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Far-right Israeli minister finds enemy in JDC, the mainstream American Jewish aid group
(JTA) — An American Jewish group that has provided aid to Jewish communities in crisis for more than a century has become the target of one of Israel’s newly empowered far-right ministers.
Itamar Ben-Gvir, who serves as national security minister, said on Wednesday that he was shutting down a program dedicated to reducing violence in Arab Israeli towns. His reason: The program is operated by the American Jewish Joint Distribution Committee, which he called a “leftist organization.”
“JDC is a nonpolitical organization and has been so since our founding in 1914,” Michael Geller, a spokesperson for JDC, told the Jewish Telegraphic Agency.
Ben-Gvir’s characterization baffled many across the Jewish communal world who know the JDC as a nonpartisan group with an extensive track record of providing humanitarian aid to Jews in distress.
To them, Ben-Gvir’s criticism of the group is the latest sign that the rupture of political norms in Israel extends beyond the judicial reforms advanced by the government, which have drawn unprecedented protests.
“To call the JDC a left-wing organization is a joke. It is not political in any way,” said Amnon Be’eri-Sulitzeanu, co-CEO of the Abraham Initiatives, a nonprofit that works toward an “equal and shared society” for Jewish and Arab Israelis.
Be’eri-Sulitzeanu, who is Jewish, said he anticipated changes by the right-wing government, which was inaugurated in December. But he was surprised by Ben-Gvir’s announcement.
“I could expect revisiting collaboration with organizations that are branded as civil rights or human rights or Israeli-Palestinian organizations,” he added. “But the JDC — it’s very strange.”
Founded in 1914 by the American Jewish banker Jacob Schiff to aid Jews living in Palestine, the “Joint” has distributed billions of dollars in assistance across 70 countries — including, over the last year, to 43,000 Ukrainian Jews amid the war there. It played a central role in aiding Holocaust survivors following World War II, as well as in the resettlement of Jews from the former Soviet Union.
Among its biggest sources of support are Jewish federations, the nonpartisan umbrella charities found in nearly every major North American Jewish community.
“JDC is an apolitical organization that has worked with every government since the establishment of the State of Israel, providing critical services to the elderly, youth-at-risk, people with disabilities and other underserved populations across all sectors, including Haredim and Arab-Israelis,” the Jewish Federations of North America said in a statement. “JDC’s activities are a living and breathing example of the Jewish values of tikkun olam and tzedakah that guide Jewish Federations’ work every day,” Hebrew phrases that connote the Jewish imperative to repair the world, as well as charity.
JDC staff packing matzahs and haggadahs for online seders in Odessa, Ukraine, April 7, 2022. (JDC)
In Israel, the group funds and operates efforts to help needy populations — including immigrants, the elderly, people with disabilities and people living in poverty. Those efforts often involve working with the government, which in 2007 gave the JDC Israel’s most prestigious prize for its work. This year, according to a spokesman, the group is spending $129 million on Israel initiatives.
The JDC’s government-funded programs include the anti-violence effort that Ben-Gvir is targeting. It was made possible last year due to nearly $1 billion in funding to curb crime in Arab communities by the previous governing coalition, which was centrist. The allocation followed lobbying by Arab and civil society organizations, including the Abraham Initiatives, which is now monitoring how the money is being used as well as its impact.
Arab citizens of Israel make up 84% of crime victims despite comprising just 20% of the population, according to government data released last year that showed a sharp rise in the proportion of Arab Israelis who had experienced violent crime.
Many in Arab communities have called for heightened law enforcement and have charged Israeli police with making inadequate efforts to keep their communities safe. This week, commenting on the shooting death of an Arab Israeli woman, Arab Israeli opposition lawmaker Ahmad Tibi accused Ben-Gvir of being “occupied with other matters,” such as clashes with the attorney general and police officials in Tel Aviv. “Maybe the time has come for senior officials to demonstrate responsibility when it comes to crime organizations and weapons running rampant,” Tibi said.
Other initiatives have aimed to tackle the violence in ways that go beyond policing. The program that Ben-Gvir said he is shutting down is one of them. Called Stop the Bleeding, it involves multiple government ministries as well as local community groups and education efforts and has operated in seven cities with large Arab populations, including a Bedouin town and Lod, a city with significant Arab organized crime networks that also has a large Jewish population.
Be’eri-Sulitzeanu said the program was already starting to bear fruit and had contributed to a slowdown in a multi-year rise in murders. Canceling the program, he said, reflects the current government’s general approach to tackling Israel’s problems.
“It’s not about collaboration. It’s not about hearing the concerns and pain and hopes and needs of the Arab community,” he said. “It’s about doing everything unilaterally, and really without a lot of care for the lives of those people. I think that’s what we are watching.”
MK Ahmad Tibi attends a meeting at the Knesset in Jerusalem, Dec. 6, 2022. (Olivier Fitoussi/Flash90)
A year ago, around the time when the previous government awarded the Stop the Bleeding contract to the JDC, Bezalel Smotrich, a key Ben-Gvir ally who was then an opposition lawmaker and now serves alongside Ben-Gvir as finance minister, proposed that Israel create a “command center” of “all of the relevant entities” that provide humanitarian assistance to Ukrainian Jewish refugees. Included on his list, alongside the Israeli Foreign Ministry and Red Cross: the JDC.
The JDC is not the first mainstream group to be targeted by far-right members of Israel’s new right-wing government, whose signature legislative effort aims to sap the power and independence of the country’s judiciary. That legislation has given rise to a sweeping protest movement and to grave warnings about Israel’s future from a broad range of public figures — including elder statesmen, foreign governments and religious leaders.
Avi Maoz, the leader of the anti-LGBTQ Noam Party who briefly held a leadership role in Israel’s Education Ministry, compiled a list of American and British groups that he believes are trying to impose their liberal values on Israeli schoolchildren. “We must protect our people and our state from the infiltration of the alien bodies that arrive from foreign countries, foreign bodies, foreign foundations,” Maoz once said. Maoz has since resigned from that role, saying that he did not think he was being sufficiently empowered to fulfill his goals by Prime Minister Benjamin Netanyahu’s government.
But Be’eri-Sulitzeanu said he remains concerned about civil-society programs, especially those falling under the purview of far-right ministers including Ben-Gvir or those funded by American Jews, whom some on the right perceive as universally liberal.
People who are paying attention to local governance in Israel expect further tensions around initiatives that do not match Ben-Gvir’s attitudes about harsh policing. Ben-Gvir wants officers to have the right to shoot Arabs who throw stones, has called for a crackdown on anti-government protesters and is increasingly clashing with police officials who believe his orders could jeopardize public safety. Multiple former police commissioners have called for his dismissal.
“Ben-Gvir has his own political agenda and he has his own ax to grind, and at the moment, I think he’s not keen on developing services of the Arab population, either in security or juvenile delinquency or education,” said Amos Avgar, who worked for the JDC in Israel, Russia and the United States for 30 years until 2010, including as chief programming officer.
Avgar emphasized that the JDC has always studiously avoided political activity. “If there’s one thing that the JDC is not, it is not political,” he said. “It always shied [away] from anything that had the smell of politics and never dealt with any project by political agenda.”
It’s unclear how quickly Ben-Gvir’s announcement, made during a government meeting and first reported by Israel’s public broadcaster, will ultimately translate into changes. Geller, the JDC spokesman, said the organization had learned about the criticism only from the media, not from Ben-Gvir’s office. Later, amid an outcry, Ben-Gvir’s office said the funding decision had followed a review of contracts that revealed missing documentation from the JDC, a charge that the JDC denied.
Amnon-Sulitzeanu said he didn’t have high hopes for the program’s future.
“I think the first [characterization] is unfortunately going to be the correct one — that he is actually intending to stop it, which is very unfortunate because it is among the more serious programs that are willing to deal with this catastrophe,” he said. “And it shows again that the current minister is not so much interested in saving lives of Arab citizens.”
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Chicago Jewish theater drops Naomi Ragen play, saying actors feared repercussions of working with the Israeli writer
(JTA) — Naomi Ragen, the New York-born Israeli novelist and playwright known for her portrayals of Orthodox Jewish women in crisis, says the cancellation of a planned Chicago revival of one of her plays represents a “return to McCarthyism” in the American cultural scene.
Ragen, 77, has revealed that plans by a Jewish arts company in Chicago to revive her 2001 play “Women’s Minyan” have been shelved. In a post shared with her thousands of followers on Facebook, Ragen included an email from the company’s artistic director saying that she had been inundated by messages from actors, directors and designers who feared that working with a “a pro-Zionist Jew/Israeli” like Ragen could damage their careers.
Ragen told the Jewish Telegraphic Agency that Chicago-based Arts Judaica first approached her in July with a request to stage her play about a haredi woman trying to flee her abusive marriage. Elayne LeTraunik, the company’s artistic director, told Ragen they intended to stage 13 performances next March.
Happy to collaborate, Ragen asked for a contract. She heard nothing until this week when she received a reply from LeTraunik, saying she “must sadly withdraw my intent to do the show.”
LeTraunik’s email continued: “People were seeing you were a pro Zionist Jew/Israeli and I was bombarded with actors, directors and designers who were actually afraid that doing a show with you as playwright would hurt their careers. I never have faced this before and I was stunned about all the accusations of ‘genocide’ flying around.”
The episode stands in contrast to Arts Judaica’s stated mission: Its website says that “American audiences need Jewish stories on stage more than ever.”
“In the past I have done plays about suicide bombers and never had a peep from anyone,” LeTraunik told Ragen. “This world is getting insane. Perhaps once all this dies down (if it ever does) I will try again. I am so sorry.”
Born in New York, Ragen emigrated to Israel in 1971, where she settled in Jerusalem. In addition to best-selling novels like “Sotah” and “The Sacrifice of Tamar,” she regularly writes opinion pieces sharing her hawkish views on Israel. On her website and on social media, she shares dispatches from her “Israel War Diary,” expressing strong support for Prime Minister Benjamin Netanyahu and IDF military action against Hamas. She has also spoken against what she describes as a worldwide “climate of hatred, fear, and intimidation.”
Some people, she said, have suggested the play was canceled because she is a right-wing Zionist. “Are we now back to McCarthyism, where you have to check the political credentials of an artist [before deciding] whether or not to promote their work?” she said.
“I thought all the progressives were against McCarthyism. Now we’re back there where I have to pass some kind of political test in order to have my work shown.”
LeTraunik told JTA she could never have predicted the pushback or the cancellation when she first approached Ragen. “This situation is one I have never faced before after a lifetime in theater,” she said.
“Since the play has nothing to do with politics I didn’t anticipate any problems,” she continued. “But unfortunately people had done research on Naomi and felt so triggered by her politics it appeared that there were concerns from would-be actors, etc. and even the person who had offered to put up some of the funding was not comfortable.
“As for me, I am almost 80 years old, [a] lifetime American and Jew and I have long decided not to get involved in the current political turmoil. I just want to do interesting theater.”
Ragen told JTA that while it is “strange to get such a response from a Jewish venue,” particularly one whose mission statement includes Holocaust education, she is not angry at LeTraunik.
“I have only sympathy for her,” she said. “I think all these Jewish cultural organizations are now under fire and what we need is not to criticize them because they’re not brave enough, but to understand the pressures they’re under.”
Earlier this month the Anti-Defamation League published a report alleging “the systemic exclusion and marginalization of Jewish and Israeli artists across American cultural life.” In its examination of museums, publishing and live entertainment, the ADL said it found that Jewish, Israeli and Zionist artists have “faced growing scrutiny, organized protest activity, online targeting, event disruptions, reputational campaigns and, in some cases, cancellations or institutional distancing.”
Ragen said her play, originally commissioned by Habima, Israel’s national theater, has previously been staged in the United States. She is not taking the cancellation personally, she said, but as a symptom of a far greater problem.
“You had a situation in Germany in 1938 where you couldn’t produce a Jewish play or any play which didn’t toe the Nazi line,” she said. “Are we going back to that?”
In her conversation with JTA, Ragen called on “American Jews and good people” to “be a little brave,” adding: “It’s not time to build another Holocaust museum — it’s time to wake up, smell the coffee, and put your money and your time and your effort where your mouth is.
“If you are a person who wants to promote Holocaust education, well, you’re living in the middle of it.”
This article originally appeared on JTA.org.
The post Chicago Jewish theater drops Naomi Ragen play, saying actors feared repercussions of working with the Israeli writer appeared first on The Forward.
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Jewish New Yorkers fault Mamdani on antisemitism but back his police commissioner, poll finds
Nearly two-thirds of Jewish voters in New York City disapprove of Mayor Zohran Mamdani’s handling of antisemitism, according to a new poll released on the third anniversary of the Oct. 7, 2023, Hamas attack on Israel. Jewish voters also said Mamdani, a fierce critic of Israel, should not hold or attend an official city event marking the anniversary.
The Honan Strategy Group survey of 503 Jewish voters across the five boroughs, shared exclusively with the Forward, found that 65% disapprove of Mamdani’s handling of antisemitism, including 47% who strongly disapprove. Just 34% approve. Among 1,167 non-Jewish respondents, 46% approve of his handling of antisemitism and 43% disapprove.
The poll was conducted Oct. 2 through Oct. 6 via text-to-web and analyzed Jewish and non-Jewish respondents separately. The overall margin of error is plus or minus 2.8 percentage points, while the Jewish sample has a margin of error of plus or minus 4.3 points.
The survey offers a broader snapshot of Jewish opinion than previous polling on Mamdani. A Honan survey at the beginning of his term included only 131 Jewish respondents, while a poll published in July included a sample of 99 Jewish voters. The findings come a week after Mamdani rolled out a citywide strategy to combat hate and antisemitism, amid continued concerns about rising antisemitic incidents across the city and criticism that his rhetoric on Israel is causing harm.
Recent NYPD statistics showed that in the first nine months of 2026, hate crimes rose 13%, and 53% of those hate crimes involved Jewish victims. During the first nine months of this year, anti-Jewish hate crimes increased 1.2%.
Police Commissioner Jessica Tisch gets much higher marks
Jewish voters gave much higher marks to Jessica Tisch, the Jewish NYPD commissioner who was reappointed by Mamdani after serving a year under former Mayor Eric Adams. Tisch, who strongly supports Israel and is widely respected in the Jewish community, has frequently appeared alongside Mamdani to discuss the rise in hate crimes.
The survey showed that 75% of Jewish respondents approved of Tisch’s handling of antisemitism, while just 6% disapproved — the strongest rating of any official tested in the poll.
During a joint briefing on the latest crime statistics with Mamdani on Tuesday, Tisch remarked, “On the eve of the third anniversary of Oct. 7, we renew our pledge to Jewish institutions that they will not be left to protect themselves without a strong partner in the NYPD.”
City Council Speaker Julie Menin, the first Jewish speaker in history who many Jewish leaders see as a check on Mamdani and who has made combating antisemitism a focus of her tenure, received 57% approval and 13% disapproval. Gov. Kathy Hochul, who is running for reelection in November, received 54% approval.
Mamdani released his administration’s citywide strategy to combat antisemitism last week. The plan includes millions of dollars for security, education and hate-crime prevention, but does not adopt a definition of antisemitism — an issue that has divided the mayor and much of the Jewish community in the city with the largest Jewish population outside of Israel. Throughout his mayoral campaign and since, Mamdani has sought to draw a line between his opposition to Israel and Zionism and his commitment to protecting Jewish New Yorkers.
The new plan mentions the Oct. 7 Hamas attack and the war in Gaza that followed as part of the rise in antisemitism, but does not directly link them.
New York Jews don’t want Mamdani at an Oct. 7 event
Wednesday’s poll found that 64% of Jewish voters said Mamdani should not hold or attend an official city event marking the anniversary of the Oct. 7 attack. Twenty-four percent said he should. Mamdani is expected to attend a vigil in remembrance of Oct. 7 on Wednesday evening, according to his daily public schedule, followed by a meeting with Palestinian New Yorkers.
Meanwhile, City Council Speaker Menin and Jewish councilmembers Inna Vernikov and Eric Dinowitz, who lead the legislative body’s bipartisan task force to combat antisemitism, are expected to join other elected officials in Brooklyn to call for a permanent public memorial in Brooklyn to the victims of Oct. 7.
Mamdani has condemned violence and expressions of support for terrorist organizations, called the Hamas attack a “horrific war crime,” but also defended the constitutional right to protest.
Israel’s consul general in New York, Ofir Akunis, invited Mamdani on Monday to watch the 47-minute compilation of raw footage assembled by the Israeli military documenting the Oct. 7 attack. In a letter to the mayor, Akunis said he hoped seeing the footage would convey “the reality of what happened on October 7th in a way that words alone cannot.”
Members of New York City’s Young Democratic Socialists of America have promoted a demonstration at City Hall, accusing the mayor of capitulating to pro-Israel pressure since taking office. The chapter is the student offshoot of the DSA, in which Mamdani is a member. Mamdani’s spokesperson has said the group organizing the protest is separate from the local DSA chapter with which the mayor is affiliated, but declined to comment when asked by the Forward about the planned protest and whether Mamdani had a message for the protesters.
Worsening relations
The poll found an even broader sense of concern among Jewish New Yorkers about the city’s climate for Jews since Oct. 7.
Seventy-nine percent said antisemitism has increased since Oct. 7, including 55% who said it has increased “a lot.” And 86% said relations between Jewish and non-Jewish New Yorkers have gotten worse since the attack. Just 1% said they have improved, while 12% said they have stayed about the same. Among non-Jewish voters, 51% acknowledged that relations have gotten worse.
There was a larger divide when respondents were asked to compare antisemitism and Islamophobia. A majority of Jewish voters – 57% – said antisemitism is the bigger problem, while 10% said the two are equally serious. Among non-Jewish voters, 66% said antisemitism and Islamophobia are equal problems.
The post Jewish New Yorkers fault Mamdani on antisemitism but back his police commissioner, poll finds appeared first on The Forward.
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They survived Oct. 7. At Rock Camp, they found a way to feel alive again.
(JTA) — ”They tried to kill us. We survived. Let’s eat.”
Alan King’s joke about Jewish holidays gets to the essence of Jewish persistence in the face of horror. He might have added “Let’s sing.” Music has accompanied the Jewish people for millennia through periods of joy and sorrow. Moses and the Israelites praised God for His salvation from the Egyptians in the “Song of the Sea.” Weddings, the Shabbat table and kumsitzes all come with joyous soundtracks.
In times of overwhelming devastation, songs have served as expressions of survival, determination and memory. During the Holocaust, Jews continued to compose and perform it in ghettos and concentration camps, including Theresienstadt. ”The Partisan Hymn,” “Zog nit keyn mol” (“Never Say”), was composed in the Vilna Ghetto.
Three years ago this week, music and tragedy once again intertwined when Hamas-led terrorists attacked the Nova Music Festival as part of the Oct. 7 assault on Israel. Approximately 1,200 people, including 364 civilians at the Nova festival, were killed that day, and 251 were abducted to Gaza.
Two months later, David Fishof, who founded Rock ’n Roll Fantasy Camp, saw music and trauma bound together at the funeral for Yotam Haim, the red-headed hostage who escaped with two others but was killed by friendly fire.
“Yotam’s brother, Tuval, and father, Raviv, are drummers,” said Fishof, an L.A. sports agent and entertainment producer. “They performed a 20-minute drum solo in Yotam’s honor, after which Tuval threw the sticks in the grave. At that moment, it hit me: I wanted to bring Tuval and nine other Oct. 7 survivors to Rock Camp in L.A.”
With the help of Sam Grundwerg, former world chairman of Keren Hayesod – United Israel Appeal, the 10 survivors were flown to Los Angeles in March 2024 to participate in the sold-out camp.
Now, their experience is chronicled in “The Bridge,” a new documentary produced by “Friends” executive producer Kevin Bright that highlights how music can become a pathway from trauma to healing. Its message: “When tragedy strikes the Jewish people, we play louder.” Ahead of a wider theatrical release in November, the film is now playing at select North American venues.
Rock Camp, founded by Fishof in 1997, brings amateur rockers alongside music legends for four days of mentorship, rehearsals and performances at such iconic clubs as Whisky a Go Go and The Viper Room.
Music, memory and trauma informed Fishof’s upbringing. Music saved the life of his father, Mark, a survivor of Auschwitz and Buchenwald.
“My dad would sing to the Nazis, just to entertain them,” Fishof said. “They would say, ‘Sing this song,’ and he would. Music saved him. It was a way for him to take his mind off of what he was going through.”
His father served as a cantor in Hackensack, New Jersey, for 33 years.
Fishof said his memories of his father’s sufferings made Oct. 7 the worst day of his life.
By contrast, their four days at Rock Camp offered the Oct. 7 survivors a rare respite from their trauma and a chance to reconnect with the joy of making music. The Israelis jammed with rock legends Michael Anthony of Van Halen, Sebastian Bach of Skid Row, Warren DeMartini of Ratt and Tommy Aldridge of Whitesnake, and met Richard Fortus and Slash of Guns N’ Roses.
Among the Israeli rockers was 27-year-old vocalist and guitarist Raz Shifer of Ramat Gan, a Nova Festival survivor who was close friends with two hostages, including Inbar Hayman, who was murdered in captivity.
After that Black Saturday, Shifer says in the film, “I couldn’t sleep. I couldn’t eat. I just sat on my couch, literally in shock, trying to figure out what the f— had happened. I forgot who I was — the happy, smiley, energetic Raz. Rock Camp was my first time getting back on stage and letting it all out. For me, it was a really big step. I was able to remember myself again. Music is my victory. It’s the reason I get out of bed every day and the power that keeps me alive.”
Also among the group was 28-year-old vocalist and guitarist Bar Rudaeff of Tel Aviv, the son of Kibbutz Nir Yitzhak’s former deputy security coordinator Lior Rudaeff, who was murdered while defending the kibbutz on Oct. 7. His remains were returned to Israel in November 2025.
For Rudaeff, performing with Tommy Aldridge, the legendary hard rock and heavy metal drummer who played with Ozzy Osbourne and Whitesnake, was a way of reaching his father — through a joy they shared.
“My dad really liked ’80s rock, like Deep Purple, Bon Jovi, Foreigner and Ozzy Osbourne, so when we played with Tommy, it was really meaningful and emotional,” he says in “The Bridge.” “Rock Camp gave me the opportunity to stop thinking, for a little while, about my dad not being here. Music really helped me cope and pulled out a lot of feelings that I was repressing. It was a ray of hope in the middle of one of our darkest periods and gave me the strength to move on.”
At Rock Camp, Fishof said, “Each survivor played on behalf of loved ones — whether family members or friends who had been killed or were still being held in captivity. Every note meant something to them.”
Bright added, “Music enabled them to take a break from Oct. 7 for a week. I think it was a well-deserved respite from everything that was going on in Israel at the time. One of the survivors says in the film, ‘I’m still living Oct. 7. The trauma doesn’t go away.’ At the time that ‘The Bridge’ was made, their trauma was even stronger, and so their ability just to participate was really impressive.”
Three years after that devastating day in October, the survivors are continuing to do what their people have done in the face of adversity for millennia: sing and make music.
Tuval performs regularly and has released two albums, including “Ahim” (“Brothers”), a nod to Yotam. Bar now produces music, including a fellow camper’s upcoming album. And Raz is touring as a full-time vocalist.
“Music is what kept my father alive during the Holocaust,” said Fishof. “It’s what kept him going, and it’s what keeps me and many others going. Because no matter what happens, no one can ever take away our music. If we have that, we have life.”
They tried to kill us. We survived.
Let’s sing.
And eat.
To find local screenings, visit thebridgedoc.com
This article originally appeared on JTA.org.
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