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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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In Galveston, descendants of a forgotten Jewish migration keep their community’s story alive

(JTA) — GALVESTON, Texas – More than a century ago, this busy Gulf Coast port and longtime vacation destination 50 miles southeast of Houston welcomed so many European immigrants – including some 10,000 Jews – it earned the moniker “The Ellis Island of the West.”

Today, the few remaining descendants of Jewish immigrants from that time period still living on the island are determined to preserve and nourish the story of the Galveston Movement, a mostly forgotten but pivotal chapter in Jewish-American history.

Galveston, an island-city of 53,000 residents, is the fourth-busiest cruise port in the country and the birthplace of the Juneteenth holiday, which commemorates the end of slavery in the United States. With 32 miles of brown-sand beaches, a charming historic district with numerous well-preserved Victorian-era homes, and some 80 festivals held year-round, the island annually attracts 8 million tourists.

It also offers visitors several sites related to the Galveston Movement and what was once a robust Jewish community that produced five mayors, prominent business leaders and two highly renowned rabbis.

The Galveston Movement, also called the Galveston Plan, was a humanitarian effort operated by several Jewish organizations that brought Jewish immigrants from Czarist Russia and Eastern Europe through the port of Galveston between 1907 and 1914. Most arrived in Galveston on steamships from Bremen, Germany, a transatlantic trip that took two to three weeks.

A recent book by English historian and journalist Rachel Cockerell — “Melting Point” — has helped reignite interest in the Galveston Movement.  Cockerell, whose great-grandfather David Jochelmann played a key role in organizing the program in Europe, spoke this month at Galveston’s Temple B’nai Israel as part of a U.S. tour promoting the book.

“As soon as started reading about the Galveston Movement, I sort of went down a rabbit hole from which I didn’t emerge for three years,” Cockerell told a group of more than 100 Galvestonians, Jews and non-Jews alike. “I was totally transfixed by this amazing story of Jewish immigration in the early 20th century.”

“I love it,” says Shelley Nussenblatt Kessler, 74, of the heightened attention on the Galveston Movement. Kessler estimates she is one of 25 to 30 “BOIs” — shorthand for “Born on the Island”) — still living in Galveston who are descendants of the Jewish immigrants who came to America as part of the program. Her grandmother and grandfather immigrated from what is now western Ukraine to Galveston in 1910 and 1911.

“Not only am I very proud to be a descendant of two of these immigrants, but I can’t help but think of how lucky I am to be here,” she said. “I’m in awe of what my grandparents did and how they got here, and the sacrifices that they made.”

By the late 1880s, thousands of Jews began fleeing their homes in the Russian Empire to escape antisemitic policies and violent pogroms. Many immigrated to New York and other East Coast cities, resulting in overcrowding and poverty.

Jacob Schiff, a New York banker and philanthropist, financed the Galveston Movement as a way to blunt an anticipated wave of antisemitism on the Eastern seaboard, which might lead to immigration restrictions. Schiff sought to find suitable alternative destinations in the American South for the influx of Jewish immigrants.

Charleston, South Carolina, which had a long-established Jewish community, was considered but city leaders there only wanted Anglo-Saxon immigrants. New Orleans was also in the mix but there were concerns about periodic outbreaks of yellow fever.

Enter Galveston, a port that checked all of the boxes. It had a deep-water harbor that could accommodate large ships and an extensive railroad system available to transport immigrants to other cities and towns.

“Really the purpose of Galveston was to channel the immigrants into other parts of Texas and up the middle of the country west of the Mississippi,” said Dwayne Jones, a historian who is CEO of the Galveston Historical Foundation.

Jones says there was another key reason Galveston was selected: There already was a well established Jewish community that was thriving in the city’s business and political circles. In fact, Galveston had elected its first Jewish mayor — Dutch-born Michael Seeligson — as far back as 1853.

“It was a more tolerant community with a depth of diversity you didn’t see in other places,” Jones said. “It also had a long history of Jewish leadership and activities in Galveston.

The first Reform congregation in Texas, Galveston’s Congregation B’nai Israel, was established in 1868. Twenty years later, London-born Henry Cohen, who was only 25 at the time, became the congregation’s rabbi. Cohen led B’nai Israel for a remarkable 64 years until his death in 1952. It’s believed to be the longest tenure of a rabbi at the same congregation in U.S. history.

In 1900 Galveston was decimated by a storm known as the Great Galveston Hurricane. It remains the deadliest natural disaster in American history, with an estimated 8,000 fatalities, about 20% of its population at the time. Two-thirds of the island’s buildings and homes were destroyed. Cohen and other Jewish leaders played a major role in the relief and reconstruction efforts that followed.

“Jewish leadership took a really powerful role in rebuilding the island,” says Jones. “Without that leadership, I don’t think Galveston would have come back as it did.”

Seven years after the hurricane, the first ship that was part of the Galveston Movement – the S.S. Cassel — arrived from Bremen with 86 Jewish passengers. Cohen – who was proficient in 10 languages — was the humanitarian face of the movement, meeting ships at the Galveston docks and helping guide the immigrants through the cumbersome arrival and distribution process.

The arrivals were processed at the Jewish Immigrants’ Information Bureau headquarters in Galveston, which gave the immigrants rations and railroad tickets to more than 150 towns in Texas and other places west of the Mississippi River.

Unlike a vast majority of the immigrants who had only a brief stopover in Galveston before settling in other communities, Kessler’s grandparents decided to remain on the island. Her grandfather was a painting contractor while her grandmother worked as a housekeeper.

Adjusting to life in Texas proved to be a struggle for many immigrants. Kessler’s grandparents decided they would be happier back in Europe, even buying passage on a ship so they could return to their homeland. But World War I broke out, canceling their trip.

“The harbormaster told my grandparents to hold their tickets until after the war, and if you want to go back, we’ll redeem them,” Kessler said. “Thank God, they didn’t go back.”

By 1914, declining economic conditions and a surge in nativism and xenophobia — a forerunner of today’s anti-immigration climate — brought an end to the Galveston Movement. Still, the program resulted in an estimated 10,000 persecuted Jews finding new homes in the American hinterland in places few had imagined.

The Galveston Historic Seaport Museum chronicles the immigrant experience in an interactive exhibit called “Ship to Shore.” The exhibit includes a prominent photo of Henry Cohen.  Computer terminals enable visitors to search for information taken from ships’ passenger manifests pertaining to their ancestors’ arrival in Texas. The Galveston County Museum, located inside the county courthouse, also features artifacts related to the Galveston Movement.

Kessler’s late husband Jimmy, who died in 2022, was another key figure in Galveston’s Jewish history. Jimmy Kessler served as B’nai Israel’s rabbi for 32 years until his retirement in 2014. He also was the founder and first president of the Texas Jewish Historical Society, which is now 45 years old and has more than 1,000 members.

Jimmy Kessler was devoted to telling the story of the Galveston Movement, writing three books about the area’s Jewish history, including a biography of Henry Cohen called “The Life of a Frontier Rabbi.” The street on which B’nai Israel is located was renamed Jimmy Kessler Drive in 2018, honoring his service to the congregation and the greater Galveston community.

“I’m married to a street,” joked Shelley Kessler, adding, “Jimmy, with what he did to preserve Texas Jewish history, kept all of this [the Galveston Movement] in the forefront.”

B’nai Israel, which now has a membership of 125 families, relocated to a new building in 1955, named the Henry Cohen Memorial Temple.

The congregation’s original synagogue – built in 1870 – was the spiritual launching point for the Jewish immigrants who were part of the Galveston Movement.  It still stands on Kempner Street (named after a prominent Jewish family that included Mayor Isaac Kempner) in downtown Galveston. The building is now a private residence. Galveston also has a small Conservative synagogue, Congregation Beth Jacob, that was founded in 1931.

Robert Goldhirsh, 75, former president of Congregation B’nai Israel and another descendant of immigrants from the Galveston Movement, has been the caretaker of the Hebrew Benevolent Society Cemetery for the past three decades. Several hundred Jews — some of whom came to America in the Galveston Movement — are buried in the cemetery. Henry Cohen also is interred there.

Both Goldhirsh and Kessler say that despite perceptions of deep-rooted intolerance in Texas, they’ve encountered little to no antisemitism in Galveston.

“Most of the people I know, it makes no difference that I’m Jewish,” Goldhirsh said. “We’re just Galvestonians.”

Indeed, Goldhirsh says the biggest threat to Jewish life on the island comes from Mother Nature.  With climate change a contributing factor, recent years have seen a significant rise in weather-related disasters in Texas. For instance, Hurricane Ike in 2008 led to widespread flooding on Galveston Island and caused water damage in both synagogues.

“During one of the High Holiday services, there was a hurricane headed this way and we had to cancel for fear that the congregants would be caught in a bad storm,” he recalled. “You have to listen to the weather reports. If they say ‘leave,’ you better leave.”

The post In Galveston, descendants of a forgotten Jewish migration keep their community’s story alive appeared first on The Forward.

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Shunned by the right, targeted by the left, Eva Illouz confronts antisemitism masquerading as academic freedom

Last month, the Dutch city of Rotterdam became the latest stage for antisemites parading as anti-Zionists. It occurred at the city’s Erasmus School of Social and Behavioral Sciences, named after Desiderius Erasmus, the great Dutch humanist best known, rather ironically, for the satirical work, In Praise of Folly. In this instance, however, the academic fools strutting as anti-Zionists made the mistake of targeting the wrong person, Eva Illouz.

A member of the School for Advanced Studies in the Social Sciences in Paris, Illouz is a renowned sociologist who has published several influential books on the role played by emotions in politics and economics. No less important, Illouz is a prominent public intellectual in France, where she is a frequent contributor to Le Monde, and Israel, where her byline is often found in the pages of Haaretz.

Illouz also holds the dubious distinction of winning but not receiving the prestigious Israel Prize. Earlier this year, the prize committee chose her for the award — previously given to figures like Amoz Oz, Martin Buber, and Gershom Scholem — but their decision was nullified by Yoav Kisch, the minister of education. Outraged that Illouz signed a petition sent to the International Crime Tribunal in 2021 to investigate alleged Israeli war crimes in the West Bank, Kisch denounced her “anti-Israel ideology.”

This was not the last folly that would befall Illouz this year. Invited to give a talk, “Romantic Love and Capitalism,” at the Love Lab, a research department at the Erasmus School, Illouz was then abruptly disinvited. Last month, she learned from the lab’s director that “not all the members of the faculty were “comfortable with the initial invitation.” The reason, predictably, was Illouz’s former affiliation with Hebrew University, even though she no longer taught there. While the decision was not unanimous, the director added, it was nevertheless arrived at “democratically.”

In the spirit of Erasmus, Illouz replied that she was “delighted to learn that a truly antisemitic decision was arrived at democratically” for which the “faculty members must feel all the more virtuous.” But Illouz also asked a lawyer to challenge the decision which, earlier this week, led the school’s rector to issue both an official apology and a new invitation to speak at the school.

While Illouz will not pursue her case, the significance of this affair remains pertinent.  I asked Illouz to sit for a Zoom interview on her thoughts about this affair and the lessons we might take from it. The following conversation, slightly edited for reasons of space and style, begins with Illouz’s response to my question about the disinvitation.

Eva Illouz: If you are disinvited it could mean one or two things. First, it can be your opinion, but then, you know, there is nothing in my opinions that really changed since the time I was invited. And usually, if it is an opinion, people care to let you know. They want to let you know it’s because you spoke badly of trans people or because you express an offensive view about the biology of men and women or the hierarchy between the sexes, whatever. If it’s not an opinion, and of course it was not, then it means that it’s something about you.

This is where I think it gets interesting. The journalist from Le Monde managed to get a hold of one of the persons at the Love Lab, and the person told her that I still had a connection to Israel, And the proof of it was my email address. This is getting, I mean, really bizarre. But in fact, it’s not so bizarre because I think modern antisemitism is this capacity to turn Jews into an essence. An essence is something you cannot change. In the Christian world Jews could convert. They were evil, but not an essence. Modern anti-Semitism makes Jews into an evil essence. And this has been simply transposed to Israelis and Israeliness via decolonial discourse. An essence is something you can never leave behind. It defines your being. Like an email address.

Robert Zaretsky: But the notion of being Israeli, as an essence, that’s simply a surrogate, is it not, for anti -Jewish sentiment, a form of anti-Judaism? 

Yes, absolutely. Israelis are Jews but because hating Jews is out of fashion, Zionism and Israel become code words, conceptual substitutes for Jews. And the effects, interestingly enough, are exactly the same as they were in the Middle Ages or later times, namely to ostracize and isolate. To create a real or symbolic ghetto. IA ghetto is a place to which Jews are assigned because they are not allowed to interact with others. BDS ostracism and exclusion are strangely and eerily reminiscent of the ghetto.

So then, in a way, what you’re suggesting is the BDS movement or what took place with the Love Lab at Rotterdam was the making of a virtual ghetto. 

Absolutely, yeah. By the way, I think it’s interesting to note that in the homepage, I believe, of the BDS, they mention only institutions and not individuals.

Exactly, but they made an exception in your case.

In my case and in many other cases. I am not sure BDS speaks in good faith, because it is very unclear who does or doesn’t represent institutions and when an individual starts and a representative ends. Unsurprisingly Israeli institutions have become Israeli individuals, Israeli individuals have become Zionists at large, and Zionists are, surprise, Jews. All of these categories are intricately connected to each other. But they can hide safely behind these thick layers of obfuscations which turn anti-Zionism into an opinion.

How odd that earlier this year you were awarded the Israel Price, which was then clawed back by Netanyahu’s government because, in their eyes, you advocate an “anti-Israel ideology.”

Exactly. And it shows that the left, the extreme left and the extreme right use the same tactics.

Extremes meet.

They meet, they use the same tactics, and they are basically the same kind of people. They are bullies. They simply are bullies. As Trump says. If you’re not 100 % with me, I’ll go after you. Each side is a Trumpist at heart. If you’re not 100 % with them, they go and they come after you.

Which makes him the most dubious of allies for American Jews who think that Donald Trump, in fact, will protect Israel which, in fact, this not Donald Trump’s motivation. It’s purely transactional. And for an older generation of American Jews, unlike my children’s generation, they see Trump as a shield. And I think they are profoundly mistaken.

I mean, look at what is happening now. All the neo-Nazis ghosts are coming out. i They are like a Frankenstein creature which you can no longer control.  Trump in power has unleashed the darkest forces in America. The darkness of these forces has perhaps no precedent in the history of your country and the Jews will be in the middle.

It’s created a permission structure for people who have always felt this way to finally speak out aloud about what they feel towards Jews, what they feel towards blacks, what they feel towards women. 

In my opinion, Nick Fuentes is the real scary stuff. Judith Butler and Masha Gessen and Pankaj Mishra are adversaries (people I disagree with) but not enemies.

At first glance, the Rotterdam affair seems to have a happy ending. The university issued a public apology for what took place and made it very clear that what they did should not have been done. And so, one is tempted to say all’s well that ends well, but is that true?

It’s a small battle, but I’ve won it and its important for many reasons. One is that I went and took a lawyer who decided to go to the European court of justice and say, this is a blatant case of discrimination, which on the basis of nationality is prohibited as much as race or gender. Each one of us needs to refuse and fight against any act of discrimination not only because we are Jews but because we believe in the constitutional values of our countries.

Do you believe really that it was just legal pressure or that the administration realized that it had committed a mistake?

I will never know. I mean, you and I can speculate about it, but we will not know empirically what made them change and do this. They disavowed their faculty member and they took a position that is today, you know, not easy to take, certainly in Holland, where the freedom of expression is extremely wide. I have to credit the rector;  it must not have been a very easy decision to make.

What does this suggest about the role of university administrators?

I think university presidents need to be empowered. They need to be given more power to be able to make these kinds of judgments. Academic freedom has been the cover to excuse many egregious actions. I think it needs to be much clearer that academic freedom is actually much more limited than freedom of expression. Academic freedom is a misnomer. It is only the freedom to decide the content of your research and of what you teach. The classroom context actually prohibits you from saying a great deal many things and it’s a very good thing too.

Don’t you worry this would be considered a form of censorship?

As a French woman, I take it for granted that we have to do balancing act between freedom and the collective good. This is why we French people prosecute hate speech. We have rules and limits to protect the integrity and dignity of people. Strangely enough this applies to every single minority except for the Jews. It doesn’t work for them. If I had been a black woman, I want to hope there would have been an immediate scandal inside the university. And I believe there would have been. At least, I want to hope so. But somehow being excluded as a Jew diminishes the seriousness of the offense.

The post Shunned by the right, targeted by the left, Eva Illouz confronts antisemitism masquerading as academic freedom appeared first on The Forward.

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Sarah Hurwitz, former Obama speechwriter, creates firestorm with remarks about Holocaust education

(JTA) — In the safe confines of a gathering of Jewish fundraising and communal professionals, Sarah Hurwitz’s remarks about antisemitism and Holocaust education earned polite applause. By the time they made it to social media, they’d become kindling in a rhetorical firestorm over the Gaza war — and the uses and abuses of Jewish memory.

Hurwitz — a former speechwriter for both Barack and Michelle Obama who has written two books about her embrace of her Jewish identity as an adult — was one of three panelists Nov. 16 at the opening plenary of the General Assembly of the Jewish Federations of North America in Washington. They were asked to address antisemitism and Jewish identity at a “crossroads.”

Speaking from notes, she began her remarks with the fairly uncontroversial observation that “young people” are exposed to a media diet that amplifies the fringe, including antisemitic influencers like Nick Fuentes. She also made the somewhat more contentious point that images of “carnage” in Gaza are making it hard for defenders of Israel like her to debate “facts and arguments” with younger Jews.

But then she veered into talking about Holocaust education, suggesting that the Jewish “bet” on promoting Holocaust education had backfired, at least as a vaccine against antisemitism.

“Holocaust education is absolutely essential,” she said. “But I think it may be confusing some of our young people about antisemitism, because they learn about big, strong Nazis hurting weak, emaciated Jews, and they think, ‘Oh, antisemitism is like anti-black racism, right? Powerful white people against powerless black people.’ So when on Tiktok, all day long, they see powerful Israelis hurting weak, skinny Palestinians, it’s not surprising that they think, ‘Oh, I know the lesson of the Holocaust is you fight Israel. You fight the big, powerful people hurting the weak people.’”

Hurwitz’s framing could be seen as descriptive, explaining how the emotional structure of Holocaust education — emphasizing victimhood, power imbalance and trauma — leads some students to align emotionally with Palestinians rather than with Jews. She went on to suggest that moral lessons from the Shoah are often taught in a way that’s too binary — oppressed vs. oppressor, powerless vs. powerful — without helping students understand how antisemitism functions in complex ways, even when Jews have sovereignty and power.

But beyond the GA audience, the backlash was fast and fierce. Instagram and Reddit filled up with posts accusing her of saying, as one post put it, “that it was a mistake to teach Americans that genocide is bad.”

Jenin Younes, legal director of the American-Arab Anti-Discrimination Committee, accused Hurwitz of using Holocaust trauma to silence criticism of Israel’s military operations.

“Holocaust education is not failing,” she said. “It’s succeeding — because it is teaching young people to recognize oppression and call it out, even when it doesn’t serve political agendas.”

Progressive Jews also objected. “She’s not disagreeing with the moral lesson that we should stand against the powerful harming the vulnerable,” wrote Rabbi Sandra Lawson on Substack. “She’s upset that people are applying it universally. The lesson was supposed to stay contained, meant only for certain victims.”

The point of Holocaust education, wrote journalist Spencer Ackerman, is “[n]ot to exceptionalize Jewish suffering, but to activate solidarity. To recognize that there is a continuum of atrocity perpetrated by dominant classes against subjugated ones.”

Hurwitz’s remarks about a central pillar of Jewish advocacy may have been tailor-made for the JFNA crowd, made up of mainstream Jewish professionals uneasy about whether current tools — Holocaust education, Israel trips, anti-antisemitism training by pro-Irael groups  — can stack up against the anti-Israel messages young people encounter. JFNA has joined several initiatives aimed at presenting a more “nuanced” view of the war in Gaza, with the goal of countering misleading or anti-Israel narratives in the mainstream and social media.

But Hurwitz also entered a decades-old — and, since Oct. 7, increasingly fraught — debate over the goals of Holocaust education. Does “never again” mean a universal call to protect human rights and prevent genocide, or is it a narrower call to make sure Jews are never again vulnerable to mass murder? And if the latter, does that somehow inoculate Israel from accusations that it can, in the interest of self-defense, oppress a weaker people?

That debate was at the heart of a dust-up in September, when Los Angeles’ Holocaust museum deleted an Instagram post that proclaimed, “‘Never again’ can’t only mean never again for Jews.” The graphic showed six interlocked arms of different colors, one with an Auschwitz tattoo. Another slide declared: “Jews must not let the trauma of our past silence our conscience.”

The museum explained that it deleted the post because it was “easily open to misinterpretation by some to be a political statement reflecting the ongoing situation in the Middle East.” Indeed, appreciative supporters of Palestine and angry supporters of Israel read the original post as a statement about the death toll and hunger crisis in Gaza.

Ben Ratskoff, an assistant professor at Occidental College in Los Angeles, wrote that the museum’s retraction “reflects a deeper turn away from the universalist approach that has been at the heart of institutional Holocaust memory culture since the 1990s.” Elie Wiesel, he noted, framed the Holocaust as “a Jewish tragedy with universal implications and applications.” In 2000, the Stockholm Declaration, which founded the International Holocaust Remembrance Alliance, also declared that “the Holocaust will always hold universal meaning.”

“Teaching about the Holocaust,” the U.S. Holocaust Memorial Museum explains on its web site, “can inspire students to think critically about the past and their own roles and responsibilities today.” 

Israeli historian Amos Goldberg noted in July that Holocaust memory in the West deals with a deep tension between two sentiments. In the first, “human rights-oriented” version, “the world pledged itself to human rights, to curbing nationalism, and to strengthening democracy as a lesson from the Holocaust.” The second sentiment, he writes, “was empathy toward the Jews as the primary victims of Nazism, and their perception as Europe’s ultimate ‘Other.’”

With Israel facing accusations of genocide in Gaza — including from Israeli  scholars like Goldberg, the International Association of Genocide Scholars and the Israeli human rights group B’Tselem — these divergent lessons of the Holocaust have been fiercely debated, and sometimes weaponized.

After the massacre of Oct. 7, supporters of Israel invoked the Holocaust to express their feelings of vulnerability. “The murderers of Hamas are guided by the exact same goal” as the Nazis, Israeli Prime Minister Benjamin Netanyahu declared at Israel’s official Holocaust Remembrance Day commemoration in 2024. Many pointed out that Oct. 7 was the deadliest day for Jews since the Holocaust, implying a parallel of effect if not scope.

Palestinians and their supporters also invoked the Holocaust, a comparison that intensified as the war ground on and accusations of “genocide” made the comparison at least implicit.

Jewish groups not only denied the accusation of genocide, but rejected the comparison, whether made by Hamas or the United Nations special rapporteur on Palestine.

“These comparisons are not simply misguided or exaggerated; they have a double-edged effect,” wrote Simone Roadan-Benzaquen, managing director of the American Jewish Committee’s Europe office, in January. “On one hand, they trivialize the Nazi atrocities by equating them with a contemporary conflict, tragic as it may be, that differs fundamentally in purpose and scope. On the other, they invert historical roles, casting Jews — victims of an unparalleled genocide — as today’s oppressors….

“The result is an assault on memory itself.”

Hurwitz served as chief speechwriter for Hillary Clinton during the 2008 presidential campaign, later as senior speechwriter to Barack Obama, and, from 2010 to 2017, as head speechwriter for Michelle Obama. After leaving government, Hurwitz wrote about her personal journey from “lapsed” or “cultural” Jew to one more deeply engaged with its core texts, rituals and history. Her two books on that journey have made her a popular draw on the Jewish lecture and podcast circuit.

It’s by no means clear if Hurwitz intended to say, as critics charge, that Holocaust education was a mistake because it fostered sympathy for the Palestinians. She did not respond to a request for an interview.

But in her latest book, “As a Jew,” published in September, she does argue that Holocaust education fails if it doesn’t explore the full historical scope of antisemitism, or, taking inspiration from the writer Dara Horn, if it doesn’t show how Jews lived in addition to how they died.

“If the main thing you know about antisemitism is the Holocaust, it’s easy to get the impression that antisemitism originated sometime in the twentieth century, and the Holocaust was a one-off — that out of nowhere, after just a few decades of hating Jews, the civilized world lost its mind and started killing them,” she writes.

Her book also includes a spirited defense of Israel, which puts her in the crosshairs of anti-Zionists and other harsh critics of Israel. At the GA, Hurwitz may have been describing the limitations of Holocaust education in teaching about antisemitism, but she waded directly into a fight about applying the lessons of the past to the crises of today.

The post Sarah Hurwitz, former Obama speechwriter, creates firestorm with remarks about Holocaust education appeared first on The Forward.

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