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How the chicken man of Crown Heights became a Hasidic St. Francis of Assisi
The chicken coop is located about 300 feet from Lubavitcher World Headquarters in Brooklyn. It’s part of The Crown Heights Homestead, which, according to Google Maps, is “permanently closed,”
Don’t believe everything you read on the Internet. The Hasidic homestead was very much in operation when I visited on a recent frigid weekday afternoon. Emerging from the Kingston Avenue subway station, I walked over to the four-story building that is home to Daniel Yeroshalmi and his family. Yeroshalmi, 21, is a member of Chabad.
He showed me the 20 hens he keeps in his cement backyard and I watched as he retrieved a single egg from the chicken coop he built.
“I got a lot more eggs when they were younger,” Yeroshalmi told me. “But as they get older they lay a lot less.”

Built from bookshelves Yeroshalmi salvaged from a yeshiva renovation, the chicken coop is a demonstration of his tech chops, which extend into video production, social media and security surveillance. The insulated coop has an automatic door that goes up in the morning and down at night.
As I stood next to him and marveled at the chickens scurrying about, I felt my foot sink into something mushy. It turned out to be a huge piece of squash that had been left on the ground for the chickens to eat.
A local yeshiva donates squash and other produce that he feeds to the flock.
“Whatever they have that’s going bad, they give to me,” Yeroshalmi explained.
The urban homesteader also composts the yeshiva donations, as evidenced by a huge pile of eggplants and cucumbers decomposing in his yard. At the base of the compost pile on the day I visited were several esrogim, the yellow citron used during the holiday of Sukot.
“A lot of Crown Heights people don’t know what compost is. They just wonder why I’m piling up vegetables in my front yard,” he said.
His homestead may be Hasidic but the soil is too acidic to grow corn and wheat. Yeroshalmi tried.
He did grow 10-foot tall sunflowers. And his garden has yielded tomatoes, cucumbers and peppers, a veritable Israeli salad. There are cherry and fig trees, some of which were propagated from the branches of fig trees his family brought to America from Iran over the years. One of the fig trees is a variety known as the Chicago Cold Hardy Fig, but Yeroshalmi, who davens three times a day, is following the commandment known as orlah that forbids consuming a tree’s fruit during the first three years.
Yeroshalmi’s quest to make green things flourish in this Kings County soil started early. A 2012 Google Maps photo shows him planting radishes in the front lawn when he was seven.
“I think there’s more of a connection between Judaism and plants than people think about,” he told me.
A calling that’s for the birds
Over the hours I’ve talked and texted with Yeroshalmi, I have come to think of him as a Hasidic version of St. Francis of Assisi, the charismatic figure who preached to the birds in 13th Century Italy — even though St. Francis had thousands of followers while Yeroshalmi has a little less than a thousand on Instagram, where his Crown Heights Homestead logo depicts the iconic three-story Gothic Revival headquarters of Chabad atop a farm field.
Two years ago, he told me, he confronted a couple of teenagers who were throwing potatoes from a food pantry at pigeons. When he was 12, a group of Lubavitcher kids were harassing an injured dove on the sidewalk during Shabbos.

“I stood there with the bird in between my legs for the next hour until Shabbos was over and I was able to scoop it up and take it home,” Yeroshalmi told me. But the dove died after a couple of days.
Another dove made a nest in a tree next door to his house. The nest looked unstable, so Yeroshalmi added a wooden cup-shaped structure to support it.
“It worked well,” he said. “The original two doves have turned into about 18 that I see on a daily basis. Within the last two years I’ve seen so many babies!”
Yeroshalmi’s passion for God’s winged creatures is perhaps best exemplified by a single maple tree in his front yard where a dozen of his handmade birdhouses painted green, blue and red are attached to the tree. One day he came home to find a stranger had left him a painting of the tree with all the birdhouses along with a note that explained they had passed the tree every day on their way to work.
But it is his dedication to the chickens that is perhaps most impressive. In 2024 he dressed up as a farmer for Purim. Wearing a cowboy hat, a plaid flannel shirt and a pair of suspenders to which he pinned a QR code directing people to his Instagram account, Yeroshalmi wheeled several members of his flock around Crown Heights in a yellow metal wagon covered with chicken wire. The flock includes Rhode Island Reds, New Hampshire Reds and Barred Rocks. A few have names. He had a rooster named Rafi that the chick hatchery inadvertently sent along with the pullets.

“That was the best mistake to ever happen,” he wrote in an Instagram caption. “I don’t want to sound like a crazy Chicken lady. But he was a great rooster.”
There are predators hungry for the poultry in Crown Heights. Yeroshalmi said a possum killed one of his chickens and that there are also raccoons in the area.
Last summer he took all 20 hens to a camp for Orthodox Jewish boys in the Midwest, transporting them in poultry crates more than 800 miles in a rented truck. Yeroshalmi was tasked with fixing and building stuff at the summer camp. Immediately upon arriving, he built a chicken coop.
The camp director told me that for many of the boys the chickens were the most exciting part of the camping experience and said it was therapeutic for them to be around live animals, which most of the campers don’t get to do at home.
“A lot of the kids had their favorite chicken,” he told me. “It was kind of like having a pet for the first time.”
A New Yorker — at least until he flies the coop
Both of Yeroshalmi’s parents were born in Iran. His father, a dentist who practices in Borough Park, was the first member of the family to become a Lubavitcher. He was part of the wave of Iranian Jews who came to America in 1979. Yeroshalmi’s mother is a pharmacist and so is one his aunts. Another uncle is the head of pediatrics at a municipal hospital in the Bronx.
“There are probably 35 doctors in my family among my close cousins, uncles, aunts,” he told me.

Yeroshalmi himself earned a B.S. in Business Administration before he turned 19, though at the moment, he’s not gainfully employed. He earns a little money selling firewood he gathers from fallen trees and pruned branches in the neighborhood. And he sells a few eggs when he has extras.
Yeroshalmi’s homesteading has been trying for his parents, he says.
Walking past piles of lumber stacked vertically on a cement walkway leading from his basement workshop to the backyard, Yeroshalmi told me: “They do give me grief about hoarding lumber, tools, everything. I’m very thankful they haven’t thrown me out yet.”
Yeroshalmi says he wants to become a lawyer but has no immediate plans to go to law school.
During our texting he confided that it hasn’t been easy for him to live in Crown Heights. He was bullied a lot growing up and once wrote an essay for a Crown Heights blog titled Beaten and Robbed By My Own People. The essay detailed how a group of Hasidic thugs broke his glasses, stole his hat and yarmulke and stomped on his tefillin.
Yeroshalmi acknowledged that many of his fellow Hasids consider him an odd duck for pursuing his agricultural passions.
“Crown Heights people don’t seem to like greenery,” he told me
In an Instagram video that served as a tutorial for power tools, he dedicated it to “all the useless Crown Heights people who’ve never picked up a drill in their life.”
Still, he added, “If I have to live in New York City, I would definitely choose Crown Heights.”
“But,” he added, “If I had an option to move out, which I will in the future, I would definitely not stay in Crown Heights. Or the city at all.”
The post How the chicken man of Crown Heights became a Hasidic St. Francis of Assisi appeared first on The Forward.
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‘Growing Pogrom-Like Atmosphere’: German Antisemitism Commissioner Issues Warning After Synagogue Arson Attack
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
The commissioner to combat antisemitism in the German state of Hesse has sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
In an interview with the German newspaper Tagesspiegel, Uwe Becker — who has served in his role since 2019 — condemned the latest attack, saying it occurred “in a poisoned antisemitic climate that is steadily worsening.”
The horrific act occurred in a “growing pogrom-like atmosphere that, as a society in Germany and Europe, we are currently not doing enough to counter,” the German official said.
On Tuesday, a 32-year-old man was arrested after allegedly setting fire to a trash can outside a local synagogue in Giessen, west-central Germany, in an attack that damaged a roller shutter and entrance gate, though no one was harmed.
According to local reports, a Giessen district judge has ordered the suspect to be placed in a psychiatric hospital, citing signs that he may be suffering from a mental illness.
However, the suspect remains in police custody as local authorities investigate the circumstances and motive of the attack, including whether it was politically motivated.
This latest attack came just a week after Andreas Büttner, the commissioner for antisemitism in Brandenburg, northeastern Germany, was targeted for the second time in less than a week after receiving a death threat.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter earlier this month threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
Authorities are now probing the incident as part of an ongoing investigation into threats against the German official, after his private property in Templin — about 43 miles north of Berlin — was also targeted in an arson attack and a red Hamas triangle was spray-painted on his house.
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on Büttner’s personal car.
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How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me
My last semester of college, I had an Alvin Ailey phase.
My time in Philadelphia was rapidly coming to a close and I felt an urge to make it to as many of the performing arts venues in the city as I could (not an easy feat). With a close family friend, I attended my first Alvin Ailey performance at the Forrest Theatre. Soon after, I went to a talk at the African American Museum in Philadelphia about Ailey and the piece The River. That weekend, I also watched the 2021 documentary Ailey. Then I found myself doing a sociolinguistical analysis of Ailey’s most famous work, Revelations, for a class.
To call my interest in Ailey a phase is actually a misnomer since, two years later, I am still an Ailey fan — and now the owner of an actual Alvin Ailey-branded hand fan. Last June, I attended a performance during their run at the Brooklyn Academy of Music and fell in love with Grace, choreographed by Ronald K. Brown. I bought a ticket to see it again, along with Revelations and two shorter works, during their winter season at New York City Center.
While the end of Grace — in which a dozen dancers take a nearly 30-minute-long journey to a promised land — made me tear up, it wasn’t until Revelations that I actually began to cry. It happened during the duet “Fix Me, Jesus,” in which a female dancer searches for spiritual guidance and a male figure depicts divine support.

I was aware of the irony. As a lifelong Jew, I have never wanted Jesus to “fix” me. But the piece moved me to tears nonetheless. Within the gospel music, New Testament themes and African American cultural imagery of Revelations — composed of multiple smaller pieces — is a universal story of desire for redemption and turning to faith in times of great suffering.
The choir that accompanies the dance sings “fix me for my long white robe,” a reference to Revelation 6:11, where those that have lived their life without sin are told they will be given white robes for their ascension to Heaven. I was reminded of the kittel, a plain white robe some in the Ashkenazi tradition wear on Yom Kippur. Some rabbis have interpreted the robe to symbolize the blank slate we are creating for ourselves in the new year. Dressing plainly can also be another way of resisting earthly pleasures on the Day of Atonement. Since some people are also buried in their kittel, another interpretation is that wearing it helps one consider their death and what legacy they want to leave behind, thinking of how they may “fix” themselves to be ready for when they will be brought before G-d.
These echoes of Yom Kippur make another appearance in Ailey’s Revelations in the solo “I Wanna Be Ready.” The single dancer dressed in white alternates between contracting and expanding their body, kneeling and prostrating on the ground, as if they are repenting for something. The choir chants that they want to be ready to put on their long white robes and the lead singer explains he has avoided the temptation to sin so his soul will be ready for death.
This deviates slightly from how I think of preparing for the Day of Judgment. For me, Yom Kippur has always been about acknowledging that we will sin, that we are human, flawed, prone to jealousy and gossip and all those other things we list as we beat our chests during the confessional. In the Reconstructionist Press version of the Prayerbook for the Days of Awe, Rabbi Rami M. Shapiro writes that “we freely admit our failings” in order to “create our atonements.” In the confessional, we are instructed not to tell G-d that “we are righteous, and we have not sinned,” for “indeed we have sinned.”
I have always experienced Yom Kippur as an intense emotional journey to find within myself the ability to do better, be better, perhaps with some divine guidance. This is what I recognized in “Fix Me, Jesus,” this burning desire to exceed our own expectations.

But the yearning of Revelations is not just about individual spiritual reckoning. Throughout the work, you can feel Black Americans pushing toward freedom as they emerge from the degradation of slavery and Jim Crow.
I connect with this existential cultural aspiration to escape systemic degradation both as a Black American and as a Jewish American, descended from enslaved people on one side and pogrom survivors on the other. Although Revelations originated in a specific cultural context — born from Ailey’s experiences growing up in the Black church in 1930s Texas — its broader message about redemption feels unifying across cultural divides. I have imagined seeing Revelations with my paternal grandmother, an active and dedicated member of the Black Presbyterian church. Even if we were to appreciate the dance’s spirituality for different reasons — her for the work’s reflection of her faith in Jesus, me for its raw portrayal of an intense desire to improve — it’s something that would move both of us.
Probably my tears were triggered by the intensity of the piece and the beauty of its dancers and not by some spiritual awakening. Still, despite — or really, because of — the emotional unrest Alvin Ailey put me through, they will probably be seeing me again soon.
The post How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me appeared first on The Forward.
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Police Chief in UK Retires After Facing Scrutiny for Banning Israeli Maccabi Tel Aviv Fans From Soccer Match
WMP Chief Constable Craig Guildford speaking before the Home Affairs Committee on Jan. 6, 2026. Photo: Screenshot
West Midlands Police (WMP) Chief Constable Craig Guildford retired on Friday effective immediately after increasing public scrutiny and revelations over his use of “exaggerated or simply untrue” intelligence to justify a ban prohibiting Maccabi Tel Aviv soccer fans from attending a match late last year.
Simon Foster, the police and crime commissioner of WMP, announced Guildford’s retirement in a formal statement delivered outside Birmingham’s Lloyd House, which is the headquarters of the West Midlands police force. Guildford will collect his full pension after three decades of service. Foster thanked Guildford for his service and said he welcomes the chief constable’s decision to retire. He added that Guildford’s stepping down is in the “best interest” of the police force and the local community.
Guildford’s retirement follows the decision of the Birmingham City Council Safety Advisory Group, based on the recommendation of West Midlands Police, to ban traveling Maccabi Tel Aviv soccer fans from attending the Europa League soccer match between Aston Villa and the Israeli team on Nov. 6, 2025, at Villa Park in Birmingham due to “public safety concerns.”
The announcement also comes just two days after British Home Secretary Shabana Mahmood told the British Parliament that she has lost confidence in Guildford. The minister said she came to the conclusion after receiving a “damning” and “devastating” report by Sir Andy Cooke, his Majesty’s chief inspector of constabulary, on Wednesday that revealed several failings by the WMP force in relation to its recommendation to ban Maccabi soccer fans, including “misleading” public statements and “misinformation” promoted by the police.
Foster acknowledged on Thursday that the police forced faced “understandable intense and significant oversight and scrutiny.”
“The findings of the chief inspector were damning. They set out a catalogue of failings that have harmed trust in West Midlands Police,” Mahmood said in a statement following Thursday’s announcement. “By stepping down, Craig Guildford has done the right thing today … Today marks a crucial first step to rebuilding trust and confidence in the force amongst all the communities they serve.”
