Uncategorized
Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
—
The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.
Uncategorized
Mamdani fails first political test in Manhattan race. Here’s why it matters to Jews
New York City Mayor Zohran Mamdani was dealt a political blow Tuesday in a closely watched special election, a result that could reshape a high-stakes fight over protest protections that has galvanized the city’s Jewish community.
The race for an open Manhattan Council seat pitted Carl Wilson, an establishment candidate with deep ties to the district and backing from Council Speaker Julie Menin and City Comptroller Mark Levine, against Lindsey Boylan, a former aide to Andrew Cuomo and the first of multiple women to accuse Cuomo of sexual harassment. Boylan joined the Democratic Socialists of America last year — inspired by Mamdani — and has since emerged as a vocal critic of Israel.
The race took on outsized significance, with allies of Menin and establishment Democrats coalescing behind Wilson, a former chief of staff to ex-Councilmember Erik Bottcher, who vacated the seat after winning a special election to the state legislature in February. Meanwhile, activists aligned with Mamdani rallied behind Boylan. The district, in Chelsea and Greenwich Village, is a hub of the city’s LGBTQ+ community that includes the iconic Stonewall Inn.
Mamdani issued a late endorsement after early voting began last week, and quickly leaned in, campaigning with Boylan repeatedly and framing the race as a proving ground for his political operation. Mamdani is also seeking to extend that influence beyond City Hall, deploying top campaign aides and aggressively backing allies including Brad Lander and Claire Valdez in competitive June primaries for Congress.
Tuesday’s outcome — Wilson beating Boylan 43-25 in the ranked-choice contest, according to unofficial results — is being interpreted as a setback for Mamdani’s endorsement power and a sign that his electoral reach may be more limited than his rapid rise suggested.
Next NYC, a newly created super PAC tied to Cuomo, former city comptroller Scott Stringer and former Chicago Mayor Rahm Emanuel, invested heavily in the contest to counter Mamdani’s influence. Stringer, who ran in last year’s mayoral race and has emerged as a prominent Jewish critic of Mamdani, framed the broader political goal as defeating candidates aligned with the mayor. “One down,” Stringer posted on X earlier this week ahead of the election, predicting Boylan’s defeat.
Mamdani’s setback boosts override push
Symbolism aside, the election could have some immediate legislative consequences for New York City, home to the largest concentration of Jewish voters in the U.S. At issue is a Council bill requiring safety plans for protests near schools. The legislation, referred to as a “buffer zone” measure, was strongly supported by many Jewish groups amid concerns about demonstrations targeting Jewish institutions.
The schools bill ran into opposition from progressive groups that raised objections connected to restricting free speech, especially on college campuses. It passed the City Council 30-19, which is not a veto-proof majority. Mamdani vetoed the measure on Friday, his first veto since taking office.
A similar bill concerning protests at houses of worship passed with a 44–5 veto-proof majority in the 51-member chamber, and can now become law.
Wilson backs the schools bill. Boylan sided with Mamdani.
With Wilson’s victory, Menin’s allies are now within striking distance of overriding the schools bill veto. The Council currently stands at 31 votes of the 34 needed. Manhattan Councilmember Gale Brewer, who abstained, is viewed as a potential swing vote. Leadership could now flip just two “no” votes to secure an override, an easier task in the wake of Mamdani’s political setback in Boylan’s loss.
If successful, it would mark a significant legislative defeat for the mayor and strengthen Menin’s hand in the Council. It will also embolden critics within the Jewish community, already uneasy over Mamdani’s responses to antisemitism and pro-Palestinian protests.
The post Mamdani fails first political test in Manhattan race. Here’s why it matters to Jews appeared first on The Forward.
Uncategorized
How Israel’s Shift from ‘Deliberate Ambiguity’ to ‘Selective Disclosure’ Could Prevent a Nuclear War
A satellite image shows un‑buried tunnel entrances at Isfahan nuclear complex, in Isfahan, Iran, Nov. 11, 2024. Photo: Vantor/Handout via REUTERS
Though it might seem counter-intuitive, Israel needs specific enhancements to its strategic deterrence posture. Among other things, these necessary enhancements center on nuclear doctrine and strategy. Most urgently, Jerusalem should plan for an incremental but defined end to “deliberate nuclear ambiguity.”
Why should this argument be taken seriously? Hasn’t Iran’s nuclear potential been degraded or eliminated by Operations “Epic Fury” and “Roaring Lion”? During any future war with Iran, wouldn’t Israel already be in firm position to maintain “escalation dominance?”
Gathering the correct answers is more complex than first meets the eye.
Though a non-nuclear Iran would risk greater harms than would Israel in any future war, the more powerful Jewish State could still suffer the grievous consequences of (1) Iranian CBW (chemical-biological) or radiological attacks; and (2) Iran-spurred operational misunderstandings/policy miscalculations.
Iran could also call upon nuclear allies (most plausibly North Korea) to act as witting nuclear proxies, and on sub-state terror groups to inflict various force-multiplying costs. These groups (e.g., Hezbollah, Hamas, Houthi) would likely include both Sunni and Shiite surrogates.
For Israel, there will be derivative strategic issues. Prima facie, the direct Israel-American war against Shiite Iran has strengthened some Sunni state adversaries in the region. To wit, now there will be more compelling reason to expect nuclear moves by Turkey, Egypt, and/or Saudi Arabia. Correspondingly, certain predictable actions by China or Pakistan would further undermine Israel’s core national security.
What should Israel do? A comprehensive remedy would include calibrated policy shifts from “deliberate nuclear ambiguity” (Amimut in Hebrew) to “selective nuclear disclosure.” Though nuclear ambiguity has managed to “work” thus far, it will not work indefinitely.
At times, strategic truth must emerge through paradox. For Jerusalem, the greatest risk of catastrophic deterrence failure may lie in the prospect of Israeli nuclear threats that are “too destructive.” Oddly but plausibly, nuclear threat credibility could sometime vary inversely with nuclear threat destructiveness.
To be suitably deterred, an enemy state would require continuing assurances that Israel’s nuclear weapons were effectively invulnerable and “penetration-capable.” This second expectation would mean that Israel’s nuclear weapons not only appear protected from adversarial first-strikes, but are also able to “punch through” enemy active defenses.
Adversarial judgments concerning Israel’s ultimate willingness to engage with nuclear weapons would depend on acquiring certain foreknowledge of these weapons and their operational capabilities. Enemy perceptions of mega-destructive, high-yield Israeli nuclear weapons could undermine the credibility of Israel’s nuclear deterrent. Bringing a measured end to “deliberate nuclear ambiguity,” on the other hand, would offer a promising corrective for Israel’s ultimate and existential vulnerability. In principle, at least, if an enemy state should ever appear willing to share its nuclear military assets with a surrogate terrorist group, Jerusalem would then need to prepare for nuclear deterrence of sub-state adversaries.
The main point of any shift from “deliberate nuclear ambiguity” to “selective nuclear disclosure” would be to signal that Israel’s “bomb” capability lies safely beyond enemy reach and could punish all levels of enemy aggression. By removing the bomb from its metaphoric “basement,” Israel could best enhance its overall strategic deterrence. A properly-calculated end to “deliberate nuclear ambiguity” would underscore Israel’s willingness to use measured nuclear forces in reprisal for both first-strike and retaliatory attacks. Also, a defined shift from “deliberate nuclear ambiguity” to “selective nuclear disclosure” would best convince Iran or any other non-nuclear enemy state of Israel’s willingness to use calibrated nuclear force against a non–nuclear aggressor.
What about the so-called “Samson Option?” While generally misunderstood, this option could support Israel’s unrelieved task of strategic dissuasion. For Jerusalem, the reinforcing benefits of “Samson” would lie not in any supposed eagerness to “die with the Philistines,” but in its presumptive deterrent advantages. These expected advantages would lie at the “high end” of Israel’s deterrence options and serve any ultimate requirement of “escalation dominance.”
In assessing optimal levels of “selective nuclear disclosure,” Israel ought to continuously bear in mind that the country’s strategic nuclear objective must always be deterrence ex ante, not revenge ex post. If, however, nuclear weapons should ever be introduced into an escalating conflict with Iran or another enemy state, one form or another of actual nuclear war fighting would ensue. At that chaotic tipping point, Israel’s deterrence objective would need to shift from nuclear war avoidance to nuclear war termination.
Conceptually, if Israel were the only nuclear belligerent in a still-impending conflict, it would find itself in an “asymmetrical nuclear war.” If Israel’s foe were also nuclear, Jerusalem would then be engaged in a “symmetrical nuclear war.” Significantly, even in a “symmetrical” conflict, there would remain detectable inequalities of military power. To best support “escalation dominance” amid such destabilizing inequalities, Israel would benefit from prior policy shifts to “selective nuclear disclosure.” For authoritative decision-makers in Jerusalem, there could be no more important step toward national survival.
Prof. Louis René Beres was educated at Princeton (Ph.D., 1971) and is the author of many books and scholarly articles dealing with international law, nuclear strategy, nuclear war, and terrorism. In Israel, Prof. Beres was Chair of Project Daniel (PM Sharon). His 12th and latest book is Surviving Amid Chaos: Israel’s Nuclear Strategy (Rowman & Littlefield, 2016; 2nd ed., 2018). Professor Beres was born in Zurich at the end of World War II.
Uncategorized
Palestinian Authority TV Promises Israel ‘Will Pass’ and Cease to Exist
Palestinian Authority President Mahmoud Abbas holds a leadership meeting in Ramallah, in the West Bank, April 23, 2025. Photo: REUTERS/Mohammed Torokman
Having just celebrated 78 years of independence, Israel has proven it is here to stay.
But the Palestinian Authority (PA) and Palestinians in general are adamantly claiming Israel’s status is temporary, while dreaming and hoping for its demise.
“There is no room for two identities,” a host on PA’s official TV channel stated, predicting that Israelis/Jews are “the ones who will pass”:
Official PA TV host:“The Israeli occupation … is taking control of the holy city [Jerusalem] and the Islamic and Christian holy sites in it.
But in this land, there is no room for two identities: [It is] either us or us. We are the ones who will remain and they are the ones who will pass.” [emphasis added]
[Official PA TV, Palestine This Morning, March 29, 2026]
A Palestinian researcher similarly taught viewers that Jews “are transient in this land” and that Palestinians are “the true owners”:
Palestinian affairs researcher Muna Abu Hamdiyeh: “We are talking about the Ibrahimi Mosque [i.e., Cave of the Patriarchs] — the Judaization of the site.
The Palestinian understands that [the Jews] are transient in this land.
Everything that the archaeological delegations that have visited Palestine and the Ibrahimi Mosque have presented has proven that the occupation has no connection, no existence and no roots in this land …
As part of our role as those who research the Palestinian cause, history, or archaeology, we must clarify this situation to the Palestinians: We are the true owners of this land, and therefore [we] must not abandon it, no matter what… [The Palestinian] completely understands that he has suffered from violence and aggression [only] because he owns something that the other –who is transient in this place — wants to take from him.” [emphasis added]
[Official PA TV, March 16, 2026]
Another Palestinian academic also envisioned Israel’s downfall, stating at a cultural meeting in Paris that the Palestinians “will win and all of Palestine will be liberated”:
Palestinian researcher Muzna Al-Shihabi: “When we see all the people who came here today just to … hear about Palestine and know better what is happening [in Palestine], this is proof that — honestly, it gives us great hope that in the end we will win and all of Palestine will be liberated.” [emphasis added]
[Official PA TV News, Feb. 2, 2026]
Manifesting the Palestinian narrative in numerous ways, on at least two separate occasions, PA TV broadcast the following “poet” from Gaza predicting the end of Israel’s “colonial rule” just as other colonial rulers have been defeated:
Gazan poet Adel Al-Ramadi:
“Do not believe that the land will not return
How much has this land been occupied!
How much defilement?
How many soldiers have trodden upon it!
So where are the soldiers?
Where is the rule of the Greeks over us?
Where is the rule of the Tatars?
Where is the rule of the Romans?
Where is the rule of the Persians?
Where is the rule of the Crusaders?
Where is the rule of the English?
Where are the soldiers?
One day you will grow up and ask:
Where is the rule of the Jews?” [emphasis added]
[Official PA TV, Dec. 7, 2025, and April 5, 2026]
PA TV chose to rebroadcast a documentary from 2021 with the conclusion that Israel “will disappear”:
Official PA TV narrator: “Immediately after the [Israeli] occupation of Jerusalem in 1967 and until this day, they have not stopped making attempts to Judaize the place and take control of it, aiming to destroy the Al-Aqsa Mosque to build the alleged Temple in its place …
This speaking stone is like a person and a place at the same time. Its age is many times greater than the age of the occupation state [i.e., Israel]. The Al-Aqsa Mosque will remain here, the eternal capital Jerusalem will remain here, and the occupation will disappear!” [emphasis added]
Images are shown of Palestinians waving Palestinian flags on the Temple Mount.
[Official PA TV, broadcast of 2021 documentary film “The Speaking Stone,” March 20, 2026]
A released murderer also joined the choir, telling “heroic” imprisoned terrorists that Allah will “liberate the land”:
Released terrorist murderer Shadi Abu Shakhdam: “My message to our heroic prisoners [i.e., terrorists] behind bars: Just as Allah showed us mercy and granted us freedom, Allah willing the time and moment will come when He will show mercy to our brothers and grant them freedom.
Allah willing, there will be freedom with the liberation of both the land and the people.” [emphasis added]
[Official PA TV, Giants of Endurance, March 21, 2026]
As Palestinian Media Watch recently reported, there are many more examples of how the PA dreams of Israel’s demise.
World leaders must finally acknowledge this deeply entrenched destructive vision that the PA embraces, and oppose giving the PA any role in the future of the region.
The author is the Founder and Director of Palestinian Media Watch, where a version of this article first appeared.