Uncategorized
Hannah Senesh’s example of Jewish pride and sacrifice gains renewed attention in our anxious era
More than 80 years after she parachuted into Yugoslavia as part of the only military operation in World War II that attempted to rescue Jews, the Jewish poet and kibbutznik Hannah Senesh is having her moment.
The play “Hannah Senesh” is running through Nov. 9 at the National Yiddish Theatre Folksbiene in New York — an excellent one-woman show, starring Jennifer Apple, that draws directly from Senesh’s diary and poems.
A new book by Douglas Century, “Crash of the Heavens: The Remarkable Story of Hannah Senesh and the Only Military Mission to Rescue Europe’s Jews During World War II,” is a work of nonfiction written with the pacing and tension of a thriller.
Early next year, the noted Israeli journalist Matti Friedman will tell the story of Hannah’s team of parachutists in “Out of The Sky: Heroism and Rebirth in Nazi Europe.”
And this week the New York Times gave Senesh the obituary treatment she had been denied in 1944, as part of its “Overlooked No More” project.
Why, in 2025, is the culture turning its attention to the story of this young poet, soldier and martyr? What does her life mean, especially, to Jews?
Hannah Senesh was born in Budapest in 1921 to an assimilated Hungarian Jewish family. Her father, Béla Szenes, was a well-known playwright and journalist who died when she was a child, and her mother, Katharine, raised her and her brother alone. Their home was cultured and secular.
As a schoolgirl, Hannah excelled in writing and was drawn to literature, but by her teenage years, antisemitism had begun to close in on Hungarian Jews. Rather than retreat, she grew more conscious of her Jewish identity and of the new Zionist movement that sought to combine Jewish pride with action.
In 1939, as the clouds of war gathered, Senesh left Budapest for Palestine. She studied at the Nahalal agricultural school for girls and later joined Kibbutz Sdot Yam near Caesarea, embracing the pioneer life. In the kibbutz she found a community rooted in the land and faith in the future of the Jewish people. There she also honed her poetic voice, writing verses that would later become part of Jewish collective memory.
I, along with countless young people, grew up singing her most famous poem in Jewish summer camps. That is “Eli, Eli” — “My God, my God, may these things never end: the sand and the sea, the rustle of the waters, the lightning of the heavens, the prayer of man.” The poem’s original title is “Walking to Caesarea,” which is where Hannah wrote it. Caesearea, the Roman capital of ancient Palestine, was where the sages suffered martyrdom. The reference to the site suggests Hannah could sense the possibility of her own martyrdom.
So does “Blessed Is the Match,” another of her best-known poems: “Blessed is the match consumed in kindling flame, blessed is the flame that burns in the secret fastness of the heart.”
As the Holocaust unfolded, Senesh could not remain on the sidelines. She volunteered for a special British unit to train Jewish parachutists who would drop behind enemy lines to aid Allied forces and assist persecuted Jews.
Hannah Senesh wears the uniform of the British Women’s Auxiliary Air Force, which she joined in 1943. (Yad Vashem Photo Archive)
In 1944, she parachuted into Yugoslavia as part of an Allied mission to reach occupied Hungary. Her goal was to make contact with the underground and help rescue Jews who were being deported to Auschwitz. After months of operating with Yugoslav partisans, she attempted to cross the Hungarian border but was captured by fascist forces. Tortured, interrogated and offered the chance to save her life by revealing secret details of her mission, she refused. When asked if she was British, she reportedly declared instead, “I am a Jew.”
Senesh was imprisoned in Budapest, tried for treason and executed by firing squad on Nov. 7, 1944. She was only 23. Her writings — diaries, poems, and letters — were preserved by her mother and later published, ensuring that her voice lived on. Nearly every Israeli household has a copy of her writings.
Like Anne Frank, Hannah left behind a diary chronicling her idealism and inner life. But where Anne Frank’s writings reflect a confined adolescence, albeit with a free-floating spirit, Hannah Senesh’s life was defined by agency and action.
She was not only a poet and diarist; she was a soldier who took up arms against the Nazi war machine. Her vision of heroism fused cultural Zionism with physical courage — a model of Jewish strength that is both intellectual and militant. She was, in many ways, a figure closer to Theodor Herzl than to Anne Frank: a Hungarian Jew whose secular upbringing gave way to a conscious and proud Jewish identity, and whose life was devoted to the realization of that identity in the land of Israel.
Like me, Douglas Century grew up learning Hannah’s story. In my conversation with him, he told me that “her martyrdom amazed and terrified” him. He came to know David Senesh, Hannah’s nephew, who is a therapist specializing in trauma (and who this month spoke to the Times of Israel about how his aunt’s story influenced his life and his work with former hostages and other traumatized Israelis). David had been a prisoner of war in the 1973 Yom Kippur War, and spent months undergoing torture. David’s father, George, had been in a POW camp in Vichy France, and his grandmother, Catherine, had been a prisoner of the Gestapo
As David wryly told Century: “I sometimes think it’s our destiny – or something in the Senesh family DNA.”
These converging story lines of Jewish agency and sacrifice suggest why Hannah’s story may be right for these fraught times, marked by antisemitism, anti-Zionism and moral confusion.
The Folksbiene production of Hannah Senesh and the books by Century and Friedman arrive at a time when Jews feel pressure to minimize or conceal their identity. The play’s climactic moment — when Senesh asserts her Jewishness to her captors — feels like a direct message to today’s audience: a call not to erase or apologize for who we are. It is both a historical reenactment and a moral demand.
To that end, the National Yiddish Theatre Folksbiene has launched a special fundraising initiative to make tickets for “Hannah Senesh” available free of charge for students — both Jewish and non-Jewish. With incidents of antisemitism, intolerance and hatred taking place at an alarming clip in the city, NYTF is committed to providing up to 1,000 free student tickets.
There is also a deep cultural hunger for stories of heroism and moral clarity. Senesh’s story even appears in the late Sen. John McCain’s memoir, “Why Courage Matters”: “I don’t think Hannah wanted to die for the sake of having her memory exalted in history or to prove herself equal to a romantic image she conceived for herself,” writes McCain. “Her purpose wasn’t to die. She died for her life’s purpose.”
Senesh’s story is also a rebuke to the way too many Jews and others remember the Holocaust. For decades, much of Holocaust representation has focused on Jewish victimhood and suffering. Senesh represents something different: defiance, action and dignity. Her story restores a narrative of Jewish power and resistance, embodied not by generals or politicians but by a 23-year-old woman who refused to compromise her Jewish identity. In an age when many feel ambivalent about that identity — when assimilation, fear, or politicized hostility challenge Jewish expression — her unwavering sense of purpose feels radical and necessary.
At a time when “Zionist” and its hateful cousin “Zio” are epithets, more often spat than spoken, the musical, in particular, reclaims that identity as a badge of courage. Moreover, it locates a Zionist identity where it belongs — as a symbol of idealism and resilience. In the show, Hannah makes it clear: Her Zionism echoes that of the philosopher Martin Buber, who believed that both Jews and Arabs could and would share the land.
Every time I lead services from the Reform prayer book, “Mishkan T’filah,” and I come to the readings before the Mourner’s Kaddish, I encounter Hannah’s poem, “Yesh Kochavim”: “There are stars up above, so far away we only see their light long, long after the star itself is gone.” That is Hannah Senesh — a star that fell to earth long before its time, but whose light still illuminates the world.
This is Hannah Senesh’s moment. It comes at a time that calls for models of Jewish strength, compassion and integrity. The play and Century’s book answer that call — not with nostalgia but with renewal. They remind us that, even when surrounded by darkness, the match still burns, and the stars still shine.
—
The post Hannah Senesh’s example of Jewish pride and sacrifice gains renewed attention in our anxious era appeared first on Jewish Telegraphic Agency.
Uncategorized
German Antisemitism Commissioner Targeted With Death Threat Letter After Arson Attack on Home
Andreas Büttner (Die Linke), photographed during the state parliament session. The politician was nominated for the position of Brandenburg’s anti-Semitism commissioner. Photo: Soeren Stache/dpa via Reuters Connect
Andreas Büttner, the commissioner for antisemitism in the state of Brandenburg in northeastern Germany, has been targeted the second attack in under a week after receiving a death threat, sparking outrage and prompting local authorities to launch a full investigation.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter on Monday threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
State security police have examined the anonymous letter under strict safety measures, determining that a gray substance inside was harmless. Authorities are now probing the incident as part of an ongoing investigation into threats against the German official.
Ulrike Liedtke, president of the Brandenburg state parliament, condemned the latest attack on Büttner, describing the death threats and harassment as “completely unacceptable.”
“Threats and violence are not a form of political discourse, but crimes against humanity,” Liedtke said. “Andreas Büttner has our complete support and solidarity.”
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
On Sunday night, Büttner’s private property in Templin — a town located approximately 43 miles north of Berlin — was targeted in an arson attack, and a red Hamas triangle was spray-painted on his house.
The home of Germany’s antisemitism commissioner, Andreas Büttner, was set on fire overnight in a targeted attack.
His family was inside the house at the time.
This is the second attack against Büttner in the past 16 months. His car was previously vandalized with swastikas. This… pic.twitter.com/cAbFnMIwQ7
— Combat Antisemitism Movement (@CombatASemitism) January 5, 2026
According to Büttner, his family was inside the house at the time of the attack, marking the latest assault against him in the past 16 months.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other symbols and threats were also spray-painted on Büttner’s personal car.
Uncategorized
Harvard President Blasts Scholar Activism, Calls for ‘Restoring Balance’ in Higher Ed
Harvard University President Alan Garber speaks during the 374th Commencement exercises at Harvard University in Cambridge, Massachusetts, US, May 29, 2025. Photo: REUTERS/Brian Snyder
Harvard University president Alan Garber, fresh off a resounding endorsement in which the Harvard Corporation elected to keep him on the job “indefinitely,” criticized progressive faculty in a recent podcast interview for turning the university classroom into a pulpit for the airing of their personal views on contentious political issues.
Garber made the comments last week on the “Identity/Crisis Podcast,” a production of the Shalom Hartman Institute, a Jewish think tank which specializes in education research.
“I think that’s where we went wrong,” Garber said, speaking to Yehuda Kurtzer. “Because think about it, if a professor in a classroom says, ‘This is what I believe about this issue,’ how many students — some of you probably would be prepared to deal with this, but most people wouldn’t — how many students would actually be willing to go toe to toe against a professor who’s expressed a firm view about a controversial issue?”
Garber continued, saying he believes higher education, facing a popular backlash against what critics have described as political indoctrination, is now seeing a “movement to restore balance in teaching and to bring back the idea that you really need to be objective in the classroom.”
He added, “What we need to arm our students with is a set of facts and a set of analytic tools and cultivation of rigor in analyzing these issues.”
Coming during winter recess and the Jewish and Christian holidays, Garber’s interview fell under the radar after it was first aired but has been noticed this week, with some observers pointing to it as evidence that Harvard is leading an effort to restore trust in the university even as it resists conceding to the Trump administration everything it has demanded regarding DEI (diversity, equity, and inclusion), viewpoint diversity, and expressive activity such as protests.
As previously reported by The Algemeiner, Garber has spent the past two years fighting factions from within and without the university that have demanded to steer its policies and culture — from organizers of an illegal anti-Israel encampment to US President Donald Trump, who earlier this year canceled $2.26 billion in public money for Harvard after it refused to grant his wishlist of reforms for which the conservative movement has clamored for decades.
Even as Harvard tells Trump “no,” it has enacted several policies as a direct response to criticisms that the institution is too permissive of antisemitism for having allowed anti-Zionist extremism to reach the point of antisemitic harassment and discrimination. In 2025, the school agreed to incorporate into its policies a definition of antisemitism supported by most of the Jewish community, established new rules governing campus protests, and announced new partnerships with Israeli academic institutions. Harvard even shuttered a DEI office and transferred its staff to what will become, according to a previous report by The Harvard Crimson, a “new Office of Culture and Community.” The paper added that Harvard has even “worked to strip all references to DEI from its website.”
Appointed in January 2024 as interim president, Garber — who previously served in roles as Harvard’s provost and chief academic officer — rose to the top position at America’s oldest and, arguably, most prestigious institution at a time when the job was least desirable. At the time, Harvard was being pilloried over some of its students cheering Hamas’s Oct. 7, 2023, massacre across southern Israel and even forming gangs which mobbed Jewish students wending their way through campus; the university had suffered the embarrassment of its first Black president being outed as a serial plagiarist, a stunning disclosure which called into question its vetting procedures as well as its embrace of affirmative action; and anti-Israel activists on campus were disrupting classes and calling for others to “globalize the intifada.”
Garber has since won over the Harvard Corporation, which has refused to replace him during a moment that has been described as the most challenging in its history.
“Alan’s humble, resilient, and effective leadership has shown itself to be not just a vital source of calm in turbulent times, but also a generative force for sustaining Harvard’s commitment to academic excellence and to free inquiry and expression,” Harvard Corporation senior fellow Penny Pritzker said in a statement issued on behalf of the body, which is the equivalent of a board of trustees. “From restoring a sense of community during a period of intense scrutiny and division to launching vital new programs on viewpoint diversity and civil discourses and instituting new actions to fight antisemitism and anti-Arab bias, Alan has not only stabilized the university but brought us together in support of our shared mission.”
Follow Dion J. Pierre @DionJPierre.
Uncategorized
Holocaust Survivors Sent Care Packages to Oct. 7 Hostages for Hanukkah
The Menorah for Hanukkah on the Square 2025 in Trafalgar Square, London, United Kingdom, Dec. 14, 2025. Photo: Matthew Chattle/Cover Images via Reuters Connect
Survivors of the Holocaust spread holiday cheer this Hanukkah by delivering care packages to a group of 20 hostages whom the terrorist group Hamas recently released from captivity to fulfill the requirements of a ceasefire which suspended hostilities with Israel.
The gifts, dropped off at the Israeli consulate office in New York City, was made possible by The Blue Card, the only US-based charity organization which provides financial assistance and other services to survivors of the Holocaust. Originally founded in 1934 to assist Jews who had fled Germany to escape Hitler’s persecution of the country’s Jews, it has operated ceaselessly for nearly a century.
Over the past two years, the world has seen a revival of antisemitism unlike any since the period in which The Blue Card was founded, sparked by the Hamas-led Oct. 7, 2023, massacre that claimed the lives over of 1,200 Israelis and stole years and even more lives from 251 more who were kidnapped and held hostage in Gaza.
Some of the hostages who survived captivity have been released in stages since Israel and Hamas agreed on a ceasefire in October, and on Monday, Blue Card executive director Masha Pearl said the organization felt it necessary to reach out to them due to their having experienced a plight that is painfully familiar to what its clients endured in Europe during the Holocaust. Pearl also discussed the Bondi Beach mass shooting, in which a father and son inspired by Islamism opened fire on Jews celebrating the start of Hanukkah, murdering 15 people and injuring 40 others.
“Holocaust survivors and former hostages share a uniquely painful bond shaped by survival and resilience,” Pearl said. “After witnessing a mass shooting at a Chanukah event in Sydney, it felt even more urgent for our survivors to deliver these care packages now, spreading light at a moment that feels dark for the entire Jewish world. The resilience of the Holocaust survivors we assist, the former hostages, and now the survivors of the attack in Australia remind us that even in the face of hatred and violence, the Jewish people remain united.”
In a press release Blue Card said the care packages “carried profound meaning,” being filled to the brim with goods of all sorts, from blankets and water bottles to chap stick and even handwritten notes from the Holocaust survivors who sent them.
Follow Dion J. Pierre @DionJPierre.
