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Harry Belafonte, singer and civil rights activist who popularized ‘Hava Nagila’ in the US, dies at 96
(New York Jewish Week) — Barrier-smashing singer, actor and civil rights activist Harry Belafonte, who once boasted of being “the most popular Jew in America” because of his rendition of a Hebrew classic, died Tuesday at his longtime Upper West Side home. He was 96.
The New York City native was the one of the first Black artists to achieve widespread commercial success in the United States, and while he was raised Catholic, his life frequently dovetailed with Jewish causes, values and people. Among Belafonte’s many Jewish connections — which included brokering a meeting between Nelson Mandela and Jewish leaders in 1989 — was his marriage to his Jewish second wife, dancer Julie Robinson. The couple, who were married from 1958 to 2004, raised two children, Gina and David.
In 2011, Belafonte revealed in his autobiography, “My Song: A Memoir” that his paternal grandfather was Jewish. Belafonte’s parents were both Jamaican immigrants: his mother, Melvine, was the child of a white mother from Scotland and a Black father, and his father, Harold George Bellanfanti, who later changed the family name, was the son of a Black mother and white Dutch-Jewish father. In his book, Belafonte describes his paternal grandfather, whom he never met, as “a white Dutch Jew who drifted over to the islands after chasing gold and diamonds, with no luck at all.”
Belafonte was born Harold George Bellanfanti Jr., in Harlem on March 1, 1927. His father was largely absent during his childhood; his mother, who struggled with finding work, forged a relationship with a Jewish tailor who taught her how to mend garments. “That tailor gave me my first sense of kinship with Jews, which would deepen over time,” Belfonte wrote in his memoir. He spent a portion of his childhood with his grandmother in Jamaica, but he returned to New York to attend George Washington High School in Washington Heights — where Alan Greenspan and Henry Kissinger were also educated — before dropping out.
Following a stint in the U.S. Navy during World War II, Belafonte was bitten by the acting bug when, working as a janitor’s assistant, he was given a pair of tickets to the American Negro Theater as a gift. “It was there that the universe opened for me,” he told NPR in 2011. “I decided with any device I could possibly find, I wanted to stay in this place. What I had discovered in the theater was power: power to influence, power to know of others and know of other things.”
In the late 1940s, Belafonte enrolled in acting classes, where he met his lifelong friend Sidney Poitier. The impoverished pair would often share a single theater ticket, trading places at intermission. He also befriended Jewish actor Tony Curtis, writing in his memoir: “He lived in the Bronx with his family; why live downtown, he’d say, when he could live uptown for free? And who cared if they still greeted him up there as Bernie Schwartz?”
He and Curtis frequently went to parties together, he wrote, sometimes with the actress Elaine Stritch, “who swore more colorfully than any sailor I’d known,” and “the blunt Jewish comic” Bea Arthur, “who’d start matching wits with Elaine until the two of them had everyone in uncontrollable laughter.”
To pay for acting classes, Belafonte began dabbling in singing at nightclubs, and it was there that a true superstar was born. One of Belafonte’s early successes were his performances of the Hebrew dance hit “Hava Nagila” at the classic downtown folk club the Village Vanguard. His rendition, Belafonte joked to The New York Times in 2017, made him “the most popular Jew in America.”
In that same interview, Belafonte recalled the tough uptown streets of his childhood, and how he was drawn to the fast money his uncle’s number-running business earned. “Everybody in that world were role models in how to survive, how to be tough, how to get through the city, how to con, the daily encounters,” he said. “But my mother saw to it that unless I wanted to live life absent of testicles, she wasn’t going to have me follow her brother Lenny. Somewhere in there is a Sholem Aleichem — a rich story to be told of the lore of that time.”
With his 1953 breakthrough album, “Calypso” — which included his most iconic work, “The Banana Boat Song” — Belafonte “almost single-handedly ignited a craze for Caribbean music,” according to The New York Times’ obituary. “Calypso” climbed to the top of the Billboard album chart shortly after its release and stayed there for 31 weeks; it is reported to be the first album by a solo artist to sell more than a million copies. By 1959 he was the most highly-paid Black performer in history, according to the Times.
Known around the world as the “King of Calypso,” Belafonte recorded and performed a wide range of global and folk classics throughout his wide-ranging musical career — Jewish standards among them. In 1959, he performed “Hine Ma Tov” in England, with what appears to be an Israeli military choir; his 1963 album, “Streets I Have Walked,” includes a rendition of “Erev Shel Shoshanim” (“Evening of Roses”), a popular Jewish wedding song.
Belafonte’s greatest passion, however, was neither acting nor singing — it was civil rights activism. There, too, he worked closely with many Jewish activists, as part of the historic Black-Jewish civil rights alliance of the 1950s and 1960s. But, as he recalled in his memoir, it was racism delivered by a Jewish TV executive that first inspired him to take on racial segregation in the United States.
The executive, a Jew from Montreal named Charles Revson, asked Belafonte to stop hosting white dancers on his performance show, citing the preferences of Southern viewers. Belafonte said he rejected the instruction and let Revson cancel the show. He realized, he wrote, that TV could only reflect societal attitudes, not change them. “To change the culture you had to change the country,” he concluded.
Through his civil rights activism, Bellafonte befriended Martin Luther King Jr. in 1956; the pair remained close until King’s assassination in 1968. “My apartment was a retreat for him,” Belafonte told NPR of King and his 21-room apartment in 2008. “He had his own entrance, his own kitchen. The home became, for him, a place where he could think and reside, take his shoes off, have his collar open and be him.”
Belafonte helped provide the seed money to launch the Student Nonviolent Coordinating Committee, and he was one of the lead fundraisers for that organization and King’s Southern Christian Leadership Conference. He was “deeply involved” in the 1963 March on Washington and helped fund the Freedom Rides.
Belafonte’s commitment to social justice endured throughout his long life and career. In the 1980s, he helped organize the Live Aid concert, and he served as UNICEF’s goodwill ambassador after Jewish entertainer Danny Kaye pioneered the role. He was also a co-chairman of the Women’s March on Washington in January 2017, along with Gloria Steinem, though ill health kept him from attending.
Though primarily famous for his singing, Belafonte continued to make movies throughout his career; in 1970 he produced and co-starred in “The Angel Levine” alongside the original “Fiddler on the Roof” star Zero Mostel. Based on a story by Bernard Malamud, Belafonte starred as the titular Jewish angel. (The “project had a sociopolitical edge,” the Times noted, as the entertainer’s Harry Belafonte Enterprises hired 15 Black and Hispanic apprentices to work on the film’s crew.)
The cause of Belafonte’s death was congestive heart failure. He is survived by his two children with Robinson; the two children he had with his first wife Marguerite Byrd, Adrienne Biesemeyer and Shari Belafonte; and eight grandchildren. After divorcing Robinson in 2004, he married photographer Pamela Frank in 2008; Frank also survives him, along with stepchildren Sarah Frank and Lindsey Frank and three step-grandchildren.
“There’s just so much left that’s in my basket of possibilities,” Belafonte told The New York Times ahead of his 90th birthday in 2017. “I’m not as young as I feel, or as young as I would consider myself to be. The 90 figure is a blur. But I do know that if there’s anything left for me to do, I had best hurry up and do it, because time is not an ally.”
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The Hardest Thing in Philanthropy Is Saying ‘No’
An aerial view of the Temple Mount in the Old City of Jerusalem. Photo: Wikimedia Commons.
When people ask what the hardest thing about working in philanthropy is, they expect to hear about challenges related to raising money or dealing with difficult donors or recipients in various situations.
In actuality, the answer is significantly more painful: The hardest thing in philanthropy is saying “no.”
We know when there is money available and when there isn’t. At the end of the day, someone needs to make decisions.
I recently looked into the origin of the word philanthropy. The word is derived from an ancient Greek word “philos,” which refers to love, and “anthropos,” which refers to people. Basically, philanthropy literally translates to the love of humanity.
Note that there is no mention of money or donations in this definition. This shows something profound: the basic necessity of philanthropy is having a genuine desire to help other people. Money is simply a tool.
Imagine two cases that come up on the same day: One person needs an urgent financial grant for food. The second person requests support for studies that will allow him to earn a decent living and become independent, helping him stand on his own two feet. The budget is only able to help one of them. Which would you choose?
What needs to be considered: Is it better to give someone a fish, or teach them how to fish? I believe that it’s better to invest in someone who will be able to stand on their own two feet tomorrow and potentially even help others in the future. True, we have to say “no” to someone else, but that’s part of the decision.
I’ve been working in fundraising for more than 40 years in the United States, Canada, and Israel. The money we transfer is not ours — it’s the money of other people who have trusted us. We are the faithful messengers, which means we must ask: What will the effects of this money be?
It’s also a matter of professional responsibility. Every dollar is scrutinized — is the organization legitimate? Does it comply with tax laws on both sides? Just a month ago, I had to explain to a donor that donations to military causes do not meet the definition of charity under US tax law. That’s the kind of guidance an intermediary organization should give — even when it means saying “no.”
At our foundation, we work as a bridge between donors in North America and nonprofits in Israel. A donor in Toronto or New York wants to help in Israel, but they need someone on the ground to check and verify their potential projects. True philanthropy begins with loving people, but continues with the understanding that you can’t help everyone. And when the moment comes to say “no” — and it always will — you have to remember that it’s part of the mission. Because if we say “yes” to everyone, it would prevent us from helping anyone.
Chaim Katz is the founder and CEO of the Ne’eman Foundation, which helps Israeli non-profits receive donations from North America.
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UC San Diego ‘Guardian’ Journalist Unfairly Attacks Study Abroad Program in Israel
The San Diego skyline. Photo: Wikimedia Commons
Following the announcement of the UC San Diego study abroad program in Israel and Jordan this winter, some students — including UCSD Guardian senior staff writer Jaechan Preston Lee — expressed outrage at the Anthropology department’s decision to host the trip.
The critical article that Lee published in the university paper last month parades misinformation as truth, and exacerbates the already fragile climate on campus.
His article conveys Israel as a militaristic, vengeful, malevolent, and hateful state. And his argument promotes exclusion and discourages students from gaining a comprehensive understanding of perspectives they may not agree with.
Accepting Lee’s call to cancel the trip would undermine our school’s commitment to academic freedom, further demonize pro-Israel and Jewish community members, and allow his deeply distorted worldview to continue bullying its way into wider acceptance.
On Oct. 5, the UCSD Anthropology Department sent an email to all undergraduate students offering the opportunity to learn about the region’s “ancient and recent past” by “meeting people of very different religious and ethnic backgrounds.”
Two weeks later, Lee argued that the trip is “unethical and reckless” because it is “a form of American and Israeli soft power influence on the West’s perception of land rights and indigeneity in the Middle East.” He justifies his position in a number of ways, all of which collapse under even modest scrutiny.
First, it’s important to address his false claims. The characterization of Israel as an “apartheid state” and the current conflict with the Palestinians as a “genocide” are easily disproven.
Palestinian Arab citizens of Israel enjoy full and equal rights. They serve in every single level of society — from the Supreme Court and Knesset to all levels of civil life — and policies regarding the disputed territories are either temporary or a response to constant terror threats.
The genocide accusation is equally false. First, there was no intention to commit genocide — which is legally and morally required for the term to ever apply. Israel was fighting a war of self defense after the Oct. 7 massacre. Second, any arguments about population decline in Gaza cannot be proven — because the death tolls released by the Hamas-run Gaza Health Ministry have been falsified and also debunked.
The genocide accusation is also a complete insult to populations that have undergone an actual genocide — since no “genocide” in history has included protective actions such as leaflet distribution to encourage evacuation, nor has it ended immediately after hostages were released. Israel had the fire power to kill hundreds of thousands, if not a million Gazans. If genocide were Israel’s true aim, why were none of these capabilities ever used?
What’s more, all of the sources that Lee offers have faced widespread criticism for being incredibly dishonest and systemically biased against Israel for decades.
The UN report Lee hyperlinks was co-written by a rapporteur who is so antisemitic that she is being sanctioned by the US government. Lee also cites Hamas-allied Qatari state media Al Jazeera to suggest that Israel attacked its neighboring countries unprovoked, without mention of Hezbollah in Lebanon, the Houthis in Yemen, or jihadist activity in Syria.
Lee’s work follows a pattern in biased discourse where the lie of Israel’s unique evil is repeated until nobody questions if it’s true. Regardless of intent, Lee has become a mouthpiece for the propaganda that he claims to oppose.
One revealing argument targets Israel’s archaeological work, which Lee portrays as a means for the state to exert control over disputed land. By acknowledging Jewish artifacts beneath the soil, he implicitly affirms the deep historical Jewish roots in the region, yet dismisses that history as irrelevant to Jewish claims to the land. He also overlooks concerns that, under full Palestinian control, many of these sites and artifacts would risk neglect or destruction. The very existence of this debate underscores the importance of students seeing Israel’s archaeological realities firsthand.
Lee also fails to mention that the trip will include excursions in Jordan. The program is clearly designed to provide a balanced regional perspective rather than promote any single narrative.
At its core, the article is an excuse to attack Israel and isolate Zionist students. To deprive students of the opportunity to visit Israel is to attack our community’s freedom of choice and academic strength.
If the mere exposure to opposing perspectives derails your cause, perhaps it isn’t an honest one.
The campus culture at UCSD has been divisive and exclusionary towards Jews and Israelis since Oct. 7, 2023. Harmful narratives shut out anyone whose experiences do not align, and Lee’s piece will likely contribute to this trend.
By hosting this trip, the Anthropology Department takes a step toward changing that. It demonstrates a commitment to fostering global citizens and critical thinkers who inform their opinions through conversations with real people rather than 60-second videos on TikTok feeds.
I hope that the trip’s participants will show our campus what it means to engage rather than alienate. Maybe they will open the door for a generation of students who choose curiosity over banishment, and have the courage to see one another as people, not as sides of a centuries-old geopolitical conflict.
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The Netherlands Shows Her True Colors Once Again
A view shows the Peace Palace, which houses the International Court of Justice (ICJ), in The Hague, Netherlands, April 28, 2025. Photo: REUTERS/Piroschka van de Wouw
I never thought I would write these words, but I have lost respect for my own country. I say that with sadness, not anger. For years, I believed in the Dutch reputation for fairness, nuance, and moral clarity. Today, that image has crumbled. The way Dutch media covers Israel is not just biased; it is intellectually lazy, historically empty, and socially dangerous. Worst of all, it fuels a rising wave of antisemitism in a nation that should know exactly where that road leads.
The most recent example came from Trouw, a newspaper that once claimed to value journalistic integrity. It published an uncritical article praising the views of Ta-Nehisi Coates, who labeled Israel an “apartheid state.” That accusation was presented to readers as if it were self-evident truth, not an opinion. No context. No history. No pushback. No mention of equal rights for all Arab citizens. No mentions of terrorism, of facts on the ground, of the repeated rejection of peace initiatives, or of the lives Israelis have been forced to defend from relentless violence. It was a piece of writing that replaced journalism with activism, and knowledge with slogans.
If Dutch journalists insist on making comparisons, then honesty requires them to explain what real apartheid actually looked like. South Africa enforced legally defined racial categories, stripped millions of their citizenship, banned interracial marriage, separated schools, hospitals, beaches, toilets, buses, universities, and neighborhoods. Black South Africans were barred from voting, from certain jobs, and from owning land in most of the country. They were forced into impoverished “homelands,” denied freedom of movement, and subject to routine torture and violence by the state. None of this resembles Israel. Not even remotely.
But the truth no longer seems to matter in Dutch newsrooms. Nuance has disappeared. Context has vanished. Emotion has replaced evidence, and ideology has replaced inquiry. Israel is guilty by default, while its critics are treated as prophets whose words require no verification.
The Dutch media’s relentless one-sidedness reveals something deeper and more troubling than mere ignorance. It reflects a renewed comfort with blaming Jews for the world’s problems, a habit with a long and ugly history in Europe. When articles like the one in Trouw are circulated without challenge, they do not educate the public; they radicalize it. They normalize anti-Jewish hostility. They transform a complex conflict into a morality play, where Israelis are cast as colonial villains and Palestinians as blameless victims, regardless of reality.
As a Dutch citizen, I am ashamed. Ashamed of the intellectual laziness in our press. Ashamed of the moral posturing that ignores Jewish suffering. Ashamed of how quickly we have forgotten our responsibility to truth after the darkest chapter in European history. And ashamed that my country, once known for moral clarity, now prefers fashionable outrage over honest reporting.
Israel is not perfect. No nation is. But the apartheid accusation is not journalism. It is propaganda. And when the Dutch media amplifies it, they are not holding power to account — but are helping to spread a lie with real consequences for Jewish communities and for the possibility of peace.
It is time for Dutch journalists to rediscover integrity. And it is time for readers to demand it.
It is also time, more than ever, to stand up for Israel, because truth still matters.
Sabine Sterk is CEO of the NGO Time To Stand Up For Israel.