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How Jewish leaders tried — and failed — to keep a Farrakhan follower off a Florida city council
(JTA) – When Brother John Muhammad emerged this fall as the leading candidate for a vacant city council seat in St. Petersburg, Florida, local Jews were distressed.
Muhammad is well known in the city as the president of a local neighborhood association and as a frequent advocate for minority groups. But Jewish leaders learned that he was also a follower of Louis Farrakhan, the Nation of Islam leader who has a long history of antisemitism, and that he had made comments dismissing concerns about Farrakhan’s record.
Jewish leaders tried to stave off Muhammad’s appointment, pushing for more extensive vetting of the seven candidates and, in the case of the local Holocaust museum, actively lobbying against him. But the council confirmed him in a 4-3 vote, leaving local Jews frustrated — before they considered ways to make the situation a learning experience for their city.
“When I see a situation like this, it screams ‘opportunity’ to me,” Michael Igel, chair of the Florida Holocaust Museum, located in St. Petersburg, told the Jewish Telegraphic Agency.
The saga playing out in St. Petersburg, Florida’s fifth-largest city, unfolded during the same period that a handful of Black celebrities, including Kanye West and Kyrie Irving, first became enmeshed in controversy over their own antisemitic comments and social media posts. The coincidence meant a dicey environment for broaching a conversation about the antisemitism of the Nation of Islam, whose rhetoric disparaging Jews overlaps with that of Hebrew Israelites, the ideology that Irving promoted by sharing a link to an antisemitic film.
It also turned St. Petersburg into a window for understanding how ties forged between Jewish groups and others can be tested.
Local Jewish leaders initially sought to stop Muhammad from gaining the city council seat, which was vacated after its previous holder resigned following redistricting and accusations she no longer lived in her district. They learned about Muhammad’s city council application only a week before the council’s vote, leaving them with little time to mobilize. The information came from a political rival of Muhammad, former mayoral candidate Vince Nowicki, who shared information about Muhammad’s Nation of Islam affiliation with local Jewish groups.
Nowicki also shared a comment Muhammad had made about Jews in a 2016 video in which Muhammad interviewed local Black LGBTQ activists. In the video titled “A Conversation About Growing Up Black And LGBT,” which JTA viewed, Muhammad said, “Minister Farrakhan got accused of being antisemitic for a long time because he pointed out and made some corrections about the activity of Jews. And anybody who says anything critical of the Jewish community is labeled as being antisemitic. Good, bad, right or wrong, it doesn’t matter what you say. If you criticize them that’s what you are.”
He continued, saying, “And I’m finding that it happens when you are critical of the gay community, when you say anything critical or anything that doesn’t align with that ideology, now all of a sudden you’re homophobic.” Muhammad’s comments about gay people received some light but friendly pushback from his interview guests.
Muhammad did not reply to multiple requests for comment by JTA, including to questions emailed to him at his request. He said during a public meeting ahead of the council vote that he thought scrutiny of him by Jewish groups had been unfair.
To Jewish leaders, the comments in the video coupled with Muhammad’s Nation of Islam affiliation were clear signs that he should not be appointed to the city council.
“I would sure hope that being antisemitic would be a red line, that you could not be a candidate,” said Rabbi Philip Weintraub of Congregation B’nai Israel, a Conservative synagogue in the city.
Jewish leaders began to take action, issuing statements and launching a letter-writing campaign to the council. They felt so much urgency that some even conducted business on Simchat Torah, a Jewish holiday when Jewish organizations typically pause their activities in accordance with Jewish law.
As a nonprofit, the local federation was constrained in how it could weigh in. Since it could not endorse or oppose specific candidates, it instead pushed for every candidate to be “properly vetted” and informed council members about Muhammad’s affiliations and past comments, according to Maxine Kaufman, executive director of the Jewish Federation of Florida’s Gulf Coast. She said the efforts did not have their intended effect.
“I don’t think anybody said, ‘Well, who is this Farrakhan, what does he stand for?’” Kaufman said. “I don’t think enough was done, personally.”
The entrance to the Florida Holocaust Museum in St. Petersburg, Nov. 27, 2016. (Jeffrey Greenberg/Universal Images Group via Getty Images)
The Florida Holocaust Museum took another approach, circulating information about Muhammad to the wider community, along with a statement opposing the candidacy of anyone who would support Farrakhan’s antisemitism. Their goal, Igel said, was to educate the community about the severity of these views.
“There’s nothing else to talk about when somebody is supporting Louis Farrakhan,” Igel told JTA. “Particularly when you are seeking a position representative of a city, particularly one like St. Petersburg that is so known for its inclusivity and its openness.”
Igel praised some members of the city council who asked Muhammad pointed questions about his views at the vote, giving him the opportunity to refute Farrakhan’s comments about Jews. One council member who voted against Muhammad, Lisset Hanewicz, said her stepfather is Jewish and read Farrakhan’s past antisemitic statements into the record, saying, “I think people need to understand why a certain part of this community is upset.”
Igel acknowledged that getting involved in a city council appointment was an unusual move for a Holocaust museum. He said museum leaders had held a meeting beforehand to determine how to proceed but made a decision fairly quickly to weigh in.
“In this case, we don’t consider this to be a matter of politics,” Igel said. “This is a matter of morality. And this is what we teach.” If the candidate had been a white supremacist, Igel said, “that person would have been disqualified out of the gate.”
The Anti-Defamation League and Southern Poverty Law Center, two hate watchdogs, define the Nation of Islam as a group that propagates antisemitism and other forms of bigotry, not a religion. Founded in 1930 by Wallace Fard Muhammad, the Black nationalist group is not the same as traditional Islam and is rejected by most Muslim clerics; it entered mainstream prominence in the 1960s after civil rights leader Malcolm X and boxer Muhammad Ali publicly joined the movement. (Both later left the group, with Malcolm X publicly denouncing its leadership; he was assassinated shortly after, and two Nation of Islam members who were wrongfully convicted of his murder recently received a large settlement from New York City.)
The Nation of Islam entered its current era after Farrakhan took over the group in 1977. Now 89, he has used his platform to issue a steady stream of antisemitism, including calling Jews “wicked” and the “synagogue of Satan,” saying they have “wrapped your tentacles around the U.S. government,” and calling Hitler “a very great man.” Only a few years ago, the Women’s March progressive activist collective was nearly derailed over some of its founders’ associations with Farrakhan.
It is rare, but not unheard of, for public officials to have current or former associations with the Nation of Islam. Minnesota Attorney General Keith Ellison, a practicing Muslim, was dogged by accusations that he had formerly been a member of the group when he first ran for Congress in 2006; he apologized for his past associations with the group. Trayon White, a Washington, D.C. council member and onetime mayoral candidate who has spread antisemitic conspiracy theories, has donated to the group in the past. Former President George W. Bush once praised the group, and a photograph showing Barack Obama in the same room as Farrakhan was fodder for Obama’s critics during his presidential run.
Muhammad, who is referred to on the city council website as John Muhammad and whose legal name is John C. Malone, declined to condemn Farrakhan at the city council meeting.
“I am not willing to denounce the leader of my faith no more than a Catholic would be willing to denounce their pope,” he said.
Muhammad’s reaction to questions about Farrakhan particularly concerned the federation and other local Jewish groups. Kaufman told JTA she didn’t know whether Muhammad himself is antisemitic, but she said his refusal to disavow Farrakhan was alarming.
“I do have issue with his reverence of someone who is blatantly antisemitic, and he won’t disavow him, he won’t reject him,” she said, echoing the the federation’s official statement on the vote.
At the meeting, Muhammad did say that he had reached out to the Florida Holocaust Museum but had not heard back — and that he thought the museum’s criticism of him was unfair.
“What I found when we reached out to have dialogue with the Holocaust Museum director, they did not want to talk to me,” he said. “They wanted to evaluate and disqualify me based on the association that I have as an individual. I don’t think that that’s just.”
Muhammad also defended his record with Jews by claiming that they were among the “diversity of those who support me.” He added, “And if you look at those who oppose me, they’re coming from one particular group.”
Since the vote, a local Black newspaper condemned the scrutiny on Muhammad, calling it a “perusal into his faith practice.”
Igel said the museum had no record that Muhammad had reached out but encouraged him to come and learn more about the Holocaust and the nature of antisemitism. Stuart Berger, head of the local Jewish Community Relations Council, acknowledged at the city council meeting that Muhammad “has made himself available to us” at the federation, but that none of the federation staff “had been in direct contact with him.”
The federation’s involvement in Muhammad’s case became its own issue at the council vote, when the candidate referenced an email Berger had written to the county commissioner. In the email, Berger wrote that Muhammad’s vetting process had been “good enough for me!”
While Muhammad took the email as proof that the federation believed him to be fit for office, Berger and Kaufman maintain that it meant nothing of the sort. Berger had not been speaking on behalf of the federation, they say, and had not intended for his email to be shared publicly.
Now that Muhammad is on the council, attention has turned to building relationships with him. Kaufman has been meeting with individual city council members, and hopes to eventually meet with Muhammad himself. She also aims to have the federation make a presentation to the council about the dangers of antisemitism and push them to make a statement about it.
She doesn’t think it’s complicated. “I think hate’s hate,” she said. “Many different colors.”
Weintraub’s congregation is celebrating its 100th anniversary in March, and one of its congregants, Eric Lynn, is also involved in politics: he was the Democratic nominee for Florida’s 13th Congressional district in the midterms but lost his race to Republican Anna Paulina Luna, who said she was raised as a Messianic Jew and campaigned with far-right Rep. Marjorie Taylor Greene.
Weintraub himself is a member of an interfaith ministerial dialogue group with Black churches and says he’s “a professional optimist” when it comes to managing conflict between different communities. He sent JTA an episode of the public radio podcast “Hidden Brain” about how to keep conflict from spiraling, saying it “describes what I’ve tried to do.”
Since Muhammad was appointed, Weintraub has met with him; the pair had what Weintraub described as “a pleasant conversation.” The two talked about parenting and “shared traumas,” he said. They did not discuss Muhammad’s comments supporting Farrakhan, but the rabbi couldn’t help but think about him.
“I thought I was a termite, according to Farrakhan,” Weintraub said. In contrast, Muhammad “said I was a person, so that was nice.”
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The post How Jewish leaders tried — and failed — to keep a Farrakhan follower off a Florida city council appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”