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Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play
(JTA) — In 1923 in New York, a Yiddish play that featured the first lesbian scene on a Broadway stage was censored for being indecent. In 2023 in Florida, a play about the first play has been canceled for the same reason.
For many involved in the new play, including its Pulitzer Prize-winning Jewish playwright and the Florida high schooler cast in a lead role, the déjà vu is alarming.
“The 100-year anniversary of Sholem Asch’s ‘God of Vengeance’ being shut down on Broadway is the same week that our production of ‘Indecent’ would have opened,” said Madeline Scotti, the student who first drew attention on Instagram to the censorship by her local school board of the “queer Jewish love story” in which Scotti had been cast. “One hundred years — 100 years — and we are still fighting the same injustices that Sholem Asch and his company did.”
Scotti is a student at Douglas Anderson School of the Arts in Jacksonville, Florida, where students had been planning to perform Paula Vogel’s “Indecent” this spring — until officials told them on Thursday, the first day of rehearsals, that their show could not go on. Scotti attributed the censorship to Florida’s new law limiting classroom instruction and discussion about sexual orientation and gender identity — what opponents call the “Don’t Say Gay” bill.
Vogel said she, too, was first concerned about homophobia — then added other worries as she heard from people in Jacksonville.
“Parents who live in the community have written to me and said, ‘There is rising antisemitism in our community,’” Vogel told the Jewish Telegraphic Agency on Sunday. “I very much think that what the school board may not be able to express is their concern about presenting a play that shows how censorship is the first step to the Holocaust.”
Vogel’s 2015 play is about the 1923 Broadway debut of “God of Vengeance,” a play written in Yiddish by Sholem Asch that includes perhaps the first romantic kiss between two women on an American stage. In “Indecent,” the actresses who play the lesbian characters in the Asch play are depicted as lovers off stage. The plot picks up after “God of Vengeance” is shuttered and its cast briefly imprisoned over obscenity charges. “Indecent” follows the stage manager who returns to Eastern Europe, disheartened by what happened in America, and is ultimately murdered by the Nazis.
Students at Douglas Anderson all had permission to act in “Indecent,” and they had put on other shows portraying sexuality in the past: “Chicago” last year, and “Rent” before that. But conditions in the state changed last year when Florida’s Republican governor, Ron DeSantis, signed the Parental Rights in Education Law into effect, stoking fear among LGBTQ teachers and students and causing school districts to alter policies.
The board in Duval County has defended the law, drawing a lawsuit from parents and advocates over what they said was its enforcement and arguing in court last fall that the district should be allowed to implement the law while litigation pends.
“Tonight during rehearsal our company was notified that the school board is shutting us down not because of but related to the ideals stated in the ‘Don’t Say Gay’ bill,” Scotti said in the video. “‘Indecent’ is a story about how detrimental censorship is, about how its damaging effects can ruin a nation and a community. I don’t need to point out the irony.”
Duval County Public Schools officials denied that the decision to cancel the production had anything to do with the law.
“‘Indecent’ contains adult sexual dialog that is inappropriate for student cast members and student audiences,” the district said in a statement. “It’s that simple. The decision has no relevance to any legislation but is rather a function of our responsibilities to ensure students engage in educational activities appropriate for their age.”
Vogel said she believes the show’s contents are appropriate for teenage audiences — and that she would have permitted changes to the show’s display of sexuality. She volunteered that a school production of “Indecent” could feature the two women holding hands, rather than kissing, in a tweak she likened to removing profanities from some of her other award-winning works. “The judgment by the board that this is too mature for high school students is absolute nonsense,” she said.
The censorship in Jacksonville is the latest in a string of incidents in which works with Jewish themes or about the Holocaust have been ensnared in efforts to limit schoolchildren’s exposure to ideas that some parents oppose.
School reading materials are under increasing scrutiny amid conservative parent groups’ pressure to remove ideas they define as “critical race theory” and “gender ideology.” Books about Jews have gotten caught in the dragnet, including in a Tennessee district that removed the Holocaust memoir “Maus” from its curriculum, a Texas district that briefly removed an adaptation of Anne Frank’s diary and a Missouri district that briefly removed history books about the Holocaust.
Florida is a front line in this new culture war. In Walton County, in the state’s Panhandle, the children’s book “Purim Superhero” was among dozens of titles removed from shelves last year in response to parents’ protests; its main character has two fathers. And the Duval County district kept a diversity-themed collection of children’s books that included a book about Shabbat from students for more than a year. Two candidates supported by the local chapter of Moms for Liberty, a group leading the censorship push, won spots on Duval County’s seven-member school board in November.
Florida has also recently emerged as a hotbed of white supremacist and neo-Nazi activity. The Anti-Defamation League issued a report last year raising alarms about extremist activity in the state — and that was before the leader of the Goyim Defense League, a prominent antisemitic group, moved there from California. The group played a role in broadcasting “Kanye is right” at a college football game in Jacksonville in October, referring to the artist Kanye West’s antisemitic comments. It is also behind the distribution of antisemitic propaganda, often in plastic bags placed under rocks at private homes, around the country and locally.
Vogel said she saw a clear echo of what happened with Asch’s play in 1923, when the play was censored amid an atmosphere of rising antisemitism in the United States. (The rabbi of Temple Emanu-El in New York City, concerned that the play could cast Jews in a negative light at a time when non-Jews were organizing antisemitic campaigns, reportedly sounded the alarm to authorities; the play was later banned in London, too.)
She said is planning a response beyond the encouraging message she left on Scotti’s Instagram post and the exhortation to Douglas Anderson’s principal that she tweeted. (“Why cancel Indecent rather than structuring post-play discussions?” she wrote. “It is a unique way to look at the Holocaust as well as gender and censorship and antisemitism.”) But the antisemitic activity in Jacksonville, Vogel said, has made her cautious about sharing details of who she is working with locally.
“I don’t want to name anybody because I don’t want anyone having more rocks with [antisemitic] literature in their driveway,” she said. “I want to talk in a group with the students, but I don’t want to jeopardize them. … I don’t want to trigger some wackadoo.”
Vogel said she had spent the weekend Zooming and speaking with members of the original cast of “Indecent,” who worked together for several years as the play made its way from a small stage to Broadway, where it won the Tony Award for best play of 2015. On Monday, she said she hoped to offer the school’s principal “a modest little proposal”: to travel to Jacksonville along with Rebecca Taichman, the play’s original director, to present “Indecent” to the students who were barred from staging it themselves and to a community that could benefit from a hard conversation.
“We know this historically: The first step towards totalitarianism is censorship of the arts. It’s burning books. It’s closing down theaters. … In all societies as we go towards fascism, the arts are labeled as degenerate,” Vogel said. “That’s the conversation we need to be having.”
Vogel said her response was informed by her decades as a teacher; she was a professor for many years at Brown University and then moved to Yale, where she was chair of the playwriting department at the vaunted Yale School of Drama.
“I have one response as a Jewish artist. I have another response as an educator,” Vogel said. “And right now it’s the educator who is coming forward.”
The principal of Douglas Anderson School of the Arts told students last week that “Indecent” would be replaced by a different play, Anton Chekhov’s “The Seagull.” But some of the student actors may have other plans.
“The support from the Broadway theatre community feels like we have found our own mishpoche,” Scotti posted on Instagram on Sunday, using the Yiddish word for “family.”
Scotti added, “I am delighted to say that we have something in the works. The company is meeting and discussing as you’re seeing this. From ashes we rise!”
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The post Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play appeared first on Jewish Telegraphic Agency.
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Writer of sitcom airing instead of Eurovision in Ireland calls broadcaster’s boycott over Israel ‘disgraceful antisemitism’
(JTA) — Irish comedy writer Graham Linehan accused Ireland’s public broadcaster of “disgraceful antisemitism” over its decision not to air this year’s Eurovision Song Contest because of Israel’s participation — even as his work will get prime airtime as a result.
Instead of airing the annual international song contest’s finale Saturday, which Ireland and four other nations have boycotted this year over Israel’s participation, the country’s public broadcaster, RTÉ, is scheduled to air an episode of “Father Ted,” a beloved Irish sitcom that Linehan co-created.
“I am disgusted that Father Ted is being used as a fig leaf to cover RTE’s disgraceful antisemitism,” Linehan wrote in a post on X on Tuesday. He later added that the broadcaster was “turning Father Ted into an antisemitic dogwhistle.”
Linehan, who has become a prominent anti-transgender activist in recent years, also posted an online petition on Monday calling for the resignation of RTÉ Director General Kevin Bakhurst over the broadcaster’s decision not to air the Eurovision finale because of Israel’s participation.
“I did not give my permission for Father Ted to be used as a prop in an antisemitic political gesture. I object to it in the strongest possible terms,” Linehan wrote. “This is not the Ireland I know. This is not the Ireland that gave Father Ted to the world. RTÉ’s institutional antisemitism is poisoning Irish public life, normalising Jew-hatred under the guise of solidarity, and it must be confronted.”
Linehan’s petition, which had garnered over 4,000 signatures by Wednesday afternoon, comes months after RTÉ announced plans to boycott the competition in December, writing in a statement at the time that its participation “remains unconscionable given the appalling loss of lives in Gaza and the humanitarian crisis there.”
On Tuesday, Israel’s Eurovision contestant Noam Bettan was met by chants of “stop the genocide” as he performed his song “Michelle” in Vienna. Bettan’s semifinal qualified him to perform in Saturday’s finale, where he will compete against entrants from 25 other countries.
Bettan told the BBC that he was shocked by the protests, and hoped that the public broadcasters of Iceland, Ireland, Spain, the Netherlands and Slovenia would return for next year’s competition.
“It’s bad for them,” Bettan said. “They’re losing the opportunity to be in this amazing experience. So I am full of hope that next year they can sing and spread their light.”
This article originally appeared on JTA.org.
The post Writer of sitcom airing instead of Eurovision in Ireland calls broadcaster’s boycott over Israel ‘disgraceful antisemitism’ appeared first on The Forward.
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At Jewish Democratic event, Jacob Frey says anti-Zionism can blur into antisemitism
(JTA) — WASHINGTON — Jacob Frey, the Jewish mayor of Minneapolis, decried some criticism of Israel during a Jewish Democratic event on Wednesday.
Speaking at the national conference of the Jewish Democratic Council of America in Washington, D.C., Frey recounted visiting a local grocery store shortly after Hamas’ attack on Israel on Oct. 7, 2023.
“The tiny little Jewish section, which had hummus and maybe one other product, was tagged with, ‘Why do you support genocide?’” he said. “And this was just the Jewish section, it wasn’t even the Israeli section.”
Frey continued, “So as much as people say, and have often said, ‘No we’re talking about Zionists, not Jews’ — well many of those same people are tying Zionism to Judaism. You can’t have it both ways at the same time.”
He concluded that “you can both believe in a State of Israel and support it, and simultaneously be opposed to some of the horrific acts that [Israeli Prime Minister Benjamin] Netanyahu has conducted.”
Frey’s comments, which came in response to a question from the audience, were some of his most extensive on Israel and his first on the topic since he took the national spotlight earlier this year for his defiant stance against the Trump administration’s aggressive immigration enforcement in his city.
The fact that Frey, 44, decided to appear at JDCA’s national leadership summit itself was notable because he is a relatively young rising star in a Democratic Party where the ascendant sentiments, especially among the progressive wing and among younger voters, are critical of Israel. The JDCA promotes a strong U.S.-Israel relationship and a two-state solution to the Israeli-Palestinian conflict.
Responding to a question about anti-Israel sentiment in his party, Frey said he thought Democrats should do more to constrain fringe sentiments within the party.
“It’s easy for me, and it’s very easy for Democrats, to critique the right,” he said. “I’ve got a whole team supporting me when I said get the F out of Minneapolis. That was not a hard thing to do, that’s just what I felt. What’s harder to do is to tell your own side, sometimes your own friends that, you know what, you’ve gone too far.”
He added, “My deep concern right now is that people don’t have the guts to tell their own side what they don’t want to hear.”
Asked in an interview following the session about whether Democrats should be campaigning alongside figures like the progressive streamer Hasan Piker, who is a staunch Israel critic and has drawn accusations of antisemitism, Frey told the Jewish Telegraphic Agency that he was not familiar with the debate around Piker nor his positions.
But Frey said he takes issue with litmus tests and opposes the villainization that comes from people on both ends of the political spectrum.
“I am uncomfortable with, ‘Get on board, say the word, say the phrase or we’re going to tar and feather you — put out this post or say on the stage this exact term, or else we’re going to consider you to be a villain,’” he said.
While Frey has drawn support from progressives over his showdown with ICE, the Immigration and Customs Enforcement agency that staged weeks of raids in Minneapolis earlier this year, he has clashed with that wing before on Israel. In 2024, Frey blocked his city council’s resolution calling for a ceasefire in Gaza, calling it “one-sided resolution that adds more division to an already fraught situation.”
On Wednesday, the primary discussion between Frey and JDCA’s treasurer Beth Kieffer Leonard, focused on the ICE presence in Minneapolis and Frey’s response.
He also offered a Jewish reason for his determination to stop ICE “dead in their tracks” so that other cities aren’t similarly targeted, citing the value of repairing the world.
“As Jews, we have an obligation through tikkun olam to stand up for it, to make the world a better place, to heal people and to recognize that when they come for one of us, that they come for all of us,” he said.
When asked about Israel and anti-Zionism during the Q&A session, Frey expanded on his belief in the State of Israel as well as his criticisms of its government.
“You can recognize the importance of a place for peace and refuge, a place where refugees by the hundreds of thousands and millions have immigrated to Israel — from both Ashkenazi countries and also Iraq, Iran and Yemen — a very mixed ethnically and culturally place,” Frey said. “You can recognize that the history is complex. That there are areas where we collectively as Jews can improve. Where policies can be improved.”
Frey continued that he is an adamant opponent of Trump but believes in America and said the same should be possible with Netanyahu and Israel.
This article originally appeared on JTA.org.
The post At Jewish Democratic event, Jacob Frey says anti-Zionism can blur into antisemitism appeared first on The Forward.
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Saudi Warplanes Struck Militias in Iraq During War, Sources Say
F-15SA fighter jets are seen at King Faisal Air College in Riyadh, Saudi Arabia, Jan. 25, 2017. Photo: REUTERS/Faisal Al Nasser
Saudi fighter jets bombed targets linked to powerful Tehran-backed Shi’ite militias in Iraq during the Iran war, while retaliatory strikes were also launched from Kuwait into Iraq, multiple sources familiar with the matter said.
The strikes are part of a broader pattern of military responses around the Gulf that remained largely hidden during a conflict that began with US-Israeli attacks on Iran and has spread to the wider Middle East.
For this report, Reuters spoke to three Iraqi security and military officials, a Western official, and two people briefed on the matter, one of them in the US.
The Saudi strikes were carried out by Saudi air force fighter jets on Iran-linked militia targets near the kingdom’s northern border with Iraq, one Western official and the person briefed on the matter said. The Western official said some strikes took place around the time of the April 7 US-Iran ceasefire.
They targeted sites from which drone and missile attacks were launched at Saudi Arabia and other Gulf states, the sources said.
Citing military assessments, the Iraqi sources said rocket attacks were launched on at least two occasions from Kuwaiti territory on Iraq. One set of strikes hit militia positions in southern Iraq in April, killing several fighters and destroying a facility used by Iran-backed militia Kataib Hezbollah for communications and drone operations, they said.
Reuters could not determine whether the rockets from Kuwait were fired by the Kuwaiti armed forces or the US military, which has a large presence there. The US military declined to comment. The Kuwaiti information ministry and the Iraqi government did not immediately respond to requests for comment.
SAUDI ARABIA ALSO HIT IRAN
A Saudi foreign ministry official said Saudi Arabia sought de-escalation, self-restraint and the “reduction of tensions in pursuit of the stability, security, and prosperity of the region,” but did not address the issue of strikes on Iraq. A spokesperson for Iraq’s Kataib Hezbollah also did not immediately respond to a request for comment.
On Tuesday, Reuters reported that Saudi Arabia launched strikes directly on Iran during the war in retaliation for attacks on the kingdom, the first time Riyadh is known to have hit Iranian soil. The UAE also carried out similar strikes on Iran, three people familiar with the matter said.
But hundreds of the drones that targeted the Gulf emanated from Iraq, all the sources said.
Militia-linked Telegram channels repeatedly posted statements during the war claiming attacks on targets in Gulf states, including Saudi Arabia and Kuwait. Reuters could not independently confirm their authenticity.
Sustained attacks from a second front in Iraq prompted Saudi Arabia and Kuwait to lose patience with the militias, which collectively command tens of thousands of fighters and arsenals including missiles and drones.
Kuwait summoned Iraq’s representative in the country three times during the war to protest cross-border attacks, as well as the storming of the Kuwaiti consulate in the city of Basra on April 7. Saudi Arabia also summoned Iraq’s ambassador on April 12 to protest attacks.
IRAQ-GULF TIES DEFINED BY SUSPICION
Gulf Arab relations with Iraq have long been defined by suspicion. Ties were severely damaged in 1990 when Iraqi President Saddam Hussein’s forces invaded Kuwait and fired Scud missiles at Saudi Arabia, and they remained strained for decades.
The 2003 US-led invasion of Iraq deepened Gulf concerns by empowering Shi’ite political factions and armed groups closely tied to Tehran, turning Iraq into a key node in Iran’s regional network of proxies.
Gulf states have repeatedly accused Baghdad of failing to rein in those groups, which operate with significant autonomy and have launched attacks across borders.
A China-brokered détente between Iran and Saudi Arabia in 2023 had offered hope for broader regional stabilization. But the outbreak of war has severely tested those gains, drawing Gulf states into a conflict they had sought to avoid and exposing the limits of diplomatic progress made in recent years.
In March, Saudi Arabia and Kuwait had warned Baghdad via diplomatic channels to curb rocket and drone attacks by pro-Iranian groups against Gulf states, according to two Iraqi security officials and a government security adviser.
Iraqi forces say they intercepted some attempted attacks, including the seizure of a rocket launcher west of Basra intended to strike Saudi energy facilities.
But Iran-backed militias continue to fly surveillance drones along Iraq’s borders with Kuwait and Saudi Arabia, conducting reconnaissance and feeding intelligence to Iran, according to four Iraqi security sources and a person briefed on the matter.
“They are gathering information on what has been damaged, what is still working. They are preparing for the next strike,” the person briefed on the matter said.