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How an encounter with Guillermo del Toro led to NYC’s first Mexican Jewish Film Festival
(JTA) — When Deborah Koenigsberger Gutierrez attended a small cocktail reception with the celebrated Mexican filmmaker Guillermo del Toro last December, she didn’t expect to leave with an idea for a synagogue fundraiser.
But in a conversation with del Toro and a few other guests at the event, which was in honor of the premiere of his latest feature, “Pinocchio,” the famed filmmaker made a remark that stuck with her.
“He said something that really hit my heart,” recalled Koenigsberger Gutierrez, the president of Tribeca Synagogue. “He said, ‘Every Mexican outside of Mexico is an ambassador of the culture of Mexico.’”
Koenigsberger Gutierrez, who was born in Mexico City, had been on the lookout for creative ways to engage young families at her congregation, something beyond a traditional silent auction and gala dinner. She landed on a program that would draw an audience and pay tribute to del Toro’s craft, and began organizing the synagogue’s first-ever Mexican Jewish Film Festival, which will begin on Sunday, April 2.
“I basically said to myself, ‘How can I make a big event that brings in people and also celebrates Mexican Jews?’” Koenigsberger Gutierrez said. “And everybody loves going to the movies.”
The festival will feature 10 films with English subtitles over the course of three days, all of which were directed, made, written or acted in by Mexican Jews. The Jews highlighted in the festival come from a variety of Jewish backgrounds, including Ashkenazi, Sephardic and Syrian, and the films span a variety of genres, including horror, comedy and drama.
In addition to movie screenings, the festival will feature Q&As with two of the directors: Guita Schyfter, who directed “Like a Bride,” a coming-of-age story about two young women in 1960s Mexico City; and Isaac Ezban, who directed two horror movies, “Evil Eye” and “The Similars.” It will also feature a performance from the Nashir! chorus, pop-up artisan shops in the social hall, coffee from Mexico’s Chiapas region and cocktails and kosher Mexican food from the restaurant Carlos & Gabby’s.
The film screenings will conclude on April 4, and the festival will host a final day of events on April 5, the eve of Passover, including a “bread party” where attendees can munch on leavened products traditionally prohibited on the holiday. Vendors will sell Mexican folk art and kosher Mexican cookies.
The Tribeca Synagogue, which until a decade ago was called the Synagogue for the Arts, often rents out its sanctuary space, and hosted the 2022 NYC Bicycle Film Festival in November. It can place a giant screen at the front of the sanctuary, turning it into a makeshift theater. All it took to organize the Mexican Jewish Film Festival, Koenigsberger Gutierrez said, was selecting the films and getting the rights to screen them (and in one case, subtitling one of the films, the 2008 drama “3:19,” in English for the first time ever.)
Other films screening at the festival include the 1955 comedy “The Criminal Life of Archibaldo de la Cruz,” about a wannabe serial killer who keeps plotting murders but can’t quite execute any of them; “One for the Road,” a 2014 film about three octogenarian friends who take a trip together; and the 2007 comedy “My Mexican Shivah,” about a family dealing with their secrets being revealed as they mourn their patriarch.
Beyond her own synagogue community, which has fewer than 100 active memberships, Koenigsberger Gutierrez is expecting a diverse turnout for the festival. Jorge Islas Lopez, the Mexican consul general in New York, will give an address and is inviting Mexicans in New York to attend. The American Sephardi Federation and the Syrian Jewish group Kanisse have also partnered with the festival.
Koenigsberger Gutierrez hopes the films enable viewers to see beyond popular U.S. conceptions of Mexico on screen, which she says focus too much on violence fueled by drug cartels.
“We are not one genre,” Koenigsberger Gutierrez said. “We’re not only El Chapo and all these you know, drug dealers, and the things you see [in] Hollywood a lot. We are much more than that. The film festival is to celebrate Mexican Jews and their work.”
She added, “People tend to think that Jews look a certain way. And I can say that people think that, also, Mexicans look a certain way.”
When Koenigsberger Gutierrez came to the United States for her master’s degree eight years ago, she was surprised to see that people doubted her nationality.
“In Mexico, nobody ever questioned that I was Mexican,” she said. “There was no question. But when I got to America, people would be like, ‘You’re not really Mexican because you’re Jewish.’ And that was kind of like, really something I’ve never, never dealt with. I was like, ‘What do you mean? I’m 100% Mexican, I’m 100% Jewish.’ I’m Mexican and I’m Jewish.”
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The Yiddishist Yeshiva is open for registration
ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.
אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“
די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.
The post The Yiddishist Yeshiva is open for registration appeared first on The Forward.
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A century-old Jerusalem photo album sparks search for forgotten images of the Western Wall
(JTA) — When David Freedman discovered a long-forgotten photo album in his parents’ Montreal basement last year, he found nearly 100 pages of century-old photographs from his grandfather’s year in British Mandate Palestine, capturing Jerusalem street scenes, market stalls and holy sites.
The photographs were not only century-old and in near-perfect condition, but included figures who would later become central to Jewish medical and political history, among them Israel’s future first president Chaim Weizmann, Jerusalem ophthalmologist Abraham Ticho, malaria researcher Israel Kligler, future British prime minister Winston Churchill and Herbert Samuel, Britain’s first high commissioner for Palestine.
David Freedman said he knew he had “struck gold” when he found the album, which had been untouched for decades. “I realized in disbelief I was looking at extraordinary images of Jerusalem,” he said.
Though Freedman said the album showed his grandfather’s “passion for skillful, impromptu photography,” it was images of a site that epitomizes endurance that are having the broadest impact.
Freedman’s pictures of the Western Wall has inspired a public appeal by the Tower of David Jerusalem Museum, which is asking people to look through old albums and attics for photographs, postcards and other visual material that could help expand the historical record of Judaism’s holiest site.
The request comes ahead of a major exhibition opening in 2027 marking 60 years since the 1967 Six-Day War brought the wall, known in Hebrew as the Kotel, under Jewish control for the first time in nearly two millennia.
Although the Western Wall is now one of the most photographed sites in the world, museum curators say the visual record of earlier decades remains surprisingly fragmented, with many of the most intimate images likely still tucked away in private collections and family albums.
“The Western Wall, the Kotel, in its simplest form, is a structure of ancient stones. Yet its true meaning has never resided in the stones alone — it has been shaped and elevated by the countless individuals who have stood before it over the centuries,” Eilat Lieber, the museum’s director and chief curator, said in a statement.
Next year’s exhibition, titled “Eyes on the Wall” and curated by Shimon Lev and Yael Brandt, will be the first large-scale exhibition dedicated entirely to the Western Wall, the museum said, and will trace its transformation over nearly 2,000 years. It will be one of the major exhibitions staged by the Tower of David Museum since it reopened in 2023 after a $50 million renovation of its ancient citadel complex.
The wall, the exposed section of an ancient retaining wall around the Temple Mount, the site of the biblical Jewish temples, has long been Judaism’s most sacred places of prayer and pilgrimage. From 1948 until the 1967 Six-Day War, when Israel captured the Old City and East Jerusalem from Jordan, Jews were barred from going there.
Among its most iconic images was David Rubinger’s photograph of three Israeli paratroopers standing at the wall shortly after its capture, looking upward in a mixture of awe and disbelief. The picture was taken 59 years ago this week.
Abraham Orkin Freedman, a Canadian physician and Zionist activist, took his photographs before the site was so contested. He arrived in Palestine in July 1920, just as Britain was replacing military rule with a civil administration, and stayed until 1922, serving during that period as managing director of Hadassah Hospital. His grandson David, also a doctor, said the album’s timing gives it much of its historical value, with photographs that capture people in the streets, as well as the terrain and buildings of Jerusalem during the nascent years of the British Mandate.
Among the images Freedman uncovered, the one that struck him most was a photograph of women praying side by side with men at the oldest part of the Western Wall, a scene far removed from the gender-separated prayer sections at the site today. The question of mixed-gender prayer at the Wall remains politically charged, with a recent High Court order to advance the egalitarian section followed by Knesset moves to strengthen Chief Rabbinate control over prayer at the site.
After recognizing the album’s significance, Freedman met with his family who decided collectively to give it to the Tower of David Jerusalem Museum for safekeeping, research and public access. Freedman said the family was proud the album had found “a new home, not many meters from where my grandfather once stood.”
Lev said he hoped the appeal would bring more discoveries like Freedman’s into public view, expanding the visual record of the Western Wall beyond official archives.
“There is something profoundly moving in the moment when an intimate private photograph transcends its original purpose and becomes an important historical testimony,” Lev said.
This article originally appeared on JTA.org.
The post A century-old Jerusalem photo album sparks search for forgotten images of the Western Wall appeared first on The Forward.
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5th man charged in March arson of London’s Hatzola ambulances
(JTA) — Britain’s Crown Prosecution Service announced Tuesday that an 18-year-old man has been charged in connection with the March arson attack that destroyed four ambulances owned by Hatzola, a Jewish volunteer emergency service.
Subhan Ahmed, a British national, was charged on Monday with “assisting an offender” in connection with the arson.
The ambulances were set ablaze in the early morning of March 23 in Golders Green, a heavily Jewish neighborhood in London. The incident spurred increased patrols in Jewish communities.
The charge is the latest development in an investigation being led by the Metropolitan Police’s counter-terrorism unit.
Four others have already been charged in connection with the attack.
Three British nationals — 20-year-old Hamza Iqbal, 19-year-old Rehan Khan and 18-year-old Judex Atshatshi — along with a 17-year-old dual British and Pakistani national were all charged in April with “committing arson, destroying or damaging property, and being reckless as to whether life would be endangered.”
The four have remained in custody ahead of a trial planned for January. Ahmed, meanwhile, was released ahead of a June 16 court date.
The ambulance arsons came at the early edge of a wave of incidents that have put London Jews on edge and induced the city’s police force to step up their presence in Jewish communities. The incidents have included multiple incendiary devices placed near synagogues as well as the stabbing in April of two Jewish men in Golders Green. The Metropolitan Police reported last week that antisemitic hate crimes in the capital rose 72% in May.
Following the announcement of Ahmed’s charge, the Community Security Trust, a Jewish organization, thanked the police and the Crown Prosecution Service “for their ongoing work investigating this attack and other arson incidents targeting the Jewish community.”
It added in a statement, “These are very serious allegations, and it is right that those responsible are being held accountable.”
This article originally appeared on JTA.org.
The post 5th man charged in March arson of London’s Hatzola ambulances appeared first on The Forward.
