Uncategorized
For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
—
The post For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness appeared first on Jewish Telegraphic Agency.
Uncategorized
Maersk Tests Red Sea Route as Gaza Ceasefire Offers Hope
Containers are seen on the Maersk Triple-E giant container ship Majestic Maersk, one of the world’s largest container ships, next to cranes at the APM Terminals in the port of Algeciras, Spain, Jan. 20, 2023. Photo: REUTERS/Jon Nazca
Danish shipping company Maersk said on Friday that one of its vessels had successfully navigated the Red Sea and Bab el-Mandeb Strait for the first time in nearly two years, as shipping companies weigh returning to the critical Asia-Europe trade corridor.
The company stated that while it had no firm plans to fully reopen the route, it would take a “stepwise approach towards gradually resuming navigation” via the Suez Canal and the Red Sea. Maersk declined to further elaborate on its plans.
Maersk and rivals, including Germany’s Hapag-Lloyd, rerouted vessels around Africa’s Cape of Good Hope from December 2023 after Yemeni Houthi rebels attacked ships in the Red Sea in what they said was a show of solidarity with Palestinians in Gaza. The Iran-backed Houthis are an internationally designated terrorist organization.
The Suez Canal is the fastest route linking Europe and Asia and until the attacks had accounted for about 10% of global seaborne trade, according to Clarksons Research.
CMA HAS MADE LIMITED PASSAGES THROUGH THE SUEZ CANAL
French shipping firm CMA CGM has already made limited passages through the Suez Canal when security conditions allowed, with other operators similarly exploring resumption plans.
“Most carriers appear to be adopting a wait-and-see approach, monitoring developments, and any meaningful reopening would likely unfold gradually,” said Nikos Tagoulis, analyst at Intermodal Group.
The potential return of Maersk to the Suez Canal could ripple through the shipping sector, where freight rates have risen because the alternative route added weeks to transit times between Asia and Europe.
A recent ceasefire in the Gaza conflict has renewed hope of normalizing Red Sea traffic, though analysts note the fragility of the truce.
“By the end of 2026, we estimate things will start to look like they were before the Houthis attack started,” said Simon Heaney, a container industry analyst at Drewry Shipping Consultants. “The risk level has reduced, so they’re prepared to test the waters. But the Houthis aren’t particularly reliable.”
Maersk confirmed that one of its smaller vessels, Maersk Sebarok, had completed the first test transit through the Red Sea on Thursday and Friday, while stressing that no additional sailings were currently planned.
“Whilst this is a significant step forward, it does not mean that we are at a point where we are considering a wider East-West network change back to the trans-Suez corridor,” it said.
Niels Rasmussen, chief shipping analyst at ship-owner association BIMCO, projected that broader resumption of Suez Canal transits could result in a 10% drop in ship demand.
“The possibility of a return to Suez Canal routings looms large over the market outlook,” he said in a note published on Thursday.
Uncategorized
Israel Charges Russian With Allegedly Spying for Iran
Israel and Iran flags are seen in this illustration taken June 18, 2025. Photo: REUTERS/Dado Ruvic/Illustration
Israel has charged a Russian citizen with spying for Iran, including photographing Israeli ports and infrastructure under the direction of Iranian intelligence agencies, Israel‘s domestic security agency the Shin Bet said on Friday.
The Russian individual was then paid in digital currency, the agency said in a joint statement.
A decades-long shadow war between Israel and Iran escalated into a direct war in June when Israel struck various targets inside Iran, including through operations that relied on Mossad commandos being deployed deep inside the country.
Israel has arrested dozens of citizens who allegedly spied for Iran, in what sources told Reuters has been Tehran’s biggest effort in decades to infiltrate its arch foe.
The arrests followed repeated efforts by Iranian intelligence operatives over the years to recruit ordinary Israelis to gather intelligence and carry out attacks in exchange for money.
In a statement sent to media in 2024 following a wave of arrests by Israel of Jewish citizens suspected of spying for Iran, Iran’s UN mission did not confirm or deny seeking to recruit Israelis and said that “from a logical standpoint” any such efforts by Iranian intelligence services would focus on non-Iranian and non-Muslim individuals to lessen suspicion.
Iran has executed many individuals it accuses of having links with Israel‘s Mossad intelligence service and facilitating its operations in the country.
Uncategorized
His family was killed in Sydney. Hours later, he helped feed 600 unhoused people in LA.
Hanukkah on Bondi Beach was the coolest party of the year, recalled Yossi Segelman.
“There’s singing. There’s dancing. There’s sufganiyot … There’s clowns and petting zoos,” he said. “It brought all people together.”
Segelman, who was born in London, spent 16 years living in Sydney, and now resides in Los Angeles, used to attend the celebration every year.
It was Segelman who drew Rabbi Eli Schlanger, his childhood neighbor in London, to Australia almost 20 years ago. Segelman made the shidduch, or match, between Eli and his wife Chaya’s cousin. As they became family, Segelman and Schlanger also became close friends.
“He was just always happy … a rocket full of joy,” Segelman said. “I knew many people who were personally moved and touched and became more connected to Judaism and to Israel as a direct result of their impact and connection with Rabbi Eli.”
When Segelman logged on to WhatsApp on Sunday, he learned that terrorists had murdered Schlanger at the same yearly Hanukkah celebration. One of his nieces was in surgery.
“I had a number of other family members, nieces, nephews, who were ducking at the tables and had bullets whizzing overhead and had seen things that no one should ever see,” he said.
And yet hours later, Segelman, who is the executive director of the nonprofit Our Big Kitchen Los Angeles, still showed up to lead dozens of people in preparing 600 meals for Angelenos in need.
That Sunday was my second time volunteering at OBKLA. As I snapped on blue nitrile gloves and prepared to scoop meatballs from a tub of ground beef, I was stunned that Segelman felt capable of showing up with one family member dead and another on the operating table.
But he insisted, during the session and two days later when I came back to speak with him, that it’s precisely during dark times that a community needs a space to come together and serve others. As rising antisemitism and violent attacks like the one in Bondi might pressure Jews to turn inward, Segelman’s emphasis on both Jewish pride and welcoming all, no matter their background, offers us a path forward.
Giving back in times of crisis
Schlanger and Segelman both served as chaplains in Australia; Schlanger for corrective services and Segelman for the military.
“We were involved in the same thing and that is to try and bring peace, and comfort, and solace, encouragement, to those who found themselves in difficult situations,” Segelman said.
In parallel to his work as a chaplain, Segelman became involved as an early director of Our Big Kitchen in Sydney, which prepares meals for Australians in need. The organization’s Bondi kitchen is less than a mile from where Sunday’s terror attack took place. Though the food is kosher, most meals go to the broader community, and most volunteers aren’t Jewish.
A few years after moving to Los Angeles, at the height of the pandemic, the Segelman family sprung into action to distribute snacks to hospitals, unhoused people, and first responders. Their impulse to help has since grown into a smooth operation, one the Segelmans activated at full throttle during LA’s wildfires this year.
In his office, Segelman has a basket where he keeps empty rolls from the stickers volunteers use to package food. Each roll signified a thousand meals. The basket was overflowing. In the past year, Segelman said, OBK LA welcomed more than 24,000 volunteers who made 183,574 meals.
Segelman emphasized the impact of the meals not only on the recipients, but also on the volunteers who created them.
“Volunteering, it’s being hands-on. It’s a visceral experience. You’re immersing yourself in an act of goodness and kindness,” he said.
How we respond to terror
Segelman has more practice than most in taking action. But the attack in Sydney posed a new challenge.
“For me to get up Sunday morning and welcome everybody and do what we do usually at OBK with cheer and with love was not easy,” he said. But he knew that his job was “to inspire people, especially when the going gets tough, and to really transform those feelings of helplessness into hopefulness.”
When we spoke on Tuesday at noon, Segelman had just finished an event with 70 school kids, with more programs to come later that day. Schlanger’s funeral, which he would attend remotely, was at 4 p.m. His teenage niece’s operation was successful, though his entire family remained extremely traumatized.
Nevertheless, Segelman insisted the Hanukkah celebration must return to Bondi Beach.
“100%. Bigger and better,” he said. “To cancel events and close down events is contrary to the story of Hanukkah.”
“We need to continue doing what we’re doing, do it stronger, obviously be smart, be vigilant, but absolutely go out there and to continue to do what we do and do it proudly.”
When I asked if a terror attack like Sunday’s might complicate OBK’s practice of welcoming everyone into its kitchen, his answer was adamant: “We are an organization rooted in Jewish values of chesed, of tzedakah, and we’re proudly kosher, and we’re proudly based in the heart of the community. But we welcome absolutely everyone, both to volunteer and to receive a meal.”
Violence cannot shatter our empathy
To be proudly Jewish and yet welcome everyone is an essential message; one whose second component, I think, may be hard for some in our community to hear right now.
The brutality of Oct. 7, of the subsequent rise in antisemitism and terror like the kind unleashed in Sydney, rightfully activates Jewish fears. It also, however, threatens to make a drought of our empathy. At its very worst — as I’ve written about in the case of far-right Jews denying hunger in Gaza or using AI to spread hate — Jewish pain is contorted into a pretext to ignore others’ suffering or even inflict it on them.
But now is the time to lean into our values, not turn away from the rest of the world. Segelman’s message for all of us this Hannukah: Find a way to give our time in service to others, even if it’s just an hour a week, and to provide inspiration or love, even to just one other person.
On Sunday night, a few hours after the OBKLA event, my partner and I welcomed our friends, some Jewish, some not, for the first night of Hanukkah. We fried latkes and schnitzel. My hand shook, then steadied, as I sang and led a menorah lighting for the first time. The candle burned through its wick; yellow and blue wax dripping onto parchment paper. We sat in the gentle glow, affirming joy.
This Hannukah, Segelman and OBKLA show us that when faced with unimaginable violence, the best way to nourish our souls might be to come together, cook, and serve others.
The post His family was killed in Sydney. Hours later, he helped feed 600 unhoused people in LA. appeared first on The Forward.