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How this Brooklyn neighborhood became the ‘Klezmer Shtetl’
(New York Jewish Week) — Some of the greatest talents in Jewish music have strolled Midwood’s lettered avenues, including the klezmer musician Pete Sokolow and the Hasidic composer Ben Zion Shenker. Both have left us — Sokolow in 2022, Shenker in 2016 — but the Modzitzer synagogue on Avenue L, where Shenker once lead prayers, is a spiritual home for klezmer virtuoso and Midwood denizen Andy Statman, 73. He’s davened (prayed) there for more than 30 years.
Now, a younger group of klezmer musicians joins Statman in making the quiet, south-central Brooklyn neighborhood their home, due to the (relatively) affordable rents, low density and greenery, as well as its proximity to Jewish communal life spread across the borough.
“We needed more room than Park Slope could provide on our budget,” Pete Rushefsky, who has played a hammered dulcimer known as the tsimbl in the city’s klezmer scene for more than 30 years, told the New York Jewish Week. “It’s been a great neighborhood to raise a family.” That’s especially true for a culturally active family: Rushefsky’s wife, Madeline Solomon, sings, plays accordion and runs the Brooklyn Workers Circle School in Park Slope; their 12-year-old daughter, Mathilda, plays in a children’s fiddle band in the neighborhood.
Midwood looms so large over the present-day Jewish music scene that there’s even a klezmer rock band named for it: Midwood, the band, was founded in 2015 by the fiddler Jake Shulman-Ment. The 39-year-old veteran klezmer violinist lives in the same apartment building on Ocean Avenue as Jeremiah Lockwood, a blues performer and a scholar of cantorial music.
“I call it the ‘Klezmer Shtetl,’” said Midwood’s vocalist, Eleonore Weill, who is also a multi-instrumentalist. (Weill used to reside in Midwood but now lives in next-door Ditmas Park, which is also home to Sarah Gordon, lead singer of the rock band Yiddish Princess. Nearby Kensington counts among its klezmer-making residents D. Zisl Slepovitch and the klezmer couple Ilya Shneyveys and Sarah Myerson.)
Another Midwood musician is Michael Winograd, 40, who many consider to be the best klezmer clarinetist of his generation. As a teenager, he went to Statman’s home for lessons; last summer he moved to the neighborhood.
Midwood musicians Jeremiah Lockwood, left, and Pete Rushefsky. (Courtesy)
Elsewhere in Midwood resides guitarist Yoshie Fruchter, founder of Pitom, which the Tzadik record label called “a shredding Jewish instrumental band.” Fruchter has performed with Jon Madof’s Zion80, which plays Shlomo Carlebach tunes in an Afrobeat style, and Mazal Tov Cocktail Party, the latest klezmer/dance music project led by David Krakauer and Kathleen Tagg.
“I didn’t choose Midwood, particularly,” Shulman-Ment told New York Jewish Week. “It sort of fell into my life.” The fiddler decided to rent his Midwood one-bedroom in the summer of 2021 while he was on tour in the Pacific Northwest. After seeing the place online and sending a couple of friends to check it out in person, Shulman-Ment signed a lease while he was still on the road.
As it happens, Lockwood — who lives with his two sons, ages 14 and 16, on the floor below Shulman-Ment — also rented his apartment sight unseen that same summer.
The two neighbors credit Ivona Hertz, co-owner of Ocean Empire Management, with helping them find a home. Her company manages a pair of buildings across from Prospect Park that are home to so many jazz musicians, they came to be known as “the jazz dorms.”
“When the tenants are happy they always recommend their friends,” Hertz said, describing how she came to rent Midwood apartments to so many musicians. “That’s how the ‘jazz dorms’ were created and that’s how the Midwood buildings are now getting more musicians. The apartments are larger, up to three bedrooms, including the square footage, and more affordable in Midwood.”
According to the available rentals on the real estate website StreetEasy, the median rent in Midwood is $2,566. (Hertz, the property manager known for helping musicians, says she typically charges between $1,500 and $1,750 a month for one-bedroom rentals.) The median sale price in the nabe for the first quarter of this year was $644,000, according to the real estate website PropertyShark — that’s substantially less than the Brooklyn borough-wide median of $755,000.
In addition to relatively low housing costs, Midwood is also known for being home to a very large — and mostly Orthodox — Jewish community. Traditionally Ashkenazi, the southern reaches of the neighborhood have also seen steady growth of its longtime Sephardic Jewish community. “Sephardic Jews dominate from [an area known as the] Avenue H cut to Avenue Z,” Sarina Roffe, CEO of the The Brooklyn Jewish Historical Initiative and president of the Sephardic Heritage Project, told the New York Jewish Week. “The Sephardic community in Brooklyn has been growing for more than 100 years.”
Most of these newer, klezmer residents identify as secular Jews, and not Orthodox. But many of them said they enjoy living among their Orthodox brethren. Clarinetist Winograd lives in part of Midwood that’s “very Jewish,” as he described it. “I kind of like being a secular Jew who gets to experience the benefit of a quiet Shabbes. I enjoy being a culturally-engaged Jew living in a Jewish neighborhood even if I’m not partaking in the more religious activities.”
Shulman-Ment — who identifies as a secular Jew who is committed to Jewish culture — spent a year living in Crown Heights, so he was familiar with the feeling of living in an Orthodox neighborhood and feeling like a bit of an outsider. He said he’s noticed, though, that if he’s in his “gig costume” — a suit and fedora — some of his Orthodox co-religionists offer a friendly greeting.
Lockwood described his (and Shulman-Ment’s) section of Midwood, along Ocean Avenue, as “rough-hewn and unlovely. It is a hard-working and threadbare place.” And yet, “I like it here fine,” he told the New York Jewish Week, adding: “I just don’t want to encourage out-of-towners to move in.”
Fruchter — who moved to Midwood last December with his wife, Jewish cookbook author Leah Koenig, and their two kids, aged 4 and 9 — said his area of Midwood has a lot of Pakistani residents, but on Saturday his family can often hear zemiros, hymns sung at the Sabbath table, coming from the homes of Orthodox neighbors down the block. “I really like how you see people from so many different places, cultures, religions and backgrounds all sharing the same sidewalks,” Fruchter told the New York Jewish Week via email. “I love walking by businesses with signs in different languages and restaurants where I have no idea what to order… I love that it’s a ‘quiet’ neighborhood but with a lot of bustle in it.”
Klezmer virtuoso Andy Statman, left, has lived in the neighborhood more than 30 years, while guitarist Yoshie Fruchter, right, is a more recent resident. (Courtesy)
The family is involved in the Flatbush Jewish Center, a Conservative egalitarian synagogue in the neighboring Kensington section of Brooklyn where Fruchter has served as cantor on the High Holy Days and organized a concert series.
Fruchter is also a member of Shulman-Ment’s band Midwood — whose recording of their live performance at the “Klezmer On Ice” festival in Minneapolis last winter will be released in the coming months. Midwood the band’s next gig is at the National Yiddish Book Center’s annual Yidstock festival in Amherst, Massachusetts on July 16.
Shulman-Ment will also be performing with the actor and musician Daniel Kahn on June 15 at the East Village world music venue Drom. The performance is timed to the release of the duo’s first album, “The Building & Other Songs,” which features Yiddish versions of songs by Leonard Cohen, Bruce Springsteen, Tom Waits and Woody Guthrie.
The other Midwood klezmer musicians with gigs to look forward to are Rushefsky — who is also the executive director of the Center for Traditional Music and Dance — and Statman, who will both be playing with the violinist Itzhak Perlman in the coming months.
In addition, Statman plays in two trios: The Andy Statman Trio, which has performed at the Greenwich Village Synagogue in Manhattan regularly for 20 years, and another with the Eddy Brothers, two young West Virginia bluegrass musicians. More recently, Statman started playing with a traditional bluegrass quartet that’s comprised of players he’s known since he was a teenager. That band is now known as Andy’s Ramble, not to be confused with the 1994 Statman album of the same name.
Statman grew up in Queens and was in his mid-20s when he first moved to Brooklyn in 1976. After a series of apartments, he and his wife Basha moved to Avenue L in Midwood in 1987, where they raised their four children. “Our kids needed to be here. We needed to be here,” Statman said. “There is sky and trees and grass here. There are birds chirping all over. The neighborhood was incredibly vibrant.”
When he first arrived, Statman took a break from his music career for a year to study Jewish holy texts full time. In the 35 years since, he’s seen real estate values soar to a level he calls “ridiculous.” Statman said that since the early 2000s, he’s watched kids who grew up on his block move to Lakewood, New Jersey or Monsey in Rockland County — both home to sizable Orthodox Jewish communities — because they couldn’t afford to buy homes in Midwood. Now their parents are leaving, he added, because they want to be near their grandchildren.
It’s a fate the clarinetist is personally familiar with: None of his four children, now grown, live in the area. With two daughters and their grandchildren living near Lakewood, the Statmans are considering relocating there themselves.
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The post How this Brooklyn neighborhood became the ‘Klezmer Shtetl’ appeared first on Jewish Telegraphic Agency.
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Jewish Sites in New York City Struck With Antisemitic Graffiti as Police Report Jews Targeted in 60% of Hate Crimes
Members of the Rego Park Jewish Center flanking swastika graffiti that was sprayed on the building on Sunday, May 3, 2026. Photo: Screenshot
Jewish residents of the Queens borough of New York City were outraged on Monday following an overnight spree of vandalism which left at least four Jewish properties — private homes and synagogues — marked with the swastika and other antisemitic graffiti.
The incidents were discovered as the New York City Police Department (NYPD) released its latest figures showing that Jews continued to be the target of the majority of all hate crimes across the five boroughs last month, despite comprising a small fraction of the total population.
The perpetrators of the latest wave of vandalism struck the Rego Park Jewish Center, the Congregation Machane Chodosh, as well as two private homes late Sunday night, according to local lawmakers and Jewish leaders. Police are still searching for the suspects. At least one lead has surfaced so far in the form of surveillance footage taken by the Rego Park Jewish Center near the site of one of the crimes.
The suspects allegedly responsible for drawing swastikas outside of the Rego Park Jewish Center. pic.twitter.com/VJBGzI4EgZ
— Dean_Moses (@Dean_Moses) May 4, 2026
Meanwhile, the graffiti remains a scourge on the buildings — appearing in one case next to a memorial to German Jews who survived Kristallnacht, a November 1938 pogrom when Nazi paramilitary forces launched a coordinated nationwide attack on the German Jewish community. The vandals left no doubt regarding their allusion to that period, graffitiing “Heil Hitler” at the Rego Park location.
“When rabbis and congregants arrive to pray this morning, they expected to be met with their usual loving community. When a family woke up, they were prepared to begin an otherwise normal week. Instead, they were me with terrifying signals of hatred and threats of violence,” New York City Council Speaker Julie Menin said in a social media post which addressed the incidents. “With antisemitism on the rise here and across the globe, we will always stand up for our Jewish community and fight back against hate.”
Multiple synagogues and private homes in Queens were vandalized overnight with swastikas and other antisemitic graffiti. @Lynn4NYC, @PhilWongNYC and I are at one of the sites, Congregation Machane Chodosh, in Forest Hills now.
When rabbis and congregants arrived to pray this… pic.twitter.com/s38TXvFHQt
— Speaker Julie Menin (@SpeakerMenin) May 4, 2026
Mark Treyger, CEO of the Jewish Community Relations Council of New York, noted on social media that one of the targeted sites houses a pre-K program for young children.
“This is not normal, and we need city leaders to act NOW,” he posted.
The vandalism was discovered as the New York City Police Department (NYPD) reported on Monday the surge in antisemitic hate crimes across the city had continued unabated.
According to the newly released data, Jews were targeted in 60 percent of all confirmed hate crimes last month, despite making up just 10 percent of the city’s population.
In April, the police confirmed 30 antisemitic incidents out of 50 total hate crimes in the city. As for all reported/suspected hate crimes, 38 out of the total of 65 targeted Jews.
The NYPD had previously reported suspected, but unconfirmed, hate crime incidents. In February, the police began reporting confirmed incidents instead. And then after receiving scrutiny, the department began reporting both suspected and confirmed hate crimes in March.
Regardless of the methodology, the majority of all hate crimes in New York City this year have targeted Jews, especially the Orthodox community, continuing a surge in antisemitism that has swept the city after the start of the Israel-Hamas war in Gaza in October 2023.
In just eight days between the end of October and the beginning of November 2024, for example, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.
In November, just days after the election of Zohran Mamdani as mayor of New York City, hundreds of people amassed outside a prominent synagogue and clamored for violence against Jews.
“We don’t want no Zionists here!” the group chanted in intervals while waving the Palestinian flag outside the Park East Synagogue in the Upper East Side section of the borough of Manhattan. “Resistance, you make us proud, take another settler out.”
Mamdani has dismantled key parts of the civil rights architecture his predecessor built to combat antisemitism in the city. Former Mayor Eric Adams adopted the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, enforced a ban on awarding government money to adherents of the movement to boycott Israel, and established as a governing principle the idea that Zionism is central to Jewish peoplehood even as it remains a target of antisemitic activism.
“The connection between Jewish identity and the Land of Israel is not political preference but religious and cultural foundation extending back millennia,” Adams said in one of his final communications as mayor. “The practical consequence of anti-Zionist rhetoric is the dehumanization of Zionists (the vast majority of Jewish people) and the dehumanization of all Jewish people. When Zionism itself is characterized as racist or illegitimate, Jewish people become targets for hostility and violence. This dynamic helps explain why attacks on Israel’s legitimacy correlate with increased antisemitic incidents in the diaspora, targeting all Jewish people regardless of their politics.”
The change in New York City’s climate since Mamdani’s election is palpable, Jewish advocacy groups have said. One his first day in office in January, he voided the city government’s adoption of the IHRA definition, lifted the ban on contracts with companies boycotting Israel, and modified key provisions of an executive order directing law enforcement to monitor anti-Israel protests held near synagogues.
“Mayor Mamdani pledged to build an inclusive New York and combat all forms of hate, including antisemitism,” a coalition of leading Jewish groups said in a statement addressing the new administration. “But when the new administration hit reset on many of Mayor Adams’ executive orders, it reversed … significant protections against antisemitism.”
Follow Dion J. Pierre @DionJPierre.
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Venice Biennale Jury Resigns Amid Israel, Russia Controversy; Organizers Announce New Awards, Ceremony
A poster for the 61st Venice Biennale running from May 9 to November 22. Photo: IMAGO/Frank Ossenbrink via Reuters Connect
The jury for the 2026 Venice Biennale announced their resignation mere days before the 61st edition of the show is set to open to the public on May 9.
The move comes after the five members of the jury, which selects the winners for the exhibition’s top prizes, said on April 22 that they would not consider giving awards to artists from countries accused by the International Criminal Court (ICC) of crimes against humanity, which include Israel and Russia. Both countries are participating in this year’s Venice Biennale, a fact that has caused controversy in light of the Israel-Hamas war and the Russia-Ukraine war.
The ICC issued an arrest warrant in 2023 for Russian President Vladimir Putin, who has been accused of war crimes in Ukraine, and an arrest warrant in 2024 for Israeli Prime Minister Benjamin Netanyahu due to his country’s military actions in the Gaza Strip during its war against Hamas terrorists. Israel, which launched its military campaign in response to Hamas’s invasion and massacre of Israelis on Oct. 7, 2023, has strongly denied the ICC’s allegations, with officials saying the Israeli military has gone to unprecedented lengths to try and avoid civilian casualties.
“As of April 30, 2026, we, the international jury selected by Koyo Kouoh, artistic director of the 61st edition of La Biennale di Venezia ‘In Minor Keys,’ have resigned,” the jurors said in a released statement. “We do so in acknowledgment of our Statement of Intention issued on 22 April 2026.” No further information was provided regarding the resignation.
The Venice Biennale did not respond to The Algemeiner‘s request for comment about the decision but acknowledged the jury’s resignation in a released statement on April 30. Organizers announced in a separate statement that the event’s awards ceremony will be moved from May 9 to Nov. 22, which is the last day of the show. The decision to reschedule the awards ceremony was made in light of the jury’s resignation “as well as the exceptional nature of the current international geopolitical situation,” the Venice Biennale said.
The jury for the Venice Biennale typically selects the winners for the highly coveted Golden and Silver Lion prizes. With no jury this year, the Venice Biennale said it will instead establish two “Visitors’ Lions” awards. Visitors will be able to vote for “the Best Participant in the 61st Exhibition ‘In Minor Keys’ by Koyo Kouoh” and “the Best National Participation in the 61st Exhibition.”
Each Venice Biennale ticket holder who visited both of the exhibition’s venues during this year’s show will be eligible to cast one vote for each of the two new awards. All participants n the 2026 Venice Biennale, including those from Israel, will be eligible for the Visitors’ Lion award for Best National Participation “following the principle of inclusion and equal treatment among all participants.”
“This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship,” organizers said. “La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”
An open letter calling for Israel to be banned from the 61st Venice Biennale exhibition was published in March and signed by 178 Biennale participants. Romanian artist Belu-Simion Fainaru is representing Israel in this year’s show and recently criticized the jury’s April 22 decision not to consider awarding artists from the country.
Because of backlash over Russia’s participation, the Venice Biennale announced on April 28 that the Russian Pavilion in this year’s show will be only open to the public during the four-day preview. The European Union has already decided to withdraw $2.3 million in funding from the Venice Biennale because of Russia’s inclusion this year.
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All Major Jewish Organizations in Norway Criticize Holocaust Center for Repeatedly ‘Relativizing the Holocaust’
A drone view of the “Arbeit macht frei” gate at the former Auschwitz concentration camp ahead of the 80th anniversary of its liberation, Oswiecim, Poland, Jan. 10, 2025. Photo: REUTERS/Kacper Pempel
Representatives from the largest Jewish organizations in Norway collectively published an open letter on Monday that accused the Norwegian Center for Studies of Holocaust and Religious Minorities (HL-Center) of repeatedly “relativizing the Holocaust.”
The open letter, which addressed the board and director of the HL-Center, accused the institution of using the Holocaust “in direct or indirect connection with the wars in the Middle East and other historical events.” The signatories noted that for “several years” there have been “repeated incidents” of the institution promoting “Holocaust revitalization.”
“When the Holocaust is systematically placed in parallel with other conflicts, there is a risk of relativizing its unique historical status. Over time, we have come to view this not as isolated judgments, but as a pattern,” wrote those representing the majority of Jewish life in Norway. They called on the HL-Center to “exercise far greater scholarly and institutional caution in how the Holocaust is discussed and contextualized.”
On April 30, the HL-Center hosted an event that drew parallels between the Holocaust and the Palestinian “Nakba” and how “they have functioned as competing cultural traumas.” “Nakba,” the Arabic term for “catastrophe,” is used by Palestinians and anti-Israel activists to refer to the establishment of the modern state of Israel in 1948.
Israel’s Embassy in Norway said the center’s decision to host the event was a “grotesque distortion of Holocaust memory.”
The open letter on Monday mentioned the April 30 event and also expressed concerns by Norway’s Jewish community about an upcoming event on June 3, titled “Holocaust Memorial after Gaza,” which will discuss Holocaust remembrance in relation to contemporary politics, specifically the Israel-Hamas war in Gaza.
“We wish to emphasize that it is both legitimate and necessary to acknowledge the suffering of civilians in armed conflicts, including the experiences of Palestinians after 1948,” Jewish community leaders wrote in the open letter, before noting “this is a subject that can be addressed without bringing the Holocaust into it.”
“A more natural parallel would be the consequences for the more than 1 million Jews who suffered in, and were forced to flee from, Arab countries after the establishment of Israel,” they added. “It is essential to maintain that the Holocaust represents a historical event without parallel: an industrial, ideologically driven genocide whose aim was the total extermination of the Jewish people.”
The letter was signed by B’nai B’rith Norway Lodge, The National Council for Jewish Communities in Norway, Kos & Kaos The Nordic Jewish Network, Chabad Lubavitch of Norway, Det Mosaiske Trossamfund (congregation) in Oslo, The Jewish Community of Trondheim, and The Jewish Community of Bergen, as well as The Jewish Community of Norway.
The groups asked the HL-Center board to issue a clarification about its role and mandate, “particularly with regard to comparisons between the Holocaust and contemporary conflicts.” They also want the center to establish clear guidelines about how its leadership and events will reflect “ongoing political conflicts,” most likely referring to the Israel-Hamas war.
“We expect the board to take this communication seriously. Our goal is to ensure that the HL Center remains a unifying and academically credible institution — also for the Jewish minority it was founded to protect and serve,” they noted. “We also wish to remind you of several previous communications concerning this matter, including the open letter from descendants of Holocaust victims and B’nai B’rith’s thorough report on the shortcomings we are again raising here. None of these has been answered in a satisfactory manner.”
Representatives from Norway’s major Jewish organizations said they previously reached out to the board of the HL-Center with their concerns regarding Holocaust trivialization, the director’s public statements, the center’s role in political conflicts, and how “Holocaust memory has been connected to contemporary wars during central commemorative events” at the center. Their concerns “appear to have led to little change,” they noted.
“The center has a particular responsibility to preserve the memory of the millions of Jews who were murdered, and to ensure that this memory is not relativized or instrumentalized for political purposes,” they added, after pointing out that the institution was established partially with funds from a restitution settlement following the liquidation of Jewish property during the Holocaust.
“The point is not to preclude criticism of Israeli policy, but to make clear how easily such parallels can contribute to trivializing the particular character of the Holocaust, and that such rhetoric can contribute to increased antisemitism,” the open letter pointed out.
Norway is a part of the International Holocaust Remembrance Alliance (IHRA). According to the IHRA definition of antisemitism, drawing a comparison between Israel and the Nazis is a contemporary example of antisemitism.