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How this Brooklyn neighborhood became the ‘Klezmer Shtetl’

(New York Jewish Week) — Some of the greatest talents in Jewish music have strolled Midwood’s lettered avenues, including the klezmer musician Pete Sokolow and the Hasidic composer Ben Zion Shenker. Both have left us — Sokolow in 2022, Shenker in 2016 — but the Modzitzer synagogue on Avenue L, where Shenker once lead prayers, is a spiritual home for klezmer virtuoso and Midwood denizen Andy Statman, 73. He’s davened (prayed) there for more than 30 years.

Now, a younger group of klezmer musicians joins Statman in making the quiet, south-central Brooklyn neighborhood their home, due to the (relatively) affordable rents, low density and greenery, as well as its proximity to Jewish communal life spread across the borough.

“We needed more room than Park Slope could provide on our budget,” Pete Rushefsky, who has played a hammered dulcimer known as the tsimbl in the city’s klezmer scene for more than 30 years, told the New York Jewish Week. “It’s been a great neighborhood to raise a family.” That’s especially true for a culturally active family: Rushefsky’s wife, Madeline Solomon, sings, plays accordion and runs the Brooklyn Workers Circle School in Park Slope; their 12-year-old daughter, Mathilda, plays in a children’s fiddle band in the neighborhood.

Midwood looms so large over the present-day Jewish music scene that there’s even a klezmer rock band named for it: Midwood, the band, was founded in 2015 by the fiddler Jake Shulman-Ment. The 39-year-old veteran klezmer violinist lives in the same apartment building on Ocean Avenue as Jeremiah Lockwood, a blues performer and a scholar of cantorial music.

“I call it the ‘Klezmer Shtetl,’” said Midwood’s vocalist, Eleonore Weill, who is also a multi-instrumentalist. (Weill used to reside in Midwood but now lives in next-door Ditmas Park, which is also home to Sarah Gordon, lead singer of the rock band Yiddish Princess. Nearby Kensington counts among its klezmer-making residents D. Zisl Slepovitch and the klezmer couple Ilya Shneyveys and Sarah Myerson.)

Another Midwood musician is Michael Winograd, 40, who many consider to be the best klezmer clarinetist of his generation. As a teenager, he went to Statman’s home for lessons; last summer he moved to the neighborhood.

Midwood musicians Jeremiah Lockwood, left, and Pete Rushefsky. (Courtesy)

Elsewhere in Midwood resides guitarist Yoshie Fruchter, founder of Pitom, which the Tzadik record label called “a shredding Jewish instrumental band.” Fruchter has performed with Jon Madof’s Zion80, which plays Shlomo Carlebach tunes in an Afrobeat style, and Mazal Tov Cocktail Party, the latest klezmer/dance music project led by David Krakauer and Kathleen Tagg.

“I didn’t choose Midwood, particularly,” Shulman-Ment told New York Jewish Week. “It sort of fell into my life.” The fiddler decided to rent his Midwood one-bedroom in the summer of 2021 while he was on tour in the Pacific Northwest. After seeing the place online and sending a couple of friends to check it out in person, Shulman-Ment signed a lease while he was still on the road.

As it happens, Lockwood — who lives with his two sons, ages 14 and 16, on the floor below Shulman-Ment — also rented his apartment sight unseen that same summer.

The two neighbors credit Ivona Hertz, co-owner of Ocean Empire Management, with helping them find a home. Her company manages a pair of buildings across from Prospect Park that are home to so many jazz musicians, they came to be known as “the jazz dorms.”

“When the tenants are happy they always recommend their friends,” Hertz said, describing how she came to rent Midwood apartments to so many musicians. “That’s how the ‘jazz dorms’ were created and that’s how the Midwood buildings are now getting more musicians. The apartments are larger, up to three bedrooms, including the square footage, and more affordable in Midwood.”

According to the available rentals on the real estate website StreetEasy, the median rent in Midwood is $2,566. (Hertz, the property manager known for helping musicians, says she typically charges between $1,500 and $1,750 a month for one-bedroom rentals.) The median sale price in the nabe for the first quarter of this year was $644,000, according to the real estate website PropertyShark — that’s substantially less than the Brooklyn borough-wide median of $755,000.

In addition to relatively low housing costs, Midwood is also known for being home to a very large — and mostly Orthodox — Jewish community. Traditionally Ashkenazi, the southern reaches of the neighborhood have also seen steady growth of its longtime Sephardic Jewish community. “Sephardic Jews dominate from [an area known as the] Avenue H cut to Avenue Z,” Sarina Roffe, CEO of the The Brooklyn Jewish Historical Initiative and president of the Sephardic Heritage Project, told the New York Jewish Week. “The Sephardic community in Brooklyn has been growing for more than 100 years.”

Most of these newer, klezmer residents identify as secular Jews, and not Orthodox. But many of them said they enjoy living among their Orthodox brethren. Clarinetist Winograd lives in part of Midwood that’s “very Jewish,” as he described it. “I kind of like being a secular Jew who gets to experience the benefit of a quiet Shabbes. I enjoy being a culturally-engaged Jew living in a Jewish neighborhood even if I’m not partaking in the more religious activities.”

Shulman-Ment — who identifies as a secular Jew who is committed to Jewish culture — spent a year living in Crown Heights, so he was familiar with the feeling of living in an Orthodox neighborhood and feeling like a bit of an outsider. He said he’s noticed, though, that if he’s in his “gig costume” — a suit and fedora — some of his Orthodox co-religionists offer a friendly greeting.

Lockwood described his (and Shulman-Ment’s) section of Midwood, along Ocean Avenue, as “rough-hewn and unlovely. It is a hard-working and threadbare place.” And yet, “I like it here fine,” he told the New York Jewish Week, adding: “I just don’t want to encourage out-of-towners to move in.”

Fruchter — who moved to Midwood last December with his wife, Jewish cookbook author Leah Koenig, and their two kids, aged 4 and 9 — said his area of Midwood has a lot of Pakistani residents, but on Saturday his family can often hear zemiros, hymns sung at the Sabbath table, coming from the homes of Orthodox neighbors down the block. “I really like how you see people from so many different places, cultures, religions and backgrounds all sharing the same sidewalks,” Fruchter told the New York Jewish Week via email. “I love walking by businesses with signs in different languages and restaurants where I have no idea what to order… I love that it’s a ‘quiet’ neighborhood but with a lot of bustle in it.”

Klezmer virtuoso Andy Statman, left, has lived in the neighborhood more than 30 years, while guitarist Yoshie Fruchter, right, is a more recent resident. (Courtesy)

The family is involved in the Flatbush Jewish Center, a Conservative egalitarian synagogue in the neighboring Kensington section of Brooklyn where Fruchter has served as cantor on the High Holy Days and organized a concert series.

Fruchter is also a member of Shulman-Ment’s band Midwood — whose recording of their live performance at the “Klezmer On Ice” festival in Minneapolis last winter will be released in the coming months. Midwood the band’s next gig is at the National Yiddish Book Center’s annual Yidstock festival in Amherst, Massachusetts on July 16.

Shulman-Ment will also be performing with the actor and musician Daniel Kahn on June 15 at the East Village world music venue Drom. The performance is timed to the release of the duo’s first album, “The Building & Other Songs,” which features Yiddish versions of songs by Leonard Cohen, Bruce Springsteen, Tom Waits and Woody Guthrie.

The other Midwood klezmer musicians with gigs to look forward to are Rushefsky — who is also the executive director of the Center for Traditional Music and Dance — and Statman, who will both be playing with the violinist Itzhak Perlman in the coming months.

In addition, Statman plays in two trios: The Andy Statman Trio, which has performed at the Greenwich Village Synagogue in Manhattan regularly for 20 years, and another with the Eddy Brothers, two young West Virginia bluegrass musicians. More recently, Statman started playing with a traditional bluegrass quartet that’s comprised of players he’s known since he was a teenager. That band is now known as Andy’s Ramble, not to be confused with the 1994 Statman album of the same name.

Statman grew up in Queens and was in his mid-20s when he first moved to Brooklyn in 1976. After a series of apartments, he and his wife Basha moved to Avenue L in Midwood in 1987, where they raised their four children. “Our kids needed to be here. We needed to be here,” Statman said. “There is sky and trees and grass here. There are birds chirping all over. The neighborhood was incredibly vibrant.”

When he first arrived, Statman took a break from his music career for a year to study Jewish holy texts full time. In the 35 years since, he’s seen real estate values soar to a level he calls “ridiculous.” Statman said that since the early 2000s, he’s watched kids who grew up on his block move to Lakewood, New Jersey or Monsey in Rockland County — both home to sizable Orthodox Jewish communities — because they couldn’t afford to buy homes in Midwood. Now their parents are leaving, he added, because they want to be near their grandchildren.

It’s a fate the clarinetist is personally familiar with: None of his four children, now grown, live in the area. With two daughters and their grandchildren living near Lakewood, the Statmans are considering relocating there themselves.


The post How this Brooklyn neighborhood became the ‘Klezmer Shtetl’ appeared first on Jewish Telegraphic Agency.

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When ‘Context’ Becomes Complicity — The Language That Incited the Bondi Beach Massacre

People walk at the scene of a shooting incident at Bondi Beach, Sydney, Australia, December 14, 2025. Photo: REUTERS/Kirsty Needham

On Sunday, a Chabad Hanukkah candle-lighting at Bondi Beach was turned into a massacre. At least 16 people are dead. Witnesses report that the terrorists shouted “Allahu Akbar” between bursts of gunfire. What should have been a moment of communal joy became a scene of mass murder, carried out in full view of a society that has spent years purposefully ignoring antisemitic incitement and terror attacks that led to this moment.

Around the same time, elsewhere in Australia, the same moral failure surfaced again. On a Melbourne tram, an Australian woman verbally accosted a rabbi and his two children, aged eight and 14, telling them to “go to the gas chambers.” She was carrying a bag bearing the PLO flag. A Jewish father and his children were told, in public, to imagine their extermination.

And that was after “protesters” in Sydney chanted “gas the Jews” — with absolutely no consequences.

“Go to the gas chambers.” There is no metaphor here. No policy critique. No political argument hiding behind rhetoric. There is only genocidal hatred, delivered calmly and directly.

And yet anyone familiar with the pattern already knows what comes next. Not moral clarity, but “context.” Not unambiguous condemnation, but explanation.

We will be told about anger, about trauma, about spillover from Israel’s war with Hamas. We are reminded that emotions are high, tensions are inflamed, and nothing can be viewed in isolation.

This is not analysis. It is evasion.

This is the anti-Zionism exception.

In any other context, this kind of mass murder would end the conversation. No editor would ask what provoked it. No official would suggest it must be understood through global politics. No journalist would hesitate to call the racism exactly what it is. And don’t forget that before the State of Israel was created, one third of the entire global Jewish population was murdered for their religion. But now we’re going to be told that this is only happening because of Israel.

When the targets are Jews, and when the hatred can be draped in the language or symbols of the Palestinian cause, the rules change. Antisemitism becomes negotiable. Murderous language becomes expressive speech. The victims become abstractions.

This is why anti-Zionism has become the dominant framework through which antisemitism is excused in the modern West. Zionism is the belief that Jews, like any other people, have the right to collective self-determination and national survival through sovereignty in part of their indigenous and historical homeland. To deny that right uniquely to Jews — while granting it to every other people — is not a policy disagreement. It is a moral inversion that recasts Jewish survival itself as illegitimate.

For years, Australia, like much of the democratic West, has tolerated rhetoric that would be unthinkable if directed at any other group.

Crowds have chanted “gas the Jews” and many other murderous slogans with no consequence. Universities have hosted speakers who portray Jewish sovereignty as a unique moral crime. Media outlets have repeatedly softened or obscured antisemitic incidents — like burning synagogues — treating them as political reactions rather than as hatred with a long and documented history.

Law enforcement responses have been hesitant and inconsistent, often focused on crowd control instead of stopping incitement.

In England, Jews wearing yarmulkes and Stars of David have been arrested for “provocation,” while standing before crowds chanting “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas,” and “Khaybar, Khaybar ya Yahud” — an explicit invocation of the massacre of Jews in seventh-century Arabia.

This matters because antisemitism does not operate like other hatreds. It has always depended on permission structures. It advances not only through violence, but through ideas that render violence against Jews intelligible, justifiable, and even necessary to those inclined to act.

When genocidal slogans are tolerated in public space, when Jewish identity is reframed as provocation, when Jewish self-determination is condemned as uniquely evil, and when hatred is endlessly contextualized rather than condemned, the distance between speech and action collapses.

What happened at Bondi Beach was 100% predictable. A slogan shouted yesterday becomes gunfire today. The targets were not symbols or states or abstractions. They were Jews lighting candles.

The media plays a central role in this process, whether it admits it or not. Language is softened. Headlines are hedged. Victims are pushed to the margins of their own stories. A massacre becomes an “incident.” A threat of extermination becomes “heated rhetoric.” Jewish presence itself is recast as a political act that invites response.

This is how a Hanukkah celebration becomes a “flashpoint.” This is how a rabbi and his children become “part of a broader conflict.” This is how Jews going about their lives in Sydney, London, or New York are quietly reassigned responsibility for the hatred directed at them.

Some will insist that Bondi Beach and the Melbourne tram were isolated events. They never are. Antisemitism has never announced itself first with bullets. It begins with the libels societies allow to circulate. It begins when calls for violence against Jews — “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas” — are treated as political opinions rather than warnings.

A culture that cannot draw a red line at “go to the gas chambers” has already erased the line entirely.

Bondi Beach was not unforeseeable. It was foretold — in slogans excused, in threats contextualized, in hatred endlessly rebranded as politics. The massacre did not appear without warning. It appeared after years of permission.

Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, antisemitism, and Jewish history and serves on the board of Herut North America.

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The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah

The first time I lit a Hanukkah candle as a Jew wasn’t at a synagogue or around a large family table. It was in a tiny apartment kitchen with my then-fiancé, Reid. I didn’t yet know the blessings by heart or if I belonged. But when that first shamash, the special “helper” candle used to light the Hanukkah menorah, flickered to life, something in me shifted. I knew I had reached a place where curiosity wasn’t a problem to be solved, it was a doorway.

Lighting the candles with Reid and our two children as we process the horrifying news from Sydney, Australia, I find myself thinking back to that first candle and to a tradition that empowers us through learning and debate, where hard questions are not avoided or feared but welcomed, even in times of great heartbreak and adversity. In a moment when so much pushes us apart and so many try to make us afraid, those values draw us together and give us strength.

Hanukkah itself is a story of a community striving to stay whole in the face of profound forces of division. The Maccabees stood against a regime that attempted to erase Jewish practice by banning observance, desecrating the Temple, and punishing the very acts that defined Jewish life. The victory we celebrate is the enduring resilience of Jewish identity, a small, committed people, deeply diverse in their own ways, coming together around a shared purpose to reclaim the right to live authentically.

When the Temple was rededicated, they relit the ner tamid, the eternal flame, with only a day’s worth of consecrated oil. The miracle, tradition teaches, is that the flame lasted eight days until new oil could be secured. But perhaps the greater miracle is that they lit the flame at all, despite their fear, the uncertainty, and the enormity of the moment. Even in the darkest times, our light shines brightest when we choose to light it together.

My journey to becoming Jewish was many years in the making. I was raised Catholic in the church my mother grew up in. I was a curious child, always pressing to understand the world around me. After the sudden death of my father at nine, I craved answers to life’s toughest questions and felt increasingly out of place in a setting where questions were treated as a lack of faith. In Judaism, I found a spiritual home that teaches that questions are holy, learning is lifelong, truth is revealed through wrestling with ideas, and our sacred bonds to each other are strengthened through debate.

I still remember the moment I first learned this about Judaism. More than a decade before my conversion, Reid and I sat on a lumpy sofa in a University of Chicago lounge debating life’s mysteries the way only college students can. After I had shared my frustrations about organized religion, Reid explained that in his experience, Judaism didn’t fear disagreement, but welcomed it. It was a tradition built on commentary layered over commentary, where even the margins of our texts are alive with centuries of Jews arguing, interpreting, questioning, refining, and expanding on the ideas that came before them.

As I continue to grow into my Jewish identity, it becomes ever more clear that the Jewish community is not a monolith. We span countless traditions, cultures, and perspectives. Our disagreements are real, deeply felt, and sometimes painful. But disagreement is not the opposite of unity. Judaism gives us the tools to lean into complexity without letting it tear us apart.

At this difficult moment we are living in, that seems a daunting task. Antisemitism is surging in ways both familiar and surprising, and Jews are being targeted simply for being Jewish. Millenia-old tropes are finding new life in the ugliest corners of the internet and on our sidewalks, with online conspiracy-theories fueling real-world violence. This bigotry is often smuggled into mainstream discourse using criticism of the State of Israel as a Trojan Horse, with the intention of pitting Jews against each other.

We must reject this attempt to co-opt political disagreements by those who wish to destroy us and remember that for many American Jews, Israel represents shared history, culture, and the enduring light of Jewish peoplehood –  the very light that antisemites have long tried to extinguish.

The goal of antisemitism is, as it has always been, to divide us, isolate us, and snuff out our light. Hanukkah reminds us that our story did not end in the ancient world. From Jerusalem to Sydney to New York, we are still here, still connected, still carrying that light forward, and the miracle the Maccabees fought for endures in Jewish survival and the promise of a Jewish future. Hanukkah teaches that when Jewish people, by birth and by choice alike, stand together in shared purpose, bound together as B’nei Israel, we can overcome even the greatest darkness.

Unity does not mean uniformity. It means choosing one another, especially when the world feels fractured and we, as Jews, are under attack. It means committing to our shared future even as we debate the path to get there. It means recognizing that our strength has always come from community, learning, and a willingness to keep asking the hard questions together.

This is the model I strive to follow as a public servant: to lead with curiosity, to listen across differences, to protect our sacred spaces, and to build bridges through education and shared understanding.

As someone who chose this tradition because of its capacity for honesty, complexity, and hope, I urge us to take the lesson of the Maccabees to heart and keep the light shining – for ourselves, for each other, and for the generations who will inherit the world we shape today.

The post The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah appeared first on The Forward.

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Will Anything Change After Bondi — and How Will the Story End?

A man lights a candle as police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, December 15, 2025. REUTERS/Flavio Brancaleone

Jews arrived in Australia with the First Fleet in 1788. That is the Australian equivalent of the Mayflower, albeit with convicts.

From their earliest days, Australian Jews integrated into national life visibly, with patriotism and confidence. They built their shuls without apology, established businesses without resentment, and raised families with great pride.

They were disproportionately represented in the military, academia, medicine, and commerce. They embraced their Australian identity fully, while remaining true to their Jewish faith and seeing no contradiction between the two.

Australia was once a country that understood how integration worked. Newcomers were welcome, but they were expected to participate in a shared civic culture. Loyalty, contribution, and respect for Australian society were not considered controversial demands — they were the price of admission. For more than two centuries, Australian Jews lived by that bargain.

This is why the massacre at Bondi Beach during a public Hanukkah celebration seems like more than an act of terror. It feels like a betrayal. Holocaust survivor Alex Kleytman, 92, shielded his wife of 57 years in the crowd before dying. That is the Jewish-Aussie spirit that symbolized this community.

Hanukkah is, by design, a public holiday. It commemorates a minority preserving its identity while remaining part of a broader civilization. Light is placed deliberately in the public square. Faith without withdrawal. Cultural continuity without separatism. That is the message of Hanukkah.

That such a celebration was targeted in one of Australia’s most iconic public spaces is not incidental. It was an attack on a place and a community that exemplified successful integration during a festival that celebrates cohesion and tolerance.

Speaking to Australian Jews over the past two years, a new theme has emerged — not only of fear, but abandonment. The country they love increasingly hesitates to defend them, is embarrassed by its own culture, and is unwilling to confront hateful belief systems it has imported.

This is not an immigration crisis. It is a governance crisis.

Great countries are built by immigrants. The Greeks, Romans, and Americans all understood that growth comes from outsiders who want to become insiders. But instead of importing entrepreneurs, innovators, and builders, we have incubated an endless supply of cultural resentment. A nation cannot transmit to its citizens what it no longer values. Assimilation requires national pride and confidence in one’s own civilizational values.

Deterrence is dismissed for fear of “sending the wrong signal.” Enforcement is denounced as cruelty. Borders are discussed endlessly but defended reluctantly. Politicians still perform the language of control, but with the conviction of actors reciting lines they no longer believe.

Western governments have not failed to implement their will. They have abandoned the idea that they are entitled to have a will in the first place. The result is a system engineered for failure while absolving those responsible for it. Illegal entry is rewarded. Removal is treated as a scandal. Integration becomes optional.

What emerges is grievance without gratitude, and hate without consequence. Flags become suspect. History is reduced to a catalogue of sins. Elites perform ritualized shame as a marker of sophistication. A country that cannot defend its own identity cannot plausibly ask newcomers to adopt it.

Bondi was not a random eruption of violence. It was the predictable outcome of a system that encouraged hate, refused to do anything about years of incitement and terror attacks on Jews, and will likely change nothing after this attack.

The bitter irony is that the community that proved integration was possible is now among the first to feel the consequences of a society that has stopped insisting on it.

Nations do not decline in a single dramatic moment. They erode through a thousand small capitulations; each defended as compassion.

Bondi was not an aberration. It was a warning. The only question is whether the warning arrived too late. The story of Hanukkah ends with our salvation and spiritual redemption; how will this story end?

Philip Gross is a Manhattan-born, London-based business executive and writer. He explores issues of Jewish identity, faith, and contemporary society through the lens of both the American and British experience.

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