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Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play
(JTA) — In 1923 in New York, a Yiddish play that featured the first lesbian scene on a Broadway stage was censored for being indecent. In 2023 in Florida, a play about the first play has been canceled for the same reason.
For many involved in the new play, including its Pulitzer Prize-winning Jewish playwright and the Florida high schooler cast in a lead role, the déjà vu is alarming.
“The 100-year anniversary of Sholem Asch’s ‘God of Vengeance’ being shut down on Broadway is the same week that our production of ‘Indecent’ would have opened,” said Madeline Scotti, the student who first drew attention on Instagram to the censorship by her local school board of the “queer Jewish love story” in which Scotti had been cast. “One hundred years — 100 years — and we are still fighting the same injustices that Sholem Asch and his company did.”
Scotti is a student at Douglas Anderson School of the Arts in Jacksonville, Florida, where students had been planning to perform Paula Vogel’s “Indecent” this spring — until officials told them on Thursday, the first day of rehearsals, that their show could not go on. Scotti attributed the censorship to Florida’s new law limiting classroom instruction and discussion about sexual orientation and gender identity — what opponents call the “Don’t Say Gay” bill.
Vogel said she, too, was first concerned about homophobia — then added other worries as she heard from people in Jacksonville.
“Parents who live in the community have written to me and said, ‘There is rising antisemitism in our community,’” Vogel told the Jewish Telegraphic Agency on Sunday. “I very much think that what the school board may not be able to express is their concern about presenting a play that shows how censorship is the first step to the Holocaust.”
Vogel’s 2015 play is about the 1923 Broadway debut of “God of Vengeance,” a play written in Yiddish by Sholem Asch that includes perhaps the first romantic kiss between two women on an American stage. In “Indecent,” the actresses who play the lesbian characters in the Asch play are depicted as lovers off stage. The plot picks up after “God of Vengeance” is shuttered and its cast briefly imprisoned over obscenity charges. “Indecent” follows the stage manager who returns to Eastern Europe, disheartened by what happened in America, and is ultimately murdered by the Nazis.
Students at Douglas Anderson all had permission to act in “Indecent,” and they had put on other shows portraying sexuality in the past: “Chicago” last year, and “Rent” before that. But conditions in the state changed last year when Florida’s Republican governor, Ron DeSantis, signed the Parental Rights in Education Law into effect, stoking fear among LGBTQ teachers and students and causing school districts to alter policies.
The board in Duval County has defended the law, drawing a lawsuit from parents and advocates over what they said was its enforcement and arguing in court last fall that the district should be allowed to implement the law while litigation pends.
“Tonight during rehearsal our company was notified that the school board is shutting us down not because of but related to the ideals stated in the ‘Don’t Say Gay’ bill,” Scotti said in the video. “‘Indecent’ is a story about how detrimental censorship is, about how its damaging effects can ruin a nation and a community. I don’t need to point out the irony.”
Duval County Public Schools officials denied that the decision to cancel the production had anything to do with the law.
“‘Indecent’ contains adult sexual dialog that is inappropriate for student cast members and student audiences,” the district said in a statement. “It’s that simple. The decision has no relevance to any legislation but is rather a function of our responsibilities to ensure students engage in educational activities appropriate for their age.”
Vogel said she believes the show’s contents are appropriate for teenage audiences — and that she would have permitted changes to the show’s display of sexuality. She volunteered that a school production of “Indecent” could feature the two women holding hands, rather than kissing, in a tweak she likened to removing profanities from some of her other award-winning works. “The judgment by the board that this is too mature for high school students is absolute nonsense,” she said.
The censorship in Jacksonville is the latest in a string of incidents in which works with Jewish themes or about the Holocaust have been ensnared in efforts to limit schoolchildren’s exposure to ideas that some parents oppose.
School reading materials are under increasing scrutiny amid conservative parent groups’ pressure to remove ideas they define as “critical race theory” and “gender ideology.” Books about Jews have gotten caught in the dragnet, including in a Tennessee district that removed the Holocaust memoir “Maus” from its curriculum, a Texas district that briefly removed an adaptation of Anne Frank’s diary and a Missouri district that briefly removed history books about the Holocaust.
Florida is a front line in this new culture war. In Walton County, in the state’s Panhandle, the children’s book “Purim Superhero” was among dozens of titles removed from shelves last year in response to parents’ protests; its main character has two fathers. And the Duval County district kept a diversity-themed collection of children’s books that included a book about Shabbat from students for more than a year. Two candidates supported by the local chapter of Moms for Liberty, a group leading the censorship push, won spots on Duval County’s seven-member school board in November.
Florida has also recently emerged as a hotbed of white supremacist and neo-Nazi activity. The Anti-Defamation League issued a report last year raising alarms about extremist activity in the state — and that was before the leader of the Goyim Defense League, a prominent antisemitic group, moved there from California. The group played a role in broadcasting “Kanye is right” at a college football game in Jacksonville in October, referring to the artist Kanye West’s antisemitic comments. It is also behind the distribution of antisemitic propaganda, often in plastic bags placed under rocks at private homes, around the country and locally.
Vogel said she saw a clear echo of what happened with Asch’s play in 1923, when the play was censored amid an atmosphere of rising antisemitism in the United States. (The rabbi of Temple Emanu-El in New York City, concerned that the play could cast Jews in a negative light at a time when non-Jews were organizing antisemitic campaigns, reportedly sounded the alarm to authorities; the play was later banned in London, too.)
She said is planning a response beyond the encouraging message she left on Scotti’s Instagram post and the exhortation to Douglas Anderson’s principal that she tweeted. (“Why cancel Indecent rather than structuring post-play discussions?” she wrote. “It is a unique way to look at the Holocaust as well as gender and censorship and antisemitism.”) But the antisemitic activity in Jacksonville, Vogel said, has made her cautious about sharing details of who she is working with locally.
“I don’t want to name anybody because I don’t want anyone having more rocks with [antisemitic] literature in their driveway,” she said. “I want to talk in a group with the students, but I don’t want to jeopardize them. … I don’t want to trigger some wackadoo.”
Vogel said she had spent the weekend Zooming and speaking with members of the original cast of “Indecent,” who worked together for several years as the play made its way from a small stage to Broadway, where it won the Tony Award for best play of 2015. On Monday, she said she hoped to offer the school’s principal “a modest little proposal”: to travel to Jacksonville along with Rebecca Taichman, the play’s original director, to present “Indecent” to the students who were barred from staging it themselves and to a community that could benefit from a hard conversation.
“We know this historically: The first step towards totalitarianism is censorship of the arts. It’s burning books. It’s closing down theaters. … In all societies as we go towards fascism, the arts are labeled as degenerate,” Vogel said. “That’s the conversation we need to be having.”
Vogel said her response was informed by her decades as a teacher; she was a professor for many years at Brown University and then moved to Yale, where she was chair of the playwriting department at the vaunted Yale School of Drama.
“I have one response as a Jewish artist. I have another response as an educator,” Vogel said. “And right now it’s the educator who is coming forward.”
The principal of Douglas Anderson School of the Arts told students last week that “Indecent” would be replaced by a different play, Anton Chekhov’s “The Seagull.” But some of the student actors may have other plans.
“The support from the Broadway theatre community feels like we have found our own mishpoche,” Scotti posted on Instagram on Sunday, using the Yiddish word for “family.”
Scotti added, “I am delighted to say that we have something in the works. The company is meeting and discussing as you’re seeing this. From ashes we rise!”
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The post Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play appeared first on Jewish Telegraphic Agency.
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Ohio State University Says It Could Not Stop Holocaust Denier Myron Gaines From Speaking on Campus
Podcaster and commentator Myron Gaines. Photo: Screenshot
The Ohio State University (OSU) has said it was legally powerless to prevent online influencer Myron Gaines — who regularly promotes Nazism, Holocaust denial, and other antisemitic conspiracy theories on his podcast — from speaking on campus late last month amid widespread criticism of its having conferred legitimacy to a man who is notorious for denigrating women, African Americans, and Jews.
“Last week, an external speaker was invited to campus by a registered student organization, and during the visit, a variety of viewpoints were expressed, both by the speaker and those who chose to attend,” the university said following the event, which reportedly saw Gaines greet his audience by pantomiming the Nazi salute.
When asked at the event by a Jewish attendee how many people he believed had been killed by the Holocaust, Gaines replied, “271,000 at best.” He also denied evidence that rape occurred during Hamas’s Oct. 7, 2023, massacre across southern Israel.
“Prior to the event, the university remind the host student organization of the expectations and guidelines within the university’s Freedom of Expression Policy … and Use of Outdoor Space policies,” the school added in its statement.
Gaines, whose real name is Amrou Fudl, has become increasingly affiliated with fellow podcaster Nicholas Fuentes’s so-called “groyper” movement, which rejects multiracial democracy, the US-Israel relationship, and liberalism as a political theory.
The “groypers,” a named derived from the evolution of the Pepe the Frog meme popularized by the far right, especially target Jews and the state of Israel most and have reprised antisemitic tropes and conspiracies to promote their agenda. A staple of their ideology is Holocaust denialism and revision, which is trafficked alongside false claims that Israel is committing a genocide of Palestinians.
Last year, Gaines was recorded on video calling a pregnant woman a “fat f**king Jew” while wearing a hoodie mocking Holocaust victims. The incident occurred outside of a Turning Point USA event in Phoenix, Arizona in December. He was wearing a hoodie depicting Sesame Street‘s Cookie Monster standing behind an oven. Above the image was text that read, “Let Em Cook.”
Gaines has been touring US college campuses to influence young minds as part of an initiative sponsored by Uncensored America, a nonprofit organization with ties to the far right.
“While the university is not legally permitted to prohibit free speech, including controversial speech, on its public grounds, appropriate steps were taken to preserve peace and ensure unrestricted travel on campus while it took place,” OSU said in its statement. “The university is also aware of the ways in which some instances of protected speech can personally impact various members of our community, and we remain committed to addressing these impacts when appropriate.”
Gaines’s appearance came amid a surge in right-wing antisemitism, especially among younger Americans.
In March, the University of Florida deactivated its College Republicans chapter following revelations that two of its leaders photographed themselves pantomiming the Nazi salute. Less than two weeks prior to that incident, The Miami Herald disclosed the existence of a virulently racist group chat in which conservative youth in Miami-Dade County, Florida exchanged antisemitic slurs while calling for the of murder African Americans.
Dariel Gonzalez, according to the Herald, was one of the chat’s most prolific contributors, bandying about comments regarding “color professors” and telling members that “You can f—k all the k—kes you want. Just don’t marry them and procreate.” Gonzalez, a former board member of Florida International University’s College Republicans, also reportedly promoted belief in “Agartha,” a Nazi utopia confected by Heinrich Himmler, while fantasizing about the possibility of engaging in onanism there. Some vile remarks drew the approbation of other chat members, many of whom are connected to Republican Party organizations across the state.
Recent polling shows that young Republicans have increasingly embraced antisemitism and conspiracy theories.
In February, for example, a survey by Irwin Mansdorf, a fellow at the Jerusalem Center for Security and Foreign Affairs, and Charles Jacobs, president of the Jewish Leadership Project, found that 45 percent of Republicans under the age of 44 said Jews pose a threat to the “American way of life.”
In December, the Manhattan Institute, a prominent US-based think tank, released a major poll showing that younger Republican voters are much less supportive of Israel and more likely to express antisemitic views than their older cohorts.
According to the data, 25 percent of Republicans under 50 openly express antisemitic views as opposed to just 4 percent over the age of 50. Startlingly, a substantial amount, 37 percent, of GOP voters indicate belief in Holocaust denialism. These figures are more pronounced among young men under 50, with a majority, 54 percent, agreeing that the Holocaust “was greatly exaggerated or did not happen as historians describe.” Among men over 50, 41 percent agree with the sentiment.
Follow Dion J. Pierre @DionJPierre.
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Good Intentions Without Humility Can Be Dangerous
Rabbi Joseph Shapotshnick. Photo: From the album Samuel Royde’s photos by Samuel Royde, Public domain, via Wikimedia Commons
“The road to Hell is paved with good intentions.” It’s one of those sayings we hear so often that it risks sounding trite. But history — and human nature — suggests that it may be one of the most important truths we ignore at our peril.
Because the people who cause the most damage are rarely those with bad intentions. They are the ones who believe, with complete sincerity, that they are doing something necessary — righteous, even — something only they have the courage to do.
In the early decades of the 20th century, in the crowded, combustible world of London’s East End, there lived a rabbi named Joseph Shapotshnick. He was not a marginal figure. Quite the opposite. Charismatic, energetic, creative, exceptionally talented, brilliantly articulate, and a serious scholar, after arriving in London in 1913, he quickly built a following among immigrant Jews who felt mistreated and overlooked by the communal establishment. He spoke their language — literally and figuratively — and positioned himself as their champion as they struggled to acclimate to the harsh realities of their new home.
And in many ways, he was their champion. Shapotshnick saw — and actively addressed — problems others preferred to ignore. He challenged entrenched institutions. He launched newspapers, organizations, and ambitious publishing projects. He believed Judaism needed to be accessible, dynamic, and responsive to the realities of modern life. These were not the instincts of a cynic. They were the instincts of someone who cared deeply — perhaps too deeply.
Because there was another layer. Behind the activism, behind the creativity, behind the undeniable passion, there was a pattern. Shapotshnick’s projects were grand — often breathtakingly so — but frequently untethered from practical reality.
His grand-sounding “Rabbinical Association” was, in essence, a one-man enterprise. His publishing ambitions stretched into the realm of the fantastical. Time and again, he demonstrated what can only be described as a profound inability to recognize the limits of his own authority and expertise. And then came the moment that would define him.
In the aftermath of the First World War, Jewish communities across Europe were grappling with a heartbreaking and complex crisis: agunot — women whose husbands had disappeared, possibly dead but possibly not, leaving them unable to remarry under Jewish law. It was a real and deeply painful problem, one that demanded not just compassion, but immense halachic skill and sensitivity to resolve.
And so, Shapotshnick stepped in. But he did not approach the issue as a careful halachic authority would — working case by case, building consensus, navigating the intricate web of precedent and responsibility. Instead, he sought something far more sweeping.
Shapotshnick envisioned systemic solutions — bold, far-reaching changes that would release every agunah, freeing them all to remarry. He issued rulings, claimed support from rabbinic colleagues he had barely — or never — consulted, publicized his conclusions, and positioned himself squarely at the center of the effort.
From his perspective, he was doing something heroic. After all, who could argue with the goal? Who wouldn’t want to alleviate suffering? Who wouldn’t want to free trapped women from impossible situations?
But that is precisely where the danger lay. Because what he failed to recognize was that, notwithstanding his good intentions, the very scale and sensitivity of the problem demanded restraint, not audacity. More than anything, it demanded a deep awareness of one’s own limitations.
Instead, what emerged was something else entirely: a man so convinced of the righteousness of his cause that he no longer saw the boundaries that should have governed his actions.
And then another layer began to surface — one far less noble. Alongside his passion for justice came an increasingly strident tone, particularly in his attacks on the leading rabbinic authorities of his day. Instead of engaging with them, debating them, or even deferring to their vastly greater experience, Shapotshnick dismissed them. Worse than that, he mocked them, positioning himself not merely as a challenger to the establishment, but as its superior.
What may have begun as a sincere attempt to solve a painful communal problem now revealed a deeper undercurrent: an ego that could not tolerate opposition, that interpreted disagreement as obstruction, and that saw itself as uniquely qualified to succeed where others had failed. In doing so, he didn’t just alienate the very people whose support he needed — he undermined the legitimacy of his own cause.
The tragedy is that his good intentions were real. But they were ultimately eclipsed by an inflated sense of self that turned a worthy cause into a personal crusade — and, in the process, weakened the very thing he was trying to achieve.
And of course, none of this was new. It is a pattern that has been repeated throughout history, and it already appears at the dawn of Jewish history, in Parshat Shemini. At the height of one of the most sacred moments in Jewish history — the inauguration of the Mishkan — two towering figures, Nadav and Avihu, the sons of Aharon, step forward to bring a special offering.
It was an act of devotion, an expression of spiritual longing. And then, in an instant, they are gone, felled in a moment of divine judgment. The Torah’s explanation is both simple and devastating: They offered a foreign fire, which they had not been commanded to bring.
It is one of the most perplexing episodes in the Torah. Nadav and Avihu were clearly great people, and the commentaries struggle to come to terms with their misstep. One opinion is that they acted in the presence of Moshe without consulting him, even though he was clearly their senior in wisdom and authority.
Their spiritual enthusiasm is not in doubt, but the underlying critique is simple: They allowed their inflated sense of themselves to override the boundaries that should have constrained them. They were drawing close to God, but entirely on their own terms — an example of ego overriding submission to a higher authority.
If you begin to believe your own PR — that your intentions are so pure, and your insights so refined, that the usual constraints no longer apply — you are already in dangerous territory. Because in that moment, good intentions turn into self-assertion. And self-assertion, in a sacred space, becomes hubris.
The tragedy of Nadav and Avihu is not a story of bad intentions. It is a story of good intentions untethered from humility. And that is precisely what makes it so unsettling — because it is so easy to see ourselves in it.
Rabbi Joseph Shapotshnick fell into that same trap. He cared deeply, and he acted boldly. But in doing so, he inserted himself into a space that demanded something else — not less passion, but more restraint. He was not lacking in courage; he was lacking in humility.
We should admire people who challenge systems and push boundaries — sometimes, that instinct is exactly what is needed. But there is a caveat: Never let ego overtake the process. The most dangerous moment is not when someone acts maliciously. It is when someone becomes so convinced of the purity of their intentions that they no longer consider the possibility that they might be wrong. That is when even the noblest cause becomes distorted. You have to know where you end, and the system begins — and understand that conviction is not a license to act without limits.
Joseph Shapotshnick wanted to fix a broken world. In that, he was not alone — and he was not wrong. But in the story of Nadav and Avihu, the Torah reminds us, in the most dramatic way possible, that wanting to do something good does not justify the way it is done. Good intentions matter. But without humility, they are not enough.
The author is a rabbi in Beverly Hills, California.
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I’m a Jewish candidate for New York comptroller. Our state must divest from Israel bonds
The New York state and local retirement fund owns $368 million in Israel bonds. Most state pension funds own none. And most New Yorkers have no idea that their tax-funded pension fund, as invested by State Comptroller Tom DiNapoli, helps finance Israeli Prime Minister Benjamin Netanyahu’s wars.
As an American Jew and as a candidate for New York state comptroller, I want to offer why I have committed, as part of my campaign, to divest this stake.
We have just finished observing Passover, our people’s essential story of freedom. It is also a story of reckoning. As we read through the book of Exodus, we learn that a walk that would normally have taken four weeks took 40 years as our ancestors wrestled with God and false idols, with each other and with themselves. Because liberation required reckoning — an entire generation of it — so the children of these refugees could understand that freedom comes not just with power but also responsibility.
This Passover gave us many reasons to reckon with our own power and responsibility.
Our country has been at war. Again. Our president has turned mask-wearing, rifle-wielding agents on our own people. Our politicians talk tough in echo chambers designed to echo louder and louder.
And as American Jews at this moment, many of us are also reckoning with Israel.
When I take on that reckoning, a word repeated ritually at our Seder comes to mind: “dayenu.” A word so sacred to me — meaning “it would have been enough for us” — that it is engraved on the Star of David I wear around my neck.
But it rang differently for me this year. Instead of hearing “dayenu” as an expression of gratitude for every single step of God’s deliverance, the word hit me like a piercing shofar blast, crying: “enough is enough!”
When is enough today?
Responding to the Hamas massacre of its civilians on Oct. 7, 2023, Israel said it would do what any country would do: defend itself and get its hostages back. But Netanyahu’s government has gone much further than that. It has unleashed overwhelming killing power, leaving tens of thousands of Palestinian civilians dead and millions more displaced and destitute. It has leveled a stretch of land the size of Brooklyn and Queens — dropping nearly as many bombs in that crowded space in the first week of fighting as fell during an entire year of the U.S. war in Afghanistan.
It has also sponsored a newly energized and brutal expansion of settlements in the West Bank; just this week, the government approved 34 new settlements. And it has now invaded Lebanon after joining the U.S. in a bombing war against Iran.
The images from the massacre and trauma perpetrated by Hamas haunt me. But the Jewish values I grew up with — like tikkun olam (repairing the world) and ha lachma anya (the Seder’s call to offer what we have to those whose needs are greater) — could never justify responding to this trauma with such overwhelming cruelty. We have witnessed blockades and starvation; the cutting off of medical supplies; and the murder and displacement of children and families.
New York state must not enable or be complicit in such human misery any longer.
Our current state comptroller, who has been in office since 2007, does not see it that way. He continues to use New Yorkers’ money to finance Netanyahu’s war machine. He purchased an additional $20 million in Israel bonds after Oct. 7, and chose not to sell them as Israel’s government ravaged Gaza. The present campaign, in which Democratic voters will be able to cast a primary vote against DiNapoli for the first time in 20 years, gives us the opportunity to make a different choice.
We can and must divest our public pension fund’s stake in financing Israel’s government, and from all other foreign governments. (New York state holds stakes in just three other countries: Saudi Arabia, Jordan and Canada, a degree of selectivity that suggests no coherent strategy). And we can do so now instead of waiting decades for these bonds to mature, as some of my opponents in this primary have proposed.
This makes financial and moral sense. The record amount of Israel debt DiNapoli has amassed — it currently makes up 80% of all foreign government debt owned by our pension fund — poses a concentration risk.
But concentration risk aside, there has to be a point when we reach our own limit, when we say enough is enough. If not, we lose what it means to be human. As humans, with God-given freedom and the responsibility that comes with it, we face the reality that the merciless policies of Netanyahu’s government represent a moral catastrophe, and New York state cannot continue to finance them.
The words of Exodus 23:9 leap off the page: “No stranger shall you oppress, for you know the stranger’s heart, since you were strangers in the land of Egypt.” This is our call, as Jews, to fight for the stranger wherever they may be.
If you have the power to do something about it, you do it. And if you don’t have the power, you fight for it.
The post I’m a Jewish candidate for New York comptroller. Our state must divest from Israel bonds appeared first on The Forward.
