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Harvard extends fellowship offer to leading Israel critic Ken Roth after weeks of controversy
(JTA) – Harvard University will extend a fellowship offer to former Human Rights Watch Director Ken Roth after previously rejecting him over his past comments on Israel, capping weeks of controversy that ensnared the Ivy League school in a global debate about academic freedom and criticism of Israel.
In an open letter Thursday, Harvard Kennedy School dean Douglas Elmendorf said his previous decision not to offer the fellowship to Roth had been an “error,” and that “the broader faculty input I have now sought and received has persuaded me that my decision was not the best one for the School.”
The school’s Carr Center for Human Rights had been in talks with Roth to take a fellowship shortly after he resigned from his position as Human Rights Watch’s director last year. Roth had held the role since 1993. Elmendorf initially vetoed the Carr Center’s decision to offer Roth the fellowship, and an affiliated professor told The Nation, the progressive magazine, that she had been told Roth’s “anti-Israel bias” was the reason.
Human Rights Watch tracks human rights abuses around the world. Roth’s critics — including Human Rights Watch’s Jewish co-founder, Robert Bernstein — alleged that the group was spending a disproportionate amount of its time and resources on Israel’s treatment of Palestinians under his leadership. A year before Roth left, the organization released a landmark report condemning Israel as an “apartheid” state for the first time.
Roth, whose father was a Jewish refugee from Nazi Germany, also frequently tweets criticism of Israel that his critics say sometimes veers into antisemitism.
The report in The Nation, and Roth’s own account of the incident in The Guardian, set off a firestorm as the Harvard community, alongside pro-Palestinian groups and academic free-speech organizations, strongly opposed the school’s decision and called on it to reverse course.
“Withholding Roth’s participation in a human rights program due to his own staunch critiques of human rights abuses by governments worldwide raises serious questions about the credibility of the Harvard program itself,” PEN America said in a statement. The group’s CEO was an executive at HRW under Roth.
More than 1,000 Harvard students, faculty and alumni signed an open letter calling for Elmendorf’s resignation.
Meanwhile, some pro-Israel figures, including an executive at Combined Jewish Philanthropies of Greater Boston and a student activist at Harvard, had defended the dean’s decision to turn down Roth.
In one notable comment, Lawrence Summers, the Jewish former Harvard president and former U.S. treasury secretary with strongly pro-Israel views, also criticized the school’s decision.
“I loathe Ken Roth’s views on Israel and think some of his statements border on antisemitic,” Summers wrote in a series of tweets. But, he added, “preventing a human rights center from having the fmr head of a leading human rights center as a visiting fellow on grounds of the person’s views/modes of expression is not consistent w/profound commitment to intellectual diversity that should be a bedrock value in universities.”
Meanwhile, Jonathan Greenblatt, CEO of the Anti-Defamation League, objected to another element of The Nation’s report. The story, Greenblatt said, “concocts a conspiracy theory” that the dean’s decision had been swayed by a number of Israeli donors to the Kennedy School.
“It’s a textbook case of classic antisemitism: It’s not the leadership of the Kennedy School that made this decision, oh no,” Greenblatt wrote in an op-ed. “It’s the powerful and monied Jewish elite that really influences things behind the scenes.”
Through a spokesperson, Elmendorf declined an interview with the Jewish Telegraphic Agency this week. In his letter to the school Thursday, he said his decision on Roth “was based on my evaluation of his potential contributions to the School.”
In a statement Thursday responding to the decision, Roth seemed to indicate he would accept the fellowship offer. “I have long felt that the Carr Center, and the Kennedy School, would be a congenial place for me to work on the book that I am writing. I look forward to spending time there with colleagues and students,” he wrote.
But Roth continued to criticize Elmendorf and said “I remain worried about academic freedom… The problem of people penalized for criticizing Israel is not limited to me, and most scholars and students have no comparable capacity to mobilize public attention.”
NGO Monitor, an Israeli nonprofit that acts as a watchdog of Israel criticism among NGOs, condemned Harvard’s reversal.
“In 30 years as head of Human Rights Watch, Roth has consistently singled-out Israel uniquely for demonization and delegitimization, using numerous false and distorted claims. These campaigns contributed significantly to antisemitism, and added to the targeting of Jewish students on university campuses,” the group wrote in a statement on Thursday.
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The post Harvard extends fellowship offer to leading Israel critic Ken Roth after weeks of controversy appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
