a “series of powerful strikes against Iran to impose heavy costs for targeting and attacking commercial shipping crewed by innocent civilians in an international waterway.

“The U.S. strikes are in response to Iranian attacks on three commercial vessels that were transiting the Strait of Hormuz,” the post continued. “Iran’s demonstrated aggression was unwarranted, dangerous, and a clear violation of the ceasefire.”

The latest round of violence could further imperil U.S. negotiations over fully reopening the Strait of Hormuz and reviving talks over Iran’s nuclear program.

Israel has treated the U.S.-Iran negotiations warily, chafing especially at the proposed imposition of terms of engagement with Iran-backed Hezbollah in Lebanon.

Iran has not claimed responsibility for the attacks on commercial vessels. Qatar’s Foreign Ministry spokesperson Majed Al Ansari wrote in a post on X that the country held Iran “fully legally responsible” for an attack on the Qatari ship Al-Rekayyat in the strait.

“We demand that the Islamic Republic of Iran immediately cease all practices that undermine regional security or threaten the safety of international maritime navigation, & refrain from endangering global energy supplies & the resources of the countries of the region in pursuit of narrow interests,” Al Ansari wrote.

Saudi Arabia’s Foreign Affairs Ministry also condemned Iran’s alleged attack on a Saudi tanker, in a post on X shortly before the U.S. strikes were announced.

“The Kingdom affirms that these reprehensible attacks constitute an assault on the security and safety of international navigation and on the security of global energy supplies,” the post read.

The strikes come over a week since the last known round of U.S. strikes on the country late last month, which followed Iranian attacks on both Bahrain and Kuwait.

The post US launches ‘powerful strikes’ against Iran appeared first on The Forward.

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