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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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Israeli Intelligence: Iran’s Regime at Most Fragile Point Since 1999
Iran’s Supreme Leader Ayatollah Ali Khamenei listens to the national anthem as Air Force officers salute during their meeting in Tehran, Iran, February 7, 2025. Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
i24 News – Israeli intelligence officials assess that Iran’s ruling Ayatollah regime is at its most fragile point in more than two decades, as nationwide protests continue to escalate.
The scale of the demonstrations and the government’s response have prompted deep concern in Jerusalem.
A near-total internet shutdown is being interpreted as a troubling signal of severe events unfolding on the streets, including widespread killings that remain largely undocumented. Despite protests erupting in roughly 100 cities across Iran, very little video footage has emerged, further underscoring the regime’s clampdown.
Israeli officials warn that the situation could pose a real threat to the stability of Tehran’s leadership if demonstrations continue to grow. However, sources stress that the outcome is highly uncertain. A potential collapse of the regime would not necessarily lead to a democratic government, and intermediate scenarios—such as the replacement of leaders with regents or puppet figures—are also possible.
“The situation is far more complex than it appears,” said a source familiar with security discussions to i24NEWS. “No one truly knows how events will unfold, and we are monitoring every development with extreme caution to determine the best response.”
For now, Prime Minister Benjamin Netanyahu’s approach is described internally as “monitoring, supporting, hoping.” Israel is keeping a careful distance, allowing Washington to take the lead in applying international pressure on Tehran, while ensuring that the protest movement cannot be linked to Jerusalem in any public way.
Israel’s security establishment continues to follow developments closely, preparing for multiple scenarios in an environment where uncertainty and volatility remain exceptionally high.
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‘Prepare Military Defenses,’ Top US Officials Warn Trump as He Contemplates Strike on Iran
US President Donald Trump speaks during a swearing-in ceremony of Special Envoy Steve Witkoff in the Oval Office at the White House in Washington, DC, US. Photo: Kent Nishimura via Reuters Connect.
i24 News – US President Donald Trump has been warned by senior military officials that more time is needed to prepare for potential strikes against Iran, reports the Telegraph.
The president is reportedly considering military action in response to the violent crackdown by Iranian security forces against demonstrators.
Options under review include targeting elements of Iran’s security services implicated in the mass suppression of protests.
The demonstrations, which have erupted nationwide, have drawn international attention and heightened tensions in the region.
However, commanders stationed in the Middle East have cautioned that any immediate strike could provoke retaliatory attacks against US forces or allied interests. Officials told the White House that US troops need to first “consolidate military positions and prepare defenses” before undertaking any operations that could escalate into a broader conflict.
The warnings reflect concerns over both operational readiness and regional stability. Iran’s military capabilities, including ballistic missiles and proxy forces, could enable swift retaliation, making careful planning essential.
Intelligence assessments are ongoing, with US officials also monitoring Tehran’s response to the protests, which have been met with lethal force by authorities.
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Mamdani denounces Hamas chants, but his delay draws scrutiny
New York City Mayor Zohran Mamdani is facing mounting scrutiny after a delayed response to a protest in which demonstrators chanted pro-Hamas slogans. The episode reopened lingering doubts among Jewish leaders and voters who have watched Mamdani stumble through earlier flashpoints.
In a statement shared with reporters Friday evening, Mamdani condemned the language used during a protest outside a Queens synagogue Thursday night. The demonstration targeted an event promoting real estate investment in the Jewish communities of Modi’in and Ma’ale Adumim, settlements in the occupied West Bank, and included chants of “Say it loud, say it clear, we support Hamas here.”
Mamdani said the rhetoric and displays at the protest were “wrong and have no place in our city.” An hour later, amid criticism that he had not explicitly named Hamas, he followed up in a post on X, “Chants in support of a terrorist organization have no place in our city.”
It echoed a similar episode after Mamdani’s election in November, when he issued a mixed response to a demonstration outside Manhattan’s Park East Synagogue that featured anti-Israel and antisemitic slogans. He initially questioned the use of a sacred place for an event promoting migration to Israel. He later clarified his statement and said he would consider legislation limiting protests outside synagogues.
Critics said the response, which took nearly a day, was slow and undercut Mamdani’s repeated pledges to protect Jewish New Yorkers, and raised fresh questions about what kind of mayor he intends to be. New York City is home to the largest concentration of Jews in the United States. New York Police Department data shows that antisemitic acts made up 57% of all reported hate crimes citywide in 2025.
A week earlier, on his first day in office, Mamdani — a democratic socialist whose strident criticism of Israel deepened rifts within New York City’s Jewish community during the election — had already drawn criticism from mainstream Jewish organizations for revoking two executive orders by former Mayor Eric Adams that adopted a controversial definition of antisemitism that includes some forms of anti-Zionism, and another penalizing city contractors who engaged in boycotts of Israel.
Mamdani’s response to the Thursday night Hamas chants was issued around 5 pm on Friday. By the time, many Shabbat-observant New Yorkers did not see the mayor’s condemnation until Saturday night.
Some allies who accepted Mamdani’s ideological position privately expressed surprise that the mayor did not immediately denounce the chants, given the predictability of the backlash and the stakes involved. During the election, Mamdani came under fire for his refusal to explicitly condemn the “globalize the intifada” slogan used at some pro-Palestinian protests, perceived by many as a call for violence against Jews.
Adam Carlson, a political polling and research expert, called Mamdani’s statement denouncing the Hamas chants reasonable but “not perfect,” after spending much of the day criticizing the mayor’s lack of response, even as Democratic elected officials and some of Mamdani’s progressive allies issued fierce condemnations. “This is not only hurtful to me,” Carlson wrote on X, “but it’s bad politics and distracts from his agenda.”
Former City Comptroller Scott Stringer, who is Jewish and ran in last year’s Democratic mayoral primary, was even more blunt. “I have never been as concerned about the direction of our city as I am today,” Stringer said in an interview. “We are not up to a strong start in bringing the city together.”
Stringer, who was an active leader in combating anti-Muslim hatred after 9/11, said he had hoped that Mamdani would focus on affordability and issues that unite New Yorkers across communities. “But if that’s not to be, then we will fight politically,” he said. He pointed to the upcoming June primaries for Congress and the State Assembly, in which some of Mamdani’s socialist allies — and candidates he has endorsed — could pay a political price. In New York, Stringer said, “we are at the epicenter of Jewish hate, and we’re not going to stand down and allow this to unfold without a political response.”
Speaking with reporters on Saturday, Mamdani declined to address why he didn’t respond immediately, but said his statement was “consistent with my own politics and my own policies.”
A recent poll found that 55% of non-Jewish voters in New York City say Jewish concerns about feeling threatened by Mamdani’s statements on Israel are an overreaction fueled by politics. By contrast, among a smaller sample of 131 Jewish respondents, 53% say they have reason to feel that way, given Mamdani’s statements and associations.
What other city leaders said
While Mamdani remained silent through much of Friday, other city leaders moved quickly. City Council Speaker Julie Menin, City Comptroller Mark Levine, Gov. Kathy Hochul and Attorney General Letitia James all issued statements strongly condemning the pro-Hamas chants.
Speaking Friday night at Park Avenue Synagogue in Manhattan, Menin, who is the first Jewish speaker in the council’s history, was cautious but optimistic about collaborating with Mamdani on issues related to antisemitism in Israel.
“The Torah reminds us that leadership does not emerge from a place of peace, but from a place of struggle,” Menin told congregants. “When it comes to fighting for our Jewish community, I promise I will be the leader that you can count on — one who stands up to hate, who is not afraid to speak out, and who will not look away when it is uncomfortable or inconvenient.”
Levine, who is also Jewish, said, “There is no ambiguity” in condemning the support of a terrorist organization. “This cannot be normalized or excused,” he wrote on X. “Truly reprehensible.”
Hochul, who is running for reelection this year, said in a joint appearance with Mamdani last week that in her upcoming State of State address on Tuesday, she will announce safety zones around houses of worship “where people can go freely to a safe place without threats of violence or protests.”
The post Mamdani denounces Hamas chants, but his delay draws scrutiny appeared first on The Forward.