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For ill and for good, this ‘Wicked’ song has become ubiquitous
In the final minutes of the second act of the Broadway musical Wicked, Glinda and Elphaba sing together one last time. They have reached their ultimate, iconic forms: Glinda is the Good Witch, ringletted and resplendent. Elphaba is the Wicked Witch of the West, caped and glittering. They suspect they will never see each other again. And so the two women sing a duet that is part yearbook note, part deathbed confession.
“Because I knew you,” Glinda sings, “I have been changed for good.”
Jenna and her husband watched from their orchestra seats. It was 2005, Wicked was the toast of Broadway, and the tickets were a splurge. When the actress playing Elphaba sang, “It well may be that we will never meet again in this lifetime, so let me say before we part: so much of me is made of what I learned from you. You’ll be with me, like a handprint on my heart,” Jenna’s eyes filled with tears. Her husband reached over and took her hand.
Four months later, they separated. On her birthday that year, Jenna’s ex-husband sent her a card. “Because I knew you,” he wrote, “I have been changed for good.”
“I love the double meaning of that,” said Jenna, now 57 and a volunteer manager at a nonprofit in Maryland. “I have been changed to be a better person, but I have also been changed permanently, for good. There’s no going back.”
The second life of ‘For Good’
Amidst cheers and ballyhoo — to borrow a phrase from Glinda — a second Wicked movie is now hitting theaters. To mark the distinction between this movie and its predecessor, the 2025 edition is called Wicked: For Good.
“For Good,” the song, has attained an unusual second life outside of the musical. In Wicked, Jewish composer-lyricist Stephen Schwartz launched a number of forever entries into the musical theater book of standards — “Defying Gravity,” “Popular,” “The Wizard and I” — but “For Good” belongs to an exclusive category: songs that have become staples at graduations, retirement celebrations and funerals. If you see a cap and gown, you are not safe from a heartfelt rendition of “For Good.” If there is a casket on a table, these days you may be as likely to hear “For Good” as you are to hear “Wind Beneath My Wings” or “Candle in the Wind.”
“As a cantor, it’s impossible to hear ‘For Good’ from Wicked without sensing that the song is doing something deeply Jewish, whether or not its creators intended it,” said Neil Michaels of Temple Israel in West Bloomfield, Michigan. “It has become, in many sanctuaries and life-cycle moments, a kind of contemporary niggun, carrying emotional truth where spoken liturgy might fall short.”
“I’ve played it for a funeral,” said Joe Wicht, who has accompanied singers for 18 years at the San Francisco piano bar Martuni’s. “I’ve played it for singers at wedding receptions, too.” But most often, he said, the song is sung “by two best friends.” Duos who request “For Good” are often about to be separated by a move, or redefined by one person getting married, he said. Sometimes, the singers are a parent and a child.
“This isn’t the kind of song where people just willy-nilly decide to sing it in a bar, a la karaoke,” he said. “It’s always sung with intent.”
“It’s always the same scenario — best friends,” he added. “I’ve never heard this song performed between two people in love.”
An anthem of friendship for this generation
Few songs aim to articulate the way that two people can alter each other’s lives and edit each other’s characters, sans romantic love. Schwartz has said in interviews that he wrote the song after sitting down with his daughter and asking her about her best friend. “If you could never see Sarah again and you had one chance to tell her what she’s meant to you,” he asked, “what would you say?”
The song, which lifts some of Schwartz’s daughter’s words directly, literalizes the way two people can blend without losing their own specificity. It begins with a solo for each woman, then they sing in counterpoint, then harmony. “For Good” is sometimes derided as schmaltzy and overearnest. But its impact is indelible: it is a song people rely on to express a kind of love that often goes unsung.
“For those of us who have lost someone,” wrote vocal coach and therapist Petra Borzynski in a recent essay, ‘For Good’ is “the song that speaks the unspeakable: that the person who is gone still lives in every choice we make, every kindness we extend, every moment we choose differently because they existed (for better, for worse).”
Borzynski sang the song for years. Then her mother died, at 59, of ovarian cancer. When Borzynski attempted to sing the song, she recalled, “my voice literally broke.”
When 75-year-old Melbourne resident Des Flannery was in his late 60s, he got into a fight with his best friend, Max. They made up when Des sent Max a written apology, Des’ daughter, Breanna, told me. In his note, Des quoted the opening lyrics from “For Good.” When Max died several years later, Des eulogized him, reciting the lyrics that had helped bring him and his friend back together.
“He wasn’t confident he could get through it without becoming a wailing mess,” his daughter, Breanna Flannery, said. “So reading it seemed the best way to get it out.” (Afterwards, women mourners crowded around Des to praise his bold, emotional writing, unaware that he had been quoting Wicked.)
Drew Wutke, a pianist at Marie’s Crisis, the famed Broadway musical singalong bar in the West Village, is used to looking up from the piano during “For Good” and seeing drinkers crying into their tequila sodas.
“It is the friendship anthem of the last 25 years,” he said.
“I don’t know another way to say it other than: it is a heaven-blessed song,” he said. “The hope that soul-friendship exists, that chosen family exists — those are the wires that get tripped when that introduction starts,” he said, humming the song’s opening notes. “Even though it is lyrically nonsensical at times.” One lyric often maligned even by fans is, “Like a seed dropped by a sky bird, in a distant wood.”
“A skybird! Please!” said Wutke. “We could have workshopped that lyric.”
I’ve heard it said…but what does it mean?
As with the rest of the musical, the universality of “For Good” is both a strength and weakness. Wicked is a musical about a woman who faces cruelty and discrimination because of her skin color. It has been called a parable about fascism, and an allegory for racism and ableism. But no Black actress played Elphaba full-time on Broadway for the musical’s first 22 years. And though one character in Wicked uses a wheelchair, the first time a wheelchair user ever played Nessarose was in last year’s movie.
Though the Wicked movies have been released during a time of rising authoritarianism, the movie’s stars and creators have limited themselves to comments like the joint statement Cynthia Erivo and Ariana Grande made recently, which spoke of “times like these that feel so divided, as if we’re reading from different pages and different books.”
Though the song is deeply meaningful to listeners, the meaning those listeners derive is not consistent. “At its core, ‘For Good’ is about hineni — ‘here I am’: standing fully present in relationship,” said the cantor, Michaels. “It is the musical embodiment of the Jewish belief that who we become is inextricably shaped by the people who walk beside us.” The song, he argued, “echoes the teaching that every person you encounter teaches you something, that chevruta (sacred partnership) shapes the soul, and that human connection is one of Judaism’s most powerful agents of transformation.”
No one religion or perspective has a monopoly on interpreting Schwartz’s message. Ali, a friend of mine, and a 31-year-old interior designer from Los Angeles, grew up singing songs from Wicked with her friend Brittany. “She would always be Elphaba and I would always be Glinda, even though I secretly wanted to sing the Elphaba part,” Ali said.
Ali was active in the Catholic church, and the girls were often asked to perform at fundraisers and other events. They reserved “For Good” for the finale. “It’s about connection and sisterhood, and friendship,” Ali said. “It was a tearjerker.”
As 14 year olds, the two girls were summoned to perform in a hotel ballroom for a group of about “200 nuns and other women,” Ali remembered. After the song, the nuns thanked them profusely for lending their voices to their cause. The two girls exited the stage to wild applause, then sat down to eat lunch and when they looked back up, “they were literally showing fetuses on the screen and just spewing anti-abortion rhetoric,” Ali remembered. The shift was shocking, she said. “From sisterhood and friendship to hating other women for having abortions.”
Changed for good? Or just good at singing?
“For Good” is usually performed in the context of honoring another person. No matter how tragic or poignant an event is, though, for a theater kid it’s also an opportunity to perform “For Good.” If that sounds cynical, it comes from personal experience: Your author performed the Elphaba part at her high school graduation. I knew that it was my job to move the audience to tears, but my thoughts were largely about how to achieve vocal clarity and resonance. Also, my ankle was broken, and my secular high school had rented out a synagogue for graduation, so I sang the song on the steps of the bima, mindful of the fact that my cast was wider than the steps and if I gestured emotionally during the “like a comet pulled from orbit” harmony I could roll forward and crash to the ground.
But Victoria, 21, who sang the song just a few years ago at her high school graduation in Port Richey, Florida, begs to differ. “I think that vocally, it is not an extremely challenging song,” she said. The real challenge, she said, is allowing yourself to feel the meaning of the song, and conveying that depth of feeling to the audience. “I couldn’t help but really internalize the lyrics I was singing,” she said.
“I was reflecting on all of the relationships I had made with my fellow students, as well as my teachers,” Victoria said. “And I knew then that they had changed and helped create the person I am today, because I knew them.” Among masses who will see Wicked: For Good in the coming weeks, there will be many who weep throughout the title song, and many who call the song saccharine and sentimental. The second group is missing the point. “For Good” is meant to be saccharine. It takes on the most cringe-inducing, embarrassing topic in the world: human connection. If you love it, it probably came into your life for a reason.
The post For ill and for good, this ‘Wicked’ song has become ubiquitous appeared first on The Forward.
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Why Did the US Just Lift Sanctions on Iranian Oil?
The Liberian-flagged oil tanker Ice Energy transfers crude oil from the Iranian-flagged oil tanker Lana (former Pegas), off the shore of Karystos, on the Island of Evia, Greece, May 26, 2022. REUTERS/Costas Baltas
According to estimates, on the eve of the current war, some 140 million barrels of Iranian oil were floating at sea. This oil had already been produced and loaded onto tankers, and the vast bulk of it had already passed through the Strait of Hormuz before the war broke out. The Chinese had bought most of this oil, but chose to leave it at sea because their strategic reserves were full of the medium-sour oil that Iran produces, and US sanctions on the Iranian banking system made it difficult to resell the oil to other customers. Iranian oil tankers were thus left waiting for months near China’s shore.
On March 20, 2026, the US announced a temporary 30-day lifting of sanctions on the sale and delivery of Iranian oil. The permit applies only to oil that was already loaded onto tankers by that day, and the oil in question must be unloaded by April 19.
The US is attempting to quickly calm the market by allowing countries to buy these millions of barrels of oil. As a significant portion of this oil had already been sold to China, Washington is effectively allowing Beijing, if it so wishes, to release the cargo to be sold in Japan, India, South Korea, and other Asian countries interested in Iranian medium-sour oil.
Even if the Chinese opt to keep all the oil for themselves, the result will still relieve the market, because similar types of oil — primarily Russian medium-sour — can then flow to other customers in Asia. According to the US Secretary of Energy, these tankers could begin arriving at Asian ports within three to four days.
The type of oil is very important here, because it determines who can benefit from the American sanctions relief on Iran’s oil. Oil grades are defined by two main indicators: density (“light” vs. “heavy”) and sulfur content (“sweet” vs. “sour”). The oil’s grade affects the costs of transportation and refining, as well as the types of distillates that can be produced from it. Light and sweet oil can produce more gasoline, diesel fuel, and jet fuel. Heavy oil is more suitable for bunker oil for ships or bitumen for asphalt. Refineries are usually built to operate most efficiently with a specific grade of crude oil. They can process other oil grades if necessary, but not at the same level of profitability or efficiency.
Iranian oil is mostly medium-sour. Not every refinery can produce the same distillates from it with the same efficiency, and not all countries in Asia have the necessary refining capacity in the first place. Countries like India, Japan, South Korea, and Singapore are well-suited for this oil and have more advanced refining capabilities. In contrast, countries that depend more on imported distillates and less on independent refining, such as the Philippines, Sri Lanka, Vietnam, and Australia, are more vulnerable to prolonged disruptions and would benefit from Iranian oil only indirectly.
This is where China comes into the picture. It has a huge domestic refining capacity and significant reserves, and thus has great influence on gasoline and diesel prices throughout Asia. Even without the American relief on Iranian oil, Beijing could have released some of its strategic reserves or distillates into the market and eased prices for its neighbors — but it has no interest in doing so. As early as the first week of the war, China announced restrictions on distillate exports, leading to a dramatic increase in gasoline and diesel prices in Thailand, the Philippines, and Vietnam. China may be using this as a political lever to increase pressure on the US to end the fighting, or it may at the very least be planning to turn energy into a regional bargaining tool and sell distillates to its neighbors in exchange for political benefits.
The main criticism of the American move is that lifting oil sanctions strengthens the Iranian regime and enriches its coffers during the war. US Treasury Secretary Scott Bessent claims that Washington will monitor sales and make it difficult for Iran to access these revenues, emphasizing the continuation of the “maximum pressure” policy on Iran’s ability to use the international financial system. However, he has not explained how the US will prevent Iran from circumventing the restrictions, as it has done so far. In its trading with China, Iran has often used barter transactions, cash, or payments in yuan rather than dollars to circumvent sanctions. It has also used intermediary companies and countries (mainly Oman and Malaysia) to “launder” the source of its oil, and has relied on offshore bank accounts in Qatar, the United Arab Emirates, Mauritius, and elsewhere with the full knowledge of the countries involved.
It can be argued, however, that Iran’s ability to circumvent US restrictions has been reduced since the beginning of the war, now that Iran itself has bombed some of the countries where it holds offshore accounts. The United Arab Emirates, for example, announced on March 5 that it is considering freezing Iranian accounts in the country. This allows the US to say with greater confidence that it has more control over revenue coming from Iranian oil sales, whether or not this is in fact the case.
In the short term, this seems to be a relatively calculated move by the US. According to the administration’s own statements, its goal is not to provide relief to Iran’s economy but to quickly release oil that has already been produced and is now at sea. The move is designed to relieve pressure on the market for about two weeks. From Washington’s perspective, this is a limited price it is willing to pay to buy time, stabilize the energy market, and preserve greater freedom of action in the war, at least until it can greatly reduce Iran’s ability to close the Strait of Hormuz.
Dr. Elai Rettig is an assistant professor in the Department of Political Studies and a senior research fellow at the Begin-Sadat Center for Strategic Studies at Bar-Ilan University. He specializes in energy geopolitics and national security. A version of this article was originally published by The BESA Center.
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Israel and Canada Both Use American Fighter Jets — But Politics Keeps Them Apart
A US Marines F-35C Lightning II is staged for flight operations on the flight deck of the US Navy Nimitz-class aircraft carrier USS Abraham Lincoln in support of the Operation Epic Fury attack on Iran from an undisclosed location March 3, 2026. Photo: US Navy/Handout via REUTERS
After the attack by the US and Israel on Iran, Canada issued a statement recognizing that Iran is the main source of terror in the Middle East, that it has one of the world’s worst human rights records, and that it can not be allowed to develop nuclear weapons. I was pleased to see that it also recognized Israel’s right to defend itself and provide security to its people.
When it comes to security, Israel and Canada are very different. Israel has had to face the hostility of its neighbors ever since its birth in 1948, whereas Canada has not had to worry for decades. Yet, the two countries are similar in having to rely on US warplanes for their defense.
The seemingly endless arms race between Israel and its enemies has resulted in the development of an increasingly sophisticated Israeli arms industry and a large arms export business.
The title of a recent Economist Magazine article, “Israel may not be popular, but its weapons are,” says it all. Israel’s weapons exports amounted to almost $15 billion in 2024, about 10% of total Israeli exports. But Israel still relies on the US for warplanes.
In 1956, 70 years ago, the situation for Israel was dire. Periodic terrorist incursions from the West Bank, then under Jordanian jurisdiction, and from Egyptian-controlled Gaza, resulted in numerous Israeli casualties. Arms embargoes imposed by the US and Britain in 1948 made it difficult for Israel to defend itself. (The US embargo lasted until 1965, almost two decades after the state’s founding.)
In 1956, the Canadian government, after some debate, approved a request from Israel to buy 24 F86 Sabre jet interceptors, produced under license from the US by Canadair Ltd, Montreal. In justifying the decision, Prime Minister Louis St. Laurent pointed out that Egypt, with airfields only 10 minutes flying time from Tel Aviv, had received 200 MIG-15 jet fighters and 40 to 50 Ilyushin jet bombers from the Soviet Union.
The Canadian Sabre jets never made it to Israel. The outbreak of the Suez Crisis in late 1956, when Israel attacked Egypt in concert with France and Britain, led to the cancellation of the deal. (Lester B. Pearson, then Canada’s Secretary of State for Foreign Affairs, and later Prime Minister, helped resolve the crisis through the creation of a UN peacekeeping force. Pearson was awarded the 1957 Nobel Peace Prize for his efforts.)
For the Israelis, it didn’t really matter. The French government had agreed to supply Israel with Mystère jets, and France remained Israel’s main source of jet fighters for the next decade.
In fact, at the time of the Sabre jet discussions with Israel, Canada was developing a state-of-the-art supersonic jet fighter of its own — the Avro Arrow. However, the project was cancelled abruptly in 1959, even though early production models had flown successfully. The cancellation, a disaster for the Canadian aerospace industry, was based on cost. It was cheaper to buy American jets.
Israel went through a very similar experience. During the mid-1980s, Israel developed its own advanced fighter jet, the Lavi (Hebrew for lion). The Lavi was a small, highly maneuverable, supersonic jet with advanced electronic capabilities. In 1987, it too was cancelled, after early models were at the flight testing stage. The reason? Cost. It was cheaper to buy jets from the US.
At the recent World Economic Forum at Davos, Canadian Prime Minister Mark Carney spoke of the need for middle powers, such as Canada, to become more autonomous and proactive in world affairs. Coincidentally, Canada is in the midst of having to decide which jet fighter would be best for its future defense needs: the American made F-35, the same plane that is the current mainstay of Israel’s air force, or the Gripen, a fighter jet produced in Sweden.
Sophisticated jet fighters are expensive to design and build, although Sweden, a country with a population and economy about the same size as that of Israel, has managed to do so. (For example, one F-35 fighter jet can cost well over $100 million.) A 2025 article by Udi Etsion in The Jerusalem Post suggests that to lessen the financial burden, Israel should seek a partner for the development of its own stealth fighter jet.
Why not Canada? After all, both Canada and Israel are seeking combat aircraft self-sufficiency. But Canada, once considered by some the best place for Jews, has experienced an exponential increase in antisemitism since October 7, 2023, along with an erosion in support for Israel.
In fact, after initially supporting the strike on Iran, Prime Minister Carney has backtracked and now expresses “regret” for the strike. That Carney recently traveled to China, the UAE, and Qatar to shore up trade relations, but omitted Israel — one of the best performing economies in the world — speaks volumes. When it comes to the Middle East, even a match made in heaven is not a sure thing.
Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo, Waterloo, Ontario, Canada.
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Lessons From South Africa for Israel
Anti-Israel protesters march through the streets of the township of Lenasia in Johannesburg, South Africa, Oct. 6, 2024. Photo: REUTERS/Ihsaan Haffejee
There was a time when South Africa found itself pushed to the margins of the international community. The reason was clear and widely condemned — its system of Apartheid, which enforced racial separation and denied political rights to the majority of its citizens.
What ultimately changed South Africa’s trajectory was not a single moment but a combination of internal evolution and external demand. The apartheid system became untenable both morally and practically. Leaders began to recognize that reform was unavoidable. The release of Nelson Mandela symbolized a broader shift, but what followed mattered just as much. Negotiations replaced repression, elections replaced exclusion, and a new national vision began to take shape.
South Africa’s reentry into the global community was not granted automatically. It was earned through visible transformation and a commitment to a more inclusive future.
In current debates, parallels are often drawn between that period in South Africa’s history and the situation of Israel. These comparisons are powerful, but they are also frequently misleading. The foundation of South Africa’s isolation was a domestic system explicitly built on racial hierarchy — whereas Israel’s reality is fundamentally different.
Israel emerged in 1948 as a sovereign state following a war of annihilation launched against it by five Arab armies. Today in Israel — as has always been the case — Arab citizens have the exact same legal rights and protections as Jews. Palestinians living under the control of the Palestinian Authority in the West Bank and Hamas in Gaza do not get those rights — just like Mexicans and Canadians don’t get the rights of Americans. But that is not apartheid.
Still, South Africa’s experience offers insights into how international perceptions are formed and how they can change. In both cases, global opinion has proven to be a significant force. Media narratives, activist movements, and diplomatic alignments all contribute to shaping how a country is viewed abroad.
One of the clearest lessons from South Africa is that perception follows action, but it also depends on communication. The country did not simply dismantle apartheid behind closed doors. It made its transformation visible to the world. The new leadership articulated a message of reconciliation and unity that resonated far beyond its borders. That message was reinforced by concrete steps that aligned with widely held international values.
For Israel, the challenge is different but not unrelated. It is not a matter of replicating South Africa’s path, because the underlying circumstances are not the same. Rather, it is about understanding how to navigate an environment in which scrutiny is constant and narratives can quickly harden into assumptions.
Actions that promote stability, economic opportunity, and coexistence can have an impact not only on the ground but also in the court of global opinion — and they need to be amplified, even if the world doesn’t want to cover the story.
Equally important is the need for Israel to tell a fuller story. Israel is often defined internationally by conflict, yet that is only part of its reality. It is also a society marked by democratic institutions, cultural diversity, and technological innovation. Within its borders, there are ongoing debates about policy, identity, and the future. These elements reflect a dynamic and pluralistic country that is not always visible in external coverage.
Leadership plays a decisive role in shaping how these stories are conveyed. South Africa’s transition was guided by figures who understood the importance of tone as well as substance. The emphasis on reconciliation helped shift the global narrative. In Israel’s case, leadership that highlights pragmatism, restraint, and a willingness to engage can influence how the country is perceived, even in a challenging environment.
The broader takeaway is that international standing is not fixed. It evolves over time, influenced by decisions, policies, and the narratives that accompany them. South Africa’s transformation illustrates how a country can move from isolation to acceptance when its actions and its message align with a clear vision of the future.
Israel’s situation remains complex and often contentious. Yet complexity does not preclude progress. By focusing on practical steps that improve lives, by engaging with the international community in a confident and transparent manner, and by ensuring that its story is told in full, Israel can continue to strengthen its position on the world stage.
History does not repeat itself exactly, but it often provides useful guidance. South Africa’s experience is not a blueprint, but it is a reminder that change is possible and that perception can shift when reality and narrative move together.
Sabine Sterk is the CEO of Time To Stand Up For Israel.