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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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Gal Gadot’s $1 Million Genesis Prize to Be Doubled to Help Israelis With Trauma Post-Oct. 7
Actor Gal Gadot gestures during the unveiling ceremony for her star on the Hollywood Walk of Fame in Los Angeles, California, US, March 18, 2025. Photo: REUTERS/Mario Anzuoni
The Genesis Prize Foundation (GPF) and the Jewish Funders Network (JFN) launched on Sunday a $2 million matching grant program in honor of 2026 Genesis Prize Laureate Gal Gadot to help Israeli healing with emotional and physical trauma in the aftermath of the deadly terrorist attack in Israel on Oct. 7, 2023, the subsequent Israel-Hamas war, and now the ongoing war with Iran.
The initiative was spearheaded by Gadot, who was announced as the recipient of this year’s $1 million Genesis Prize in November 2025. The Genesis Prize Foundation has committed $1 million to the prize award, and members of JFN and other donors are expected to contribute at least $1 million more through participation in the new matching program.
The $2 million will be given to Israeli NGOs, nonprofits, and professionals who are helping Israelis in their long-term recovery from trauma and mental health issues. Participating NGOs must first secure funding contributions from individual donors or foundations, and can then apply to have those gifts matched by The Genesis Prize Foundation.
“The program will prioritize initiatives that train and develop frontline professionals, strengthen retention, well-being, and resilience among caregivers, expand human capital in mental health and community care, and deploy innovative tools that support and scale professional services,” GPF and JFN announced. “Emphasis will be placed on sustainability and long-term impact rather than short-term interventions.”
“At a time when Israel’s caregivers are stretched beyond capacity, we must ensure that those who are helping others heal receive the support they need,” said JFN President and CEO Andres Spokoiny. “JFN is proud to steward this collaborative effort, and we call on donors and foundations to join us in meeting these critical needs.”
“In this moment, and in honoring Gal Gadot, the most urgent investment we can make is in Israel’s human infrastructure: the therapists, educators, and caregivers who sustain national resilience, helping communities heal from the trauma of Oct. 7 and the ongoing conflict with Iran and Hezbollah,” said Stan Polovets, co-founder and chairman of The Genesis Prize Foundation. “Working with Jewish Funders Network allows us to mobilize philanthropy in a thoughtful, collaborative, and lasting way.”
The annual Genesis Prize is given to individuals “for their professional excellence, significant impact in their fields, and dedication to Jewish values.” Gadot was named this year’s Genesis Prize Laureate in recognition of her strong support and advocacy for her home country of Israel amid the Israel-Hamas war.
“I am humbled to receive the Genesis Prize and to stand alongside the amazing laureates who came before me,” she said last year. “I am a proud Jew and a proud Israeli. I love my country and dedicate this award to the organizations who will help Israel heal and to those incredible people who serve on the front lines of compassion. Israel has endured unimaginable pain. Now we must begin to heal – to rebuild hearts, families, and communities.”
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Harvard’s Jewish Enrollment Drops to Pre-World War II Levels, New Report Shows
Demonstrators take part in an “Emergency Rally: Stand With Palestinians Under Siege in Gaza,” amid the ongoing conflict between Israel and Hamas, at Harvard University in Cambridge, Massachusetts, US, Oct. 14, 2023. Photo: REUTERS/Brian Snyder
Jewish undergraduate enrollment at Harvard University has plummeted to lows not seen since the eve of World War II and the Holocaust, falling to just 7 percent, according to a new report issued by the Harvard Jewish Alumni Alliance (HJAA) that describes the statistic as an “anomaly.”
“We want to be direct about what this report does and does not claim,” HJAA said in a statement. “It does not assert that Harvard intentionally discriminates against Jewish applicants. What it finds is something more specific and, we believe, more actionable.”
The group went on to deny that declining Jewish enrollment at Harvard is alone the result of racial preferences in admissions — popularly known as “affirmative action” — which, in the name of “diversity,” affords preferential consideration to applicants whose academic achievement and standardized test scores fall outside the range of the typical elite students who schools like Harvard select for membership in the Ivy League.
In 2023, the US Supreme Court ruled 6-3 that Harvard University’s racial preferences in its admissions policy violated the Constitution for its discriminatory effect on Asian American enrollment.
HJAA found a similar trend occurring at Yale University, which infamously adopted racial preferences under the leadership of President Kingman Brewster in the 1960s, despite growing evidence that the practice created an environment of academic maladjustment and racial division. This led to the creation of segregated programming and amenities for African Americans, as well as a summer remedial program for minority students — PROP (Pre-Orientation Program) — that was eventually rebranded in the late 1990s when its apparent subtext proved unpalatable to a new generation of students.
“Yale added 1,281 undergraduate seats in 2018. Hispanic, Asian, and Black enrollment all grew in absolute terms. Jewish enrollment fell by approximately 256 students,” the group stated. “The report tests seven structural explanations for this divergence, including geographic diversification, socioeconomic targeting, Asian enrollment growth, international expansion, and athletic recruitment, individually and in combination. None of them explains the gap.”
The first Jewish alumni association in the history of Harvard University, HJAA was formed in the fall of 2023 in response to Hamas’s Oct. 7 massacre across southern Israel and the wave of antisemitism around the world that it triggered. The following month, more than 1,200 of its members signed a letter which gave notice to then-Harvard president Claudine Gay that Jewish community members would no longer walk delicately around the college administration when it comes to the issue of campus antisemitism.
The HJAA report came after Harvard last year released a major report on campus antisemitism along with an apology from new campus president Alan Garber which acknowledged that school officials failed in critical ways to address the hatred to which Jewish students were subjected following Hamas’s Oct. 7 atrocities.
Recent political developments have caused some Jewish students affiliated with the Ivy League to temper their criticisms of elite higher education due to concerns that it validates US President Donald Trump’s coupling addressing campus antisemitism with pursuing higher education reform preferred by political conservatives. In pursuing his policy agenda, Trump has cconfiscated billions of dollars of taxpayer-funded research grants from private universities.
Just last month, The Algemeiner covered Harvard University student Sarah Silverman’s scolding Trump during a hearing on campus antisemitism held by the US Commission on Civil Rights. Screaming the entirety of her seven-minute statement, she at one point charged that “policy described as protecting Jewish students did not make me feel protected,” adding, “In a deeply troubling way, I felt blamed. I knew I had done nothing wrong, but when decisions are made in your name without ever speaking to you but are affecting your academic community in extremely negative ways, you begin to worry that others believed you asked for these actions.”
Nonetheless, HJAA is calling on Harvard to hold itself accountable, unfettered by politics and outside commentary.
“What we are asking of Harvard is straightforward: count, audit, and report. Harvard already tracks enrollment by race, gender, income, and first-generation status,” the group said. Its president, Adrian Ashekenazy added, “This report is not an accusation. It is an invitation to build the infrastructure that makes accountability possible.”
Follow Dion J. Pierre @DionJPierre.
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Top Iran Official Larijani Was No ‘Pragmatist,’ His Death Strikes Major Blow to Regime: Analysts
Ali Larijani, top Iranian national security official and former chairman of the parliament of Iran, attends a press conference after meeting with Lebanese Parliament Speaker Nabih Berri in Beirut, Lebanon, Nov. 15, 2024. Photo: REUTERS/Thaier Al-Sudani
Israel’s announcement that it had killed de facto Iranian leader Ali Larijani was cast by some Western analysts on Tuesday as a blow to any remaining chance of a ceasefire, but Israeli officials and Iran watchers pushed back sharply, arguing Larijani was not a pragmatic off-ramp figure but a central architect of the regime’s wartime strategy and internal repression.
Meir Ben-Shabbat, Israel’s former national security adviser, described Larijani’s removal as a significant escalation in the campaign against Iran’s leadership, arguing it further erodes the regime’s ability to function at the highest level.
“It is not merely a symbolic step,” he told The Algemeiner. “Larijani was considered one of the most influential figures in the Islamic regime … shaping Iran’s military and political responses. His elimination intensifies the regime’s disarray.”
The killing will severely impede the regime’s efforts to recover, Ben-Shabbat said, forcing its senior figures to lower their profile even further.
Larijani’s elimination, alongside that of other senior Basij officials, “sends a sharp and clear message to regime opponents and protesters: The opportunity to bring about change is real, perhaps even just around the corner,” Ben-Shabbat said.
Israel said it also killed Gholamreza Soleimani, the head of Iran’s Basij paramilitary force which is affiliated with the powerful Islamic Revolutionary Guard Corps (IRGC). The news of both killings was later confirmed by the regime in Tehran.
At the time of his death, Larijani had been overseeing multiple overlapping crises that defined Iran’s wartime posture.
The Iranian hardliner was deeply involved in shaping the country’s response to joint US-Israeli strikes, advocating for a long campaign and widening the conflict across the region, including pressure on Gulf states and maritime routes such as the Strait of Hormuz.
At the same time, Larijani was grappling with fallout from a surge of domestic unrest, which was met with a sweeping crackdown in January, killing tens of thousands of anti-regime protesters.
He was also managing Iran’s nuclear file, including stalled indirect talks with Washington that had already been thrown into disarray by the fighting. He previously played a central role in shepherding the Obama-led 2015 nuclear agreement between Iran and world powers — a deal later abandoned by US President Donald Trump.
Trained in Western philosophy, Larijani had close personal ties to the US, and his daughter, Fatemeh, lived and worked there as a doctor for more than a decade. Earlier on Monday, Larijani referred to the US as the “Great Satan” when he condemned the UAE and other Islamic countries for abandoning Iran.
“You know that America is not loyal and that Israel is your enemy,” Larijani said, arguing that “the unity of the Islamic ummah, if realized with full strength, can guarantee security, progress. and independence for all Islamic countries.”
“Iran continues on the path of resistance against the ‘Great Satan’ and the ‘Little Satan,’” he added, referring to the US and Israel, respectively.
Nevertheless, much of Western media has cast Larijani in more nuanced terms, often describing him as a pragmatic conservative or potential interlocutor with the West who could have played a role in future diplomacy.
The Guardian, citing a Middle East analyst, reported that Larijani was seen as a potential channel for any future diplomacy, someone who could have been tasked with advancing ceasefire discussions or follow-up talks with Washington.
“Larijani would have been the man to get that job done,” the newspaper cited Ellie Geranmayeh, an Iran expert at the European Council on Foreign Relations, as saying. She added that Israeli Prime Minister Benjamin Netanyahu’s focus was on “on blocking Trump’s pathways” to ending the war.
Ron Malley, the former US special envoy for Iran, went further, describing him as “one of the smarter, maybe ‘pragmatic’ members of the leadership,” a figure some diplomats saw as capable of reengaging on nuclear talks.
BBC veteran correspondent John Simpson came under fire for casting Larijani as “clever and reasonable.”
“I’ve met Ali Larijani several times over the years. Yes, he was a top figure in a nasty regime,” Simpson wrote on X. “But he always seemed clever and reasonable – the kind of person you might want to negotiate a peace deal with.”
“Is it a good idea for Israel to take out people like him?” the journalist added.
Sima Shine, head of the Iran program at the Institute for National Security Studies in Tel Aviv, rejected portrayals of Larijani as a pragmatic counterweight within the regime, calling such characterizations “wishful” external projections to find a moderate figure inside the regime who could “take Iran on a different course.” She pointed instead to his record during the regime’s brutal crackdown on protesters earlier this year, saying “he was very much involved in the oppression of the Iranian people in January.”
Larijani was instrumental in reinforcing the regime’s strict religious and social controls, reshaping state broadcasting into a vehicle for official propaganda and targeting any reformist voices.
“He was nominated by [former Supreme Leader Ali] Khamenei to lead this operation not because he was a pragmatist, but because he could be counted on to stand fast and strong vis-à-vis the US and Israel,” she said on a call with reporters on Tuesday.
At the same time, Shine warned against assuming that removing senior figures would translate into a strategic breakthrough. “We’ve never succeeded in toppling a regime,” she said. “One cannot count on elimination as the main tool to a change of regime.”
Iran’s leadership, Shine continued, is “a system, not a person,” a structure built not only on senior officials but on institutions, coercive power, and a residual support base of “some millions that are still supporting the regime.”
