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For ill and for good, this ‘Wicked’ song has become ubiquitous
In the final minutes of the second act of the Broadway musical Wicked, Glinda and Elphaba sing together one last time. They have reached their ultimate, iconic forms: Glinda is the Good Witch, ringletted and resplendent. Elphaba is the Wicked Witch of the West, caped and glittering. They suspect they will never see each other again. And so the two women sing a duet that is part yearbook note, part deathbed confession.
“Because I knew you,” Glinda sings, “I have been changed for good.”
Jenna and her husband watched from their orchestra seats. It was 2005, Wicked was the toast of Broadway, and the tickets were a splurge. When the actress playing Elphaba sang, “It well may be that we will never meet again in this lifetime, so let me say before we part: so much of me is made of what I learned from you. You’ll be with me, like a handprint on my heart,” Jenna’s eyes filled with tears. Her husband reached over and took her hand.
Four months later, they separated. On her birthday that year, Jenna’s ex-husband sent her a card. “Because I knew you,” he wrote, “I have been changed for good.”
“I love the double meaning of that,” said Jenna, now 57 and a volunteer manager at a nonprofit in Maryland. “I have been changed to be a better person, but I have also been changed permanently, for good. There’s no going back.”
The second life of ‘For Good’
Amidst cheers and ballyhoo — to borrow a phrase from Glinda — a second Wicked movie is now hitting theaters. To mark the distinction between this movie and its predecessor, the 2025 edition is called Wicked: For Good.
“For Good,” the song, has attained an unusual second life outside of the musical. In Wicked, Jewish composer-lyricist Stephen Schwartz launched a number of forever entries into the musical theater book of standards — “Defying Gravity,” “Popular,” “The Wizard and I” — but “For Good” belongs to an exclusive category: songs that have become staples at graduations, retirement celebrations and funerals. If you see a cap and gown, you are not safe from a heartfelt rendition of “For Good.” If there is a casket on a table, these days you may be as likely to hear “For Good” as you are to hear “Wind Beneath My Wings” or “Candle in the Wind.”
“As a cantor, it’s impossible to hear ‘For Good’ from Wicked without sensing that the song is doing something deeply Jewish, whether or not its creators intended it,” said Neil Michaels of Temple Israel in West Bloomfield, Michigan. “It has become, in many sanctuaries and life-cycle moments, a kind of contemporary niggun, carrying emotional truth where spoken liturgy might fall short.”
“I’ve played it for a funeral,” said Joe Wicht, who has accompanied singers for 18 years at the San Francisco piano bar Martuni’s. “I’ve played it for singers at wedding receptions, too.” But most often, he said, the song is sung “by two best friends.” Duos who request “For Good” are often about to be separated by a move, or redefined by one person getting married, he said. Sometimes, the singers are a parent and a child.
“This isn’t the kind of song where people just willy-nilly decide to sing it in a bar, a la karaoke,” he said. “It’s always sung with intent.”
“It’s always the same scenario — best friends,” he added. “I’ve never heard this song performed between two people in love.”
An anthem of friendship for this generation
Few songs aim to articulate the way that two people can alter each other’s lives and edit each other’s characters, sans romantic love. Schwartz has said in interviews that he wrote the song after sitting down with his daughter and asking her about her best friend. “If you could never see Sarah again and you had one chance to tell her what she’s meant to you,” he asked, “what would you say?”
The song, which lifts some of Schwartz’s daughter’s words directly, literalizes the way two people can blend without losing their own specificity. It begins with a solo for each woman, then they sing in counterpoint, then harmony. “For Good” is sometimes derided as schmaltzy and overearnest. But its impact is indelible: it is a song people rely on to express a kind of love that often goes unsung.
“For those of us who have lost someone,” wrote vocal coach and therapist Petra Borzynski in a recent essay, ‘For Good’ is “the song that speaks the unspeakable: that the person who is gone still lives in every choice we make, every kindness we extend, every moment we choose differently because they existed (for better, for worse).”
Borzynski sang the song for years. Then her mother died, at 59, of ovarian cancer. When Borzynski attempted to sing the song, she recalled, “my voice literally broke.”
When 75-year-old Melbourne resident Des Flannery was in his late 60s, he got into a fight with his best friend, Max. They made up when Des sent Max a written apology, Des’ daughter, Breanna, told me. In his note, Des quoted the opening lyrics from “For Good.” When Max died several years later, Des eulogized him, reciting the lyrics that had helped bring him and his friend back together.
“He wasn’t confident he could get through it without becoming a wailing mess,” his daughter, Breanna Flannery, said. “So reading it seemed the best way to get it out.” (Afterwards, women mourners crowded around Des to praise his bold, emotional writing, unaware that he had been quoting Wicked.)
Drew Wutke, a pianist at Marie’s Crisis, the famed Broadway musical singalong bar in the West Village, is used to looking up from the piano during “For Good” and seeing drinkers crying into their tequila sodas.
“It is the friendship anthem of the last 25 years,” he said.
“I don’t know another way to say it other than: it is a heaven-blessed song,” he said. “The hope that soul-friendship exists, that chosen family exists — those are the wires that get tripped when that introduction starts,” he said, humming the song’s opening notes. “Even though it is lyrically nonsensical at times.” One lyric often maligned even by fans is, “Like a seed dropped by a sky bird, in a distant wood.”
“A skybird! Please!” said Wutke. “We could have workshopped that lyric.”
I’ve heard it said…but what does it mean?
As with the rest of the musical, the universality of “For Good” is both a strength and weakness. Wicked is a musical about a woman who faces cruelty and discrimination because of her skin color. It has been called a parable about fascism, and an allegory for racism and ableism. But no Black actress played Elphaba full-time on Broadway for the musical’s first 22 years. And though one character in Wicked uses a wheelchair, the first time a wheelchair user ever played Nessarose was in last year’s movie.
Though the Wicked movies have been released during a time of rising authoritarianism, the movie’s stars and creators have limited themselves to comments like the joint statement Cynthia Erivo and Ariana Grande made recently, which spoke of “times like these that feel so divided, as if we’re reading from different pages and different books.”
Though the song is deeply meaningful to listeners, the meaning those listeners derive is not consistent. “At its core, ‘For Good’ is about hineni — ‘here I am’: standing fully present in relationship,” said the cantor, Michaels. “It is the musical embodiment of the Jewish belief that who we become is inextricably shaped by the people who walk beside us.” The song, he argued, “echoes the teaching that every person you encounter teaches you something, that chevruta (sacred partnership) shapes the soul, and that human connection is one of Judaism’s most powerful agents of transformation.”
No one religion or perspective has a monopoly on interpreting Schwartz’s message. Ali, a friend of mine, and a 31-year-old interior designer from Los Angeles, grew up singing songs from Wicked with her friend Brittany. “She would always be Elphaba and I would always be Glinda, even though I secretly wanted to sing the Elphaba part,” Ali said.
Ali was active in the Catholic church, and the girls were often asked to perform at fundraisers and other events. They reserved “For Good” for the finale. “It’s about connection and sisterhood, and friendship,” Ali said. “It was a tearjerker.”
As 14 year olds, the two girls were summoned to perform in a hotel ballroom for a group of about “200 nuns and other women,” Ali remembered. After the song, the nuns thanked them profusely for lending their voices to their cause. The two girls exited the stage to wild applause, then sat down to eat lunch and when they looked back up, “they were literally showing fetuses on the screen and just spewing anti-abortion rhetoric,” Ali remembered. The shift was shocking, she said. “From sisterhood and friendship to hating other women for having abortions.”
Changed for good? Or just good at singing?
“For Good” is usually performed in the context of honoring another person. No matter how tragic or poignant an event is, though, for a theater kid it’s also an opportunity to perform “For Good.” If that sounds cynical, it comes from personal experience: Your author performed the Elphaba part at her high school graduation. I knew that it was my job to move the audience to tears, but my thoughts were largely about how to achieve vocal clarity and resonance. Also, my ankle was broken, and my secular high school had rented out a synagogue for graduation, so I sang the song on the steps of the bima, mindful of the fact that my cast was wider than the steps and if I gestured emotionally during the “like a comet pulled from orbit” harmony I could roll forward and crash to the ground.
But Victoria, 21, who sang the song just a few years ago at her high school graduation in Port Richey, Florida, begs to differ. “I think that vocally, it is not an extremely challenging song,” she said. The real challenge, she said, is allowing yourself to feel the meaning of the song, and conveying that depth of feeling to the audience. “I couldn’t help but really internalize the lyrics I was singing,” she said.
“I was reflecting on all of the relationships I had made with my fellow students, as well as my teachers,” Victoria said. “And I knew then that they had changed and helped create the person I am today, because I knew them.” Among masses who will see Wicked: For Good in the coming weeks, there will be many who weep throughout the title song, and many who call the song saccharine and sentimental. The second group is missing the point. “For Good” is meant to be saccharine. It takes on the most cringe-inducing, embarrassing topic in the world: human connection. If you love it, it probably came into your life for a reason.
The post For ill and for good, this ‘Wicked’ song has become ubiquitous appeared first on The Forward.
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California Judge Blocks Challenge to State K-12 Antisemitism Law
Illustrative: Anti-Israel protesters in Los Angeles, California, US, Oct. 2, 2025. Photo: Daniel Cole via Reuters Connect.
A US federal judge in California has struck down a challenge to the state’s new K-12 antisemitism law, a measure which established a new Office for Civil Rights and other protections for Jewish students.
The law, also known as Assembly Bill 715 (AB 715), is California’s response to an epidemic of antisemitism in K-12 schools, which, as The Algemeiner has previously reported, has produced a slew of complaints alleging civil rights violations. It calls for creating an Antisemitism Prevention Coordinator, setting parameters within which the Israeli-Palestinian conflict may be equitably discussed, and potentially barring antisemitic materials from reaching the classroom.
Since its signing by Gov. Gavin Newsom in October, the law has been challenged by individuals and groups who argue that it violates the First Amendment. One such party is middle school teacher Andrea Prichett, who sued the state government in November to halt the law’s implementation. She was joined by the “LA Educators for Justice in Palestine” group, which has advocated adding “ethnic studies” programs to K-12 school widely criticized for not only teaching a biased, anti-Israel history of the Israeli-Palestinian conflict but also allegedly promoting other concepts that foster racial division and grievance.
In the suit, Prichett argued that the K-12 antisemitism law was “hastily written” and “singled out for punishment” anti-Zionist viewpoints. She also criticized the law because it “empowers anyone to file a complaint claiming classroom content and instructional materials criticize Israel and Zionism,” preventing teachers “from freely discussing these critical issues.”
Writing in Wednesday’s decision, Judge Noël Wise, appointed by former US President Joe Biden in 2024, said the plaintiffs’ argument is specious.
“With the enactment of AB 715, this yet to be appointed Antisemitism Prevention Coordinator will eventually be involved in how local schools ‘handle’ antisemitism. While this may include the administration of antisemitic discrimination complaints, it does not follow that the complaints will be judged more harshly than current complaints,” she wrote. “Plaintiffs have not shown that the mere existence of AB 715, even with its forceful precatory language about antisemitism, means public school administrators will be more likely than they are now to find that antisemitism complaints are meritorious.”
Furthermore, Wise noted that even if what Prichett and LA Educators for Justice in Palestine is true, it fails legally for asserting public teachers’ right to unfettered free speech, which does not exist for government employees while they are at work. Teachers may comment on matters of public interest, she explained, citing past jurisprudence by the US Supreme Court, but it cannot interfere with government’s advancing its “legitimate interests.” When they speak in the classroom or on a public school campus, Wise stressed, they do so not as private citizens but as state officials speaking “with the voice of the government” — a fact which allows government to steer or proscribe what is said on its behalf.
She continued, “As public school education belongs to the government, the government may regulate Teacher Plaintiffs [sic] speech to accord with the government’s education goals. It is of no significance that the curricula and the attendant speech required to teach it may advance a single viewpoint to the exclusion of another.”
Jewish civil rights groups on Wednesday commended the decision for drawing on established legal precedent and affirming California’s right to fight discrimination.
“The court correctly acknowledged that public school teachers do not have free speech rights in the classroom, because when they deliver lessons to students they are speaking on behalf of the government,” said Carly Gammill, director of legal policy and litigation at StandWithUs Saidoff Law. “While teachers can speak freely in their private lives, they cannot use K-12 public education as a platform for bigotry against Jews or other groups. School districts and state officials have both a right and a responsibility to protect students from instruction that crosses the line into antisemitism.”
The American Jewish Committee also issued a statement, with its chief executive officer Ted Deutch saying, “Public schools need to be welcoming to all, including Jews, and must not be used as platforms for teachers to express individual political views. Bias and discrimination that can lead to outright antisemitism has no place in California — or any — classrooms.”
Antisemitic incidents in California schools include vandalism and assault. The list of outrages includes a student group chanting “Kill the Jews” during an anti-Israel protest and partisan activists smuggling far-left, anti-Zionist content into classrooms without clearing the content with parents and other stakeholders.
Elsewhere in California, K-12 antisemitism has caused severe psychological trauma to Jewish students as young as eight years old and fostered a hostile learning environment.
In Berkeley United School District (BUSD), teachers have allegedly used their classrooms to promote antisemitic stereotypes about Israel, weaponizing disciplines such as art and history to convince unsuspecting minors that Israel is a “settler-colonial” apartheid state committing a genocide of Palestinians. While this took place, high level BUSD officials were accused of ignoring complaints about discrimination and tacitly approving hateful conduct even as it spread throughout the student body.
At Berkeley High School (BUSD), for example, a history teacher forced students to explain why Israel is an apartheid state and screened an anti-Zionist documentary, according to a lawsuit filed last year by the Louis D. Brandeis Center for Human Rights Under Law and the Anti-Defamation League (ADL). The teacher allegedly squelched dissent, telling a Jewish student who raised concerns about the content of her lessons that only anti-Zionist narratives matter in her classroom and that any other which argues that Israel isn’t an apartheid state is “laughable.” Elsewhere in the school, an art teacher, whose name is redacted from the complaint for matters of privacy, displayed anti-Israel artworks in his classroom, one of which showed a fist punching through a Star of David.
California is not alone in dealing with the issue. Pennsylvania has a significant K-12 antisemitism problem as well, a fact acknowledged recently by a surrogate of the administration of Gov. Josh Shapiro following the US Congress announcing an investigation into antisemitism in the School District of Philadelphia (SDP) and a disturbing anti-Israel statement at a high school in the Wissahickon School District.
“Governor Shapiro takes a back seat to no one on these issues, and as he has repeatedly spoken out about antisemitism, and this kind of hateful rhetoric is unacceptable and has no place in Pennsylvania — especially not in our classrooms,” Rosie Lapowsky, a spokesperson for Shapiro, said in a statement first shared with Fox News Digital in Dec. “This is a matter the governor has made clear the district needs to take very seriously.”
Follow Dion J. Pierre @DionJPierre.
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Florida Sees Three Antisemitic Incidents in One Week as State Pushes Back
Florida Gov. Ron DeSantis participates in a Fox News Channel’s Democracy 2024: Fox News Town Hall ahead of the caucus vote in Des Moines, Iowa, US, Jan. 9, 2024. Photo: REUTERS/Scott Morgan
Communities in Florida’s Jupiter and West Palm Beach saw three acts of antisemitic intimidation last week, part of a trend of hate targeting local Jews this year as the state government moves to respond forcefully.
At the Jupiter Civic Center Beach, a vandal used bright orange spray-paint to write “Kill Jews” on two beach crossovers, according to a report from WPTV, West Palm Beach’s NBC affiliate, which confirmed two instances of the genocidal slogan vandalized in the town, both on government property. Each case of vandalism has been covered up, though not fully removed, according to video footage.
The Palm Beach County Sheriff’s Office also said that its Targeted Violence Unit was investigating a “suspicious call” at a Kosher restaurant in West Palm Beach.
“You don’t know who that individual is who’s going to take it upon themselves to act and move beyond words,” Josephine Gon, executive director of the Palm Beach Center to Combat Antisemitism and Hatred with the Jewish Federation of Palm Beach County, warned WPTV in an interview. “That’s what is so serious right now. It’s a very fertile environment for bad actors.”
Florida has seen multiple efforts in recent weeks and months to counter those who target Jewish citizens.
On Dec. 8, Florida’s Gov. Ron DeSantis signed an executive order designating the Council on American-Islamic Relations (CAIR) and the Muslim Brotherhood as “foreign terrorist organizations.”
“Florida agencies are hereby directed to undertake all lawful measures to prevent unlawful activities by these organizations, including denying privileges or resources to anyone providing material support,” DeSantis said of the designations on social media.
CAIR-National and CAIR-Florida responded in a joint statement.
“From the moment Ron DeSantis took office as Florida governor, he has prioritized serving the Israeli government over serving the people of Florida,” the statement read. “He hosted his very first official cabinet meeting in Israel. He diverted millions in Florida taxpayer dollars to the Israeli government’s bonds. He threatened to shut down every Florida college’s Students for Justice in Palestine chapter, only to back off when CAIR sued him in federal court.”
CAIR compared DeSantis to Texas Gov. Greg Abbott (whose state also designated the group as a terrorist organization this year), describing him as “an Israel First politician who wants to smear and silence Americans, especially American Muslims, critical of US support for Israel’s war crimes.”
On Dec. 15, CAIR announced the filing of a lawsuit against DeSantis in response to the terrorism designation.
The legal system in Florida has prosecuted several individuals accused of antisemitic acts this year.
In October, Florida state Attorney General James Uthmeier announced the arrest and prosecution of Nicholas Ray of Spring, Texas who allegedly had made death threats under a ”zionistarescum” X account against Jews he believed responsible for the murder of conservative activist Charlie Kirk the prior month.
In August, John Kevin Lapinski, Jr., 41, received a 25-year federal prison sentence from US District Judge Rodney Smith in Miami due to his terrorist plans to attack Jewish Americans and Black Americans in Florida. US Attorney Jason A. Reding Quiñones said at the time that “this defendant stockpiled weapons, tactical gear, and detailed attack plans to terrorize Jewish and Black Americans in our communities. His intent was not abstract — it was written on his maps, his targets, and his so-called hit list.”
Also in August, police charged a Florida State University (FSU) graduate student for an alleged assault of a Jewish peer captured on video.
In April, the Anti-Defamation League’s Center on Extremism announced it had found that Phoenix Ikner, 21, the alleged attacker behind a shooting at Florida State University (FSU) in Tallahassee which caused two deaths and six injuries, had expressed an interest in Nazism, using Third Reich terminology to name himself in online games.
“What we’re seeing — if in fact this individual has extremist views, and it seems at the very least he was exposed to extremism — is the continued crossover between extremism and the glorification of violence that eventually leads to violence,” said Carla Hill, a senior director of investigative research at the ADL’s Center on Extremism
A hearing for Ikner occurred on Nov. 13 in Tallahassee. His trial has been pushed back to March 30 due to a change of counsel.
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London Denies Star of David Removed From Israeli Flag During New Year’s Eve Special After Facing Backlash
Flags displayed on the London Eye during the British capital’s New Year’s Eve celebration on Dec. 31, 2025. Photo: Screenshot
A spokesperson for London Mayor Sadiq Khan denied speculation that the British capital deliberately removed the Star of David from the Israeli flag that was displayed during the city’s New Year’s Eve fireworks spectacle on Wednesday night.
Flags from around the world were projected onto the London Eye Ferris wheel to form the European Union flag, in an effort to celebrate the diversity of people in London and “send a message of unity for 2026,” according to the mayor’s office. It was displayed as part of the city’s celebration to welcome the new year, but some viewers noticed that Israel’s flag appeared simply as a white rectangle with two blue stripes. The iconic Star of David that is typically in the center of the flag was not clearly visible, which prompted some social media users to claim the symbol of Jewish identity was “removed” or “erased.”
However, City Hall quickly released a statement insisting that the animated flags were very small and moved too quickly to appear clearly to all viewers. The visibility issues affected other blue and white national flags as well that were included in the sequence, including those of Guatemala, Argentina, and Honduras.
“A range of flags were displayed on the London Eye to represent the wide variety of countries of origin of people who live in and contribute to the success of London,” said a City Hall spokesperson, as cited by The Standard. “These animated flags were small and moving so were not all entirely clear at every point as they gradually formed into the Union Flag.”
The group London Jewish Forum (LJF) shared a video on social media that showed the Star of David very faintly on the Israeli flag in the New Year’s Eve display. In a released statement, LJF agreed with City Hall that the issue with the Star of David was because “elements were not always clearly visible at every moment due to the scale and motion of the animation.”
“There is no evidence that this was antisemitic or that the Israeli flag was singled out,” the group added. “The footage and the organizers’ explanation are consistent on this point. We also understand why people are watching these details closely right now. When antisemitism is rising, symbolism carries weight and scrutiny is natural. In this case, though, what we are seeing does not suggest intent or targeting.”
Other images projected as part of London’s celebration for 2026 on Wednesday night honored England’’ women’s rugby team the Red Roses for winning the Rugby World Cup, the Lionesses soccer team being victorious in the Euros, and Europe’s triumph over the US in the Ryder Cup. It also featured visuals and songs from “Wicked: For Good,” as well as a message from the film’s Grammy, Emmy, and Tony-winning actress, London native Cynthia Erivo.
Roughly 100,000 people lined the banks of the River Thames on Wednesday night to watch what was considered the largest annual firework display in Europe, according to the mayor’s office. The event featured more than 12,000 fireworks and over 400 lights.