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Glace, a new Upper East Side ice cream shop, carries on the Zabar family tradition

(New York Jewish Week) — It’s not every day that a new ice cream parlor opens on the Upper East Side — much less a new, “French-inspired” scoop shop opened by the offspring of one the most famous Jewish families in New York’s culinary scene. 

On a sunny Wednesday afternoon, Sasha Zabar launched his latest food venture: Glace, an ice cream parlor that boasts some 20 homemade flavors, including Pistachio White Chocolate and PB&J. He’s the grandson of Lillian and Louis Zabar, who founded the eponymous Upper West Side gourmet grocery and appetizing store in 1934, and the son of Eli Zabar, the Upper East Side restaurateur who has 10 different stores and eateries. 

Motivated by the lack of ice cream options in the neighborhood, Sasha Zabar decided to open Glace. (Julia Gergely)

Within minutes of the opening of Glace — the French word for ice cream — a gaggle of high schoolers had already made it their mid-afternoon hangout spot, crowding around bright red outdoor dining tables.

“There’s really nowhere to get ice cream in the neighborhood,” Zabar, 31, told the New York Jewish Week as he scooped cups and cones from behind the counter for the steady trickle of customers. “I grew up here and there used to be a Ciao Bella on 92nd between Madison and Fifth. After that closed in 2010, I’ve always wanted another ice cream store nearby.”

Located at 1266 Madison Ave., Glace occupies the former location of the French gluten-free bakery Noglu, which is also operated by Eli and Sasha. The bakery moved to a larger location just a few doors down at the beginning of 2022. 

And though the scoop shop’s small, bright pink storefront with just a few stools for indoor seating is a new, independent venture, Glace stays true to the space’s gluten-free roots: Noglu’s gluten-free brownies and cookies are incorporated into several flavors, and the housemade waffle cones are also gluten-free. Glace offers homemade soft serve, sorbet, sundaes and milkshakes, and liquid toppings like hot fudge and raspberry sauce. 

The “Eton Mess,” a $12 sundae that includes vanilla ice cream, strawberry sorbet, strawberry jam, whipped cream and toasted almonds. (Julia Gergely)

“I did all the flavors, I designed the store, it’s my vision being executed with a little bit of Noglu and Eli’s influence. But it’s a separate business,” Zabar said when asked how he feels about carrying on the family tradition. “It feels good, but it’s different in many ways. I want it to be its own thing.”

Then again, Zabar’s desire to strike out on his own also has precedent in the family: His father Eli split from the original Upper West Side Zabar’s business in 1973 when he moved across the park to found gourmet food shop E.A.T. Sasha Zabar and his twin, Oliver, have been involved in their father’s food empire for half a decade, and have already launched a few of the brand’s businesses, including Eli’s Night Shift, a craft beer bar on 79th and Third Ave., and Devon, a Lower East Side restaurant and cocktail bar that closed in 2021. 

Zabar noted that many of his 20-some flavors — including Toasted Almond, which is reminiscent of a “gourmet version of Good Humor bar,” Zabar said, and Banoffee, a banana and salted caramel flavor — are inspired by memories from a childhood filled with Jewish celebrations, although he has yet to focus on particularly “Jewish” flavor profiles (like the Chocolate Covered Caramel Matzoh Ice Cream sold at his father’s shop this Passover for $20 a pint). “I am mostly focused on good ingredients and good flavors,” he said. 

On opening day — which Zabar referred to as “an early draft” — Zabar had already identified some changes he wanted to make. The ice cream was harder than he intended (a freezer temperature fix) and he wanted to reorganize the toppings — the jars of almonds, pistachios, sprinkles and honeycomb meringue weren’t as obviously displayed as he wanted them to be.

“There are still some things that may change,” he said, adding that he plans to rotate flavors and toppings weekly, depending on what’s in season and what’s popular. “I just want to get it up and running and we’ll see where it goes.” 

Zabar scoops a mango sorbet for one of the shop’s first customers. (Julia Gergely)

As for Glace’s customers, none seemed to pick up on Zabar’s perceived missteps. Several Upper East Siders out walking their dogs or taking a stroll excitedly popped their heads in to see what was finally filling the space that had been vacant for a year. While many walked in with promises to come back soon, some purchased cones, others ordered scoops and one chic older woman even tried the “Mac-wich,” a scoop of ice cream sandwiched in between two homemade, gluten-free macarons. 

“I have a lot of thoughts,” said Lily, a ninth grader from a nearby high school, who stopped by to try out a mango sorbet in a waffle cone. “I’m scared to go to Noglu because it’s so expensive; I don’t even want to ask for water. I’m glad there is somewhere else to go and I love the flavors.”

(For what it’s worth, a gluten-free croissant at Noglu will set you back $10.50. A small scoop at Glace costs $7 — the cones are an additional $3.)

Her friend Lauren, who is gluten-free, opted for a chocolate cone, telling the New York Jewish Week that Glace’s opening “is really special to me.” 

“I love the aesthetic, the flavors are amazing, I haven’t had a cone in five years because I can never find a gluten-free one,” she said. “It shouldn’t be three extra dollars, but at the same time I’m willing to pay for it. It’s really good.” 

The pair couldn’t talk long — they were rushing to finish their ice cream cones before they melted in the sunshine. Plus, their next class began in three minutes. 


The post Glace, a new Upper East Side ice cream shop, carries on the Zabar family tradition appeared first on Jewish Telegraphic Agency.

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Pro-Israel Group Issues Slate of Democratic Endorsements in US Congressional Races

Supporters of Democratic Majority for Israel. Photo: Screenshot

A leading pro-Israel Democratic organization is stepping into a series of competitive US House primaries, aiming to bolster candidates who it says can both defend the US–Israel alliance and help Democrats reclaim the majority in 2026.

The Democratic Majority for Israel’s political action committee, DMFI PAC, on Thursday unveiled its first slate of endorsements this 2026 election cycle, targeting nearly a dozen open-seat and battleground contests across the country. The move underscores how support for Israel remains a defining issue within a party navigating internal divisions over Middle East policy.

Among the most closely watched races are several swing districts seen as pivotal to Democratic hopes of flipping the House from Republican control. In Colorado’s 8th District, state lawmaker Shannon Bird secured the group’s backing. In Pennsylvania, endorsements went to Scranton Mayor Paige Cognetti in the 8th District and former television anchor Janelle Stelson in the 10th.

The PAC also threw support behind former Rep. Elaine Luria in Virginia’s 2nd District, a perennial battleground seat, and Texas candidate Johnny Garcia in the 35th District.

In addition to those high-profile contests, the organization endorsed a group of candidates running in open or crowded Democratic primaries, including Cook County Commissioner Donna Miller in Illinois, former Rep. Melissa Bean also in Illinois, Maryland candidate Adrian Boafo, Michigan state Sen. Jeremy Moss, New York contender Cait Conley, and New Hampshire Democrat Maura Sullivan.

DMFI leaders say the endorsements reflect a dual strategy: reinforcing Democratic support for Israel as a key democratic ally in a volatile region, while elevating candidates viewed as broadly electable in general elections. The group argues that backing Israel’s security and right to defend itself against terrorist threats is consistent with Democratic values and national security priorities.

“These endorsements reflect our belief that supporting Israel and winning elections go hand in hand,” said Kathy Manning, former congresswoman and DMFI PAC board member. “The US–Israel relationship has long been a bipartisan pillar of American foreign policy because it’s critical to our security and intelligence capabilities – and it remains a view shared by the majority of Democratic voters. DMFI PAC is proud to support candidates who reflect those values and who can help strengthen the Democratic caucus in Congress.”

The announcement comes as debates over US policy toward Israel and Gaza continue to animate Democratic primaries. While some progressive lawmakers have pushed for new conditions on US aid and have condemned Israel’s military operations in Gaza, pro-Israel advocates maintain that steadfast support for Israel strengthens both American strategic interests and the party’s standing with moderate and swing voters.

In the two years following the Hamas-led Oct. 7, 2023, massacre in Israel, the relationship between the Jewish state and the Democratic Party has deteriorated dramatically. Overwhelming numbers of Democrats indicate a negative perception of Israel in polling. Moreover, recent surveys have shown a supermajority of Democrats claim that Israel has committed a “genocide” in Gaza, a narrative that Israel vehemently rejects and of which there is little substantiation.

Further, the cratering support for Israel among Democratic voters has caused many liberal politicians to distance themselves from Israel-aligned organizations such as DMFI and AIPAC, the preeminent pro-Israel lobbying group in the US.

“Winning back the House requires Democrats to nominate candidates who can build broad coalitions and win in November,” said Brian Romick, chair of DMFI PAC. “These endorsements reflect that reality. DMFI PAC is the only organization focused on electing Democrats to the majority while also ensuring pro-Israel Democrats can win in competitive primary and general elections.”

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Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’

There’s a joke in Blazing Saddles, about an event that took place several thousand years ago, that maybe hasn’t aged so well.

It’s in the scene where Harvey Korman’s conniving Attorney General Hedley Lamarr brainstorms plans to clear away the town of Rock Ridge. Lamarr’s lackey Taggart, played by Slim Pickens, makes a modest proposal: “We’ll kill the firstborn male child in every household.”

Lamarr considers the idea, before dismissing it. “Too Jewish,” he says.

When I heard that quip in a recent rewatch with my girlfriend (her first time), I saw a new reason why you couldn’t make the film today: Modern audiences, particularly those amateur critics itching to sound off online, seem to have more fluency in blood libels about Jews than the Passover narrative Mel Brooks and Co. were riffing on. For those who think the Epstein files contain damning proof of elites eating babies, “too Jewish” might seem like an admission. For the many more who look upon Zion as the source of the world’s ills, a misreading of the gag would likely go viral.

True, Blazing Saddles was made in 1974, well before the recent carnage in Gaza. But I could imagine the rejoinders — “Israel has been killing kids since 1948!”

I put the “too Jewish” joke out of mind for a bit. I decided I was overstating just how wrong people on the internet could be. And then I encountered a post on X. It was responding to a screenshot from Marty Supreme, where the title character presents his mother with a chunk of the pyramids. “We built that,” he says.

“This is Zionist propaganda,” an eagle-eyed netizen wrote, to the tune of nearly 96,000 likes, 11,000 reposts and 7 million views. The self-professed “archeology (sic) major” took the occasion to correct this humorous expression of the collosal self-regard of an antihero ping-pong hustler with proof that this particular Wonder of the World was the work of well-respected Egyptian craftsmen and so (somehow) invalidates the Jewish national project.

Someone else said the film, which nowhere mentions Israel, was Zionist. A Letterboxd review is terse in its description: “if the spiritually Israeli term was a movie.”

This failure to grasp Jewish references that have their own ontology — or the desire to graft more recent ones onto them — is becoming a theme.

Last year, The Brutalist, was mired in a debate about whether or not its subplot about the newly formed Jewish state was an endorsement or indictment of national ambitions in the Levant. (In entering this particular fray, most missed the point: Recent survivors of the Holocaust discussed and argued about Israel, some moved there, others didn’t and a film can present this reality without offering a judgment either way.)

When I see these takes, I beat my chest as if performing viddui over the death of media literacy.

As a critic for a Jewish publication, whose remit is to read deeply into even the most tenuous of Jewish subtexts, this pains me. Not because I myself have offended (though perhaps I have), but because I take the work seriously and try my hardest not to impose on art something that just isn’t there. I’m reminded of Freud’s famous remark: “Sometimes a cigar is a phallic metaphor for Jewish domination on stolen Palestinian land.”

Sorry, that wasn’t it at all, was it?

What the terminally online crowd often mean to say when they shout “Zionist propaganda” is “there are Jews in this!” It’s not a great way to interpret art, and it undermines the legitimacy of the argument that anti-Zionism is not antisemitism. But a film need not even have Jews in it for some to claim it’s really about Israel.

My colleagues and I have written about how Dune, Superman, and Zootopia 2 have been seized by the internet as part of the monomyth of Israeli villainy. When people make these connections, they may believe they’re thinking deeply, but they’re really just reaching for the nearest headline or playing to their own biases.

This insistence on Israel as the ultimate Big Bad reminds me of a remark made by Denise Gough, an actor in the Star Wars series Andor (another property said to be about Israel-Palestine, even though the creator Tony Gilroy mentioned numerous historical inspirations, most directly the Wannsee Conference). In an interview, Gough said a fan sent her a Star Wars analogy, which she said she only half understood.

The fan argued that just as the Death Star, a planet-destroying weapon, has an Achilles’ heel in its exhaust port, that when fired at explodes the whole thing, the conflicts of the world have a focal point in Palestine from which the architecture of oppression can be demolished.

“If we can free Palestine,” Gough concluded, “it explodes everything.” “Everything,” here, being unrelated atrocities in Sudan, Congo and Nigeria.

Let’s leave aside the fact that Gough, an actor in a Star Wars property, is somehow unfamiliar with the most iconic scene in the franchise, and what that level of research might connote for her understanding of the dynamics of the Middle East.

What she is really demonstrating, when she mentions other countries rocked by violence, is something much scarier: how the conspiratorial, magical thinking that all wrongs lead back to Israel — and that everything is a metaphor for it — echoes tropes of Jewish control and is ultimately an excuse for an exclusive fixation. Turn off the targeting computer that acknowledges complexity. Use the force, Denise! Get rid of the Zionist entity, every other crisis will sort itself out!

And so, I worry that Jewish stories — or even jokes — will stop being seen outside of a context of Israel’s actions and that metaphors and allegory will lose their elasticity, all looping back to a unified theory of evil Jews. Not for everyone, but for enough people to make a difference.

The Jewish story is textured, complex and anything but unified. Marty Supreme, The Brutalist and Blazing Saddles, each make this case. Those who see only one narrative not only miss the plot, they miss out on what good art does best.

The post Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’ appeared first on The Forward.

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France Moves to Criminalize Anti-Zionism Amid Surging Wave of Antisemitism Targeting Jews, Israelis

French Prime Minister Sebastien Lecornu delivers a speech at the National Assembly in Paris, France, Jan. 20, 2026. Photo: REUTERS/Sarah Meyssonnier

The French government is moving to criminalize anti-Zionism in a sweeping bid to confront a deepening surge in antisemitism targeting Jews and Israelis across the country, as officials warn of a growing climate of fear and intimidation nationwide.

Speaking at the annual gathering of the Representative Council of Jewish Institutions of France (CRIF), the main representative body of French Jews, Prime Minister Sébastien Lecornu announced that the government would introduce a bill criminalizing anti-Zionist expressions, signaling a move to tackle antisemitism in all its forms, not just traditional manifestations.

“To define oneself as anti-Zionist is to question Israel’s right to exist. It’s a call for the destruction of an entire people under the guise of ideology,” the French leader said.

“There is a difference between legitimate criticism of the Israeli government and rejecting the very existence of the Jewish state. This ‘blurring’ must stop,” he continued.

“Calling for the destruction of the State of Israel is calling to endanger the lives of a people and cannot be tolerated any longer,” Lecornu added. “Hatred of Jews is hatred of the Republic and a stain on France.”

The European Jewish Congress (EJC) commended Lecornu’s announcement, praising him “for his clear and principled commitment to criminalize calls for the destruction of any state, including Israel.”

During the ceremony, CRIF president Yonathan Arfi warned that Jewish communities in France are under mounting threat, stressing the urgent need for action against the country’s rising antisemitism.

“Antisemitism knows no truce. The conflict in the Middle East has acted as a catalyst. But the hatred growing in our country is a French problem, and there is no reason to expect a rapid decline,” Arfi said.

In April, the French government is expected to endorse a private bill proposed by Jewish Member of Parliament Caroline Yadan, who represents French citizens abroad — including thousands living in Israel — with backing from right-wing parties likely ensuring the majority needed to pass the legislation.

Yadan explained that the bill is designed to combat emerging forms of antisemitism, emphasizing the urgent need for stronger legal measures to protect Jewish communities in France.

“This is a clear statement: Our Republic will not become accustomed, will not look the other way, and will never abandon the Jews of France,” the French lawmaker said.

Like most countries across Europe and the broader Western world, France has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

According to the French Interior Ministry’s annual report on anti-religious acts, antisemitism in France remained alarmingly high last year, with 1,320 incidents recorded across the country.

Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the report warned that antisemitism remains “historically high,” with more than 3.5 attacks occurring every day.

The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.

Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.

Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.

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